Lol, glad you like the demo track, it’s not very long and I generally don’t retain the tracks after the demo is complete. Thanks again for your comment, pleas feel free to sub.
Hi, I have no real knowledge of venues for which you can perform. However I would suggest getting yourself an agent. An agent will be able to book venues on your behalf, the types of venues will obviously include open air events, pubs, clubs and concerts. That would be my suggestion, sorry it wasn’t more helpful. Thanks for reaching out.
I still have v3 and I like it's simplicity (even though I'm starting to get interested into the possibility of it as an fx). Tonebooster ReelBus is definitely a secret weapon to get things loud, you can gain a huge amount of headroom without sacrificing sound quality with it.
Sorry to be off topic but does any of you know of a trick to log back into an instagram account? I was dumb forgot the account password. I would love any help you can offer me!
Well, I liked the slow Sunday afternoon cafe jazz, so I guess some people are much more businesslike. I think this plugin (I am on iOS/iPadOS, iPad Pro M1 used purchase early this year) is subtle. I have used it on a Hammond-organ type software instrument, it put a velvety sheen on the sound, quite nice. But it made it to my staple and very short list of FX plugins for Mastering in iOS using a song solely for that purpose. There’s only four slots, so with two of them taken up with ProQ3, I only have space for TB Reelbus and one other (Korvpressor). I try to keep the noise low, and in truth I’d probably be hard put to tell the difference on account of the tremendously low settings I use - I kind of extrapolated from my Hammond Organ patina it did, and just rolled it back a bit from there. I generally leave it at 12.9dB in the centre control, and actually make the rest of my short FX chain world for mastering, revolve around that. IE I wind down the output from the first ProQ3 instance, to give Reelbus the headroom to do a bit more. Anyway, thanks for the presentation, and the slow jazz vibe too.
Hey, thanks for sharing your setup, very detailed, much appreciated. I’m glad you like the plugin. Since doing this video I haven’t used the plugin much, if I’m honest I simply forget that I even have it, however now that you have reminded me perhaps I’ll start using it again. As with most things, plugin wise, less is more… Having lots of plugins creates its own unique set of problems, I.e you never really get to learn the products well because you don’t spend time to learn them well. Thanks again for watching and for your comment 👍🏾
This is plugin is powerful, an RC-20 type deal..i love the extra effects, u dont find this on alot of tape emulation plugins. Thnks 4the review, love the beat by the way real smooth.
Glad you’re loving it bro. As you may know I’m not sponsored by anyone so if I like it and recommend it, it’s because I really do like it. Hope you make lots of fab music with it. If you find any hidden gems in the software please feel free to share it with us. Thanks for your comment bro, much appreciated.
@@SoundkandyStudio i read that guy's comment about beeing a fanboy and all that negative stuff, dont mind him haha. Do you have any video on a bitcrusher vst?
@@leonsaieg2959 With regards to the negative comments I really don’t pay them any attention, everyone is entitled to their own opinion, even f I don’t agree. Personally I tend to stick to the principle “if you have nothing nice to say, say nothing”. I fully accept constructive criticism, however straight up BS is not worth my time. I don’t have Bitcrusher, but I’ll grab a demo and see what it’s like, if it’s good I’ll do a video. Do you have it? If so what do you think about it? Thanks for your support and kind words, they are appreciated.
Good review of presets/ functions but the exagerated bass on source material gave me a headache...literally! Would have liked to hear more diverse material especially with better transients. TB do some really good stuff and deserves a better review.
Thanks for you comments and feedback, all very helpful. With regards to the views I have no idea, perhaps I simply don’t post enough lol, You know what UA-cam is like…
It took way too long to find out what the app does. That's the first thing i want to know so that I know if it interests me. There are quite a few channels on iPadOS/iOS music apps and the ones I will watch are the ones with the least amount of fluff at the start. This is the first video I watch of yours so I am being critical and hopefully you will take it in a positive way.
Thanks for your comments Perry, I appreciate your honest feedback, I am trying to keep the preamble to a minimum but still retain my personal character. Needless to say it can be difficult at times. Personally I avoid channels that simply discuss “numbers/stats” and technical data, music is about sonic qualities, how things actually sound. But as I’ve said thanks fr your feedback I do appreciate it.
@@onesong2001 Not a problem, I just find sometimes that certain comments are not very helpful. On this video there are 116 likes and 10 dislikes, again, perhaps my style and or content is not for you. I’m still learning how do do this You|Tube thing so please bare with me, I’m trying…. Personally, I’ve never left a negative comment. If I have nothing good to say, I say nothing. Leaving such a comment isn’t that helpful. There are tons of videos on this plugin, perhaps someone else can serve you better. I’m no professional UA-camr, just someone trying to help others. The Video has over 10k views, others like it, you don’t and that's ok. You can’t please everyone… Thanks for your feedback nevertheless…
@@SoundkandyStudio Have to disagree with this commenter... I liked this style of plugin demonstration it's like chilling in a studio with a fellow musician/producer and playing around with stuff. I like it when people let it play and the plugin speaks for itself instead of a load of technical jargon...
@@clappedoutmotor You know what? This is one of the best comments I’ve ever received on UA-cam. I thank you. Many people say I don’t go into lots of technical details, this is true. Music, in my opinion isn’t about technical details. If you suck as a musician, you suck, technical details won’t help you. If people really won’t tech details it’s available for free on the developers site, most tech details are BS and simply a sales and marketing tool. If it sounds good it’s good, if not don’t waste your money. Lots of people obsess over tech details, good music circumvents “tech stuff”, as they say “a bad workman blames his tools”. It’s the same with stock plugins, many people think they’re are no good. No, incorrect. They are good, it’s just that most people just don’t have the “know-how” to get the most out of them. Thank you for taking the time to watch my video and for your comment, much appreciated. 👍🏾
fanboying??? No, I always say visit the developers site for more info, I guess you can’t please everyone…. Please feel free to download the demo, upload your take of how you’d use the plugin and send me the link. It’s always good to see how others use the plugin.
@ Lol, 😂 I’m still waiting for him/her to upload a video so that we can all review… 😂 I’m no UA-cam professional, I’m just a guy who loves music and would like to share what little knowledge I have. As I said to Blue Dot, please feel free to make your own vid, I guess he/she still making it. Thanks for your comment and support 👍🏾
He should read the manuals, they are technical. Otherwise listening to different settings is interesting enough. And what's not to love about Breebaart's stuff?
@@agentviktor3297 I totally agree. The user manual is a great place to find all the technical information one needs. Me, I’m not too fussed about every technical aspect of plugins, music is about sound(s) and not solely dependant on numbers. Adding an extra 2db of gain reduction won’t make a rubbish song a number 1 hit in the charts. I accept that technical information can be very useful in the right circumstance, for example +5db may very well clip your master buss. However, clipping may just be what the artist/performer and producer wants. There are simply no firm rules in music, there is simply “Best practice”. Thanks for your comment bro, much appreciated 👍🏾
Seriously guys!?!
That jazzy instrumental is bananas! It sounds sonically bliss. Great choice for the demo here!
Lol, glad you like the demo track, it’s not very long and I generally don’t retain the tracks after the demo is complete. Thanks again for your comment, pleas feel free to sub.
Hi, I have no real knowledge of venues for which you can perform. However I would suggest getting yourself an agent. An agent will be able to book venues on your behalf, the types of venues will obviously include open air events, pubs, clubs and concerts. That would be my suggestion, sorry it wasn’t more helpful. Thanks for reaching out.
My pleasure, whatever I can do to help... 👍🏾
I still have v3 and I like it's simplicity (even though I'm starting to get interested into the possibility of it as an fx).
Tonebooster ReelBus is definitely a secret weapon to get things loud, you can gain a huge amount of headroom without sacrificing sound quality with it.
You’re absolutely right Nick, its a great plugin and I like it a lot. Thanks for your comment bro, please feel free to sub.👍🏽
Sorry to be off topic but does any of you know of a trick to log back into an instagram account?
I was dumb forgot the account password. I would love any help you can offer me!
@Lee Wesley Instablaster ;)
Well, I liked the slow Sunday afternoon cafe jazz, so I guess some people are much more businesslike. I think this plugin (I am on iOS/iPadOS, iPad Pro M1 used purchase early this year) is subtle. I have used it on a Hammond-organ type software instrument, it put a velvety sheen on the sound, quite nice. But it made it to my staple and very short list of FX plugins for Mastering in iOS using a song solely for that purpose. There’s only four slots, so with two of them taken up with ProQ3, I only have space for TB Reelbus and one other (Korvpressor). I try to keep the noise low, and in truth I’d probably be hard put to tell the difference on account of the tremendously low settings I use - I kind of extrapolated from my Hammond Organ patina it did, and just rolled it back a bit from there. I generally leave it at 12.9dB in the centre control, and actually make the rest of my short FX chain world for mastering, revolve around that. IE I wind down the output from the first ProQ3 instance, to give Reelbus the headroom to do a bit more. Anyway, thanks for the presentation, and the slow jazz vibe too.
Hey, thanks for sharing your setup, very detailed, much appreciated. I’m glad you like the plugin. Since doing this video I haven’t used the plugin much, if I’m honest I simply forget that I even have it, however now that you have reminded me perhaps I’ll start using it again.
As with most things, plugin wise, less is more… Having lots of plugins creates its own unique set of problems, I.e you never really get to learn the products well because you don’t spend time to learn them well.
Thanks again for watching and for your comment 👍🏾
This is plugin is powerful, an RC-20 type deal..i love the extra effects, u dont find this on alot of tape emulation plugins. Thnks 4the review, love the beat by the way real smooth.
Thanks for the feedback, much appreciated...
loving this plugin, bought it yesterday
Glad you’re loving it bro. As you may know I’m not sponsored by anyone so if I like it and recommend it, it’s because I really do like it. Hope you make lots of fab music with it. If you find any hidden gems in the software please feel free to share it with us. Thanks for your comment bro, much appreciated.
@@SoundkandyStudio i read that guy's comment about beeing a fanboy and all that negative stuff, dont mind him haha. Do you have any video on a bitcrusher vst?
@@leonsaieg2959 With regards to the negative comments I really don’t pay them any attention, everyone is entitled to their own opinion, even f I don’t agree. Personally I tend to stick to the principle “if you have nothing nice to say, say nothing”. I fully accept constructive criticism, however straight up BS is not worth my time.
I don’t have Bitcrusher, but I’ll grab a demo and see what it’s like, if it’s good I’ll do a video. Do you have it? If so what do you think about it?
Thanks for your support and kind words, they are appreciated.
You forgot probably the most important thing... You didnt play bypassed version at start so we couldn't compare what it really does to original track.
Lol, my bad bro...
Good review of presets/ functions but the exagerated bass on source material gave me a headache...literally! Would have liked to hear more diverse material especially with better transients. TB do some really good stuff and deserves a better review.
Thanks for you comments and feedback, all very helpful. With regards to the views I have no idea, perhaps I simply don’t post enough lol, You know what UA-cam is like…
Just curious... How would you then record the "record tape stop effect" into your track?
You can either create an automation lane on your master buss, or simply bounce out the tape stop effect to a separate track. Thanks for your comment.
I often still use ferox on the masterbuss
It's a great plug, I reslly do like it.. Thanks for your comments.
i love this plugin too. i like video.
Much appreciated bro…👍🏾
It took way too long to find out what the app does. That's the first thing i want to know so that I know if it interests me. There are quite a few channels on iPadOS/iOS music apps and the ones I will watch are the ones with the least amount of fluff at the start. This is the first video I watch of yours so I am being critical and hopefully you will take it in a positive way.
Thanks for your comments Perry, I appreciate your honest feedback, I am trying to keep the preamble to a minimum but still retain my personal character. Needless to say it can be difficult at times.
Personally I avoid channels that simply discuss “numbers/stats” and technical data, music is about sonic qualities, how things actually sound. But as I’ve said thanks fr your feedback I do appreciate it.
They make the best plugins on IOS. I’m trying to find something bad to say. I can’t!
You know what, I’ve never tried it on IOS, now you’ve mentioned it I think I will… Thanks for your comment bro…
I don't like the dark ones
You bored me to sleep in 3 minutes.
Perhaps it’s not for people like you…
@@SoundkandyStudio I don't know. I listened for 3 minutes but you didn't say anything interesting about the plugin so I moved on.
@@onesong2001 Not a problem, I just find sometimes that certain comments are not very helpful. On this video there are 116 likes and 10 dislikes, again, perhaps my style and or content is not for you. I’m still learning how do do this You|Tube thing so please bare with me, I’m trying….
Personally, I’ve never left a negative comment. If I have nothing good to say, I say nothing. Leaving such a comment isn’t that helpful. There are tons of videos on this plugin, perhaps someone else can serve you better. I’m no professional UA-camr, just someone trying to help others. The Video has over 10k views, others like it, you don’t and that's ok. You can’t please everyone…
Thanks for your feedback nevertheless…
@@SoundkandyStudio Have to disagree with this commenter... I liked this style of plugin demonstration it's like chilling in a studio with a fellow musician/producer and playing around with stuff. I like it when people let it play and the plugin speaks for itself instead of a load of technical jargon...
@@clappedoutmotor You know what? This is one of the best comments I’ve ever received on UA-cam. I thank you. Many people say I don’t go into lots of technical details, this is true. Music, in my opinion isn’t about technical details. If you suck as a musician, you suck, technical details won’t help you. If people really won’t tech details it’s available for free on the developers site, most tech details are BS and simply a sales and marketing tool. If it sounds good it’s good, if not don’t waste your money.
Lots of people obsess over tech details, good music circumvents “tech stuff”, as they say “a bad workman blames his tools”. It’s the same with stock plugins, many people think they’re are no good. No, incorrect. They are good, it’s just that most people just don’t have the “know-how” to get the most out of them.
Thank you for taking the time to watch my video and for your comment, much appreciated. 👍🏾
That's not a review, that's 12 minutes of uninteresting fanboying with no technical insight.
fanboying??? No, I always say visit the developers site for more info, I guess you can’t please everyone…. Please feel free to download the demo, upload your take of how you’d use the plugin and send me the link. It’s always good to see how others use the plugin.
@ Lol, 😂 I’m still waiting for him/her to upload a video so that we can all review… 😂 I’m no UA-cam professional, I’m just a guy who loves music and would like to share what little knowledge I have. As I said to Blue Dot, please feel free to make your own vid, I guess he/she still making it.
Thanks for your comment and support 👍🏾
@@SoundkandyStudio :)
He should read the manuals, they are technical. Otherwise listening to different settings is interesting enough. And what's not to love about Breebaart's stuff?
@@agentviktor3297 I totally agree. The user manual is a great place to find all the technical information one needs. Me, I’m not too fussed about every technical aspect of plugins, music is about sound(s) and not solely dependant on numbers. Adding an extra 2db of gain reduction won’t make a rubbish song a number 1 hit in the charts.
I accept that technical information can be very useful in the right circumstance, for example +5db may very well clip your master buss. However, clipping may just be what the artist/performer and producer wants. There are simply no firm rules in music, there is simply “Best practice”.
Thanks for your comment bro, much appreciated 👍🏾