I always use MAAT 2BC multiCORR to listen a mix in mono/mid or difference/side and stereo. When I find a piercing resonance to be tamed I choose between stereo and mono. In this case I have chosen stereo first because it is a classical music record and I do not want to change neither tone nor stereo field of the instruments. In other genres most of the time the mud lives in the lower mid region in mono portion.
It's about time, very few videos on classical music! That being said the Vivaldi sounds great, but the volume is consistent, what about dynamics? Very soft re p to f in masters? Crescendo? Etc? Many thanks for posting your vid!
There are no rules to master classical music, only common "recommendations". The intent is to present the performance as accurately as possible. My mastering approach in this case is to "do no harm". That is why I am treating the track like a raw egg and I use relatively a short signal chain: MAAT Orange + MAAT Red eqs and a limiter.
Interesting video, thank you for sharing! Out of curiosity, Is there a reason that the peak is at only -4.5 decibels or was it just for this small segment?
boah there are some resonances in the violins at 5-8k or so left and even right that is strange :D ... that is so anoying haha.. but i guess you are not allowed to filter it....
![How To Mix And Master Epic/Orchestral Music [Tutorial]](http://i.ytimg.com/vi/d9u7f0Ux0VE/mqdefault.jpg)
Hi 👋😇🤚🏻🙏🏻🔥🔥🔥🔥🔥
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Thank you very much. It helped me a lot! ❤
Always welcome 🙏🏻
Thank you very I was really expecting this chapter , its really informative .
Happy you like it 🙌🤝
Thank you.
Welcome 🙏🏻
Thanks. what makes you use stereo or mid when cutting in lowmid and mid
?.
I always use MAAT 2BC multiCORR to listen a mix in mono/mid or difference/side and stereo. When I find a piercing resonance to be tamed I choose between stereo and mono. In this case I have chosen stereo first because it is a classical music record and I do not want to change neither tone nor stereo field of the instruments. In other genres most of the time the mud lives in the lower mid region in mono portion.
@@boogiesnail thanks, i will test 2BC multiCORR.
@@MR_Cellarpop it's worth it 👍
It's about time, very few videos on classical music! That being said the Vivaldi sounds great, but the volume is consistent, what about dynamics? Very soft re p to f in masters? Crescendo? Etc? Many thanks for posting your vid!
There are no rules to master classical music, only common "recommendations". The intent is to present the performance as accurately as possible. My mastering approach in this case is to "do no harm". That is why I am treating the track like a raw egg and I use relatively a short signal chain: MAAT Orange + MAAT Red eqs and a limiter.
Are you using a midi track?!
Nope it is a strings ensemble
It does not really sound like a real orchestra. or just overly bright and digital
Interesting video, thank you for sharing! Out of curiosity, Is there a reason that the peak is at only -4.5 decibels or was it just for this small segment?
Sorry I don’t really remember now 😊 Most likely it was just for that segment….
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boah there are some resonances in the violins at 5-8k or so left and even right that is strange :D ... that is so anoying haha.. but i guess you are not allowed to filter it....
I guess in this case you’d have a serious talk with the producer 🙌🙌🙌😊
I am sorry, but Its sounds like cheap midi samples. Really ! :)
Thank you 🙏🏻 This video is about how to master this genre. Hope you like more the content than the samples 🤝