Andrew Scheps Drum Distortion Mix Trick | Parallel Processing for Huge Drums

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  • Опубліковано 29 січ 2025

КОМЕНТАРІ • 22

  • @santiagodiazcritelli9835
    @santiagodiazcritelli9835 3 роки тому +5

    All your videos teaching mixing engeneer's techniques are awesome. I learn a lot.
    Thank you!!

  • @TheNoiseFloorav
    @TheNoiseFloorav 4 роки тому

    clicking "graph" would allow you to use filter 1 anywhere in the chain, meaning the second eq plugin could be redundant.

  • @Numocron
    @Numocron 2 роки тому

    Wow man this is such an interesting & awesome video I love it.😃👍❤️

  • @highpeakrecordings
    @highpeakrecordings 4 роки тому

    Another great video. Subscribed!

  • @OVERSSG
    @OVERSSG 4 роки тому +2

    Do you use it before any processing on individual tracks?

    • @GreenLightSound
      @GreenLightSound  4 роки тому +4

      No, I usually mix the drum tracks first and add this if I need the extra energy.

    • @OVERSSG
      @OVERSSG 4 роки тому

      @@GreenLightSound Can I contact you on Instagra? I have couple questions.

    • @GreenLightSound
      @GreenLightSound  4 роки тому +1

      @@OVERSSG Go to www.greenlightsound.com and email me there.

  • @silhz9201
    @silhz9201 5 років тому +2

    does this work with trap drums?

  • @aaronjames8547
    @aaronjames8547 2 роки тому

    would you stack this ontop of regular parallel compression?

    • @GreenLightSound
      @GreenLightSound  2 роки тому +1

      Yes

    • @aaronjames8547
      @aaronjames8547 2 роки тому

      @@GreenLightSound how much parallel shit can you stack? For some reason my brain tells me not to use too much

    • @davejohnsonmusic
      @davejohnsonmusic Рік тому

      @@aaronjames8547 As he explains here, this process is most impactful when you automate it to only be on at certain points in a track... i.e. choruses. Plus, you're only blending it in a little, even less than you would with a normal parallel drum crush. You shouldn't be afraid to stack parallel processes at all. The key is not to have them overpower the original drum tracks and automate them on and off throughout a track. Learning where, when and how much to use them is a matter of personal taste.