Written in 1830, only three years after Beethoven’s death (in 1827)! Such a cinematic, imaginary brilliant work, masterfully orchestrated. Splendid performance by Andres and Hr-Sinfonieorchester and additionally superbly recorded! Thanks a lot!
I. Rêveries - Passions (Reveries - Passions) - 0:05 II. Un bal (A Ball) - 16:34 III. Scène aux champs (Scene in the Fields) - 23:40 IV. Marche au supplice (March to the Scaffold) - 41:09 V. Songe d'une nuit du sabbat (Dream of the Night of the Sabbath) - 47:34
you all prolly dont care at all but does any of you know a trick to log back into an instagram account..? I somehow forgot my password. I would appreciate any tricks you can offer me!
One of the most emblematic interpretation.. Almost all the details are here, the timbres are so truly expressive and totally appropriate. I haved watch so many performance of this orchestra and I swear, it's one the top 5 orchestra in the world, almost all the musicians inside are so passionate and energic. Thanks a lot really ! :)
Outstanding performance as usual with HR Frankfurt Sinfonie, with all great musicians, strings, wood winds, brass and percussion, conducted by Andrés Orozco Estrada. Bravissimo!!!
Splendid performance of this "fantastic" work by one of the very great masters of orchestral composition. This orchestra is superb in all sections and Andres in full control at every point. Una maravilla!!
What a fabulous Orchestra is the Franfurt sinfonie and every one of their performances under the baton of Maestro Andres Orozco Estrada are superb. Such lovely rounded tones that one almost imagined one is hearing it live. Many thanks for post g this outstanding performance
This masterpiece is magnificent not only for the musical strength but also for its incredible harmony, sensitivity that touches us deeply emotionally. The lyricism of some parts of the work is sublime and with great elegance.Berlioz was an amazing composer and particularly in this fabulous composition, where he demonstrate his fantastic talent and audacity . The orchestra performance and direction are superb. Thanks for this notable and remarkable recording.The Symphony is really Fantastic.
Berlioz was a real Genius!.. i mean he was crazy!.. i wonder what looked like the face of the first auditors when they listened to this , them who were used to Boieldieu music!
To listen to this composer is to abolish the surge of everyday noises and images to half-open the space of an elsewhere where contingency and representation give way to the immateriality of the sensitive. Once the door is closed on the agitation of the world, an underlying silence sets in, a slowness seizes, preludes to a dilation of perception and consciousness. The expressive power of sound architecture breaks with any form of transcription of reality to focus on the expression of a fabulous universe where color and rhythm constitute an expiration that gives voice to exaltation !!!!
une des plus mauvaises interprètations -insipide et sans âme- à certains moments on doit tendre l'oreille et il n'y a pas cette passion , ce lyrisme propre à Berlioz- même les musiciens ne vivent pas la musique contrairement à d'autres orchestres (Hambourg pour rester en Allemagne- ceci explique sans doute la timidité des applaudissements tardifs là où d'autres récoltent des "standing ovations"
Für solche Orchester zahle ich gerne meine GEZ Gebühren sowie auch meine Kirchensteuer. Wunderbare Darbietung und Klang ! Die Symphonie trägt den Beinamen: "De la vie d'un artiste"
eine meiner absoluten Lieblingssymphonien, die ich das erste Mal in Carcassonne beim Sommerfestival im ersten Festungsring hinter dem Teatre comtal bei sommerlichen Temperaturen gehört habe. Immer wieder erstaunt mich die Auswahl der Adjektive, die hier für eine Aufführung gewählt werden und auch ich bin überrascht , wie schlank das Spiel herüber kommt, wenn man bedenkt dass dies eine Aufnahme in einer Kirche ist. Oft klafft auch bei mir die Spanne zwischen Aufnahme und Realität auseinander. Weil die Instrumente beim Zuhören sich nicht so leicht mischen wie bereits bei einer abgemischten Aufnahme. Berlioz Musik ist dabei eine Ausnahme, da sich seine Orchestrierung geschmeidig durch alle Register zieht und selbst bei der unterbrochenen
Estraordinary performance: Every detail has been marvelously played . . . At my taste, at the "Marche au supplice" I would have chosen a more slow introduction of the Clarinete and used a more "claustrophobic" bell at the introduction of the Scaffold . . . Wonderfull accellerato at the end BRAVO !
Glorious. Magical. For some reason the audience didn't get it - fools ! This would have got Prommers cheering for twenty minutes! I have heard just one even more splendid performance - Simon Rattel let his percussionist really reproduce the natural sound of thunder at a performance in Nottingham over thirty years go.Other than that - this was perfect - such ensemble playing, the accuracy was stunning. I hope to hear this orchestra and conducter at the RAH !
There is often a marked difference in audience response at the end of a piece between European and American audiences. European audiences are usually much more sensitive to a conductor than U.S. audiences. European audiences frequently wait to applaud until the conductor's baton is lowered, or the conductor indicates in some way that the "magic of the moment" must not be dispelled by an insensitive audience. Thus Claudio Abbado's peerless performance of Mahler's 9th in Lucerne in 2010 was followed by 2 mins. 15 secs. of silence before the applause began. Abbado appeared to be in a trance; it was surely a unique occasion. This is in strong contrast to the behaviour of U.S. concert-goers, who almost always begin immediately to applaud wildly, leap up, and frequently utter whistles, shrieks, hoots, or other offensive noises intended to convey appreciation but are (in my opinion) inappropriate and certainly undignified. Russian audiences sometimes begin rhythmical clapping, which I find especially irritating.
tedwilks How about the thing some people have about clapping their hands way above their heads as if to say... well you can imagine. Perhaps "me no fuddy-duddy, howay the lads."
It is really amazing how the audience is so cold. They almost gave no applause to an absolutely fantastic performance by Colombian conductor Andrés Orozco-Estrada. Incredible.
I agree ! a dreadful reaction ! It could be that all the detail was lost in the corridor of the Nave. Only the front few rows could have really heard it, but I don't think they were listening ! If the Frankfurt come to the Henry Wood Proms they will get a propper reception !
ESSA SINFONIA SÓ É FANTÁSTICA ATÉ CERTO PONTO. POR EXEMPLO: COM ELA, BERLIOZ RESOLVEU O IMPASSE CRIADO POR BEETHOVEN COM SUAS NOVE SINFONIAS. BERLIOS CRIOU ENTÃO, A SINFONIA PROGRAMÁTICA; OU SEJA ELA TEM UM PROGRAMA PRÉ-DETERMINADO. CRIOU A IDÉIA FIXA QUE CARACTERIZA UM PERSONAGEM DO PROGRAMA. WAGNER ROUBOU ESSA IDÉIA DE BERLIOZ E A COLOCOU EM SEUS DRAMAS MUSICAIS. MAS A MÚSICA DESSA SINFONIA É FEIA E NÃO TEM SENTIMENTOS DE AMOR ROMÂNTICO.
Written in 1830, only three years after Beethoven’s death (in 1827)! Such a cinematic, imaginary brilliant work, masterfully orchestrated. Splendid performance by Andres and Hr-Sinfonieorchester and additionally superbly recorded! Thanks a lot!
I. Rêveries - Passions (Reveries - Passions) - 0:05
II. Un bal (A Ball) - 16:34
III. Scène aux champs (Scene in the Fields) - 23:40
IV. Marche au supplice (March to the Scaffold) - 41:09
V. Songe d'une nuit du sabbat (Dream of the Night of the Sabbath) - 47:34
you all prolly dont care at all but does any of you know a trick to log back into an instagram account..?
I somehow forgot my password. I would appreciate any tricks you can offer me!
@Allen Houston instablaster ;)
I am listening to Frankfurt Radio Symphony almost every day and I am more and more impressed each time. To me, they are every bit as good as Berlin!
One of the most emblematic interpretation.. Almost all the details are here, the timbres are so truly expressive and totally appropriate. I haved watch so many performance of this orchestra and I swear, it's one the top 5 orchestra in the world, almost all the musicians inside are so passionate and energic. Thanks a lot really ! :)
ㅣ😅😅😅😅😅
Outstanding performance as usual with HR Frankfurt Sinfonie, with all great musicians, strings, wood winds, brass and percussion, conducted by Andrés Orozco Estrada. Bravissimo!!!
The last chord and the release of it is something special. That's a worthwhile performance
Splendid performance of this "fantastic" work by one of the very great masters of orchestral composition. This orchestra is superb in all sections and Andres in full control at every point. Una maravilla!!
What a fabulous Orchestra is the Franfurt sinfonie and every one of their performances under the baton of Maestro Andres Orozco Estrada are superb. Such lovely rounded tones that one almost imagined one is hearing it live. Many thanks for post g this outstanding performance
This masterpiece is magnificent not only for the musical strength but also for its incredible harmony, sensitivity that touches us deeply emotionally. The lyricism of some parts of the work is sublime and with great elegance.Berlioz was an amazing composer and particularly in this fabulous composition, where he demonstrate his fantastic talent and audacity . The orchestra performance and direction are superb. Thanks for this notable and remarkable recording.The Symphony is really Fantastic.
Kudos to hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada! They never cease to thrill & amaze.
Berlioz was a real Genius!.. i mean he was crazy!.. i wonder what looked like the face of the first auditors when they listened to this , them who were used to Boieldieu music!
To listen to this composer is to abolish the surge of everyday noises and images to half-open the space of an elsewhere where contingency and representation give way to the immateriality of the sensitive. Once the door is closed on the agitation of the world, an underlying silence sets in, a slowness seizes, preludes to a dilation of perception and consciousness. The expressive power of sound architecture breaks with any form of transcription of reality to focus on the expression of a fabulous universe where color and rhythm constitute an expiration that gives voice to exaltation !!!!
I saw the concert when it was broadcast live, here on UA-cam. A very nice concert! 😊
Tausend Dank FRS dass wir bei Euch sein dürfen !!
43:10 Chief O´Brien is going nicely on his cello.....
Thought so too, and here too: 14:46
une des plus mauvaises interprètations -insipide et sans âme- à certains moments on doit tendre l'oreille et il n'y a pas cette passion , ce lyrisme propre à Berlioz-
même les musiciens ne vivent pas la musique contrairement à d'autres orchestres (Hambourg pour rester en Allemagne- ceci explique sans doute la timidité des applaudissements
tardifs là où d'autres récoltent des "standing ovations"
Für solche Orchester zahle ich gerne meine GEZ Gebühren sowie auch meine Kirchensteuer. Wunderbare Darbietung und Klang !
Die Symphonie trägt den Beinamen: "De la vie d'un artiste"
such a great piece of music, thanks FRS
eine meiner absoluten Lieblingssymphonien, die ich das erste Mal in Carcassonne beim Sommerfestival im ersten Festungsring hinter dem Teatre comtal bei sommerlichen Temperaturen gehört habe. Immer wieder erstaunt mich die Auswahl der Adjektive, die hier für eine Aufführung gewählt werden und auch ich bin überrascht , wie schlank das Spiel herüber kommt, wenn man bedenkt dass dies eine Aufnahme in einer Kirche ist. Oft klafft auch bei mir die Spanne zwischen Aufnahme und Realität auseinander. Weil die Instrumente beim Zuhören sich nicht so leicht mischen wie bereits bei einer abgemischten Aufnahme. Berlioz Musik ist dabei eine Ausnahme, da sich seine Orchestrierung geschmeidig durch alle Register zieht und selbst bei der unterbrochenen
Mein Traum ist es in diesem Orchester spielen !!
Estraordinary performance: Every detail has been marvelously played . . . At my taste, at the "Marche au supplice" I would have chosen a more slow introduction of the Clarinete and used a more "claustrophobic" bell at the introduction of the Scaffold . . . Wonderfull accellerato at the end BRAVO !
Чудесная музыка! Большое спасибо Франкфуртскому оркестру за концерт!
Послушаю Берлиоза, может быть пойму зачем Булгаков так назвал своего героя.
Glorious. Magical. For some reason the audience didn't get it - fools ! This would have got Prommers cheering for twenty minutes! I have heard just one even more splendid performance - Simon Rattel let his percussionist really reproduce the natural sound of thunder at a performance in Nottingham over thirty years go.Other than that - this was perfect - such ensemble playing, the accuracy was stunning. I hope to hear this orchestra and conducter at the RAH !
It's a german audience. That's already pretty close to the peak of excitement you can get.
SHALOM
brilliant performance great location i thought audience bit slow starting applause
There is often a marked difference in audience response at the end of a piece between European and American audiences. European audiences are usually much more sensitive to a conductor than U.S. audiences. European audiences frequently wait to applaud until the conductor's baton is lowered, or the conductor indicates in some way that the "magic of the moment" must not be dispelled by an insensitive audience. Thus Claudio Abbado's peerless performance of Mahler's 9th in Lucerne in 2010 was followed by 2 mins. 15 secs. of silence before the applause began. Abbado appeared to be in a trance; it was surely a unique occasion.
This is in strong contrast to the behaviour of U.S. concert-goers, who almost always begin immediately to applaud wildly, leap up, and frequently utter whistles, shrieks, hoots, or other offensive noises intended to convey appreciation but are (in my opinion) inappropriate and certainly undignified. Russian audiences sometimes begin rhythmical clapping, which I find especially irritating.
tedwilks How about the thing some people have about clapping their hands way above their heads as if to say... well you can imagine. Perhaps "me no fuddy-duddy, howay the lads."
Your post was also especially irritating. The comment on Abbado's Mahler 9 was spot on however. It indeed was a unique moment.
What hasn't Estrada conducted on youtube?
56:13 if you're here looking for wood
Notable y emotiva versión. Bravo 💪
Beautifully executed.👏👏👏
exceptional performance. like the tempo of the "march", the enthusiasm of the finale and the jolly cellist
Is the "jolly cellist" a bit of sarcasm? He looks rather grumpy to me.
ok -- middle of mvt 3 he starts smiling like he is having a good time.
동감합나다
It is really amazing how the audience is so cold. They almost gave no applause to an absolutely fantastic performance by Colombian conductor Andrés Orozco-Estrada. Incredible.
I agree ! a dreadful reaction ! It could be that all the detail was lost in the corridor of the Nave. Only the front few rows could have really heard it, but I don't think they were listening ! If the Frankfurt come to the Henry Wood Proms they will get a propper reception !
Amazing music, orchestra and conductor.
Obrigado amigos e amigas musicistas!
Thanks.
Amazing orchestra!
Bravo, superbe.
ESSA SINFONIA SÓ É FANTÁSTICA ATÉ CERTO PONTO. POR EXEMPLO: COM ELA, BERLIOZ RESOLVEU O IMPASSE CRIADO POR BEETHOVEN COM SUAS NOVE SINFONIAS. BERLIOS CRIOU ENTÃO, A SINFONIA PROGRAMÁTICA; OU SEJA ELA TEM UM PROGRAMA PRÉ-DETERMINADO. CRIOU A IDÉIA FIXA QUE CARACTERIZA UM PERSONAGEM DO PROGRAMA. WAGNER ROUBOU ESSA IDÉIA DE BERLIOZ E A COLOCOU EM SEUS DRAMAS MUSICAIS. MAS A MÚSICA DESSA SINFONIA É FEIA E NÃO TEM SENTIMENTOS DE AMOR ROMÂNTICO.
15:10-16:05 Those resolving chords at the end of the first movement are so satisfying and very well executed. Fantastic performance.
👌👌👌
Magic!
Notable, estremecedora versión
BRAVO
립씽크같아요.
Brilliant Performance!
Eine schöne Version ohne überflüssigen Schnickschnack.
Que buena música incomparable
Très bonne version cependant j'estime que la reprise dans la marche au supplice est inutile car elle casse la dynamique du mouvement.
Sehr saubere Aufführung dieser einzigartigen Sinfonie fast ohne überflüssige Romantik. Das gefällt mir!
Darf man sagen es klingt "deutsch"?
@@richardnewnham1417 Ja, deutsch, nie lateinamerikanisch, trotz des Namens dieses intelligenten und genialen Dirigenten.