Epic.. OMG monumental music 🎵🎶🎵 watching for the yellow snow ❄️🌨️❄️ .. I like that the field theory is broken.. (as it should be) sweet rift and the repeating of it there of .. just like the perfect fifths is not really perfect when extended it doesn't loop back into itself.. there is the imperfect opening.
I like it, it remeinds me of King Crimson. 10 EDO sounds major key and straight ahead, 22 EDO sounds slightly as if more minor key with a sense that some notes seem more "bent" downward hence somewhat deflated. BP sounds even more minor key and deflated than does 22 Equal. Rienhart has extra clarity and has a more major sound again like 10 Equal, individual notes seem to stand out better, so for me the best version is between 10 equal and Rienhart. 12 equal sounds louder than the others (why?) and seems on a par with 10 equal and Rienhart except that it is louder.
Epic.. OMG monumental music 🎵🎶🎵 watching for the yellow snow ❄️🌨️❄️ .. I like that the field theory is broken.. (as it should be) sweet rift and the repeating of it there of .. just like the perfect fifths is not really perfect when extended it doesn't loop back into itself.. there is the imperfect opening.
This really highlights how much potential 10edo has especially for this kind of genre, it's got such a distinct sound
And if you duplicate a couple notes will map to a 12 equal keyboard nicely.
The 10-EDO has such a definite, strong sound. Think it suits the genre well.
I like it, it remeinds me of King Crimson. 10 EDO sounds major key and straight ahead, 22 EDO sounds slightly as if more minor key with a sense that some notes seem more "bent" downward hence somewhat deflated. BP sounds even more minor key and deflated than does 22 Equal. Rienhart has extra clarity and has a more major sound again like 10 Equal, individual notes seem to stand out better, so for me the best version is between 10 equal and Rienhart. 12 equal sounds louder than the others (why?) and seems on a par with 10 equal and Rienhart except that it is louder.