Sean, thank you for your excellent video. I'm a retired Professional Photographer. I'm 82 yrs old that still got the photography bug, apparently there's no cure for it. I enjoy listening and watching the younger generation of photographers. I accidentally came across your video as I was researching the Godox Pocket Flash AD200. Like you I went through many decisions what to carry to on location photography (mainly industrial photography), heavy cases, Studio Electronic Flashes etc..etc..etc... eventually all this heavy lugging caught up with me, that one of my shoulder's rotator cuff froze up. I enjoyed your demonstration as to how you managed to come up with a very streamlined lighting system that is also quite light to carry . I suppose It is progress, how electronic Speedlight got so miniaturized and the newest batteries emerged these last few years. Thank you for sharing your knowledge.
I don't understand why there are people who would spend their hatred on Sean. He's just so down to earth and loveable. He's strict but in an admirable way.
Yep, no CAPS LOCK titles, no acting. Just concise insight as a result of experience, saving people money and trial & error. Many others hide behind (over)acting and vague, entry-level tips while actually selling you their presets and, intentionally or not, keeping you at ground level. With Sean's videos, you could emulate his entire setup and alongside his notes on photography, it's the next best thing to being around on the set with him. People are tripping by hating on this high quality, open-source type of knowledge sharing.
I'd love to see a video of you using this equipment outdoors, shooting some portraits, different light configurations, etc.! Thank you for this video as well! I love the flexibility that you get out of such easily packable pieces of equipment.
Thanks for this. I LOVE your advice of “don’t buy my kit, but listen to why it works for me”. Absolutely spot on. Please keep making more videos like this...we need them.
Been using the AD200 since they came out. At the time, I was on a budget and these were a stop gap for me. To my surprise, they are not only outstanding lights at their power level, they are very compact and versatile. And the biggest surprise to me, has been how rugged they are (since they are just plastic I didn't have any expectations for ruggedness). I have had them up on a softbox with the bowens adapter and my light holder (aka my wife), got side tracked and left them unattended. Wind came by and knocked them right on their end (visualize a pile driver). A piece of the plastic flew off, but I snapped it back together, turned it on and it was as if nothing happened (except for the scratches). This has happened twice since that time (I have since fired my wife for that job, LOL, replaced her with sand bags that do not get distracted). I have 2 of these wonderful lights and when I need more power, I just combine them together with the dual head kit.
LOL about your wife! Been using two Godox V860s; just got me an AD200 this week. Can't wait to try it out... Incidentally, i've had several spills with my V860s which has resulted in scratches and dents, but they just keep on shooting...
Wow the lighting on the portraits behind you are amazing. The shadow work is so dramatic. Finally someone who isn’t just spreading light everywhere, but is actually controlling the light. Also, excellent vid.
I love the photos of your mentors hanging on the wall. You and your videos are always a breathe of fresh air in contrast to the majority of photography videos on youtube.
Thank you Sean once again. Your videos are no-nonsense...to the point...informative...interesting. I really enjoy them. I have the Godox AD200 system and love it, I'm REALLY looking forward to your future videos on using them. Don't make us wait long.
Wow. This channel is amazing and refreshing. There are a lot of "UA-camr" photography channels that basically just pump out adverts disguised as vlogs. Sean is the real deal. Unbiased, intellegent and a great communicator. I'm learning a lot and can't wait to dig into all his other videos.
Hey Sean, Want to thank you for what you are doing on here. I gave up doing photography in any professional sense after a bad experience with a wedding when I was first starting out. Recently you, along with a few others, have given me the courage to try again. (A little wiser and not planning on any weddings anytime soon) Very excited to go pursue this again with a fresh perspective. Please keep doing what you're doing because it does make an impact! ~ NJSP
Very comprehensive review. I have been using the AD200 for a year for all my beach family portraits and weddings. It has the power to overpower the sun 15 minutes before sunset. Plus, the battery has all day capability. I have never run out of battery power in a full day's shooting.
Sean you are a true inspiration my friend, in your quest for truth on your Journey you are bringing people with you one photo at a time, one philosophy at a time and one mindset at a time and for this I’m truly proud of you. You are constantly positive and inspirational you are not trying to sell anyone anything and with the goodwill and respect you have earned your place, one subscriber at a time. Keep up the good work Sean Tucker, you are a giant among men first an extraordinary photographer second, but most importantly you are a true humanitarian and a beacon of hope for us all.
Definitely would love to see the full lighting setup you use (mainly modifiers). I love the AD200, but I try to make it as compact as possible. It tends to make carrying the glass bulb a challenge. But I also prefer circular modifiers. Cheetah stand has some nice-ish ones, but I've noticed the B&H/Adorama house brands have "rounder" umbrellas now, too, but no soft cover/grid options.
You are so great at explaining not only lighting, but also the benefits of lighting options. Thank you and I have learned a ton watching just two of your videos.
I'm looking forward to your videos on lighting. Especially when it comes to portraits, I always wonder how the lighting is done. I'm at the very start of my photography journey so instructional videos that explain things like lighting are a big help.
As a long time photographer, but fairly new to shooting on-location portraits, I also have selected Godox AD200 pro as my light source(s). I also have a pair of them and have found the AD-B2 is a very worthy purchase for shooting the AD200 in pairs. The extra power really helps in outdoor ambient light when shooting through any diffuser. Another tool I found useful is the PolarPro VND 2-5 stop filter ~ no color shifting/casting nor cross polarization ~but it is expensive. I got the 82mm size for my largest lens diameter and just use step-up rings for my non-82mm lens. (a 67mm and 77mm). **[edit to note: since you shoot with a Sony you can buy a ND filter that actually snaps in place on your sensor negating the use of a VND and step-up rings. Since I don't shoot Sony I don't have that option at the moment so I didn't catch the name of the filter nor the amount of stops it has]**. I really try to avoid shooting in HSS especially as I approach 1/8000s because the power of the flash really diminishes. I am new subscriber and really love your work.
Thank you for always uploading quality content, and never skimping on information. You've inspired myself, along with so many other people. Keep doing what you're doing, Sean. All the best.
I now have 3 of the AD200s. They are a godsend. I use them for Headshots in my softboxes. I recently shot 126 headshots and the batteries were still almost fully charged at the end of the day. An amazing tool to have. I love it. If you like using gels, you may want to consider the Magmod system. They fit perfectly on the AD200 and are a dream to use in terms of ease and speed. Great video again. Thank you for sharing.
I have 2 of these as well. Love the size and weight. You're putting out one of the best photography channels out there, I really appreciate your straightforward approach, and the fantastic behind the scenes glimpses.
Sean, Thank you so much for your videos. I’m just starting with photography and videography. Your videos are my favorites on all of UA-cam, because you tell us that “this is how I do it, I’m not saying to copy what I do...” So many others have such an underlying arrogance, that it makes me not want to listen to them. So, Thank You.
Agreed! Like you I have over the years become more portable with lighter kits. I love the AD200 for run and gun with wedding shots and corp profile shots. I mount to a small portable stand and grab and go when on location.
Sean, this is a very big thank you for your work on this channel. I just did my first portrait shoot using setups learned here. I have to say your approach to manual lighting is so intuitive and it makes so much sense to me, and it works! I'm using the Godox AD200's and (i went with the larger controller) controller - it's so simple and I learned that here. Thank you so much for the inspiration. Eric Joyce
Great video Sean and I totally agree. I was in exactly the same situation, dragging around Bowens flashes for years ( they really are tough and reliable) in multiple bags breaking my back in the CBD where parking was always rubbish. I got it down initially to an ad360ii bit no modelling light was a pain. Enter the ad200 and the adb2 and after using these Godox flashes my back is loving it and the benefits of the remote power options and hss are excellent, especially given the cost. The batteries last ages and the whole godox system works very well together. I use the ad600bm, ad360-II and four of these ad200 and a couple of 585s (from memory) but I've found that I'm just using the ad200s lately, especially with the AD-B2 adapter as you can easily double your power if you need it and also get a better modelling light. In fact the only downer to the ad600 and the ad200s in the AD-B2 is the modelling light doesn't come close to the halogens on the Gemini 400/500R/750Pro that I used to drag around. In a lot of situations especially with the AF on my camera, it doesn't seem to make too much difference but I have found that when the clients want me to shoot with a bright background but I am using the ad200 flash (with the adb2) to power indoors (with a bright background) the back lighting is a real pita as the modelling light just isn't strong enough to balance the scene for the AF to not struggle so much. Like I said though, for all other situations where you have some good ambient light on the subject to at least give some light for the camera to focus easily; they are awesome. I have found a workaround to help a little (by increasing the DRO on the camera it seems to allow a bit more for the back lighting and struggle less). I haven't yet got the magnetic attachments for the round head but it's tempting to get them after seeing them in use. I got the ones in the kits that came with the fresnel but haven't used them much so I can probably hold off on those for now :) Thanks for the video, awesome as usual.
This video has inspired me to finally do something about my lighting kit... in terms of storage. All these pouches filled with various equipment that in fact belongs together... in a big cardboard box.. I finally got rid of them by buying a sturdy storage/transport case. Reviewing various sites I decided to stick with Sean's choice and so I opted for the Calumet brand. After comparing all different specs I decided to go for the WT2175 in order to store 2 AD200 pro's, 2 V-860iii's, an X2T and a Sekonic L308X light meter, as well as the AD-B2 bracket shown in the video. Some gels and chargers/power cables make it quite a thoroughly filled up case. As my reflectors and some grids found no room here, I'll probably need to buy yet anoher case :(. But that can wait... So Sean, thanks for inspiring me with this video ! As always, it's worth wile to browse through your channel as you provide very various content, your choices are always well motivated wihout pressuring us to take your word for granted, and, well, to put it bluntly, you do not sell loads of BS. Thanks and please keep these movies coming! Regards from Flanders, Frank.
I bought the AD200 for headshots after seeing the Mentors video and am very pleased. Very flexible and affordable system. It is a good fit for my work. I will probably buy a second one this summer.
I use the EXACT same kit. As soon as the V1 arrives it will replace the flash. It is wonderful having this much light, in so small a space at these prices.
Hi Sean, an interesting approach. I went down a similar route, albeit I'm an amateur portrait shooter. I have 3 x AD200s. Also bought round heads for each and 3 dedicated round head modifiers. These are all only ever used as secondary fills ( IMO too little power to be a key, with round head). I later bought an AD100. It's round head is matched to round mod kits and seems to effectively match round head power output on an AD200. So nowadays I don't much use the add on AD200 round heads. Agree where AD200 scores is with bare bulb head. Godox do a few compact, pretty cheap modifiers that suit this bare bulb head and make for a very compact setup. For bigger soft boxes (typically Bowen mount) I found the non powered Bowen bracket useful. It also attached to a stand quickly. When fitted with a new style PixaPro PakFlat Bowens mount soft box or strip box (ultra fast to deploy) it's seriously capable. In theory the AD-B2 should be a terrific 'big brother' to the Bowens bracket, offering potentially double the power, but I just sold mine, having only ever used it once. Why? Well it's OK, but I seldom need 400 Ws, unless in a more serious studio setup. For that use I bought a couple of AD400s - much easier to use. The AD-B2 is also quite bulky, heavy, slow to rig etc all running counter to the ethos of AD200s. I lost money selling it, but for me knew it was the right decision. Will it work for you? Would be interested to see how you feel after having for 6 months. I sold mine, effectively unused, after 1 year.
I really enjoyed this video. I am a landscape and nature photographer and admit to having a minimalistic, ok, lack of knowledge on lighting for portraits or other creative uses. I use Sony equipment and do own an HVL-F60RM. I've used it twice and learned on the fly. I do wish I had the type of knowledge that could improve my value as a photographer outside of my current comfort zone. I would love to see you make those videos you mentioned. You are an amazing teacher and I'm sure I would gain some very useful knowledge. Cheers.
Hello from Kyiv Ukraine. I shoot fashion models and portraits and I also a Sony shooter. I use 2 Godox AD200 and 2 TT685s with the same trigger. They are excellent and versatile. I also have the AD B2 head and you can easily balance ambient with flash in the mid day sun. I use a 120cm parabolic soft box and as you will know if a sudden gustting of wind comes this can blow down your light set up. My friend has had this happen and it can smash the LCD screen on the AD200s. I found a work around for this. I use 2 C clamps with spigots and attach them near the base of the light stand. Fit the AD200s to the spigots. I purchased 2 Godox EC200 which are extensions for the AD200s. One end fits the AD200 in place of the lighting head and the other end fits into the AD B2. Now if ever my light stand was to fall my units will be ok but I usually have assistants but sometimes we all need to work on our own and this is a great way tp prevent damage to your kit. It is the best lighting solution I have found when you are on the move from location to location. I also use the Rotolight Aeos and 2 Neo 2s. They will not over power the sun but give enough light to shoot in the day. They are excellent at night because the modelling light is so soft and you can see the shadows and fall off before you take the shot. Also there will be no problem focusing at night. I shoot with them on continuously. They are they only LED lights in the world with HSS and you can change the colour of the flash from 3150 to 6300. I use the Godox triggers and PC sync cables to operate these. You must approach Rotolight and ask to try. They are a UK company. Honestly will take your lowlight and night photography to a new level and with ease because you will not need much gear. Rotolights are not cheap by the way but very good. Godox offer low prices for pro gear. I love both companies because the offer me so many ways to control light. Great video. I just subscribed :0) Regards Peter
I have this lencarta beauty dish as well and LOVE it. Awesome product.. going with Godox AD600pro here and i can put the flash inside the folded dish and both inside the bag which comes with the dish. Absolutely phantastic!
De dome is pretty nice to use in a softbox or umbrella. My experiments showed that the spread is just as good as the bare bulb. The round head has a higher output and that compensates for the light loss of the dome.
It is an integral approach, to give assets that solves the wondering of all the people that likes his work :) Philosophical, technical, artistic, human. :)
Thank you for your calm, clear manner and your very clearly structured videos with all those great film sequences and photos in between. I am just a beginner in photography but I will learn more every day. Your videos helped me a lot.
I'm so happy I found your channel. In addition to terrific content, your videos are luscious. I've got a beginner portable studio set up: two V860 II speedlights, the X1T trigger, and shoot thru umbrellas. I'm looking to expand my kit, and your set up looks amazing. Thank you for the information and inspiration!
In a word - Brilliant! Thank you for every video you've done. They have given me a 'reset' in my life long love, and career. Blessings on your future. . .
Great video. Have shopped the S-Bracket, umbrella and background. Can not wait until they get home so I can give it a try. I really like the light-pack approach. Great pics by the way!
Since I'm a bit of a newbie at portraits, I'm just finding good natural light interiors close to windows as a beginner. My best portraits so far have been that way. But I do appreciate these lights give that setting a sort of portability and better control.
Really pleased you will be doing a series of set-ups with the AD200. I've got one and a little 350f that I've used as a hair light. Look forward to seeing what you create. On another note, I never noticed that you didn't post affiliate links in the description till you mentioned it. Thank-you for your position around this and the logic you explained behind it. Greatly appreciate the integrity of your motive. It makes a huge difference to me.
Thanks, but for the record I don't think there is anything wrong with UA-camrs posting affiliate links. It costs people nothing to use them and helps them keep making videos for people to enjoy for free.
Another great video Sean, I’m using the AD200’s as well, really like them. Only issue I’ve had is that they overheat when shooting with high speed sync because they have no fan in them. I’ve found this while shooting fashion where you are probably taking more frames more quickly than with portraits.
absolutely fantastic Sean. I bought the Godox tt350o speedlite for my M43 Panasonic system and I love it. I'm new to studio/artificial lighting and I want to grow. I built a small studio in my basement with a floor and walls that I can shoot against. So far all I can do is bounce the light and get portraits that way and it's super fun to take pictures of my three year old but I now feel I need to get the light off my camera and start using an umbrella. I have been lusting the AD200 lights since they work with my speedlite too but I will wait to see your future videos on these simple setups and then more advanced. Thank you for this I look forward to this series. I would eventually love to see how you do a corporate headshot with your new setup. Great work, love your instruction and listening to you speak.
Sean - as always your videos are both thoughtful and thought provoking. Just wanted to suggest adding the Godox EC200 extension to your lighting kit. It allows you to separate the light source (bare bulb, round or speed light) from the body of the flash. Keeping the weight of the flash near the bottom of the light stand while putting a very small and light weight light source at the top. I've used the Godox (Flashpoint) system for over 1 year with great results.
Sean I enjoy your videos. I just moved up to GodoxAD200 with a small Godox softbox that fits on the bulb head. I want to add a Godox speedlight to replace my damaged Yongnuo. I like the idea of having one trigger do it all. So many of my local amateur shooter friends have also moved to Godox - either the AD200 or AD600. I'm sort of behind the curve. Keep the very good videos coming.
such a decent lighting set up - I'm on the fence with looking at the AD400 - but I LOVE the versatility of these 200's - especially how you can double them up - its really modern and no fuss
I worked in a camera shop for 27 years and sold lots of different cases like the one you use for your lights. One thing though, the Calumet camera stores bit the dust years ago, another victim of the Internet/digital age. However cases like those can be bought still, brands like Pelican to cheap Apache cases at Harbor Freight are available. The big plus to the foam style cases such as you have, is they are cheaper than cases that have adjustable dividers. It is a bit of a pain plucking out foam squares or taking a knife to solid pieces of foam. You MUST plan in advance how everything is going to be placed in the case or you'll be buying more foam kits. Some negatives about foam, the pores in the foam captures dust, sand and liquids/humidity, and hard to remove it. The sand can make its way into your gear damaging it. The humidity captured inside a sealed case can grow mold, which can get into your lens and ruin it. Personally I prefer cases with adjustable dividers. Much more expensive but you can usually fit more gear in the case, with foam you should leave between 1"-2" of foam between pieces depending on how heavy they are. Adjustable dividers are, adjustable. Add a new piece of gear and you can rearrange things to include it. Dust and sand will fall to the bottom of the case and is easy to vacuum out. You still can have problems with humidity making it easy to grow mold inside a sealed case so pick up some large packets of silica gel and keep them inside the case. Several of these hard cases, like the Pelican, have pressure release valves. You keep the valve closed while traveling. Say you fly from Denver to LA. Denver is a mile high and has lower air pressure than at sea level where LA is. If you didn't have that pressure valve it would make opening that case much harder, if not impossible, because when you sealed it in Denver the air pressure was low and now that you're in LA the higher air pressure around you is pushing on the case making it hard to open. Sometimes you can actually see the case bowed in a little from the air pressure pushing on it. You'll certainly see it pop once you open the valve. If you travel internationally be sure to buy TSA approved locks, if the case didn't already come with them. Larger cases sometimes have more than one locking point.
Thank You for sharing your work and knowledge with us, I have been using Godox AD 200 and other Godox product for a few years. In the beginning, I wasn't very sure how the AD200 will help me to get a better light, but after been using in a few of my travels I became more confident that it was the best investment I have ever made. The result were more than amazing and my travel became more light and easy with such a small kit. Again thank you for making this great video.
You really are a fantastic teacher and inspiration. Thank you for taking something that has been very overwhelming to me over the years and making it both understandable and something I really want to tackle now.
you mentioned it at the end if the video but i would like to add that i would love to see a video on how you go about making your lighting decisions depending on environment and mood.thanks again for the fantastic content .
Love the Godox system. Just one note - I'd recommend the v860 II over the TT685. They're the same power, but because it uses a large rechargeable battery, it's recycle time is faster...
It's funny to stumble across this video. I just bought a couple Godox speedlights. I'm excited to shoot with them. I'm going to look into some of these other items.
I too have the AD200 and I will either get another (to work with the AD-B2) or I may jump to the AD400. I love the portability offered by the AD200s. I look forward to your videos on portraits using this setup. Cheers!
I've been using the AD200 in conjunction with the V1 speed lights. They work great in combination. And with the V1 as an on camera fill light, it also acts as the controller for the AD200 off camera lights.
Enjoyed this video, and really enjoyed your comments at the end about telling your audience that you aren't trying to sell them anything. Can definitely tell your decision process and thoughts were genuine and non biased.
Always love your presentations. I was happily using Interfit Honey Badgers Unleashed with Canon TTL trigger for all my location shoot HSS requirements (I'm cheap lol). Then I got a Pentax 645Z and guess what, the only system that catered for the Pentax for high speed sync location shoots was Godox. So got the Xpro-P Trigger and a couple of AD200Pro 200w heads and all is right with the world....Yay. Loving them. Cheers Sean. A life saver again....lol
Really helpful video Sean. Look forward to more videos of you using this kit. UA-cam is crying out for tutorials of your quality and diligence on simple lighting setups.
You know you remind me of another guy on youtube "30x40 Designs". Your videos play in 100% like his except for photography. he's architecture. It's what drove me to him as I am to you. You have some fantastic videos and your work is simply awesome!
The internet is so crazy! I saw the headshot portrait in your thumbnail on Pinterest and tried to recreate the lighting... and now you’re in my UA-cam suggestions loll but thanks for the information, dope video and amazing portraits ✨✨
I use the V1 speedli8ghts. The magnetic snap-on difuser works very well for head and shoulders portraits, And it helps give even light when using the V1 in a soft box or umbrella.
Great video Sean. I for one do appreciate your gear videos. It helps those of us who are making some of these decisions and considering these options. Thanks for posting this.
Hello, sir. I've watched a few of your videos & really like your clean, no-nonsense, yet approachable style. Your videos are always informative & enjoyable. Keep up the good work! Subscribed.
Nice video! Cool case you put together! Used to have one profoto head, but since two years i also use a ad 200 and two V860II. Love it because you can pack so light with a lot of lights. the x-pro trigger is much better than the X1 and so cheap to add to the setup!
Have a look at the X2Ts controller or the XPro controller. The EC200 extension head is also worth looking at. With a super clamp you can reduce the weight up top and the damage possible if the light stand falls over. Lastly the AD-S7 modifier is also very versatile. Good luck.
I recently swapped all my Nikon speedlites for Godox and could not be happier. no more AA batterys for me! I now use one AD200 and two 860ii's triggered by their xpro. don't have much time with this system yet but so far I love it! great video btw.
Thanks Sean, this is exactly the way I want to move forward too, until now I have used two TT685s for 3 years. Will you cover your modifiers too in another video?
I actually picked up one of these around Christmas time. It is surprisingly powerful and it seems to even work well with just using the speed light as a trigger. Great video, Sean.
Sean, thank you for your excellent video. I'm a retired Professional Photographer. I'm 82 yrs old that still got the photography bug, apparently there's no cure for it. I enjoy listening and watching the younger generation of photographers. I accidentally came across your video as I was researching the Godox Pocket Flash AD200. Like you I went through many decisions what to carry to on location photography (mainly industrial photography), heavy cases, Studio Electronic Flashes etc..etc..etc... eventually all this heavy lugging caught up with me, that one of my shoulder's rotator cuff froze up. I enjoyed your demonstration as to how you managed to come up with a very streamlined lighting system that is also quite light to carry . I suppose It is progress, how electronic Speedlight got so miniaturized and the newest batteries emerged these last few years. Thank you for sharing your knowledge.
Good luck on your journey Charles! You're an inspiration to us too!!
I also had a frozen shoulder for one year, very painful and not fun!
Your comment makes me smile. 😊 Thank you and I hope you have much more great moments for photography. All the best to you!
I don't understand why there are people who would spend their hatred on Sean.
He's just so down to earth and loveable.
He's strict but in an admirable way.
Yep, no CAPS LOCK titles, no acting. Just concise insight as a result of experience, saving people money and trial & error. Many others hide behind (over)acting and vague, entry-level tips while actually selling you their presets and, intentionally or not, keeping you at ground level. With Sean's videos, you could emulate his entire setup and alongside his notes on photography, it's the next best thing to being around on the set with him. People are tripping by hating on this high quality, open-source type of knowledge sharing.
omni rhythm Now why did I instantly know who you're talking about with over-acting and selling presets? 🤣
thank you
Dong Cap Because they are losers and spend time tearing people down. Sean is awesome, practical and very honest. Thank you Sean Tucker 😎
What hatred? You mean dislikes? His like to dislike ratio is outstanding, very few dislikes relative to views.
I'd love to see a video of you using this equipment outdoors, shooting some portraits, different light configurations, etc.! Thank you for this video as well! I love the flexibility that you get out of such easily packable pieces of equipment.
Same 👍
just look it up. Many photogs already have done demo vids.
@@DonFather and gear videos, and tutorials, etc. But you know Sean just brings something more to the table :)
Same
Same! Please Sean?
Thanks for this. I LOVE your advice of “don’t buy my kit, but listen to why it works for me”. Absolutely spot on. Please keep making more videos like this...we need them.
Been using the AD200 since they came out. At the time, I was on a budget and these were a stop gap for me. To my surprise, they are not only outstanding lights at their power level, they are very compact and versatile. And the biggest surprise to me, has been how rugged they are (since they are just plastic I didn't have any expectations for ruggedness). I have had them up on a softbox with the bowens adapter and my light holder (aka my wife), got side tracked and left them unattended. Wind came by and knocked them right on their end (visualize a pile driver). A piece of the plastic flew off, but I snapped it back together, turned it on and it was as if nothing happened (except for the scratches). This has happened twice since that time (I have since fired my wife for that job, LOL, replaced her with sand bags that do not get distracted). I have 2 of these wonderful lights and when I need more power, I just combine them together with the dual head kit.
LOL about your wife! Been using two Godox V860s; just got me an AD200 this week. Can't wait to try it out... Incidentally, i've had several spills with my V860s which has resulted in scratches and dents, but they just keep on shooting...
Wow the lighting on the portraits behind you are amazing. The shadow work is so dramatic. Finally someone who isn’t just spreading light everywhere, but is actually controlling the light. Also, excellent vid.
I love the photos of your mentors hanging on the wall. You and your videos are always a breathe of fresh air in contrast to the majority of photography videos on youtube.
Thank you Sean once again. Your videos are no-nonsense...to the point...informative...interesting. I really enjoy them. I have the Godox AD200 system and love it, I'm REALLY looking forward to your future videos on using them. Don't make us wait long.
Here is a prime example of a genuinely talented guy not obsessing about the most expensive flashy gear. Always been a fan of the channel Sean.
I love your genuine approach, sincerity, and honesty in this video Sean. Thank you!
Wow. This channel is amazing and refreshing. There are a lot of "UA-camr" photography channels that basically just pump out adverts disguised as vlogs. Sean is the real deal. Unbiased, intellegent and a great communicator. I'm learning a lot and can't wait to dig into all his other videos.
Hey Sean, Want to thank you for what you are doing on here. I gave up doing photography in any professional sense after a bad experience with a wedding when I was first starting out. Recently you, along with a few others, have given me the courage to try again. (A little wiser and not planning on any weddings anytime soon) Very excited to go pursue this again with a fresh perspective. Please keep doing what you're doing because it does make an impact! ~ NJSP
Very comprehensive review. I have been using the AD200 for a year for all my beach family portraits and weddings. It has the power to overpower the sun 15 minutes before sunset. Plus, the battery has all day capability. I have never run out of battery power in a full day's shooting.
A "big lights" bag and a "small lights" bag. Great way to travel. Saves your energy and setup time.
Thank you for sharing your knowledge and expertise with us all. May you always have a good light. 📸
Sean you are a true inspiration my friend, in your quest for truth on your Journey you are bringing people with you one photo at a time, one philosophy at a time and one mindset at a time and for this I’m truly proud of you. You are constantly positive and inspirational you are not trying to sell anyone anything and with the goodwill and respect you have earned your place, one subscriber at a time. Keep up the good work Sean Tucker, you are a giant among men first an extraordinary photographer second, but most importantly you are a true humanitarian and a beacon of hope for us all.
That’s very kind mate:)
You are a fantastic communicator sir.
I know right! I hold Sean Tucker in the same vein as Hugh Brownstone.
Definitely would love to see the full lighting setup you use (mainly modifiers). I love the AD200, but I try to make it as compact as possible. It tends to make carrying the glass bulb a challenge. But I also prefer circular modifiers. Cheetah stand has some nice-ish ones, but I've noticed the B&H/Adorama house brands have "rounder" umbrellas now, too, but no soft cover/grid options.
You are so great at explaining not only lighting, but also the benefits of lighting options. Thank you and I have learned a ton watching just two of your videos.
I'm looking forward to your videos on lighting. Especially when it comes to portraits, I always wonder how the lighting is done. I'm at the very start of my photography journey so instructional videos that explain things like lighting are a big help.
This video is right on time. I'm narrowing down my first off camera lighting purchase so this helps tremendously.
Sean nice to see you disown the sponsorship part quite effortlessly. The AD200 certainly seems very portable and flexible.
As a long time photographer, but fairly new to shooting on-location portraits, I also have selected Godox AD200 pro as my light source(s). I also have a pair of them and have found the AD-B2 is a very worthy purchase for shooting the AD200 in pairs. The extra power really helps in outdoor ambient light when shooting through any diffuser. Another tool I found useful is the PolarPro VND 2-5 stop filter ~ no color shifting/casting nor cross polarization ~but it is expensive. I got the 82mm size for my largest lens diameter and just use step-up rings for my non-82mm lens. (a 67mm and 77mm). **[edit to note: since you shoot with a Sony you can buy a ND filter that actually snaps in place on your sensor negating the use of a VND and step-up rings. Since I don't shoot Sony I don't have that option at the moment so I didn't catch the name of the filter nor the amount of stops it has]**. I really try to avoid shooting in HSS especially as I approach 1/8000s because the power of the flash really diminishes. I am new subscriber and really love your work.
Thank you for always uploading quality content, and never skimping on information. You've inspired myself, along with so many other people. Keep doing what you're doing, Sean. All the best.
Very insightful and educational. Crystal clear as always! Thank you for what you for all of these anonymous viewers like me!
I now have 3 of the AD200s. They are a godsend. I use them for Headshots in my softboxes. I recently shot 126 headshots and the batteries were still almost fully charged at the end of the day. An amazing tool to have. I love it. If you like using gels, you may want to consider the Magmod system. They fit perfectly on the AD200 and are a dream to use in terms of ease and speed. Great video again. Thank you for sharing.
I have 2 of these as well. Love the size and weight. You're putting out one of the best photography channels out there, I really appreciate your straightforward approach, and the fantastic behind the scenes glimpses.
Sean,
Thank you so much for your videos. I’m just starting with photography and videography. Your videos are my favorites on all of UA-cam, because you tell us that “this is how I do it, I’m not saying to copy what I do...” So many others have such an underlying arrogance, that it makes me not want to listen to them. So, Thank You.
Agreed! Like you I have over the years become more portable with lighter kits. I love the AD200 for run and gun with wedding shots and corp profile shots. I mount to a small portable stand and grab and go when on location.
Sean, this is a very big thank you for your work on this channel. I just did my first portrait shoot using setups learned here. I have to say your approach to manual lighting is so intuitive and it makes so much sense to me, and it works! I'm using the Godox AD200's and (i went with the larger controller) controller - it's so simple and I learned that here. Thank you so much for the inspiration.
Eric Joyce
Great video Sean and I totally agree. I was in exactly the same situation, dragging around Bowens flashes for years ( they really are tough and reliable) in multiple bags breaking my back in the CBD where parking was always rubbish. I got it down initially to an ad360ii bit no modelling light was a pain. Enter the ad200 and the adb2 and after using these Godox flashes my back is loving it and the benefits of the remote power options and hss are excellent, especially given the cost. The batteries last ages and the whole godox system works very well together. I use the ad600bm, ad360-II and four of these ad200 and a couple of 585s (from memory) but I've found that I'm just using the ad200s lately, especially with the AD-B2 adapter as you can easily double your power if you need it and also get a better modelling light.
In fact the only downer to the ad600 and the ad200s in the AD-B2 is the modelling light doesn't come close to the halogens on the Gemini 400/500R/750Pro that I used to drag around. In a lot of situations especially with the AF on my camera, it doesn't seem to make too much difference but I have found that when the clients want me to shoot with a bright background but I am using the ad200 flash (with the adb2) to power indoors (with a bright background) the back lighting is a real pita as the modelling light just isn't strong enough to balance the scene for the AF to not struggle so much.
Like I said though, for all other situations where you have some good ambient light on the subject to at least give some light for the camera to focus easily; they are awesome. I have found a workaround to help a little (by increasing the DRO on the camera it seems to allow a bit more for the back lighting and struggle less).
I haven't yet got the magnetic attachments for the round head but it's tempting to get them after seeing them in use. I got the ones in the kits that came with the fresnel but haven't used them much so I can probably hold off on those for now :)
Thanks for the video, awesome as usual.
This video has inspired me to finally do something about my lighting kit... in terms of storage. All these pouches filled with various equipment that in fact belongs together... in a big cardboard box..
I finally got rid of them by buying a sturdy storage/transport case. Reviewing various sites I decided to stick with Sean's choice and so I opted for the Calumet brand. After comparing all different specs I decided to go for the WT2175 in order to store 2 AD200 pro's, 2 V-860iii's, an X2T and a Sekonic L308X light meter, as well as the AD-B2 bracket shown in the video. Some gels and chargers/power cables make it quite a thoroughly filled up case. As my reflectors and some grids found no room here, I'll probably need to buy yet anoher case :(. But that can wait...
So Sean, thanks for inspiring me with this video ! As always, it's worth wile to browse through your channel as you provide very various content, your choices are always well motivated wihout pressuring us to take your word for granted, and, well, to put it bluntly, you do not sell loads of BS.
Thanks and please keep these movies coming!
Regards from Flanders, Frank.
I bought the AD200 for headshots after seeing the Mentors video and am very pleased. Very flexible and affordable system. It is a good fit for my work. I will probably buy a second one this summer.
This, my second time watching this video, with a little more experience, I can appreciate it so much more.
Love Godox,saving for AD200 ,use a couple of 685O with XPro trigger instead of X1T
I use the EXACT same kit. As soon as the V1 arrives it will replace the flash. It is wonderful having this much light, in so small a space at these prices.
These videos are greatly appreciated! As someone who has been intimidated by flash, I look forward to your simple flash setup video.
Thanks Sean, just picked up at AD200 Pro. Love how you have your lighting kit organized.
Somehow gravitated back to this old post that I've probably seen more than a couple of times. Still relevant, informative and oddly reassuring.
Hi Sean, an interesting approach. I went down a similar route, albeit I'm an amateur portrait shooter.
I have 3 x AD200s. Also bought round heads for each and 3 dedicated round head modifiers. These are all only ever used as secondary fills ( IMO too little power to be a key, with round head). I later bought an AD100. It's round head is matched to round mod kits and seems to effectively match round head power output on an AD200. So nowadays I don't much use the add on AD200 round heads.
Agree where AD200 scores is with bare bulb head. Godox do a few compact, pretty cheap modifiers that suit this bare bulb head and make for a very compact setup.
For bigger soft boxes (typically Bowen mount) I found the non powered Bowen bracket useful. It also attached to a stand quickly. When fitted with a new style PixaPro PakFlat Bowens mount soft box or strip box (ultra fast to deploy) it's seriously capable.
In theory the AD-B2 should be a terrific 'big brother' to the Bowens bracket, offering potentially double the power, but I just sold mine, having only ever used it once. Why? Well it's OK, but I seldom need 400 Ws, unless in a more serious studio setup. For that use I bought a couple of AD400s - much easier to use. The AD-B2 is also quite bulky, heavy, slow to rig etc all running counter to the ethos of AD200s. I lost money selling it, but for me knew it was the right decision. Will it work for you? Would be interested to see how you feel after having for 6 months. I sold mine, effectively unused, after 1 year.
I really enjoyed this video. I am a landscape and nature photographer and admit to having a minimalistic, ok, lack of knowledge on lighting for portraits or other creative uses. I use Sony equipment and do own an HVL-F60RM. I've used it twice and learned on the fly. I do wish I had the type of knowledge that could improve my value as a photographer outside of my current comfort zone. I would love to see you make those videos you mentioned. You are an amazing teacher and I'm sure I would gain some very useful knowledge. Cheers.
Hello from Kyiv Ukraine. I shoot fashion models and portraits and I also a Sony shooter. I use 2 Godox AD200 and 2 TT685s with the same trigger. They are excellent and versatile. I also have the AD B2 head and you can easily balance ambient with flash in the mid day sun. I use a 120cm parabolic soft box and as you will know if a sudden gustting of wind comes this can blow down your light set up. My friend has had this happen and it can smash the LCD screen on the AD200s. I found a work around for this. I use 2 C clamps with spigots and attach them near the base of the light stand. Fit the AD200s to the spigots. I purchased 2 Godox EC200 which are extensions for the AD200s. One end fits the AD200 in place of the lighting head and the other end fits into the AD B2. Now if ever my light stand was to fall my units will be ok but I usually have assistants but sometimes we all need to work on our own and this is a great way tp prevent damage to your kit. It is the best lighting solution I have found when you are on the move from location to location. I also use the Rotolight Aeos and 2 Neo 2s. They will not over power the sun but give enough light to shoot in the day. They are excellent at night because the modelling light is so soft and you can see the shadows and fall off before you take the shot. Also there will be no problem focusing at night. I shoot with them on continuously. They are they only LED lights in the world with HSS and you can change the colour of the flash from 3150 to 6300. I use the Godox triggers and PC sync cables to operate these. You must approach Rotolight and ask to try. They are a UK company. Honestly will take your lowlight and night photography to a new level and with ease because you will not need much gear. Rotolights are not cheap by the way but very good. Godox offer low prices for pro gear. I love both companies because the offer me so many ways to control light. Great video. I just subscribed :0)
Regards Peter
I have this lencarta beauty dish as well and LOVE it. Awesome product.. going with Godox AD600pro here and i can put the flash inside the folded dish and both inside the bag which comes with the dish. Absolutely phantastic!
Great video Sean, I bought two AD200s at Christmas, the B2 bracket is awesome and the LED model light that comes with it is powerful!!
De dome is pretty nice to use in a softbox or umbrella. My experiments showed that the spread is just as good as the bare bulb. The round head has a higher output and that compensates for the light loss of the dome.
I prefer your ‘why photography’ videos, over the gear-orientated videos. They’re what make you great, in my opinion.
It is an integral approach, to give assets that solves the wondering of all the people that likes his work :) Philosophical, technical, artistic, human. :)
Thank you for your calm, clear manner and your very clearly structured videos with all those great film sequences and photos in between. I am just a beginner in photography but I will learn more every day. Your videos helped me a lot.
I'm so happy I found your channel. In addition to terrific content, your videos are luscious. I've got a beginner portable studio set up: two V860 II speedlights, the X1T trigger, and shoot thru umbrellas. I'm looking to expand my kit, and your set up looks amazing. Thank you for the information and inspiration!
In a word - Brilliant! Thank you for every video you've done. They have given me a 'reset' in my life long love, and career. Blessings on your future. . .
Great video. Have shopped the S-Bracket, umbrella and background. Can not wait until they get home so I can give it a try. I really like the light-pack approach. Great pics by the way!
Dude, people should not care if you put affiliate links. No different from brand deals.
Thank you for making this video.
Since I'm a bit of a newbie at portraits, I'm just finding good natural light interiors close to windows as a beginner. My best portraits so far have been that way. But I do appreciate these lights give that setting a sort of portability and better control.
Really pleased you will be doing a series of set-ups with the AD200. I've got one and a little 350f that I've used as a hair light. Look forward to seeing what you create.
On another note, I never noticed that you didn't post affiliate links in the description till you mentioned it. Thank-you for your position around this and the logic you explained behind it. Greatly appreciate the integrity of your motive. It makes a huge difference to me.
Thanks, but for the record I don't think there is anything wrong with UA-camrs posting affiliate links. It costs people nothing to use them and helps them keep making videos for people to enjoy for free.
I keep coming back to this video and really appreciate your insight on portable / mobile lighting solutions. Thank you!
Another great video Sean, I’m using the AD200’s as well, really like them. Only issue I’ve had is that they overheat when shooting with high speed sync because they have no fan in them.
I’ve found this while shooting fashion where you are probably taking more frames more quickly than with portraits.
absolutely fantastic Sean. I bought the Godox tt350o speedlite for my M43 Panasonic system and I love it. I'm new to studio/artificial lighting and I want to grow. I built a small studio in my basement with a floor and walls that I can shoot against. So far all I can do is bounce the light and get portraits that way and it's super fun to take pictures of my three year old but I now feel I need to get the light off my camera and start using an umbrella. I have been lusting the AD200 lights since they work with my speedlite too but I will wait to see your future videos on these simple setups and then more advanced. Thank you for this I look forward to this series. I would eventually love to see how you do a corporate headshot with your new setup. Great work, love your instruction and listening to you speak.
Sean - as always your videos are both thoughtful and thought provoking. Just wanted to suggest adding the Godox EC200 extension to your lighting kit. It allows you to separate the light source (bare bulb, round or speed light) from the body of the flash. Keeping the weight of the flash near the bottom of the light stand while putting a very small and light weight light source at the top. I've used the Godox (Flashpoint) system for over 1 year with great results.
These look so enticing. I’m running on some older Einstein e640s but the portability & power of these are making me want to switch it up
Keem Ibarra lol that’s what I am doing now selling my 640 for ad200 pro
Sean I enjoy your videos. I just moved up to GodoxAD200 with a small Godox softbox that fits on the bulb head. I want to add a Godox speedlight to replace my damaged Yongnuo. I like the idea of having one trigger do it all. So many of my local amateur shooter friends have also moved to Godox - either the AD200 or AD600. I'm sort of behind the curve. Keep the very good videos coming.
I'm excited for this portrait series. I stopped doing portraiture for a long time, but want to get back into it.
such a decent lighting set up - I'm on the fence with looking at the AD400 - but I LOVE the versatility of these 200's - especially how you can double them up - its really modern and no fuss
I worked in a camera shop for 27 years and sold lots of different cases like the one you use for your lights. One thing though, the Calumet camera stores bit the dust years ago, another victim of the Internet/digital age. However cases like those can be bought still, brands like Pelican to cheap Apache cases at Harbor Freight are available.
The big plus to the foam style cases such as you have, is they are cheaper than cases that have adjustable dividers. It is a bit of a pain plucking out foam squares or taking a knife to solid pieces of foam. You MUST plan in advance how everything is going to be placed in the case or you'll be buying more foam kits.
Some negatives about foam, the pores in the foam captures dust, sand and liquids/humidity, and hard to remove it. The sand can make its way into your gear damaging it. The humidity captured inside a sealed case can grow mold, which can get into your lens and ruin it.
Personally I prefer cases with adjustable dividers. Much more expensive but you can usually fit more gear in the case, with foam you should leave between 1"-2" of foam between pieces depending on how heavy they are. Adjustable dividers are, adjustable. Add a new piece of gear and you can rearrange things to include it. Dust and sand will fall to the bottom of the case and is easy to vacuum out. You still can have problems with humidity making it easy to grow mold inside a sealed case so pick up some large packets of silica gel and keep them inside the case.
Several of these hard cases, like the Pelican, have pressure release valves. You keep the valve closed while traveling. Say you fly from Denver to LA. Denver is a mile high and has lower air pressure than at sea level where LA is. If you didn't have that pressure valve it would make opening that case much harder, if not impossible, because when you sealed it in Denver the air pressure was low and now that you're in LA the higher air pressure around you is pushing on the case making it hard to open. Sometimes you can actually see the case bowed in a little from the air pressure pushing on it. You'll certainly see it pop once you open the valve.
If you travel internationally be sure to buy TSA approved locks, if the case didn't already come with them. Larger cases sometimes have more than one locking point.
Thank You for sharing your work and knowledge with us, I have been using Godox AD 200 and other Godox product for a few years. In the beginning, I wasn't very sure how the AD200 will help me to get a better light, but after been using in a few of my travels I became more confident that it was the best investment I have ever made. The result were more than amazing and my travel became more light and easy with such a small kit. Again thank you for making this great video.
Thanks for sharing this with us. I really love your way of making video's and the topics you address.
You really are a fantastic teacher and inspiration. Thank you for taking something that has been very overwhelming to me over the years and making it both understandable and something I really want to tackle now.
the portraits at the vid's end are quite lovely. thank you for the effort and the sharing. i am an appreciative subscriber. thumbs up.
you mentioned it at the end if the video but i would like to add that i would love to see a video on how you go about making your lighting decisions depending on environment and mood.thanks again for the fantastic content .
I would like this guy to stand next to me when I take photos and guide me with his calming, reassuring voice and being.
Love the Godox system. Just one note - I'd recommend the v860 II over the TT685. They're the same power, but because it uses a large rechargeable battery, it's recycle time is faster...
It's funny to stumble across this video. I just bought a couple Godox speedlights. I'm excited to shoot with them. I'm going to look into some of these other items.
I have two Godox AD200's as well and they are great. Portable, reliable and fairly cheap.
I too have the AD200 and I will either get another (to work with the AD-B2) or I may jump to the AD400. I love the portability offered by the AD200s. I look forward to your videos on portraits using this setup. Cheers!
Thanks Sean, This has helped narrow down my choice of light upgrade, the AD200 seem to be a very popular solution.
I've been using the AD200 in conjunction with the V1 speed lights. They work great in combination. And with the V1 as an on camera fill light, it also acts as the controller for the AD200 off camera lights.
Enjoyed this video, and really enjoyed your comments at the end about telling your audience that you aren't trying to sell them anything. Can definitely tell your decision process and thoughts were genuine and non biased.
The diffusion domes are great if you need to take a wide shot of an interior. I have them for my Godox V1 and Nikon SB5000, and I use them a lot.
just the ability to set power level wirelessly is soooooooo satisfying. And the power, for the money. Mmm Mmm.
Thanks for sharing @Sean Tucker. My Elinchrom pack days surely are numbered with all of the great stuff Godox is coming out with.
Those shots are painfully gorgeous
Always love your presentations. I was happily using Interfit Honey Badgers Unleashed with Canon TTL trigger for all my location shoot HSS requirements (I'm cheap lol). Then I got a Pentax 645Z and guess what, the only system that catered for the Pentax for high speed sync location shoots was Godox. So got the Xpro-P Trigger and a couple of AD200Pro 200w heads and all is right with the world....Yay. Loving them. Cheers Sean. A life saver again....lol
You are always inspiring, keep the good work up, love to follow your work.
Lighting is so essential in creating a good looking video or a film.
Really helpful video Sean. Look forward to more videos of you using this kit. UA-cam is crying out for tutorials of your quality and diligence on simple lighting setups.
You know you remind me of another guy on youtube "30x40 Designs". Your videos play in 100% like his except for photography. he's architecture. It's what drove me to him as I am to you. You have some fantastic videos and your work is simply awesome!
The internet is so crazy! I saw the headshot portrait in your thumbnail on Pinterest and tried to recreate the lighting... and now you’re in my UA-cam suggestions loll but thanks for the information, dope video and amazing portraits ✨✨
I use the V1 speedli8ghts. The magnetic snap-on difuser works very well for head and shoulders portraits, And it helps give even light when using the V1 in a soft box or umbrella.
I so wanted a godox Ad200 kit since long back ...I'll soon get one..best thing is nobody has complained over godox still...btw great video Sean 👍✌🏻
Great video Sean. I for one do appreciate your gear videos. It helps those of us who are making some of these decisions and considering these options. Thanks for posting this.
Hello, sir. I've watched a few of your videos & really like your clean, no-nonsense, yet approachable style. Your videos are always informative & enjoyable. Keep up the good work! Subscribed.
Thanks Sean. Another well thought out and well produced video.
Nice video! Cool case you put together! Used to have one profoto head, but since two years i also use a ad 200 and two V860II. Love it because you can pack so light with a lot of lights. the x-pro trigger is much better than the X1 and so cheap to add to the setup!
I use 2 godox ad200 pros outdoor for weddings. These things work great even in midday sun.
Have a look at the X2Ts controller or the XPro controller. The EC200 extension head is also worth looking at. With a super clamp you can reduce the weight up top and the damage possible if the light stand falls over. Lastly the AD-S7 modifier is also very versatile. Good luck.
This is exactly what I needed, thank you! Been looking for a compact, good quality light system!
I recently swapped all my Nikon speedlites for Godox and could not be happier. no more AA batterys for me! I now use one AD200 and two 860ii's triggered by their xpro. don't have much time with this system yet but so far I love it! great video btw.
brilliant video Sean ..... Top Notch as always !! thank you
Looking forward for your new video! Really want to know how to work with the basic stuff like what you said only one cheap speedlight and a umbrella.
that click sound those speed lights make is so satisfying ....
Thanks Sean, this is exactly the way I want to move forward too, until now I have used two TT685s for 3 years.
Will you cover your modifiers too in another video?
I actually picked up one of these around Christmas time. It is surprisingly powerful and it seems to even work well with just using the speed light as a trigger. Great video, Sean.