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Adding text in the edit page I'm guessing? If so, make sure it's on the top layer and add as a solid in composite mode. Should work

@@GreenGoatProductions thanks!

@Kento_Ikeda no worries mate

@@GreenGoatProductions one more thing, since I’m a new in this app I’m looking for a roadmap, what should I learn first in Davinch resolve? There are many videos about it but I want to hear your opinion.

@Kento_Ikeda it depends what you're using it for. Grading. I'd suggest learning some fundamentals, exposure, balance and colour management etc. editing, it's similar to premiere. Learn things like how to relink a clip etc. I'm going to make a video about how to colour grade with the free version once I have time It will go through everything you need to get started. Cullen Kelly also has a great UA-cam channel. Check him out For the technical stuff

I get that sometimes. Usually restarting resolve will fix it

@@GreenGoatProductions yes it did!

@LivPoxleitner glad to hear buddy . It's a weird bug

There should be a link below. If not on my website

If this is a flat earth joke. I'm all for it

haha a no, i was refering to 14:36 - as we call modern images flat, i wonder if people from old times would find our vintage color corrected look, flat 🫣

@bokokoto don't worry about those people, they're still using mac 2.0

Maybe you haven't set up your RAW settings properly. I have a vid on that when using black magic cameras. Maybe check that out. Should help

Cheers mate, appreciate that.

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Good to hear mate

Cheers for watching

Yeah, that's what I say in the video.

@@GreenGoatProductions Just reiterating that you don't need to set it up for Resolve to recognize the RAW. And that you can set up all kinds of Cameras in there on your default project and it will apply on all projects. I have had people in the forums that don't know what to do when they have a bunch of cameras on the same timeline as to why it looks like you are only given one camera default - they seem surprised when I tell them that you can set as many as you need to and it remembers each camera.

@JimRobinson-colors yeah fair enough, good point. It's a very hand setting. Cheers for the comment

It's on the Blackmagic website. Go to the pyxis camera and click on it. Scroll down and you should see it.

I didn't make it, but the new colour slicer tool is a great addition. The one I show does some things the colour slicer doesn't. So both are worth a look in. Cheers for the comment

Cheers for watching 🤟

Oh crap, I didnt even realise. I must had gotten a copyright strike even though the music is paid for... Thanks mate! i'll have to reupload and fix that.

Cheers mate, there's a later vid on my channel that shows an even way to get free grain and use it in a more natural way. Cheers for watching

Cheers, thanks for watching

Sorry, can't share. Not my footage

@@GreenGoatProductions okay sir no issues😊😊

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Sorry for the long delay. My thinking would be, have you tried using Blackmagic design 4.6 gen 1 and 3? I didn't even realise Ursa's came in dng. I'd say there must be an update for that model to shoot RAW but maybe I'm wrong. Anyway, give Blackmagic design 4.6 gen whatever a go. That should help hopefully. Let me know how you go.

@@GreenGoatProductions Thank you so much for your reply. I tried that and the color were a bit off. I'm going to grade with no CSTs for now and see what happen later.

@redumbrella4218 there is the dng option in the Raw tab, have you tried that ?

@@GreenGoatProductions Thanks man! Hopefully will work!!!!

@redumbrella4218 any time mate

Ha, not the biggest fan of the qualifier, but good point. Not making a third video on this though... Cheers for the comment

@@GreenGoatProductions you should give it a try. with pre-filter and post-filter they really made the qualifier a superior tool

Good question, I personally feel using nodes gives me more control when it comes to my colour management. I know where exactly everything is happening in the node pipe line.

@@GreenGoatProductions Gotcha, and fair. I personally like the latitude and color information that wide gamut provides. I still use nodes obviously, but just not as many as your method. I also don't like using luts as I personally feel that they can be restrictive when it comes to latitude, but plenty of people make it work well. Cheers

@leebrandt8597 yeah good point about luts. It all depends on what luts you use. On longer projects luts can save you a whole bunch of time. Good point though

Cheers mate and that's for your help also

Cheers mate

MP4 is a very compressed format. If you need your footage to be compressed. Export as a high Res footage. Then use Handbrake or Shutter encoder to compress it. It works a lot better than letting resolve do it.

Render Cache - Smart. It will render that bad boy for you.

Cheers mate, I use Cullen Kelly's. I'm pretty sure it's free on his website.

@@GreenGoatProductions Would you mind sharing it? I had no luck after searching for it 😢

@paolosergio1564 ok, no worries. Mate. I'll have a look once I'm home. You can always find others on GitHub for free. That site is great

@@GreenGoatProductions OMG! Yes please. Thank you so much!!!! 👏🏻🥳 Appreciate the advice too 🙇🏻‍♂️

@paolosergio1564 no worries mate

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Not when using node CST. But there is something I forgot to mention. If your footage is raw or braw. You need to make sure it's set up properly in the Raw tab You don't need an initial cst as resolve does it for you

@@GreenGoatProductions So the timeline color space is right settled in rec 709 because what i see in the timeline is the final CST conversion in rec 709 right? Thanks!

@RiccardoGiberti I think I get what you mean. The video shows it. But basically you work in a wide colour space then export out as a rec709. But you can set up your resolve colour management in settings and not use a cst if you like.

The best comment

Oh that's very interesting. I haven't had any issues myself with it. The download is only Raw I'm pretty sure. Have you got your project set up for 8 or 10 bit footage? Also sometimes if you render and your settings are lower for the render it may appear worse off. Not sure what else. Let me know if any of that helps, if not let me know and I'll look into it

@@GreenGoatProductions Not a settings issue. Shows up in the untouched footage. Even BRAW Player shows it in that same wine glass shot if you open the og source. Almost like horizontal banding? I can find it in BM6K footage at that diner that you can download as well. Hm.

@KyleProhaska oh ok, I'll have a look once I've finished work. I know it has some noise, because I did denoise my footage but not lines.

@@GreenGoatProductions All good. I just looked again this morning with footage from the Pyxis and 6K from BM's site, different shoots, and 4 different lighting situations... and the issue is in all of them. It's a sort of horizontal streaking/grouping to the noise pattern or compression pattern. I see it in buildings, I see it in skies night/day, I see it in out of focus backgrounds (like the new Pyxis footage). In motion it's even easier to see and how I first caught it a long time ago, but I was surprised to see the Pyxis footage and immediately pick up on it again. It's not something that's due to light and the sensor either, because it shows up in BM's example footage of well exposed blue skys.

@@GreenGoatProductions Sent you an email.

Two things. First up, solid comment on the wood fire. Valid point. 2nd Cheers for the positive feedback. 🤟

Hey, that's really interesting. My thoughts was some kind of Lut. I do like the film look creator., it's a great addition to Resolve. Your grade is amazing, great work. I also do linear in my balance and exposure nodes, which is very handy and dctl for saturation. Cheers for the comment, I really appreciate it. Do you have a website for your work?

You’re actually my hero! The film look creator has been an actual game changer when it’s come to my color grading, it’s an amazing tool that I’ve been using constantly! I’m so thankful I have an opportunity to thank you… I suppose digitally, it’s been the secret save I’ve been looking for for literal years. Thank you!

@@jeremymolinari6597 Thanks, glad you find it useful!

You wrote the Film Look Creator? That bloody thing is incredible! Amazing job!

Hey mate, yeah it's 2:39 and I've zoom in a bit to reframe. Cheers for watching and the comment 🤟

@@GreenGoatProductions Thanks for the quick response. (incidentally it’s raining like hell here on the UK…..so very envious of all that sun you’re getting)

@Longdancer ha, after I made the vid it poured with rain as I rode my bike. So the weather didn't last long.

Sorry to hear

Cheers mate 🤟

No worries mate, cheers for watching

Cheers for watching and commenting. 🤟

That is interesting, someone suggested magic mask. I tried that out and it worked great. I was going to do a follow up video about this but I'll look into the depth mask also and maybe add that in. Cheers mate

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That's very interesting and You've raised a good point. What footage are you working with if it's 8bit? Phone footage?

Sony a7riv!

And the banding is that bad? Interesting.. I'll look into how to combat this. So hopefully you wont have to be doing deband all the time.

This was something I thought of just as I finished uploading the video. I rarely get footage with banding so I don't use this OFX much. But yeah, great question and something I'm going to look into .

Export or convert a footage in a low bit depth

@@prod.soutin3858 It can happen easily with 8-bit footage because the gradient steps doesn't have enough data in capture to show a smooth gradient. It also can happen when the ISO is set to capture more stops below middle grey, which then has less stops above middle grey - one of the main reasons that it might show in a really bright sky and there is only a couple of stops above middle grey, that there isn't enough bit information in the two stops above.

Two answers below are spot on.

Yup, good answer

Great answer

Cheers for watching

You can just export the project once in Resolve. If you want to see that project later on though, you'll need the footage.

Great to hear mate, I was also Film student in Melbourne and I know what a struggle it was a find free footage. There's more on my website if you ever need it. If you ever get stuck on something, let me know and I'll see what I can do.

@@GreenGoatProductions Will do! There's a 5gb download limit on mega every 5 hours or so without paying so I'll slowly get everything. I've enjoyed giving the gas mask shots a fallout orange wasteland look

@ItzDaiz AHH really? I didn't know that mega does that. Maybe I should swap out to Google drive. Nice choice of look for the gas mask stuff.

@@GreenGoatProductions Yeah would be great. It has a 5gb download limit without a paid plan

@ItzDaiz alright, cheers mate. I'll look into. My Google drive is a bit full but I'll see what I can do. Thanks again

The good old days of not activating my windows, cheers for the watch and comment

Cheers mate, yes there is a video being made very soon about the colour slice tool. I'm going to do a comparison of that tool vs paid DCTL's to see how each one works. Hopefully be up soon. cheers again.

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