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Christopher Glenn
Приєднався 3 лип 2014
This channel serves mostly as a place to share videos of music with friends and family. In early 2020, I started using Hauptwerk Virtual Pipe Organ software on my practice console. I've been enjoying the opportunity to virtually play different organs from around the world. I hope to add to the video collection as I make recordings using the various organs I acquire over time. I also hope to add various improvisations to the mix as I move forward.
BTW, the console in my cover photo is of the C.B. Fisk Opus 140 located in Seattle, WA at Plymouth Church UCC. It was my joy and privilege to serve as an assistant organist at this church during my last years in Seattle.
As the cost of keeping up the appropriate technology can be expensive, any "tips" received will 100% go toward equipment upgrades and new sample sets. Thank you in advance for any support you may provide through the "Buy Me A Coffee" link below.
BTW, the console in my cover photo is of the C.B. Fisk Opus 140 located in Seattle, WA at Plymouth Church UCC. It was my joy and privilege to serve as an assistant organist at this church during my last years in Seattle.
As the cost of keeping up the appropriate technology can be expensive, any "tips" received will 100% go toward equipment upgrades and new sample sets. Thank you in advance for any support you may provide through the "Buy Me A Coffee" link below.
Buxtehude Praeludium in D (BuxWV 139)
Dietrich Buxtehude's Praeludium in D major opens with a flourish that has somewhat of an improvisatory feel. It then moves into a four-voice fugue with a theme that features a repeated note. From there, it moves into a section in which Buxtehude shows off his skill with complex harmonies, followed by a lively, toccata-like part that gets interrupted by another sustained section before the piece wraps up.
Unlike a typical prelude and fugue, this piece doesn’t have a clear split into two big movements. Instead, it mixes shorter sections of strict fugal writing with more free, improvisational moments, some of which are simple and lively, while others are more stately and harmonically rich. I use the multi-sectional nature of the piece to play around with different registrations while providing added contrast by alternating between the great and positive keyboard. I'm playing the piece on the Matthijs van Deventer organ sample set using Hauptwerk virtual organ software. The original organ resides in Nijkerk and is a lovely example of Dutch baroque organ building.
Unlike a typical prelude and fugue, this piece doesn’t have a clear split into two big movements. Instead, it mixes shorter sections of strict fugal writing with more free, improvisational moments, some of which are simple and lively, while others are more stately and harmonically rich. I use the multi-sectional nature of the piece to play around with different registrations while providing added contrast by alternating between the great and positive keyboard. I'm playing the piece on the Matthijs van Deventer organ sample set using Hauptwerk virtual organ software. The original organ resides in Nijkerk and is a lovely example of Dutch baroque organ building.
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Відео
Iceland Highlights 2024
Переглядів 430Місяць тому
In mid-September, Rich and I spent a wonderful time together exploring the south coast of Iceland. Starting in the capital city of Reykjavik, we took in the amazing murals, several museums and galleries, and enjoyed a variety of culinary delights at some splendid restaurants. After putting in about 25,000 steps a day, we ventured out into the countryside for some horseback riding before heading...
Buxtehude Praeludium in G Minor BuxWV 149
Переглядів 1584 місяці тому
Composed by Dietrich Buxtehude, an admired Baroque-era organist and friend of J.S. Bach, this multi-sectional praeludium is performed using the sample set of the great Laurenskerk organ in Rotterdam, Netherlands.
A New Console from Start to Finish
Переглядів 1,2 тис.4 місяці тому
In this informal video, I walk you through the steps I took in the process of acquiring a new custom organ console to use with my Hauptwerk virtual pipe organ software. During the video you'll hear an excerpt of J.S. Bach's Toccata in F-Major played on the Regensberg "Bach Organ" sample set as well as Vierne's "Claire de Lune" played on the Alessandria set. Live sound was recorded in the space ...
Prelude & Fugue BWV548
Переглядів 548Рік тому
Written during Bach's time in Leipzig between 1727 and 1736, his Prelude & Fugue in e-minor (BWV548) is sometimes referred to as a two-movement symphony for the organ given its length and complexity. It is certainly huge in structure and one of the most intricate of organ preludes, indeed. The fugue is often referred to as "The Wedge" given the first half of the fugue subject which opens up as ...
Paddling the Rogue River Wild & Scenic
Переглядів 129Рік тому
In mid-August 2023, we met up with several friends from Seattle and elsewhere near Galice, Oregon to spend four glorious days paddling the designated Wild & Scenic section of the mighty Rogue River. The weather was warm but the water was amazing as always. The days were filled with fun and excitement on the water while our evenings were spent counting the myriad meteors we saw trailing across t...
Graham Twist: Fantasia & Fugue
Переглядів 95Рік тому
In May 2023, I met up with composer and organist, Graham Twist, in beautiful, historic York, UK not far from Graham's own home town. During our visit, Graham played the opening lines of his Fantasia for me as well as the start of the fugue which was still very much "under construction" at the time. I was then stunned to hear that Graham would be dedicating the piece in my honor. Wow. I was so v...
Benedict Jucker (1811-1876): Fantasy and Fugue on BACH
Переглядів 172Рік тому
Fantasie und Fuge über das Thema BACH by Benedict Jucker. Jucker was born and died in Basel, Switzerland. While details of his life are difficult to find, he was an organ student of German organist and composer, Johann Christian Heinrich Rinck. Jucker succeeded Rinck as organist of the Basel Cathedral in 1846 at the age of 27. Jucker was a student of the so-called 'Organist School' in Basel, th...
All Together Now (4 Hands Organ Duet)
Переглядів 343Рік тому
Here's my first attempt at writing a piece for two organists. With just one organist in the house, I recorded both parts and overlaid them in hopes of giving you an example of the final composition. I look forward to trying it out with another organist at some point for a better recording. I invite you to try it out for yourself and fellow organist as the score is available on my IMSLP page for...
JS Bach Prelude and Fugue in B-minor
Переглядів 486Рік тому
Bach composed this fairly lengthy prelude and fugue during his tenure in Leipzig between 1727 and 1731. Unlike many works attributed to the master, a copy of the autographed manuscript exists and further suggests that the prelude and fugue were likely intended to be an intentional set. The prelude is written in 6/8 with numerous runs to keep the fingers moving while offering a bit of melancholy...
Graham Twist: Lullaby on 'Quem Pastores'
Переглядів 1122 роки тому
Composer, organist and dear friend, Graham Twist composed this lovely setting of Quem Pastores ludavere - a tune said to date back to the 14th century. Graham arranged the piece as a gentle lullaby. Graham recalls learning the tune when he was but a young lad of just four years old. He wrote this setting in 2022, so graciously including me as the dedicatee. I am truly honored and grateful for h...
Kellner: Prelude and Fugue in d-minor
Переглядів 4172 роки тому
This prelude and fugue was composed by German organist, composer and teacher, Johann Peter Kellner (1705-1772). It is said that Kellner knew J.S. Bach, G.F. Handel and other notable musicians of his time. In his auto-biography, he mentions having performed for the dukes of Coburg and Weimar and the Prince of Sondershausen. This prelude and fugue, like much of Kellner's work, was written in the ...
Il Nomade by Christopher Glenn
Переглядів 1532 роки тому
(Re-uploaded for better audio) Here is a piece composed in October 2022, entitled Il Nomade. The name simply means, The Wanderer. The piece is based on a theme inspired in part by the subject of Maurice Duruflé's fugue on the name of Alain. I find myself singing that fugal subject in my head so often and decided to use it as inspiration for a piece. In coming up with my title, I thought the sec...
6 Pieces | 5 Organs
Переглядів 2282 роки тому
Join me for a brief virtual recital of six organ pieces played on five different virtual pipe organs. 0:00 Welcome and Introduction 02:49 Joseph Jongen: Scherzetto Saarbrueken organ of Sankt Arnual, Germany 06:51 J.S. Bach: Adagio in A-Minor Noordroek Organ, The Netherlands 11:32 Gaston Bélier: Toccata (1912) Matthijs van Deventer Organ, The Netherlands 16:29 Attr. J.S. Bach: Fuga alla giga (Gi...
Nicholas Bruhns: Praeludium in E-minor
Переглядів 1612 роки тому
Attributed to German composer, Nicolaus Bruhns (1665-1697), this work for organ solo includes numerous meter changes as well as starkly contrasting sections allowing for many opportunities to show off the various colors of the organ. I am playing the piece using a sample set from the Matthijs van Deventer organ at Nijkerk (Netherlands). It is a stunning example of the Dutch baroque pipe organ s...
Nicolaus Bruhns: Praeludium in G-minor
Переглядів 1152 роки тому
Nicolaus Bruhns: Praeludium in G-minor
Prelude and Fugue in C-minor BWV 546 (J.S. Bach)
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Prelude and Fugue in C-minor BWV 546 (J.S. Bach)
Josef Rheinberger: Trio I (plus variation)
Переглядів 852 роки тому
Josef Rheinberger: Trio I (plus variation)
Within A Forest Green (A Poem For Solo Organ)
Переглядів 1552 роки тому
Within A Forest Green (A Poem For Solo Organ)
Mendelssohn Op 65 No. 3 Sonata in A-Major
Переглядів 2092 роки тому
Mendelssohn Op 65 No. 3 Sonata in A-Major
J.S. Bach Prelude & Fugue in E-Flat Major BWV 552
Переглядів 2,7 тис.3 роки тому
J.S. Bach Prelude & Fugue in E-Flat Major BWV 552
Where do we go from here? (Composed for the 20th Anniversary of 9/11)
Переглядів 3193 роки тому
Where do we go from here? (Composed for the 20th Anniversary of 9/11)
Thanks for this wonderful and tasteful rendition! I think you picked a very interesting organ/set for it. A mix of German, French and Dutch elements, which sounds great for this stylus phantasticus piece with its many parts. I know you are a busy man, but hopefully we will get more from you the coming year!
Hi Ralph. Thanks for your kind words. You know how much I love the set from Nijkerk, and you are the amazing reason I have it to begin with! Thank you again and again. I will try my best to get more things recorded but will never be able to keep up with you, let alone match your masterful touch. I am continually grateful for your friendship and in awe of your musicianship. Best wishes for a lovely holiday season and new year to come.
Thanks for the video -- who was the builder please?
What a treat to hear you play again after a three month 'absence' . . . but well worth the wait! Your performance sparkles magnificently on the Matthijs van Deventer Organ sample set, and as is always the case with your playing, Christopher, your sensitive artistry and grounded musicianship ensure total delight for the listener! Thank you for the notes you provided on this glorious Buxtehude 'Praeludium', which added to my appreciation of this splendid work. As you probably know already, Buxtehude settled at Lübeck in 1688 as organist of St. Mary’s Church. There he gained such fame as a composer that the city became a mecca for musicians of northern Germany. The young Handel visited him in 1703, and in 1705, a twenty-year-old Bach by legend walked more than 200 miles to meet him. Did you know that in order for Dietrich to succeed Franz Tunder at the Marienkirche, he was first required to marry Tunder's daughter, Anna Margarethe, as it was not uncommon practice in those days that a man marry the daughter of his predecessor in his occupation. Buxtehude and Anna Margarethe then had seven daughters themselves, and since both Handel and Bach hoped to succeed the master at Lübeck . . . marriage to one of Dietrich's daughters also became a condition of the deal . . . though Georg and Johann each found it unacceptable! Luckily, you were not presented with a similar proposition before taking delivery of your magnificent new organ console!
Ah, Graham, my friend... always providing "the rest of the story!" Thanks for the lovely comments and for the added bit of history regarding the marriage expectations of the day! I suppose there are places in the world where such foolishness still exists. But, most fortunately, it is not the world in which I live! As for D. Buxtehude, he was (and still is) a legend, as you point out given the extent to which the other "greats" sought him out. And, you probably had to be quite the talk of the town (and beyond) for word to spread so far about his talents in a time well prior to the rise of social media and network news. Fortunately, social media has had at least one positive outcome in my life in that it was UA-cam that served as the catalyst to meeting you. Who knew from those initial comments and exchanges on this platform that one day I would travel to the UK where I got the splendid opportunity to share a bench with you underneath one of the most intact examples of English organ building, squishy action and all. Next time, we play York Minster! Cheers for now.
Amazing performance Christopher!!! This is a monumental by one of the masters of Baroque music.
Thank you, James! I love the three Bs... Buxtehude, Bruhns and Bach! ;)
Glenn, this is a really lovely performance of this delightful masterpiece by Buxtehude! Have you tried Sweelinq 2.0 yet? It has 14 sample sets to play with at the moment and doesn't require a lot of computer power to use.
Hi Vidas. Thanks for the nice note. And, yes, I tried Sweelinq when it was open for free download and trial. It's certainly a clean, easy user interface. HW is quite a bit more complicated/advanced (with so much customization available), but with having so much invested in HW, I won't be switching any time soon.
@@christopherglenn3240 I understand. I also don't intend to switch but it's a nice slim version, much improved from the starting edition. But even for me sometimes there are situations when slim Sweelinq is better than fully advanced version of HW. Like when I have to play on some location using only a laptop.
A fantastic video and beautiful land! I like it very much! Thanks for uploading!
Congratulations to this amazing console! Looks great!
Vielen Dank. Es macht mir wirklich Spaß.
@ mir gefallen besonders die Klaviaturen
Great playing of a very fine Buxtehude! Bravo!
Thank you for your kind note, Markus. Die besten Wünsche für eine schöne Weihnachtszeit. Ich freue mich auch darauf, Ihrem Kanal zu folgen.
Magnífico! Abraços aqui do Brasil.
Obrigado! É bom ouvir de você.
Looking forward to seeing all this in its entirety. I was thinking about you guys the whole time you were there! I know that you had an amazing trip! Love you both!
Very Nice. I'm about to begin a similar process and this video has been very helpful. Thanks!
Thanks for the nice note. Best wishes to you as you begin the journey toward a new console!
Beautiful music and organ performance. Thank you for share. Video 👍 I subscribed to your beautiful channel (hope you too), friend number 175, 🙂
Wonderful Iceland places, hike, views, footage, music soundtrack. Thank you for sharing. Video 👍
Thank you for your nice words. Have a great day.
@@christopherglenn3240 You're welcome my friend. Have a great day. 🙂
Great pictures, Christopher! It's a wonderful country, really unique. Thanks for sharing, you globetrotters ;)
Thanks, Ralph! I left some wonderful sights there in Iceland for you and your family to visit! :)
Our neighbors put up a video of their trip to Iceland. He had shots from a drone. Your photos seemed to be more colorful than his ua-cam.com/video/4l4QrQ26GJE/v-deo.htmlsi=uioT553oB204z6nr A beautiful montage. I enjoyed the vicarious cable ride. I never saw a bounce routine before. Wow.
Looks like they went in the warmer months given the puffins and heavier traffic. With a drone, you can get some great shots. Nice vid! As for the bounce routine, that was a first. It was fun.
Looks like a wonderful trip you had. I hope to visit Iceland at some point. Looks magical and what a church!
Hi Philip! Thanks for the nice note. I hope you get to visit Iceland soon. Our mutual friend Ralph L is also wanting to go there with his family though I think he's visiting your lovely country first! We did get to hear the organ during a rehearsal and during an organ meditation service. It was fairly romantic in sound and the reed chorus was delightful. Rich tried to connect with the organist ahead of our trip (as a surprise to me) but the guy never responded. Oh well. It was still fun to hear the instrument. Take care, good sir. cw
F A B U L O U S ! Thank you so much for sharing your 'Iceland Highlights' with us - the videography of the landscapes you encountered is stunning! You both look to have enjoyed a really epic adventure together . . . and I can see why you want to return to explore the magical north side of the "island of fire and ice." Can't wait for that upload! B R A V O !
Hi, dear friend. Epic? Well, pretty close to it. The only thing we had to cancel was our paragliding trip as the wind that day was very strong and coming from the north. As such, we would have blown out to sea easily. The spot from which I took a brief video from the edge of a cliff would've been our launching spot. I guess we saved something for the next time! Thanks for the nice note and next year we hope to vacation in your area again and hope to connect with you again. :)
@@christopherglenn3240 Looking forward to that!
It looks like the both of you have had a great time!
Thank you, kind sir! Yes, it was a great trip. These types of trips can have their ups and downs, but this one had virtually everything go perfectly, including the weather. Enough drama in the sky on some days to make for interesting pics, but no rain. Thanks again for writing.
Love this! Of course, it’s even better in person! Enjoyed every second and have since shared it with my music director friend, Bo! She loves your playing as do I!
It was wonderful to have you here for a visit!
Nice!! Which company did you use?
A very fine rendition of one of Buxtehude's most famous preludes. Of course shows the big M that it's very capable of handling Buxtehude, with its many North German influences put into it by Marcussen. I like your registrations a lot, in the beginning not a plenum sound is very refreshing. That's the beauty of the stylus phantasticus, you're free to do what you like (within borders). Thanks!
Thanks, Ralph. You know me... setting new trends on registration! Haha. The "big M" as you call it, is a new set for me and I'm still exploring all the options, and there are many! You'll have to take me to the real instrument when I come to visit! (hopefully, one day before long.)
Nice to see and hear your new console in action with imaginative registrations for this Buxtehude Präludium, too. Your playing and videography are both excellent.
Thank you, Paul. Still working on the cameras, though! I tried out a new camera this time and can now safely call me the headless organist! I guess I have too much fun playing and don't spend enough time on getting the camera settings right! Oh well. Maybe next time. ;) Anyhow, I hope your summer is going well. I look forward to more posts by you on your lovely console! cheers.
I confess that I think this might be the first time I have heard this Buxtehude Praeludium - and what and introduction, Christopher! This is a superb performance and you have it perfectly registered on the magnificent Marcussen Organ sample set. Your new console is handsomely crafted and your playing is on par with the pleasing aesthetic: B R A V O !
Thank you, Graham. I enjoyed registering this piece and opted not to go out to listen to other performances of it so that I could take on a very personal approach. I can't remember the last time I've ever heard the piece performed and I couldn't believe that after having this album of Buxtehude on my shelf for decades, I never learned the piece until this summer. What other treasures of his exist?!
Buxtehude’s Praeludiums are not played as often as they should be. Wonderful and perfect performance! Bravo Christopher!❤
Vidas -- Thank you for your kind words! I absolutely agree with your thought that these pieces are under performed. The writing is superb and his pieces are a joy to play.
Thank you, Christopher! Excellent clean performance. This sounds pretty amazing on the Rotterdam sample. I am going to have to get this out of my box and dust it off. It's wonderful to have you creating some content again.
Thank you for the nice note! Funny enough, I have had this score for about 20 years and never played this piece until doing some random sight reading just after getting the console set up. It is so much fun to play and I hope to keep it in my repertoire going forward. Perhaps you'll post a recording of it as well! Thanks again for your note and encouragement.
Beautiful organ!
Thank you, Jerry1963ish!
WOW....WOW and W O W!!....I know you'll enjoy all of your work....
Thanks for the fun comment! Keep up your great work on the bench.
Hi Christopher! I am not at all surprised to hear of the warmth that you held for Paul, as that seems to be universal for anyone who knew him and/or studied with him. I lived in Vero Beach, Florida, for a few short years and would from time to time make my way over to Stetson to hear organ performances. I was well aware of Paul’s reputation as an organ teacher, as a number of my friends had studied with him there at Stetson. Each of those friends were extremely well trained organists and each sang Paul’s praises. Following one of the performances that I was in attendance at, I was invited back to Paul and Janice’s home for a repast. I had such a wonderful time that evening. I heard many accounts of sailing with the Jenkins from a number of my friends, as well. They were such generous and healthy people, by all accounts. You were very fortunate to be at Stetson and be graced by such people, in addition to having such an excellent teacher. While I have a background in organ, my forte was choral. I, however, love the organ, when a good instrument and played well! I am now retired to Rhode Island and unfortunately it is a cultural dessert when it comes to the organ. 😞 I was on the music staff for the last twelve years of my working career at Trinity Church on the Green, New Haven, where I had an 80 rank Harrison-Skinner in tip top shape. So very spoiled! As I already stated, I am impressed by the Hauptwerk that you have created and quite a bit jealous!! 😁 In some ways, although rather different, it kind of reminds me of Richard McVeigh’s instrument in the U.K. You are both very fortunate and I am happy for your labors of love and end results. Take care, Christopher and be grateful. So nice to have discovered you! Cheers ~ Paul Baker
All very wonderful, but the Guilmant in particular was thrilling, played on the Willis of Salisbury Cathedral… one of my favorite English instruments. Knowing that you studied organ at Stetson University, under the influences of Paul Jenkins, who was such a wonderful and formidable organ teacher, it is clear that he made his mark on your musicianship. 👍 I would love to hear your service playing sometime. Thanks for posting this on UA-cam! Cheers ~
Thanks for your kind words! It's great to hear you're familiar with Stetson and Paul Jenkins. While he was only a teacher of mine during a brief interim period before Boyd Jones returned to Stetson, Paul was hugely influential. He had a teaching method unlike most. I became quite close to him and Janice and fondly remember our days sailing and talking about life. I'd love to know how you became familiar with Paul. Take care and thanks again for writing. cw
Very impressive process and an outstanding final result! Congratulations on a job well done!! I must admit that I am nothing short of being jealous. 😉 I, however, wish you years of joy and satisfaction in making beautiful music on such a wonderful home instrument. And I sincerely do hope that you are generous in inviting people into that marvelous space to both hear and play that instrument. Cheers ~
nice if you have the money.
Congratulations Chris! This looks amazing and sounds fabulous! I have fourth-manual envy now! :)
You can do more with three manuals than most can do with 5, 6 or 7! Hi Jerry. Thanks for the note. I hope all is well with you.
Wow, Chris - the intricacies of this entire project must have been mind boggling! I know it certainly boggled my simple mind. The sound that is in your “man-cave” is absolutely phenomenal. Congratulations on an amazing job well done. I can’t wait to see it! ❤
Hi Barbara. Thanks for your comment. It's been a fun project but not without its frustrations at times. Anyhow, I'm enjoying the opportunity to explore the new options it affords. Yes, you need to see it in person! Cheers.
Thanks for sharing this very informative video, Christopher. I think it's very useful for those looking for a custom solution, especially for those who dare to take a challenge and know how to handle furniture (like you do). By the way, great room to put your organ in (sounds good in the room too), you still have a room in your man cave for a big organ front with pipe facade ;). Do the front speakers fill the room well enough, since they are nearfield monitors? Thanks for the beautiful Vierne! On to more uploads, Christopher, looking forward to it.
Hi Ralph. Thanks for the nice note. Yes, these projects can become quite cumbersome. I struggled between buying an off-the-shelf model or doing a custom build. I found that most of the pre-built models were focused on simplified versions of Hauptwerk rather than allowing me to fully operate and customize the set up, easily add sample sets and such. Or, I was forced to pay for internal sounds that I would likely never use. So, I took the greater challenge of doing a custom build and focused the $$ on the features that I really wanted. In the end, while there's still a few more components coming, it will be a very functional console. Now, I just need you to come here and play it like the expert you are! Take care, my friend.
@RalphLooij I forgot to reply to your question about the Focal Shape Twins and their effectiveness in the larger space. I'm using them fairly close to the console as a mix of the dry and near field perspectives from the sample sets. The rear DM80s are take their feed from the far & rear perspectives. Given the lively acoustic of the room, the combination is very effective overall. Maybe you should come play it for the full experience and really do this console justice with your remarkable skills! ;)
WOW, Christopher! What an amazing project and awesome undertaking. You must be thrilled with the stunning outcome - and rightly very proud of all you have planned and achieved from initial design to eventual rebuild (a task certainly not for the faint-hearted!). I know you to be a fabulous organist and fulfilling a dream like this will ensure your sublime artistry as a musician can now be fully explored and realised . . . and hopefully shared with us when you upload to your UA-cam channel. The live sound of the recording - despite being just phone quality - is truly remarkable as it is possible to get a sense of the very favourable acoustic of your 'man cave' (I know we men like to boast about 'size' . . . but you must have one of the biggest 'caves' going - and I hope you manage to resist feeling too smug knowing the rest of us are all highly envious! I know, a 'naughty' comment, but I'm hoping you'll forgive me!). I can think of no-one more deserving of such magnificence: B R A V O !
Thank you, Sir Twist! It's always a joy to hear from you, naughty or nice! Perhaps you should make a trip to the US now that your travels in Lithuania are complete. ;) I'm sure you could put this new console to good use. I've now got to up my game on the video recording front. I tried out a new camera for the two pieces I was going to have in the video and I struck disaster! So, I was left with two very bad angles to choose from and less than ideal audio conditions. So, today's chore is to learn more about the new camera so that I use it correctly next time. Anyhow, best wishes for a lovely week ahead, my friend. And keep up the great cheer.
Congratulations! I wish you much pleasure to play your favourite samplesets on this lovely console.
Thank you, Thomas! I appreciate your thoughtful comments. I hope all is well with you this summer season, especially on the bike trails! Enjoy.
Many congratulations on your new console and set-up, Christopher - it looks fabulous! What an exciting journey you have been on over the past months, too, and hats off to you for re-assembling all the intricate parts of the instrument in your home - a very impressive feat! Looking forward to your future uploads on this amazing console and many congratulations again. Greetings from the UK.
Thank you, Paul. Your project served as an inspiration, indeed. I know you're fully aware of the joys and challenges of these types of things. I'm still awaiting some minor additional components to mine, though the set up process shall continue! Switching from Mac to PC caused quite a lot of extra work in getting things set up. Anyhow, best wishes to you and I look forward to your next brilliant posts!
Wow that was impressive for an IK. Is that an Aire Lynx?
@@getlostbrandon thanks. This is the Outfitter I, but I have a Lynx as well.
Just found this recording. Great playing, Christopher! Bravo!
Hi Alejandro! Salamat sa iyong mabubuting salita. Nakalimutan ko mismo ang video na ito! Sana maging maayos ang lahat sa iyo at sa iyong pamilya. 🎶 Hi Alejandro! Thank you for your kind words. I forgot about this video myself! I hope all is well with you and your family.
@@christopherglenn3240 Salamat, Christopher. You speak tagalog? Wow!
@@AlejandroConsolacionII I wish! No, but Google does, apparently. :)
@@christopherglenn3240 Pretty cool for google. The translation is in a way accurate.
❤🎉👍👏🌟
A beautiful and powerful rendition, Christopher! It shines even more on this sample and the transparent acoustics. Well done.
Thanks for your nice words, Ralph. I do love the sample set and think about you each time I use it. The set was such a perfect and gracious gift!
Lovely phrasing and tempo, a neat performance! And thanks for the historical insight that you've provided in the description.
Thank you for your nice comments. I appreciate your thoughtfulness.
Smashing Christopher! That's so cool. It is a massive piece and how wonderful that you want to share your music with us. Great playing!!
Hi Philip. Thank you for your kind words. It was a great piece to learn this summer though a real challenge for my fat fingers! I hope all is well with you and I always look forward to your absolutely splendid performances.
What a fantastic performance of this masterpiece, Christopher! Such crystal-clear articulation throughout and wonderful musicality - bravo! 🙏
You're so kind to write and share such gracious words. It was a fun piece to learn and certainly not short on the running scales. I hope all is well with you in The Big Smoke! :)
The Wedges has long been a favorite thanks for a nice performance.
Thanks for the nice note, Tony. Happy autumn.
Fantastic!!! Bravo Christopher!!
Hi Jerry. You're too generous! I was just glad the train didn't completely fall off the rails on this one; it certainly bobbled a few times! I do hope all is well with you. I was so delighted to see that you were part of the BiS Romsey Abbey project. You are so generously involved in helping others the world over, including myself. I wish you a lovely end of summer and look forward to seeing/hearing more from your own splendid YT channel. :)
@@christopherglenn3240 Hear! Hear!
Congratulations on your wonderful performance, Glen!
So good to hear from you, Alejandro. I hope you're doing well. I always look forward to your videos and hope to hear a full concert again some day. Thanks for your nice note and I wish you all the best.
F A B U L O U S ! I really enjoyed your tour de force performance, Christopher, of this work of absolute genius by JSB which is a real favourite of mine. Your artistry at the organ makes for compelling viewing and listening and your choice of registrations on this gorgeous sample set made sure we could hear every single note articulated with great attention to detail and musicality. I am in total awe of your prowess and will take enormous pleasure from being able to return to this recording time and time again. B R A V O ! ❤
Thank you, Graham, for your lovely, supportive comments. This was one of the most challenging fugues I've tried to learn. At slow paces, it's manageable (at times) but put any speed to it and my fat fingers go bonkers! I will never forget trying to play through the prelude on the famous Denman organ in York with you pulling stops. Maybe on our next trip we can play the Grand Organ of York Minster!!! Cheers.
@@christopherglenn3240 You played the Prelude on the Denman Organ with great panache . . . and I need no second invitation to pull out organ stops for you Christopher - you're the best! (Not sure the York Minster instrument is enough of a challenge . . . maybe the Midmer-Losh Organ at the Boardwalk Hall Auditorium in Atlantic City would be more fun! 🤣)
Congratulations, Glenn! This is really solid performance of this iconic work! Bravo!
Thanks, Vidas. This is a new piece for me this summer. The fugue is a test of skill with playing scales! I'm sure you could teach some great tips on this. Take care. C.
@@christopherglenn3240 yes, it’s a test to the organist’s endurance. It’s been a while since I last played it. I’m sure it would be great to come back to it in the future.
Fabulous performance Christopher! New sub here! You are very talented.
Thank you for your kind words! I will have to check out your channel. :)