Відео

Thank you! You are Welcome

Change the circle to use adaptive or uniform points. You can also add more smoothness on the tracer object by changing to adaptive or uniform. Check out part two of the tutorial which goes into more detail

@@unroot-design You were never stupid. We all start from a place of limited knowledge.

Thank you

Thanks for watching

ua-cam.com/video/SK_X9XWDnEQ/v-deo.htmlsi=RNU39i63K8DZtA4V

This video was for for entertainment purposes rather than delving into the simulation system. The best standalone programs for sim is Houdini, JangaFX, Fume effects. As for plugins TFD is very strong from what I've seen

@@BoldBreak Sadly with Pyro coming Jascha at Jawset stop progress on his upgrade to TFD called Reactions. In a few releases Pyro MAY become usable and stable..but I will not hold my breath. Of course I will not know till I upgrade my PC and can run C4D 2024/2025

@@PaulSinghSelhi-VFX-TUTORIALS I always found it strange that Maxon never purchased x-particles or TFD to integrate into the family. Why waste resource on creating a pyro system that isn't cutting edge when there are partners out there already doing that for you. It's one of the few acquisitions that would have made sense instead of Redgiant 😕Sad to here Jawset has stopped progress but from a business it makes sense I guess...

@@BoldBreak Unfortunately though Reactions promised far more control and integration is was simply far to complex and uncomfortable in it's beta form. No doubt that would have improved given a chance to mature but it was not to be. I am looking at Fume FX for C4D and Houdini but I feel sick whenever I open Houdini up. When i get the spare cash for an upgrade I may return to pryo as I am sure it has improved..I can only use the 2023 version.

The 2023 version of Pyro is near useless..atrocious GPU memory management, crashing ALL the time, you have to save after each setting change.

@@PaulSinghSelhi-VFX-TUTORIALS agree

@@BoldBreak It seems the problem may well be C4D 2023..it has gaping memory holes with simple scenes eating more and more memory..going well over 45 GB sometimes. Pyro itself on 2023 may also be an issue but I suspect basically 2023 is pants. I can just about get SOME pyro out of it and then work with R26 which is stable. But I need to justify the expense of a new rig and then go r2025

Glad you liked it! Thank you for your feedback

Great question. The matrix object offers an extra layer of control. The matrix object has an effectors panel. This allows us to add effectors. We can also use the data points from the matrix object as ref for more complex setups. Hope this makes sense.

Thanks for watching. A few things you can do. If the issue persists please let me know. Update Drivers Update RS & C4D Make sure the After Effects or Vram intensive programs are closed when using Redshift. Check the amount of Hair strands you are rendering versus the Instances. Some hardware may not be able to render a high volume of hair strands

merci beaucoup♥

Hey what version of redshift are you using ?

@@BoldBreak version= 3.5.24...but Redshift Shader Graph Nodes; this is not in the menu "costant rotate or sclae "

@@gokhanelmac I'm happy to look at the scene file you. It's hard to see what you are seeing. The Rotate property is in the UV projection. You should be also able to see those options inn the Triplaner node. If you are still struggling to see it send over the scene file.

@@gokhanelmac send to boldandbreak(at)gmail.com

Great point!! This worth exploring in later videos for sure.

This we can look into!! Thank you for the feedback.

@@BoldBreak Fantastic! and your welcome.

Just off the top of my head I was thinking the new redshift sketch and toon might be worth including in it.

@@alex-leinauer no problem. You are welcome. 🙏

@@ELECTR0HERMIT you’re welcome

Thank you for watching

@@MRasey22 thank you

@@enriqueresident You’re Welcome

🙏

Thank you for watching and joining the live chat.

Hey!! I can look into if this is possible without X-particles. Thank you taking the time to watch and your feedback.

He is such a Diva, always making an appearance

I think...it comes as default in the latest version of C4D. What version are you using?

Octane provides a faster workflow for quick out of the box results. But I've found it lacks the control required for detail orientated art directions. Granted I've not been using the latest version. Octane is fantastic for quick result but I've come up against a wall when trying to fine tune certain properties. Thank you for the feedback and comment.

Thank you for watching and the feedback. Delighted it was helpful

@@juwadmalik There is a lack of information on this in traditional educational institutions. But I’ve found that the time isn’t given to designers to provide them with this context. We’ve had to learn by being on the sideline listening in. It’s definitely helped me though. Thank you for watching and commenting ❤️

@@UCaPxueORqDShy1qZ5vb practice practice practice

@@BoldBreak sir mine particle is ended after 150 frame but yours is last more than 300 frame and do the rounded circle thing mine is not doing that and your particles is runing very fast mine is slow how can i fix it sir ?

@@Kevoshea22 Thank you for watching

It took me awhile to figure this out :) Thanks for commenting

Thank you 🙏

Thank you for watching

From Artlist.io

It blew my mind when I first discovered it 😀

@@BoldBreak earlier I tried fracturing the tracer and randomizing display color for each curve. i though color user data would read it, but no luck.

@@Androken Greats minds think alike. I'm sure they will put this into a future update or it could be done with the node system in cinema 4D.

You're welcome!

Shift + C

@@BoldBreak Thx so much bro!

Thank you for your feedback and checking out the video

Thank you

Thank you for checking it out.

Thank you for watching. Glad it is helpful

Its a fantastic sequence and a standard we should all be aiming for. Thanks for watching.

No problem glad it is helpful.

Appreciate the feedback ♥

Hey, Thank your watching and being a subscriber. The current market is really tough for all Jobs not just Motion Designers. This should not dishearten you though. I was in a similar situation when graduating from university in 2010. It was not long after the '08 economic meltdown and Jobs were few and far between. It took me until 2012 to get a full time design job. Before then I did internships, some bits of paid work, whatever I could get. For freelance work I would first start with LinkedIn. There are so many platforms where you can build an online presence,. Dots, Fiver, Up work, WorkingnotWorking, Vidsy are a few. Keep reaching out to people, network join slack, whatsapp and Discord groups. Your portfolio and network are equally important when getting motion work. I've seen some very average motion designers with a large network be busier than talented designers with a small network. I hope this helps. Feel free to reach out to my email. I'm happy to answer any questions. Good Luck ❤

@@BoldBreak I thought if I could contact agencies motion design and marketing agencies to get some freelance work what's your opinion on that, do you think it is good to reach out for work? Do marketing agencies need motion designers too?

@@KashifAli-oz4rq always a great way to try get work. When freelancing it is common to reach out to marketing agencies. But do be prepared for 90% to not reply. It’s also a great way to pray live selling yourself if you email 100 agencies and you get 5 regular clients out of it you are doing well. Try not to get disheartened when doing email outreach.

​​@@BoldBreak Thankyou so much for your time, just three more questions. 1) if I try cold outreach asking for job in agencies is it good way? Actually I'll be looking for a remote job not on site 2) How about direct clients how to find them? 3) If I do free brand motion work ( Which I'm currently doing) and send them as a free sample just for an exposure and hopefully landing a job, what's your opinion on that?

@@KashifAli-oz4rq Remote work is an acceptable way of working. I would recommend that you get experience on-site with other designers if possible. You will learn very fast being sat next to other motion designers. Finding clients direct is difficult and requires connections and luck. Do research find business that have online video content. Maybe look at reaching out. The best think you can do is lots of research. Companies that have marketing departments but dont have a full time motion designer is a great start. This is why LinkedIn is a great tool. I would recommend doing free work for companies that are profitable. If you are going to offer your services for free best to help out a charity or local business. Personally I recommend against free work that is not always possible. Free work is worth doing if you can see a long term benefit. Companies that use your services for free are doing a disservice to themselves and designers. There are some video I did on all these topics check out here: ua-cam.com/video/loeiNLqjS8k/v-deo.html ua-cam.com/video/OGckL_SuEa0/v-deo.html

Thank you for the feedback, it is no longer used in our videos

For a basic hair system the tracer is a viable option but for work requires more complexity it is best to use the C4D hair object. Many hair systems requires dynamics and thousands/millions of strands. The hair shader works differently to other shaders. Physical hair has completely different properties to the standard shader such as Melanin.

Thank you for the feedback. This is a good suggestion and worth trying. Redshift now has the flakes node which makes this process much more streamlined.

Thank you for checking it out