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You are most welcome! Thanks!

Haha. Good call! I try to think of every scenario when doing these videos, but at last I am only human. Thanks for calling that out.👍

Agreed, being able to reuse assets is great.

Glad it was helpful!

Sounds like you might be appending the reference frame. If you do that it will move the corner pin. If you append the spline to track on any other frame it will center to the reference frame.

You are so welcome!

Using a polygon mask. It's explained right around that moment.

I might need a little more information on what you are trying to do but let me know if this answers your question. If you are using the stroke tool you can select whatever stroke you want and edit them independently, change the duration and even use a tracker if you want. If you use the Multistroke tool you have less options, because it acts as a group.

Thank you!

Thanks! Yes they added a simplified version of the Syntheyes camera tracker into Mocha Pro. I'll put this on my list of videos to do.

@@prophetless cool! Thank you! I can't wait :)

The lens distortion at the beginning of the script is to un-distort the image so we can see things correctly in the 3D view and the one at the end, before we merge back over the original clip is to distort our 3d objects to match the lens distortion of the original clip. Here is another video that might explain it a little better starting around the 2:30 mark: ua-cam.com/video/6AeNYVwfx5U/v-deo.html

It's not part of the course right now but I am linking certain videos for further learning. So in a way it will be.

@@prophetless I'll interesting in knowing more about the course, like sample of projects, samples of lessons, etc... I really enjoyed this one, and also the method and explanations, so if the course is similar, I'll be probably interested. Where can I get more info, samples of the different projects, exercises, etc? Thanks!

It's in early access right now should be seeing an official release, which will have a trailer with samples, come out soon.

Shouldn't matter what size the footage is. As long as the camera track is accurate.

You're welcome!

You're Welcome! I agree Fusion is a lot of fun!

@@prophetless I would like to ask, the Fusion course you are offering, can I follow with a free version of DR?

For the majority of the course, yes. The course does go over tools like magic mask and camera tracker which I don't think are in the free version. So those classes you can watch but you wouldn't be able to access those nodes.

@@prophetless Thank you.

You're Welcome!

You're welcome!

I have had a lot of people ask about this recently. I'll probably make my next video about it but in short you could use a second key just for the markers.

@@prophetless thank you. I look forward to your next upload. I tried adding a second key but it almost messed up my project. I ended up creating a plain background to cover up the markers.

Great solution. I've had to use that method before too.

The camera tracker should automatically pick up on the ratio of the image being input to track. So you shouldn't need to switch them, it should do it automatically.

I'll do a short video on one way to do it.

I just upload a quick tip on how to do it let me know if this helps: ua-cam.com/video/l-LY6Btxihk/v-deo.html

Thanks, it makes my day when people find the videos helpful! Thanks for the sub!

Thanks! This is just one approach. If you wanted to do a second paint you could copy (from the time stretcher to the planar tracker) and just use another branch from the original clip, as long as the tracking works for the area you want to do the second patch. And merge it before or after the other patch.

@@prophetless Thanks. I tried to copy process after tracking the second area; however, the paint clone was not functioning - nothing was being drawn on. I'm also not sure if the merge was working and whether I attached it to the correct spot. I may need to see a visual of all of the branches to get the essence of everything. At least I managed to do the first patch.

Put a merge right after the first merge with the first paint. The first merge should go into the background of the second merge and the second paint should go into the foreground of the second merge. Let me know if that works.

@@prophetless I shall give this a shot. Luckily I have clips to work with for when I have a moment to take time to learn the process. Anything with a deadline, I can simply find workarounds. Thank-you so much!🙏 I'll look out for other useful videos you have created too.

You're welcome! Thanks!

You are most welcome! Thanks for the kind words!😀

Glad it was helpful! Thanks!

@@prophetless Jaja true!! Thanks again! Fan of this channel 😎

Thank you!

Thanks!

You're welcome! I might do a video on this but let me try. Basically when you shoot video with a real world camera the lens on the camera adds distortion to your image. When working in 3D space(CGI) the software, by default, creates perfectly straight objects. In order to merge them together so it looks like it was shot in real life we need to un-distort the real world image to match the 3d space(which is perfectly straight) then render out our 3d image and re-distort them to match the same lens curvature as the real world camera. As far as the other questions Yes and Yes. The Camera Tracker in Fusion is pretty good and it does lens distortion. Check out this video for more on the process: ua-cam.com/video/Nin66hrSy9c/v-deo.html

@@prophetless Thank you very much, I understand it much better now :D

You're so welcome!

You're welcome!

Thanks!

You're Welcome! Glad to hear the videos helped. Send me a link to the finished movie when you are done. Love seeing what people are creating.

@@prophetless i'll have to do in in private because the next year it wil lbe in the festival course and the FIAPF A category festivals don't like when ths shorts are public. but i'll get a private link to you!

That would be awesome! But don't jeopardize anything just let me know when it's in the festivals and what the name of the short is.

You are very Welcome! Thanks for the SUB!

Hahaha. Just been doing it for a long time.🙂

Boujou is great software too. Haven't used it in years, but it certainly got me through some difficult shots. Agree though Syntheyes is pretty good

You are welcome!

I did multiple times. Your question is too vague. If there is something more specific let me know.

Thanks! Glad it's helpful!

You're very welcome! I will be doing more Unreal in the future.

@@prophetless fantastic! the fact that adobe can be fully removed from the pipeline is amazing and this helps so much. currently working on a shot now and just figuring out how to export only the CG add ins ( not including the image plate) for compositing in DR

@@prophetless interesting issue, i've got my cg ships and exported from UE as EXR with alpha BUT when i bring into Davinci it comes with all the black detail ( in my instance tie fighter wings) transparent too. any clue?

Sounds like a color space issue and you are not multiplying your alpha

@@prophetless you may be very much right here, investigating more as its driving me crazy.

You're welcome!