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Jacksnax 4Guitar
Приєднався 3 лют 2020
Guitar Lessons and Gear reviews
Jacksnax: Half-Step (Tabs Available)
Full Lesson on my channel
PayPal $12 to
Jack_devine@hotmail.com
Specify Half-Step and include your Email
PayPal $12 to
Jack_devine@hotmail.com
Specify Half-Step and include your Email
Переглядів: 943
Відео
Jacksnax: Running on Empty (NO SLIDE) 🤘🏻#guitar
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Jacksnax: Running on Empty (NO SLIDE) 🤘🏻#guitar
Jacksnax: New vs.Vintage Guitars SG '64 RI vs. Real '63
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Jacksnax: New vs.Vintage Guitars SG '64 RI vs. Real '63
Jacksnax: Goose Hungersite Solo&Lesson
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Jacksnax: Goose Hungersite Solo&Lesson
Jacksnax: Good Lovin’ Solo and Lesson Grateful Dead/Garcia Triad Triage (W/Backingtrax)
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Jacksnax: Good Lovin’ Solo and Lesson Grateful Dead/Garcia Triad Triage (W/Backingtrax)
Jacksnax: Office Hours #17 (Early Session take #2)
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Jacksnax: Office Hours #17 (Early Session take #2)
Jacksnax: Muting (Beginners/Intermediate)
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Jacksnax: Muting (Beginners/Intermediate)
Jacksnax: Cassidy Soloing Strategies
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Jacksnax: Cassidy Soloing Strategies
Jacksnax: Mixolydian For Beginners The NY Shape 🖕🖕🖕
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Jacksnax: Mixolydian For Beginners The NY Shape 🖕🖕🖕
Jacksnax: Chromatics 101 (You Win Again)
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Jacksnax: Chromatics 101 (You Win Again)
Jacksnax: Major Pentatonic b3 The Secret to the “Garcia” Sound
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Jacksnax: Major Pentatonic b3 The Secret to the “Garcia” Sound
Jacksnax: Rhythmic Recycling Making New Licks From Old Ideas
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Jacksnax: Rhythmic Recycling Making New Licks From Old Ideas
Jacksnax: Brighten Up the Blues Unlock the Magic of Jerry Garcia
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Jacksnax: Brighten Up the Blues Unlock the Magic of Jerry Garcia
Jacksnax : Estimated Prophet Solo & Lesson (W/Backing Track)
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Jacksnax : Estimated Prophet Solo & Lesson (W/Backing Track)
Jacksnax: 1996 Fender Stratocaster Mary Kaye Cunetto Relic
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Jacksnax: 1996 Fender Stratocaster Mary Kaye Cunetto Relic
Jacksnax: Viola Lee Blues (Backing Track)
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Jacksnax: Viola Lee Blues (Backing Track)
Jacksnax: Viola Lee Blues (Raw Noodles)
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Jacksnax: Viola Lee Blues (Raw Noodles)
Jacksnax: Don’t Ease Me In (Backing Track)
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Jacksnax: Don’t Ease Me In (Backing Track)
Jacksnax: Don’t Ease Me In Solo & Lesson
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Jacksnax: Don’t Ease Me In Solo & Lesson
Jacksnax: Don’t Ease Me In (Raw Noodles)
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Jacksnax: Don’t Ease Me In (Raw Noodles)
Jacksnax: Samson & Delilah Backing Trax
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Jacksnax: Samson & Delilah Backing Trax
Jacksnax: Samson & Delilah Solo & Lesson (W/ Backing Track)
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Jacksnax: Samson & Delilah Solo & Lesson (W/ Backing Track)
Jacksnax: Samson Ideas (2 separate takes)
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Jacksnax: Samson Ideas (2 separate takes)
Amazing. Thank you.
Awesome, Jack!
@@JPNY2AZ Thanks!
When I put your email in paypal it says william devine. That you?
@Illumignostic yes…thank my parents
Thank you! All my life I’ve played this in Em, but just recently I noticed tabs have it Emaj. I even asked in a Facebook group and was told Major. I’ve been walking around running the song through my head trying to figure out how it could possibly beat a major mode. I’m not crazy!
@@WalterBriggsinMaine the chorus uses major chords…but that’s the only spot where I hear a G#
The intro is so fucking smooth!! Ideas pouring out endlessly. Keep at it
Definitaly Jerry García in your playing. Great lesson. Thanks.
@@SjaakShirly6559 Thnx!
Thanks again Jack for the office hours - I echo the earlier post about being on the west coast being my excuse for not catching many of these live. I wish you a great experience with your son and other family members - our loss is their gain. I'm so thankful for the videos I have of our lessons - and continue to learn from them. Likewise all your great YT videos. Be well, my friend. Hope to see you again soon.
@@gregfgermano8743 Thanks 😊
Thank you for being so giving of your knowledge, super helpful, appreciate ya! Hope to see you play out somewhere , sometime
@@anonymouslyominous33 My pleasure
came back to this lesson... minute 15:00 -- Jacksnax FEELIN' IT!!! -- you can see his body move into the groove and then 15:21 he shows us the ROCK-N-ROLL forever sign... just awesome.
@@hebrewuser couldn’t be helped!
Fantastic lesson. I love the E harmonic minor vs diminished variants over the b7.
Great seeing you Jack. I usually don't get to see you "live" since I'm on the west coast and usually working, but, another great office hours today.
Very nice analysis of how to use the flat 7 in transition.
Jack, you have mad skills! I this will take me years, but I'm trying ... cause you are the first teacher to explain the why, and not just the fret #. Thank you for everything you do for us wanna be 60 year old musicians.🙌
@@kenny3485 Thanks!
Not even going to lie.. Just finished this having no idea what was about to happen to the future of my guitar playing🎸💪🏻 Thank you for sharing and you teach really well. I can’t understand a lot of yt 🎸teachers on here. Gonna check out more videos now🙏🏻
The history of adding the flat 3rd to the major pentatonic scale or the mixolydian scale goes way back many years before Garcia. We are talking early blues music and a lot of slide guitar too.
One of the best things to inform a beginner is that the mixolydian scale in it’s pure form is actually not too often used in rock music. You demonstrated this with your “approach tones”. So the scale also winds up being the same as the hybrid major/minor pentatonic: 1 2 ♭3 3 4 5 6 ♭7. You can also get creative and add the ♭5 ♭6 or even the major 7th, which many guitarists have done for over 50 years.
This is the instructor that I have been looking for. Everything laid out logically
Thanks for the endorsement
Thank so much!!
@@yeril9 My pleasure…one of my favorites
Nice tone ❤
@@rhysdrader9972 thanks!
Awesome sound and tone Jack. Just want to learn the whole thing This is going to be my new Everest. Let's see if my toddler allows.Wish me luck 🤞
@@fatmike1 tabs available
this is alot :'D
Yes…but it’s good to know what’s up.
@@jacksnax4guitar460 indeed... thank you for taking the effort and explaining it... i hope i understand it some day. :'D
Very well done
You're one of my favorite guitarists ever. And I'm most certain that there are so many people that shares my opinion
Excellent lesson, subscribed right away. I have been playing for a long time but post covid spent last few years learning so much more. I became the major scale noodler way too fast lol. I just tried this (and have dabbled before per some other lessons from Nashville guys) and man its still hard for me. I can visualize and get around the fretboard pretty well. Ive been using the caged system and modes and major scale mostly. My issue with following chords is Im always thinking too much, meaning I play a run, think of the next position/note then make that run. Im often behind or early or my phrasing suffers and it just doesnt sound great. I have found that b3 slide helpful for some added flavor. Ive also used it before in mixo. I did like the idea of leading into the next chord but I just cant make that sound as good as the better players like yourself and part of my issue listed above when Im playing catchup. Ill keep plugging away though because I understand its ultimately better and more musical.
@@sunandthesea563 Thanks for the comment. Try not to think of each note as you play it. Instead concentrate on starting the next chord on its third (major or minor) or its root on the downbeat. Slow down the backing track until you can connect the chord you were on to the one where you’re going. Then and only then speed it up and still use the same lick that works. The next step is to make other licks that use the same winning strategies you used over the last change. Make copies of copies of the initial idea. Allow them to differ slightly and the next this you know you have a library of ideas that help connect the chords of a tune.
@@jacksnax4guitar460 excellent advice, thank you, I will try that
Great vid dude! Thanks!
@@randytravis1167 thank you!
Amazing
@@vassilok thanks
AMAZING!!! Amazing!!!! Amazing!
@@justinmilgrim5815 thanks!!!!
Holy s$&t, you just filled in a big space in my brain on all this. This is the type of stuff they don’t talk about or at least in this fashion. Thanks!
jesus you are a monster jack.
sick lesson, thanks
I actually can get a very similar sound to the recording on an SG....I.have an epiphone les paul trad pro, which I'm gonna try !....the guitar sounds really nice... The les paul just rocks...Nice to play and the sound of theas is actualy better with less gain !in my bigginner days, I used to saturate the tone with gain on the les paul it was not until I got into this stuff did the guitar star to shine !
When you are discussing the groups of four and five, you start the sequence on the 3rd of the E major scale (G#). Is there any particular reason for this instead of starting on the Fifth (B since that’s the myxo form) or E the root? Just preference?
hey jack what's the button next to mid pickup
@@Brucaleeffo it’s a sticker
@@Brucaleeffo It’s a sticker Watch this video…it’s at the very end ua-cam.com/video/ry7FKaa1MaY/v-deo.htmlsi=HlZ04KbeeIE886cH
Hi, I was trying to follow the concept of ‘Maj pent add flat 3’ in the fire jam and in the context of using the B mixo scale (e maj). I get that all the notes in both the A and B major pent scale are included in the E major scale (B mixolo) but the flat third for both B and A are not. Are you adding the flat 3 to both the A and the B chords when playing over them respective (eg adding the D over the B chord and the C over the A chord) or is it something else going on? Sorry for the long winded (and potentially confusing) question. Hope it makes sense… and BTW: thanks for the Box of Rain work, I had been working on it earlier and when I saw this come up it was a perfect night cap for me to dig into with you. Wish I could have caught it live as it was happening but all good nonetheless.
@@judwillmont4856 yes add the b3 from each chord when playing over them. But there’s a few rules regarding their use. Too long to type. But use your ear…you should be fine.
Great tribute Jack! Love your playing!
Top notch !
Thanks for this, Jack - very timely, both the tribute to Phil, and the advice on pentatonics+. I really appreciate your generosity in sharing these landmarks on this path, and being so genuine in how you share them. Keep your head to the sky, my friend.
This song is great... the solo is absolutely spectacular and you spot on NAILED it... thanks to this video, I can now play it... not nailing it by any shake, but able to play it thru and I'll take what I can get... GREAT JOB!... Thank You, Thank You, Thank You!!!
please expand upon what took place at 1:23 -- for those of us playing with a looper, your Bobby-esque interpolations are amazing... please tell us the chord fingerings...
It’s a Hendrix/ Bobby move. Basically, over the C chord you hammer on into the 3rd from the 2nd while holding down the 5th above. Then resolve into the C root. That root turns into the 3rd again. Again…approach the third from the 2nd of the G chord while holding down the G note on the B string. Do the same move again into the third of the D chord (F#) from two frets below after playing the G chords root. It’s in the tab…but it was just a goofball throwaway lick I made up while tracking the “solo”.
Wow 😳
@@Aaron-cy7oo Thnx!
Great lesson for one of my all time favorite Grateful Dead jams. Thank you!
Very tasty indeed 🎉 1:19
😋
Awesome. Love it. Thanks a lot.
@@reidnorton6794 you’re welcome
Such a great lesson!!!
Another fountain of Devine knowledge here. What an in depth study of one of the Dead's more involved and dare I say confusingly layered songs (for me at least). Listening to this at work, cannot wait to get to the studio later. I have faked and half baked my way through this one for years but love the meticulous dissection and explanations on this onion of a song; intervals (The White album in a blender Dear Prudence walkdowns I had caught, but those 10ths and the Blackbird connection I had never made, but definitely hear it now) and the elaborate moves, modulation and formulas found within, a host of "clichéd" re-harmonised turnarounds etc. etc. etc. and your patience here sharing and shedding light on this Bob Weird kick ass bit of songwriting. Extremely informative as always Jack thank you once more for dedicating the time and sharing the knowledge. You are the informative pillar of the community, your channel, Snax, Office Hours etc. etc. etc. as I have said a plenty previously are second to none in terms of their detail and explanations, very sound. Like the rug in Lebowski's apartment, this really ties the room together on TMNS, much obliged!
@@pacosalvaje5066 Paco! Thanks for the wonderful feedback
Dream guitar, but I would love to try 57/08s in it. My fav PUPs.
This is an excellent, deep dive into a classic Jerry power jam. Thank you. 🎉🎉
@@ChrisVecchiolla you’re welcome
Wrong video😂 i deleted my comment about not knowing when to start on the backing track. That was meant to be on Jeff Williams backing track with the weird count-in. Commented on your video on accident. I was watching your video too bcuz you’re a fn beast and I learned a bunch of stuff from this vid. Ty. I’ll subscribe
@@WithCarePlz no worries!
Love your stuff man , thx for sharing it , very helpful , Phish in Albany this weekend!
Rock on!