Відео

De verdad no podrías hacerlo en español 😂

Love love your stuff

¡Uf! Por fin empiezo a entender conceptos como el compás o el acento en flamenco. Tus explicaciones son súper claras. ¡Muchas gracias por estos videos!

Your vídeos help me a lot! I’d like you to talk about Sevilhanas!!

Your lessons are so beautiful. You manage to make things simple and subtle at the same time. I love the images you create to help us understand tha world of flamenco. Thank you so much!

Wow thank you so much 🙏

Guillermo, at last I found someone who agrees with me! I was lucky when I started flamenco 20 years ago with the Sevillanas, which I always felt as a shifting triple-duple beat, but my teacher insisted that it was in 3/4. The experience convinced me very early on that the Sevillanas and the Fandango de Huelva were polyrhythmic, an attitude that I carried on into the 12-beat compases. One interesting thing about the Sevillanas: Because of the polyrhythmic structure, sometimes the strong beats coincide, and sometimes they happen one after the other. Where they happen one after the other is where the rasgueado occurs, almost as if the guitar tries to "smear" the two successive strong beats together. I don't know if you'll agree with me about this. In any case it's a relief to finally get some validation, especially from an expert like you!

Excelente bro!!! Muchas gracias!!! 🙌🙌🙌

Vivo en los Estados Unidos. Dónde puedo tomar clases de cante flamenco? También, estoy buscando la letra tradicional de Tirititran Tran Tran Tran. Cualquier ayuda será apreciada. Gracias!

Guillermo, That was gretat! Thanks for explaining this so well.

I have most often seen in Tablaos in the US : Tangos, Bulerías, Tientos, Alegrías, Fandangos de Huelva, Solea, Solea por Bulería, Tarantos, Caña, Seguiriya, Guajira, Farruca. 😊

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Beautiful lesson! Thank you very much!

Please come to bay area to do your workshop!

Love these tutorials it’s funny how flamenco people have their own language and we even understand it with the Pam tico tico pam Pam 😂😂😂

no day I would love to learn the flamenco guitar flicks

This was so helpful! I just took my first Flamenco dance class this week, and I experienced the confusion you were talking about in this video. I didn't understand how the count fit in with the dance steps and the guitar. The way you broke it down made so much sense. Now I want to learn to dance and play Flamenco guitar!

fantastic

thanks for videos like this, my question for years, that why i see Great guitarist like paco de lucia, for example in bulerias, changes the accents & golpe patterns,sometimes they change an strong beat to silence, and sometimes they use golpe on the weak beats and that is the super confusing part of the compas world 😁

Another very clear video, thank you

I enjoyed your video. Are there standard rhythmic motifs for each palo? Are they interchangeable across palos? Or only across 3 beat, 4 beat, or 12 beat compases?

Fantastic video. I'm learning Solea at the moment and Intuitively it feels right to sometimes accent the first beat of a group of 3 and I've been thinking, no, stick to the 3, 6 etc. This video has really opened my eyes, thank you.

How to build a good foundation as a flamenco guitarist. So it will help to make your own music

Wow, so many flamenco secrets revealed! So well explained, love the legos. You are a very gifted teacher, I will stay tuned. Thanks so much!!!

Hi Guillermo. Great video, great explanation. I never knew about the arm signal that starts the llamada in the baile. What about toque? Is there a signal given by the guitar to prepare for a remate?

Fundamental. Gracias.

You are a gifted teacher sir, and your videos are SO helpful in explaining flamenco to folks who weren’t lucky enough to grow up immersed in the music. A thousand thanks for your wonderful channel!

Makes me want to learn more!

Me encanta este ejercisio !

BRAVO MAESTRO!!! MUCHAS GRACIAS!!!😍😍😍

Guillermo, another great video. I'm learning so much from your content

A short but powerful video. It explains so much I have heard. I am looking forward to discovering a compilation of letras, an encyclopedia of letras...

Thank you so much for this Video :) it's finally clear

Guillermo! Very good stuff! Thank you. I'm interested in learning more about melodic lines vs. lyric lines like your example of Alegria. Will I find how they vary by palo as I work through your videos?

Guillermo, thank you for pointing out that letras don't define the palo. Through my listening I began to notice that certain lyrics reappeared time and again in different recordings. (I also noticed that one cante can share one or more letra with another cante.) But I never listened carefully to see if the palo is also different. I will now.

Thank you Guillermo! I enjoyed learning more of the subtleties of "por". I'm looking forward to studying more of compas and how the compases vary by palo.

It feels like breathing in and out the flamenco mode of tension and resolution - more of a sigh, do you know what I mean?

Do you know about Sol Fa, and if so can you give this a notation relative to this cadence?

I’m loving your videos ! I think you’re a master teacher

This is totally incredible thank you so much! 🎉🎉🎉

This is sooooooooo helpful thank you 🎉🎉🎉

Whoa! A very enlightening video. When I started learning flamenco guitar, I thought that I could learn just the toque and not worry about cante or baile. But, I'm starting to see that I'll need a holistic understanding at least of the other elements if this music will make sense to me. I am looking forward to knowing much more.

Thanks for this video. Like many things, the meaning of "compas"is based on the context. I'm lookimng forward to more of your videos that drill down on the understanding of compas.

Thank you. I never understood that the Estrobilla was essentially the "chorus". Additional long rambling 😂question. I thought the Colletia was sung when the dancer "went to the corner" and that the cantaor would shorten/lengthen depending on the cues they interpreted from what the dancer was doing and vice versa. Especially Bulerias por Fiesta. I've tried to figure out as a dancer how to listen and signal properly so I leave respectfully, properly and in synch. Anything you can help me and fellow dancers with?

Guillermo, I have been working my way through your videos. Today I came back to this one and I was able to grasp so much more of your message. I'll be going back to basics, assessing where I am with the palo I know most, solea, and the dialect I speak, guitar. I find that I have some technique, I have been working on compas with your videos, but I'm starting out to learn language elements and cante. Thank you for lesson, it has been eye opening.

Fabulous content as always. Olé!

This is really wonderful! Exactly the way flamenco should be described and taught. So many flamencos, especially in the US rely on choreography and memorization. The arte of the conversation is getting lost.

This is great! Can we please have a ‘Guide To Palos For Dumb Gringos’? Flamenco is so vast, complex and nuanced that I am lost.

Verständlicher, schneller und einfacher kann mein es nicht beschreiben - du bist ein großartiger Lehrer / Can't describe it any more clearly, quickly or simply - you are a great teacher 😊🙏🏻😊🙏🏻 Herzliche Grüße aus Deutschland 🙏🏻🇩🇪