Відео

Amazing soloist, amazing orchestra! Having to do things like this slower than you expect is so scary 😂

There is no point in trying to teach non-Jews the violin😅

Great! Have you listened to Alan Loveday playing that piece? Just as good in my opinion

And more COWBELL

Wow!

Personally, I prefer more elbow than wrist for vibrato. The wrist/finger vibrato can often sound like a fast wobble. With the whole arm you have more control. But of course it depends on the piece and one can always use a combination of the two. Bell’s vibrato is beautiful. Heifetz’s sounds rather old fashioned these days. Go on - shoot me down! 🤣

ok bc i downloaded the sheet music with these edits and i was like wait what

The one and only! 👏👏👏

One of the few Grand Masters of the violin. How very very few are those who realize the full expressive potential of this instrument. Oistrakh and a small handful of others, were at least two levels above the good average concert violinist of today!

You just gotta be able to do both, not to mention finger vibrato XD

Maestro de Excelencia .

Спасибо за познавательные видео🌹🌹🌹🤗

franco-belgian looks like some westoid gay epilepsy

it is incredible. Also, very interesting how much his approach to sound changed throughout his career.

...просто нету слов, как это прекрасно!!!

Прекрасно, чудесно!!!!! Как глоток чистой рудниковой воды...

すみませんこの曲題名ご存知ありませんか？

When he doesn’t fuck around he can actually play like a god lol

During their extremely youth, Milstein/Horowitz plays together when not too popular at different country to find their way ! A beautiful friendship describe by Milstein himself in his book

One of the very great violinists of the 20th century. He should be remembered, rediscovered and studied by today's wannabe-virtuoso students of the violin.

what about indian orchestra

Because he touch pigtails

@Vladimir Dyo Looking at Markov, one of the earlier/more senior Yankelevich Pupils, what are your takes on his (there are archival footage of his Beethoven/Shostakovich/Tchaikovsky etc.)? The Bow-Arm angle flexibility is a direct result of as you mentioned the positioning of the violin but more importantly the relation of thumb to the middle finger/wrist flexibility/shoulder saddle joint. The physical size and ratio of the violinist is also another factor but regarding the bow grip it's also evident in all Yankelevich Pupils (except for Bezverkhni probably). Also interesting that Grach's favorite violinist Mikhail Izrailvich Vaiman also started with Stolyarsky but even with some minor differences in the school of thought on tone production between Leningrad/Moscow the basic principles of Oistrakh/Yampolsky/Yankelevich are largely the same

The 🐐

ofc Berlin was good, probably Karajan was the head at the time of this clip or maybe Abbado

True, you can't explain everything.

I had the privilege of knowing him briefly towards the end of his career, playing under his baton in an opera orchestra. He was charming, easygoing, and witty, with a bottomless reservoir of musical knowledge. It was a such a pleasure.

Where did you get this from? Is there a full video on UA-cam?

String penetration 😂😂😂

My late friend, Ida Haendel. Much missed.

-keeps his thumb in place

Oistrakh: (no shoulder rest) Ferras: (no shoudler rest) Milstein: (no shoulder rest)

Oistrakh: thumb generally behind first finger (no shoudler rest) Milstein: (no shoudler rest) Kogan: Constantly adjusting thumb. Angle of thumb and elbow also changes depending on the height of position and strings. (no shoulder rest)

Perlman: Keeps thumb in relatively the same place. In first position, thumb is between 1st and 2nd finger, and as the position gets higher the direction of the thumb changes. (Especially in fast passages. In more melodic slower lines, he does move the thumb along with shift more often) Ida Haendel: 6:00 In this passage she doesn't move thumb on high shifts. But otherwise thumb is almost always in sync with the shift.

oh my god......... he's doing it like it is something absolutely normal in life, i want to cryyy, so beautifully played! my biggest truggle is spiccato and it always was and maybe always will be sadly

i always did a wrist vibrato because i had russian teachers. but everyone around me played elbow vibrato and only like two months ago i noticed that and started thinking if i should change it. i asked my new violin teacher whose finnish and he said that i just should try the elbow vibrato too and maybe even use it for pieces

what year is this clip?

Amazing that some critics in his day accused him of being ‘cold’. So much emotional intensity in his sound here that it’s almost overwhelming. Stunning!

Despite all the new inventions playing baroquemusic I personally like Szerings Interpretation of the Bach Sonatas and Partitas best! But for me Oistrakh with his heartmelting sound is by far the greatest!

Old Horowitz was amazing, and I heard many recordings of him. But people that knew him said that his mental health and physical and mental maladies (anxiety, shakiness of the hands) really held him back. Hell, you wouldnt even know that he had terrible stage fright because he was so damn good. Listen to his version of Liszt' Hungarian Rhapsody no. 2 and tell me that's the greatest interpretation of all time!

Wow! His tone here is amazing. It makes me moves to tears.

It's not spiccato! It's wonderful sautile !!;

Everyone here is just Space

😂😂😂that laughing❤❤❤❤

Thibaud's cadenza is so long that I almost forgot there was a concerto around it 😆. I'd like to hear it played by a better technician. My brain had to keep correcting his playing - but the cadenza had a lot of Mozart #3 ideas in it, so it fit well - but I would edit it to shorter. Kreisler's, as always, was more majestic, but it too was quite long for such a minor concerto. I prefer the simple Franko to both, and I can see why it has retained its popularity. It doesn't try to make more of #3 than it really is. Simple is better. I could tell that both men were playing quite past their prime, which is OK. Ysaye ua-cam.com/video/lfM7rQK0RS4/v-deo.html&start_radio=1 Kreisler ua-cam.com/video/nogdEY4sXGI/v-deo.html but I prefer Oistrakh ua-cam.com/video/iRX0iPx20fk/v-deo.html

Благодарю

ОЙСТРАХ. ЦАРЬ ДАВИД (Великому скрипачу и педагогу Давиду Фишелевичу Ойстраху посвящается) Великих Давидов-царей было двое В теченье прошедших эпох под Луной: Один был могучим еврейским героем, И гением - Фишеля сыном другой. Один поразил Голиафа пращою, И звук от паденья похож был на гром - Другой сроднил скрипку с живою душою, И далее речь, безусловно, о нём. …Бриз пел песни Дюку, рассказывал сказки, Являя Одессе немалый талант, Успехам Давида был счастлив Столярский, Сумевший алмаз превратить в бриллиант. Рождал Страдивари волшебные звуки - Кто слышал хоть раз, помнит их до сих пор: С Давидом сыграл Иегуди Менухин Для двух скрипок Баха концерт ре-минор. О, гений! Ты мир заключаешь в объятья, И он в восхищеньи спешит за тобой. Вошёл Ойстрах в круг Стерна и Франческатти - Созвездье пополнилось новой звездой. Восторженны были рецензии прессы, За встречею шёл королевский приём - В России бурлили иные процессы - Готовился новый еврейский погром. В политике бал правил Каин - не Авель, И мира достигнуть упущен был шанс: Врагом оказался «агрессор» Израиль, А другом - исламо-нацистский альянс. Исконный вопрос встал особенно остро - Велел Кремль в письме разобраться с врагом. Ах, как мы гордились: сын Фишеля - Ойстрах Мараться не стал под позорным письмом. Звучит Concertante Sinfonia* в зале, И альт с томной скрипкой ведут диалог, Из душ и сердец изгоняя печали, И, слушая их, улыбается Б-г. Прим. Концертная симфония Моцарта для скрипки и альта. Исполнение Давида Ойстраха (альт) с сыном Игорем (скрипка) признано одним из лучших на мировых сценах. Игорь Хентов

0:58 spider man theme sample this?

אינטרגלקטיקה מוסמכת! 🌹

Українська гордість , місто Одеса ❤