Heifetz a mi juicio debe ser el mejor ejecutante de violín de todas las épocas, tiene una precisión increíble y un "dominio de la musicalidad que le hace hablar al violín", entrando en el oyente muy profundamente en su subjetividad y atención. Verdaderamente UN GENIO !, sin desconsiderar a muchos otros violinistas como Yehudi Menuhim por ejemplo. De paso señalar que la coexistencia de comentarios en varios idiomas demuestran como siendo de tan diversas procedencias, nos hacen compartir a todos un mismo arte y composiciones que a todos nos deslumbran.
Heifetz was like a steam engine train. Technical difficulties didn't get in the way of his phrasing of the music. He kept going where he needed to go. The music was always first priority for him. Like Richter for piano.
Intonation, Rhythm, and Sound. What else is there to music? It takes intuition to manipulate time and sound so that the thing comes alive. Nobody could do it like Heifetz. His phrasing and sound are inimitable. Nobody could play like him.
Unfortunately the Maestro never recorded this piece. I have only ever seen the video of the other Polonaise, and man he tossed that monster of a virtuoso work off with style, flying across frightening passages! I can only imagine how Heifetz would have played this one.
...or may be they can't? Smart students absorb it, process it and make their own. Some cannot resist and do copy, especially if the teacher of such magnitude as Heifetz's.
According to Ayke Agus' book on Heifetz, he would get very upset with students who copied his playing and style, so students were encouraged not to do that
Heifetz a mi juicio debe ser el mejor ejecutante de violín de todas las épocas, tiene una precisión increíble y un "dominio de la musicalidad que le hace hablar al violín", entrando en el oyente muy profundamente en su subjetividad y atención. Verdaderamente UN GENIO !, sin desconsiderar a muchos otros violinistas como Yehudi Menuhim por ejemplo.
De paso señalar que la coexistencia de comentarios en varios idiomas demuestran como siendo de tan diversas procedencias, nos hacen compartir a todos un mismo arte y composiciones que a todos nos deslumbran.
Heifetz was like a steam engine train. Technical difficulties didn't get in the way of his phrasing of the music. He kept going where he needed to go. The music was always first priority for him. Like Richter for piano.
Playing in front of Heifetz… that man deserved a medal.
Intonation, Rhythm, and Sound. What else is there to music? It takes intuition to manipulate time and sound so that the thing comes alive. Nobody could do it like Heifetz. His phrasing and sound are inimitable. Nobody could play like him.
Heifetz playing from 0.50 onwards it becomes for the next bars pure magic!
Unfortunately the Maestro never recorded this piece. I have only ever seen the video of the other Polonaise, and man he tossed that monster of a virtuoso work off with style, flying across frightening passages! I can only imagine how Heifetz would have played this one.
l think he might have played it in his teen years in recitals,but never recorded .
more polonaise content pls!!!
Many teachers avoid demonstrating since it encourages the pupil to just copy, especially likely with a genius like Heifetz.
...or may be they can't? Smart students absorb it, process it and make their own. Some cannot resist and do copy, especially if the teacher of such magnitude as Heifetz's.
@@vladimirdyo7301 That's why Heifetz was a great violinist and Galamian et al were great violin teachers.
According to Ayke Agus' book on Heifetz, he would get very upset with students who copied his playing and style, so students were encouraged not to do that
Думаю, что в Хейфеца воплотился ангел скрипки. Человек так играть не может.
These days we go to the lesson with iPad and jeans,,,