A free PDF download of the Mostras/Oistrakh edition of the Tchaikovsky violin concerto is available via this link: vladimirdyo.gumroad.com/l/Tchaikovsky-concerto
Thank you Dr Dyo for these great clips and learning sites. These study forms are of major importance to violin study as articulated by the masters; and is a must for understanding and developing the intensity and true artistry of the violin.
David Oistrakh, one of the greatest and most all-rounded violinists of all time. I saw his playing mostly with a solemn face. Now I see for the first time that he is such an amiable teacher. 😍
In the first clip, Oistrakh's tone is such a clear, persuasive golden color that I begin to get an idea of how he may have sounded in concert. (Or, who knows, maybe the recording just makes him sound better--however, you can hear the student play over Oistrakh, and then the student plays a third WITHOUT Oistrakh--and that third doesn't quite have that sound, so it's not JUST the recording, Oistrakh was clearly great.) I've noticed that good studio recordings are very clear in their capturing of detail and nuance, but flatten and refrigerate the tone. Often, in bad recordings from masterclasses, unprofessional recordings etc. has the microphone not been calibrated carefully, so even if it sounds bad, we can get a spatial sense of how it sounded (based on the flaws in the recording, i guess you could say). This also counts for the acoustic and early electric 78 recordings of the old masters--eventually, you learn to reconstruct the tone to some extent, so you begin to understand how these people sounded in real life, based on how the sound was distorted into the bad quality. (Most of the time, violin acoustically recorded will sound flat--however, a flat tone to begin with will sound flatter than a rich tone. Also, it seems that the resonant properties of the start and end of notes give a good idea of how the overtones may have sounded in real life.)
Valuable piano lesson also. I revered my teacher who often said listen to singers. Turns out I have been married to one for 40 years now, and I don't always agree with that advice. Plus, I am unteachable (isn't everyone?). I have learned most from Josef Hassid. Listen how his notes end even in rapid passages. Oistrakh also of course. On piano Josef Lhevinne only. The lesson here hits the mark. Now go and listen to yourself carefully. No swooping and almost always trochee - NOT iamb.
One of the few Grand Masters of the violin. How very very few are those who realize the full expressive potential of this instrument. Oistrakh and a small handful of others, were at least two levels above the good average concert violinist of today!
Thank you infinitely Vladimir Dyo! No words can express what I think about these clips with David Oistrakh. They are such a treasure. Do you think, it's possible to find clips like these, or even longer sequences, while Oistrakh was teaching in Moscou? Or wherever he gave masterclasses, if he did? Besides this I wouldn't mind at all, if you can find similar with Leonid Kogan or Oleg Kagan, pupil of Oistrakh, as well. Or the other masters in USSR as Abram Yampolsky in teaching his many great pupils, among them Leonid Kogan and his wife Elisaveta Gilels.
Thank you for your kind words and appreciation of great masters. My channel is dedicated to such content. Unfortunately, not all the materials are available yet. Stay tuned.
@@unvioloniste Yes, “David Oistrakh: Artist of the People?” directed by Bruno Monsaingeon. If you have time to watch it, I highly recommend. In the first excerpt, I have corrected the pitch, in Bruno’s film it is half-tone lower.
If Einstein gave you his "opinion" on physics would you listen or not? Also the tips he gave are based on huge schools of interpretation. 80% of violinists nowadays would give you the same advice about both concerti.
A free PDF download of the Mostras/Oistrakh edition of the Tchaikovsky violin concerto is available via this link: vladimirdyo.gumroad.com/l/Tchaikovsky-concerto
Thank you Dr Dyo for these great clips and learning sites. These study forms are of major importance to violin study as articulated by the masters; and is a must for understanding and developing the intensity and true artistry of the violin.
Thank you for sharing your thoughts, I appreciate it!
Oistrakh perfect control of bow division is very insructive!
Oistrakh was a legend who I still listen him in curiosity because he has a strongly different looking to the phrases and varieties....🙏🏻👏👏👏👏👏
The best violinist teacher 🔥
Какая радость смотреть фрагменты занятий и слушать великого Д. Ойстраха. Скоро Ютуб закроют и мы останемся ни с чем.
David Oistrakh, one of the greatest and most all-rounded violinists of all time. I saw his playing mostly with a solemn face. Now I see for the first time that he is such an amiable teacher. 😍
In the first clip, Oistrakh's tone is such a clear, persuasive golden color that I begin to get an idea of how he may have sounded in concert. (Or, who knows, maybe the recording just makes him sound better--however, you can hear the student play over Oistrakh, and then the student plays a third WITHOUT Oistrakh--and that third doesn't quite have that sound, so it's not JUST the recording, Oistrakh was clearly great.) I've noticed that good studio recordings are very clear in their capturing of detail and nuance, but flatten and refrigerate the tone. Often, in bad recordings from masterclasses, unprofessional recordings etc. has the microphone not been calibrated carefully, so even if it sounds bad, we can get a spatial sense of how it sounded (based on the flaws in the recording, i guess you could say). This also counts for the acoustic and early electric 78 recordings of the old masters--eventually, you learn to reconstruct the tone to some extent, so you begin to understand how these people sounded in real life, based on how the sound was distorted into the bad quality. (Most of the time, violin acoustically recorded will sound flat--however, a flat tone to begin with will sound flatter than a rich tone. Also, it seems that the resonant properties of the start and end of notes give a good idea of how the overtones may have sounded in real life.)
Valuable lesson.
Control the weight of notes like a good singer.
Valuable piano lesson also. I revered my teacher who often said listen to singers. Turns out I have been married to one for 40 years now, and I don't always agree with that advice. Plus, I am unteachable (isn't everyone?). I have learned most from Josef Hassid. Listen how his notes end even in rapid passages. Oistrakh also of course. On piano Josef Lhevinne only. The lesson here hits the mark. Now go and listen to yourself carefully. No swooping and almost always trochee - NOT iamb.
The best violinist teacher 🌹
Maestro de Excelencia .
How nice to watch and listen the great master 🙇♂️ thanks for sharing
Excepcional Violinista , y Maestro de Excelencia David Oistrakh , , formador de generaciones de brillantes Violinistas .
Ух ты, Ойстрах! Гениальный музыкант и тёплый человек. ❤
Many thanks
One of the few Grand Masters of the violin. How very very few are those who realize the full expressive potential of this instrument. Oistrakh and a small handful of others, were at least two levels above the good average concert violinist of today!
Thank you infinitely Vladimir Dyo! No words can express what I think about these clips with David Oistrakh. They are such a treasure. Do you think, it's possible to find clips like these, or even longer sequences, while Oistrakh was teaching in Moscou? Or wherever he gave masterclasses, if he did? Besides this I wouldn't mind at all, if you can find similar with Leonid Kogan or Oleg Kagan, pupil of Oistrakh, as well. Or the other masters in USSR as Abram Yampolsky in teaching his many great pupils, among them Leonid Kogan and his wife Elisaveta Gilels.
Thank you for your kind words and appreciation of great masters. My channel is dedicated to such content. Unfortunately, not all the materials are available yet. Stay tuned.
I.was lucky to have had one of his students as my teacher
Thank you
Українська гордість , місто Одеса ❤
Thank you for posting. May I ask if there is a full version of this masterclass available on the market? Thanks.
Most likely the rest are still in archives.
@@vladimirdyo7301 I see. I assume this is from a documentary. Thanks for the response.
@@unvioloniste Yes, “David Oistrakh: Artist of the People?” directed by Bruno Monsaingeon. If you have time to watch it, I highly recommend. In the first excerpt, I have corrected the pitch, in Bruno’s film it is half-tone lower.
@@vladimirdyo7301 Thank you. Great to know that. I like your channel btw. Please keep up with your tremendous work.
@@unvioloniste Thank you, I appreciate. I am glad you enjoy the content.
🙏💐🙏
Didn’t know he spoke German
Well he recorded Mozart concertos with the Berlin philharmonic
Like, that's just your opinion, man... 😂
(*is David Oistrakh) 💀
If Einstein gave you his "opinion" on physics would you listen or not?
Also the tips he gave are based on huge schools of interpretation. 80% of violinists nowadays would give you the same advice about both concerti.
thanks a lot 🎉🎉🎉❤❤❤❤