Відео

Very impressive! The various shades of intensity of the light are constantly fluctuating, like a stream - there is a real sense of finale, and the theme sketched by Beethoven is used in an imaginative and consistent way. My sincerest congratulations on your great and remarkable work!

Very enjoyable; truthful to the musical idiom of Beethoven’s late period. The fragmented sequences create an uneasy atmosphere, a sense of inevitability. To this, the beautiful Trio brings a refreshing and much-needed contrast, like a memory of the carefree youth that is beyond reach. The fragility of earthly life and the peace of the hereafter are alternating - Arietta is like a heartfelt prayer. Masterful work!

Are you planning to publish it on Spotify?

Dies ist eine hervorragende Arbeit und es lohnt sich, sie genauer zu betrachten :)

What great work you did! I tried something similar with an unfinished sketch by Schumann back some years… I will side with what was already said, horns and trumpets are used slightly too chromatically for that period and the composer. If you want, you can use trombones for that purpose, since they were much higher in pitch than today and could easily take over what you sometimes gave the horns..

Is it possible to get a finale sketch's of the 10th symphony of Beethoven? or where you got the original. For study purposes and interest in Beethoven

Is it possible to show only Beethoven Sketch's first then show your added music to for each of the sketch out section?

I truly admire your impressive and consistent works :) Do you have any plans to perform them with musicians?

Great job!!!

Amazing, can you make your own completion of Beethoven Symphony hess 298? I would enjoy it very much.

I really enjoyed the syncopations in variation II.

Beautiful diversity!

Damn! I was literally in the process of making an overture on EXACTLY Those sketches! You beat me to it! Nevertheless, your completion is incredible and better than I ever could have done.

Absolutely fantastic! Ich gratuliere recht herzlich!! It couldn't be more Beethoven than this: style, writing, orchestral sound, dynamics, rhythmic variation, contrasts and colorful orchestral setting. Really amazing, Gerd. The only flaw in this masterpiece is the sound of the strings (they sound a little thin and unnatural at times). A real orchestra would make it complete and serve your efforts well. I hope you can ever realize this to honor Beethoven. Your visualization is a great help and gives us insight in your construction and in Beethoven's concept. So well done.

Where can I find the original sketches for the material highlighted in yellow?

Great work! Also thank you for showing us the sketches!

Noteperformer has gotten pretty good with brass and woodwinds. The oboe has gotten so much better since the v2. But those strings are, well, let just say they are typical noteperformer strings. I can never get used to them. Strings just ruin it.

What is this music composition software?

Someday I wish I could be as good as Beethoven

Hi Gerd. You once had a version of the slow movement of Beethoven Symphony no.10 on UA-cam. It had a most beautiful theme in the flute which has stuck in my mind ever since. I can't seem to find it now.

Mah !!! In certi punti mi sembra la Nona eseguita al contrario !!!

Wonderful! Thanks so much for your work in producing this performing version. The themes are very memorable.

Amazing

sweet

Amazing work! My only problem is the sound quality. I think you should use a different program such as musescore in it’s latest iterations (this may not help, I’m not sure) because I think it has better sound quality (it also happens to be free and can run on just about any computer. Heck, you could even try your microwave.) anyway, again, great work as always!

I adore the theme that occurs at 1:35... very heroic!

Mon Bravo ! est celui qe quelqu un qui n a pas ete convaincu par l orchestration de la hammerklavier par Weingarten Mais peut être est ce du a la nature des deux oeuvres... Peut etre auriez vous pu ne garder que la moitié des cordes pour kes moments 'calmes" du mouvement 4 .

Informatique , ou orchestre reel ?

Bravo !!!

I'd just like to point out that trumpets couldn't play chromatically back then. They were restricted to the notes of the harmonic series. If you look at what Mendelssohn wrote, his writing is strictly limited to those notes. I don't think a completion that doesn't take this fact into account does justice to Mendelssohn.

What a charming piece that dances around Beethoven’s sketch! I particularly enjoyed the almost Baroque dialogue between both hands from measure 33 and the dolce section in major. Beautifully done, a pleasure to listen to 👏🏻

Scusa è una sinfonia "by computer"? Altrimenti puio dirmi i nomi di direttore e orchestra?

no way! classic

面白い。何時かFinaleまで完成させたい。

add some drums in the boogie wogie

Excellent work!

I think this orchestra arrangement sounds more German/Bach than Webern.

Ascoltando anche questa trascrizione per orchestra si può constatare quanto il linguaggio di Beethoven fosse vicino a quello di Luigi Cherubini. La sinfonia in re maggiore del compositore italiano ha un'orchestrazione nel complesso simile a questa.

Again a fantastic job, Gerd. It's quite an effort to analyse and rebuild the unfinished score of a composer no other than Beethoven. Therefore it's more than a daring challenge which you perform wonderfully without losing the real spirit and style of Beethoven. It would be even more appealing when played live by a classical symphonic orchestra. I guess some orchestras might be interested...🎻

I think you should write something of your own. Your orchestration is very good.

Amazing! I would definitely play this! Where can I get the sheet music?

Very peaceful!

How fascinating to hear this, thank you Gerd for bringing this draft to life! I think you've done a truly marvellous job. Bravo!

I will say, with this and the 4th movement I noticed your F# timpano was an octave too low, as in the original symphony it's a high F# timpani. I know it sounds better lower to be honest, but I do feel like to fit in more it should probably be at that range.

Does not sound like Lou in most passages, sounds like some sketches possibly enhanced. Please do not take this the wrong way, but later in his days he was so good at a prescribed method. I would say this is not anything he would endorse. But however you can clearly see his orchestration values in the opening.

Çevremizdeki dünya zayıfladığında, bir medeniyetin yapıları sarsıldığında, tarihte zayıflamayan, tam tersine cesareti geri getiren, ayrılanları bir araya getiren, yara almadan sakinleştiren şeye geri dönmek iyidir. Yok olmaya mahkum bir evrende de yaratılışın dehasının iş başında olduğunu hatırlamakta fayda var 🤠💥

Beautiful work! It's a shame it isn't in the common repertoire of the major symphonies of the world. Unfortunately, they play only the same old, same old. Not that what they play is not worthy, but they leave unplayed such that ought be common names, but are totally obscured.

idiotic sound