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Yaroslav Kurilo
Приєднався 12 лис 2011
Overcomplicated drums/oversimplified piano
Super Mario Bros. Theme but the Rhythms Get Crazier
Super Mario Bros. theme was written by Koji Kondo in 1985. In my version rhythmic complexity increases with each take. Special thanks to WildMojarras whose piano transcription I used as a starting point.
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Відео
Gary Chaffee Rhythm & Meter Patterns, Section II, Study 3
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Gary Chaffee Rhythm & Meter Patterns, Section II, Study 3
Clapping Music by Steve Reich (with sheet music)
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Original video: ua-cam.com/video/iOeJE8YHt3A/v-deo.html Audio recorded and mixed by Nick Samarin at Orange Studios, Moscow: www.orangestudio-moscow.ru/ Video recorded and edited by Oleg Kharchenko and Konstantin Sychev. Clapping Music was written for two performers by Steve Reich in 1972. The piece originally was to be played with hand clapping. The first performer should keep the constant rhyt...
Snare Drum Etude: Analysis and Drum Set Orchestration
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Finding the hidden musical themes in the Study 6 from Gary Chaffee's Sticking Patterns. How to orchestrate a snare drum etude on a drum set? How to make it sound like music? A huge thanks to Nick Samarin for improving the audio quality of drum set recording. LINKS: My orchestration in PDF: drive.google.com/file/d/1fjCK56P4ow2M6ZHOqNrHM7Huv_HvC5rS/view?usp=sharing Sticking Patterns on HudsonMusi...
(almost) Free Solo With Transcription
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An excerpt from a free solo, which I transcribed more or less precisely in its basic rhythmic form.
Henrique De Almeida Polyrhythmic Possibilities - Drumset Etude V
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This one was recorded during the Polyrhythmic Possibilities Seminar conducted by Berklee professor Henrique De Almeida in Spring 2021. I took some liberties with the orchestration, as you can see. His book on polyrhythms is available here: www.thedrumsetcoach.com/store/hMo2sget #polyrhythm #quintuplets
Gavin Harrison Rhythmic Illusions - 16th Note Displacement Scale
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Here's another one from spring 2020. Gavin Harrison's Rhythmic Illusions contains lots of challenging ideas. On page 13 you see the so-called 16th note displacement scale: a simple 4/4 rhythm gradually shifts one 16th note forward, until 16 bars later it returns to it initial form. I found it helpful to put a constant 4/4 loop over it to better illustrate the displacement effect. The loop was m...
Clapping Music by Steve Reich for Two Snare Drums and Two Hi-Hats
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Audio recorded and mixed by Nick Samarin at Orange Studios, Moscow: www.orangestudio-moscow.ru/ Video recorded and edited by Oleg Kharchenko and Konstantin Sychev. Clapping Music was written for two performers by Steve Reich in 1972. The piece originally was to be played with hand clapping. The first performer should keep the constant rhythm. The second begins by playing in unison with the firs...
Henrique De Almeida Polyrhythmic Possibilities - Timetable IV (Drum Set)
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A timetable from the Polyrhythmic Possibilities by Henrique De Almeida. It involves rhythms from 1 to 8 played over 4 beats. This version designed by Henrique deals with right hand playing the figures on the ride cymbal, while 3 other limbs are keeping the 4 beat ostinato. I put a simple melody over it to accentuate the subdivisions. The Polyrhythmic Possibilities book is available on Henrique’...
Henrique De Almeida’s Polyrhythmic Possibilities - Snare Solo 4 over a 3:2 ostinato
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This solo was originally written by Henrique De Almeida in his book Polyrhythmic Possibilities for the snare drum. However, during the spring semester online course on polyrhythms Henrique would challenge the students to play it over a 3:2 ostinato in feet and right hand playing the swing ostinato. It wasn’t an easy task, especially for a guy with little jazz background like me. You can see mom...
Extension (based on 5:3 and 10:3 rhythms)
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Extension (based on 5:3 and 10:3 rhythms)
Henrique De Almeida Polyrhythmic Possibilities Etude VI
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Henrique De Almeida Polyrhythmic Possibilities Etude VI
Gary Chaffee Polyrhythmic Duet For One Player (w/melodies)
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Gary Chaffee Polyrhythmic Duet For One Player (w/melodies)
Gary Chaffee Rhythm & Meter Patterns Study 32
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Gary Chaffee Rhythm & Meter Patterns Study 32
Gary Chaffee Rhythm & Meter Patterns Study 22
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Gary Chaffee Rhythm & Meter Patterns Study 22
Slowing Up And Down for two pianos by Yaroslav Kurilo
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Slowing Up And Down for two pianos by Yaroslav Kurilo
Gary Chaffee Sticking Patterns Study 16
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Gary Chaffee Sticking Patterns Study 16
Metric Modulation, Tempo Calculating & Coordinate Systems
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Metric Modulation, Tempo Calculating & Coordinate Systems
I could watch it 100 times!
Thanks man! Been at the studio today, first time in many months. Such a relief, good stuff still happens. Hope you’re doing well!
Awesome 😎 🥁🔥
Can this one be done with the click staying at same tempo throughout? This study is kicking my butt
I don’t think so, staying with the same click tempo would hurt the brain even more. I assume Gary’s idea was to use click only to count in and then proceed without the click. He uses this approach on all the audio recordings for the book.
Nice
Класс, круто.
beautiful
Great stuff and Nice Job!!
That's soo hard
Awesome!
Good grief..this book is possible after all
I always struggle to know how to count the odd 16ths Is 5:4 - 1,e,and,ah,gah? Are Sextuplets - 1,e,and,ah,gah,dah? Is 7:4 - ? How do you count 5:4 and 7:4 sixteenth notes and a group of 6 sixteenth notes, just curious?
For 5:4 I would use either “one-two-three-four-five” or “cha-ka-tu-tu-tu” or anything similar. But honestly, I don’t count that much. As for the 5’s, 6’s and 7’s I’m more used to the several stickings which give a certain feel of the figure. Like, with 5’s its either RLLRR LRRLL or RLRLL / LRLRR
Good Lord.
You know, the part that killed me the most every time was measure 3 becoming completely straight instead of having that contrasting rhythm. Everything else I could more or less vibe with. Cool experiment.
Algorithm called me here as well, this was super interesting to watch.
Why did you make this Why am I watching this
The algorythm has called me here Good stuff!
2:24 i love how it ends up going full circle and both the bassline n melody ends up sounding rhythmically assonant
bruhh i was just watching publio delgado's reharm!! yall are both the goats n legends - been enjoyin both of yalls content for years its so cool to see the different ways you explored this 😂
he did a reharm of this same smb song lol
@@onesyphorus Thank you so much! I will check Publio’s stuff, never heard of that before 👍
yessir
Concentration
Добрый день, что означают цифры 5:4 ?
Добрый! 5:4 означает, что в пространство, которое занимают 4 ноты (например, 4 восьмые ноты), равномерно вписаны 5 нот - иначе говоря, квинтоль. То же самое, как 3:2 - это обыкновенная триоль (три ноты играются там, где в оригинале помещаются две).
Благодарю.@@YaroslavKurilo
That's a serious read! Noish
Почему нет комментариев? Даже странно(
broo i forgot this guy,, yaroslav was the shtttt back in 2020 hope u doin well these days
Thanks for the kind words man! Things are going more or less ok, I was the chief editor for a massive book on polyrhythms by Henrique De Almeida. Now working on an Afro-Cuban book with him. I haven’t had much desire for new videos lately, but it’s probably time for a return :)
will be on the look out for that! @@YaroslavKurilo thanks
Epic Mannnn 🎉🎉🎉 👏👏👏
Well played. I've just started looking at this exercise and it's bloody difficult. 👏👏👏
Thank you Dave. Good luck with the exercise!
Amazing!
Жоский
Hey Yaroslav, what's the initial starting tempo for this piece?
Hi! Somewhere around 63 bpm, and it stays the same throughout the piece.
Que sientes cuando tocas esto?
Direi che si tratta del numero VI
impressive
Amazing!
Thank you!
😱
Crazy. Just acquainting myself with the book. Wild to see that this can actually be learned and played! Nice job.
Thank you! It’s all pretty playable if moving through the book gradually. Lots of practicing required of course, but it pays off.
Dude you make it look so easy... kudos
Thanks!
This guy out here doing the lords work
Thank you!
Excellent
Well done ❤️
This shoould have at least 50,000 views already in the perc communityyyyy🤯
Awesome effort mannn
Thisss is deeepppp, are 5:4 and 3:4 bracket mean groups? Or poly konakol similar rhythms? Awesome content brooo, keep up
Hey, thanks for the kind words! These are nested tuplets: triplets inside an 8th note quintuplet. Each note of an 8th note quintuplet can be subdivided into two 16th notes. 3:2 means we put three notes (a triplet) instead of those two notes, kinda like squeezing :)
Beautiful!!!
Nice brother! I'll take taste over chops anytime.
Thanks Don!
Fabtastico 🍉🥳💯🍋
Nice! ;)
Which book is this man?
Gary Chaffee - Rhythm & Meter Patterns
It's fun that you used a ping pong paddle because I always hear polyrhythms when people play table tennis.
That’s a nice observation!
Wonderful playing as always.
Thanks!
Amazing