Відео

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If you want help, we provide coaching and courses: theartistguides.net/ All the best

Hey I’m Alex Ochoa, I write for complex, I’d like to work with you

@@AlexOcho-t3w Would you like to work with me?

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Difficult for me to provide an exact answer, but generally if the other person is just singing harmonies then they wouldn't be given a songwriting (publishing income) share, unless maybe they fundamentally changed the song melody. Therefore, it makes no difference if you release the recording with or without their vocal. However, if you do release their recorded vocal then it is usual that they would be entitled to register as a performer on the recording with a Collection Society in your country that collects copyright income relating to recordings only (not song income). For example they could register with PPL in th UK, or in the US it would be with SoundExchange. This is how session musicians get royalties for recordings they have performed on if the recording is played publicly. For more help on this, visit this page of our website: theartistguides.net/manage-your-business

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@ do you give any one on one sessions or classes?

@ Yes, we provide artist coaching. Check out our website page: theartistguides.net/coaching We are currently offering a free intro call, so book yourself in. It will be good to speak with you. All the best

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Thanks for your kind comments about the video. In the scenario you have outlined, the contract would be quite straight-forward. The producer would not have any share of the songwriting (sometimes called the publishing income), but usually you would give the producer a share/percentage of the master recording income (i.e. the money that comes from distribution) in addition to the fee.

You're welcome. I'm pleased the video was helpful for you. Thanks for taking time to comment. All the best with your music. If you need more help or want some coaching, drop us an email.

Yes that is usually what happens. However, you should always clarify this before beginning recording because there are occassions when artists, engineers and producers all have different expectations and ideas of what they believe is being agreed. A simple conversation at the start is much easier than a complicated disagreement later on.

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You're welcome. I hope the video was helpful for you. All the best with your music

I make music out of love for music. I don't even trip about the success. If it comes, It comes. If It don't, at least I made some good music. Lol

Thanks for your thoughful comments. We have helped thousands of artists and you are right, most are not trying to chase wealth. With our teaching and coaching we encourage focusing on making great music and being a great artist. We want artists to give us their truth and their sound. How good can an artist become and how far can they take it? It's an adventure and a personal journey. Building an audience, marketing, promotion and all the business side is vitally important if you want to make any money, but everything starts with the artistry.

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We will be happy to speak with you and see if we can help. If you want to book yourself an introduction call with us then visit theartistguides.net/coaching

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Thank you so much! Pleased to hear you like the videos. Hope they have been useful to you. The backdrop is just my home office, so I don't have a time consuming set-up. I often wonder if I should put more effort into the background; so, I appreciate your postive comment. All the best with your music!

@@theartistguides It's perfect. Very bright, airy and calm. Definitely keep it! Also, I scheduled a 30-minute introductory call on the 8th of January as that was as soon as I could schedule it for. Looking forward to it.

@@AlecWyld Hi Alec, that's great that you've booked yourself in for an intro session. I've seen your booking. I'll send you an email so we can communicate. Cheers, Sean

Thank you! All the best on your journey!

You're welcome! Thank you so much for your kind comments on our videos. It's very much appreciated. We are glad you like the advice. We wish you all the best!

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Thanks for your comment. I appreciate your thoughts on this. We've tried various ways to describe "branding" when teaching or coaching artists over the years, and you are right that "concept" is a good word as well. I often use it when teaching, although it usually requires further context and explanation. For most people "branding" is more generally recognised as the topic we are trying to explore. I agree, it is imperfect though and is off-putting for music creatives. With our strategy and methodology of artist develpoment we also have other topics such as artistic voice and sonic identity which we treat as separate ideas, so the word "concept" for us would be more of an overall description that can be used to help describe all of these things. We are very grateful for your thoughtful comment on this. We wish you all the best.

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