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Max Freist
Germany
Приєднався 11 жов 2013
Hey, I'm just starting out doing gear videos, studio and live concert stuff.
I'm a sound engineer and guitarist from Bavaria, Germany.
And I'm always smiling :))
I'm a sound engineer and guitarist from Bavaria, Germany.
And I'm always smiling :))
Synergy BE Deluxe demo - the best Friedman preamp?
Thanks for checking out my demo of the new Synergy BE Deluxe module. Let me know what you think about it in the comments!
Also for this video I miced up my Zilla 212 and don't have any EQ on the guitars - a low cut at around 100 Hz and that's it - I'm quite happy how that turned out, what do you think? :)
Subscribe, leave a like and a comment and feel free to follow me on Instagram: maxfreist
DUT: Synergy BE Deluxe module @thomann: thmn.to/thoprod/570985?partner_id=19263
My captures on Cortex Cloud: neuraldsp.com/cloud/u/MaxF
My models on Tone.net: www.tone.net/tonex/users/maxfreist
Some of the links are affiliate links and will help me continue producing videos on UA-cam - without costing you a penny :)
Signal chain:
Guitar 1: Fender Standard MIM Telecaster - modded with Seymour Duncan Little '59 and P90 - thmn.to/thoprod/100079?partner_id=19263 & thmn.to/thoprod/174757?partner_id=19263
Guitar 2: Harley Benton Fusion-III HSS Roasted SP - thmn.to/thoprod/500881?partner_id=19263
Amp: Synergy BE DLX module and Randall RM100
Cab: Zilla 212 Super Fatboy - www.zillacabs.com/
Speakers: Celestion G12 EVH - thmn.to/thoprod/314413?partner_id=19263
Mic 1: Lewitt LCT 441 FLEX - thmn.to/thoprod/435078?partner_id=19263
Mic 2: SE Electronics VR1 Voodoo - thmn.to/thoprod/249979?partner_id=19263
Delay: Strymon Timeline - thmn.to/thoprod/261034?partner_id=19263
Reverb: Meris Mercury 7 - thmn.to/thoprod/414206?partner_id=19263
Quad Cortex: thmn.to/thoprod/486992?partner_id=19263
Audio Interface: Waves DSPRO 4000 - thmn.to/thoprod/460187?partner_id=19263
DAW: Studio One 6 Pro - thmn.to/thoprod/552366?partner_id=19263
Monitoring: Neumann KH120A - thmn.to/thoprod/255902?partner_id=19263
00:00 - Intro Song - BE DLX - FAT off + structure low
00:46 - Hi! An evolution?
01:04 - Strat Single Coils - BE
02:15 - Switches stock setting
02:25 - Higher gain structure - lowest + low gain
03:10 - no clean sound?
03:27 - internal switches - fat & structure
03:55 - cleanish
04:49 - clean
06:06 - structure switch
06:50 - Fat Strat mid gain
07:31 - Fat Strat HBE - structure low
07:57 - SAT on
08:35 - SAT toggling on off
09:43 - low gain structure but high gain HBE
10:12 - gain structure manual
10:41 - gain structure comparison
11:06 - lower gain
11:27 - higher gain
11:58 - brown eye BE
12:05 - hairy brown eye HBE
12:37 - do I like it?
12:50 - closing thoughts
13:03 - the only caveat for me
13:54 - outro & goodbye
14:24 - video shooting difficulties
Also for this video I miced up my Zilla 212 and don't have any EQ on the guitars - a low cut at around 100 Hz and that's it - I'm quite happy how that turned out, what do you think? :)
Subscribe, leave a like and a comment and feel free to follow me on Instagram: maxfreist
DUT: Synergy BE Deluxe module @thomann: thmn.to/thoprod/570985?partner_id=19263
My captures on Cortex Cloud: neuraldsp.com/cloud/u/MaxF
My models on Tone.net: www.tone.net/tonex/users/maxfreist
Some of the links are affiliate links and will help me continue producing videos on UA-cam - without costing you a penny :)
Signal chain:
Guitar 1: Fender Standard MIM Telecaster - modded with Seymour Duncan Little '59 and P90 - thmn.to/thoprod/100079?partner_id=19263 & thmn.to/thoprod/174757?partner_id=19263
Guitar 2: Harley Benton Fusion-III HSS Roasted SP - thmn.to/thoprod/500881?partner_id=19263
Amp: Synergy BE DLX module and Randall RM100
Cab: Zilla 212 Super Fatboy - www.zillacabs.com/
Speakers: Celestion G12 EVH - thmn.to/thoprod/314413?partner_id=19263
Mic 1: Lewitt LCT 441 FLEX - thmn.to/thoprod/435078?partner_id=19263
Mic 2: SE Electronics VR1 Voodoo - thmn.to/thoprod/249979?partner_id=19263
Delay: Strymon Timeline - thmn.to/thoprod/261034?partner_id=19263
Reverb: Meris Mercury 7 - thmn.to/thoprod/414206?partner_id=19263
Quad Cortex: thmn.to/thoprod/486992?partner_id=19263
Audio Interface: Waves DSPRO 4000 - thmn.to/thoprod/460187?partner_id=19263
DAW: Studio One 6 Pro - thmn.to/thoprod/552366?partner_id=19263
Monitoring: Neumann KH120A - thmn.to/thoprod/255902?partner_id=19263
00:00 - Intro Song - BE DLX - FAT off + structure low
00:46 - Hi! An evolution?
01:04 - Strat Single Coils - BE
02:15 - Switches stock setting
02:25 - Higher gain structure - lowest + low gain
03:10 - no clean sound?
03:27 - internal switches - fat & structure
03:55 - cleanish
04:49 - clean
06:06 - structure switch
06:50 - Fat Strat mid gain
07:31 - Fat Strat HBE - structure low
07:57 - SAT on
08:35 - SAT toggling on off
09:43 - low gain structure but high gain HBE
10:12 - gain structure manual
10:41 - gain structure comparison
11:06 - lower gain
11:27 - higher gain
11:58 - brown eye BE
12:05 - hairy brown eye HBE
12:37 - do I like it?
12:50 - closing thoughts
13:03 - the only caveat for me
13:54 - outro & goodbye
14:24 - video shooting difficulties
Переглядів: 2 763
Відео
ToneX vs Quad Cortex - the stuff (almost) no one talks about
Переглядів 37 тис.Рік тому
Thanks for checking out my deep dive into the aspects of ToneX that interested me the most. Let me know what you think about it in the comments and what your favourite amp / modeler / profiler currently is. Subscribe, leave a like and a comment and feel free to follow me on Instagram: maxfreist My captures on Cortex Cloud: neuraldsp.com/cloud/u/MaxF My models on Tone.net: www.tone...
Snare Drum Depth Comparison - 6.5 vs 5 inch - Gretsch Black Nickel over Steel
Переглядів 5 тис.Рік тому
On a quest for a new studio snare Max and Bastian compare two snares that are identical except in depth - 5 vs. 6.5 inch. Tunings Batter / Reso heads: Low: 180 / 290 Hz Medium: 250 / 330 Hz High: 280 / 400 Hz 00:00 - Intro 01:17 - Snares & Setup 01:46 - Heads & Tuning 02:09 - Micing 02:54 - 6.5" Low 03:45 - 5" Low 04:32 - 6.5" Medium 05:17 - 5" Medium 06:08 - 6.5" High 06:51 - 5" High 07:33 - 1...
Synergy Ecstasy / Deliverance Clean
Переглядів 1,7 тис.2 роки тому
Showing 2 clean sounds with Synergy Bogner Ecstasy and Fryette Deliverance modules plus the quirky interaction between both Bogner channels. Guitar: Harley Benton SC 550 II Amp: Synergy Syn 2 / Randall RT2/50 FX: HX FX pre, Axe Fx 2 PCM91 post Cabs: Zilla 2x12 Super Fatboy, Blackstar 412 Pro Mic: built-in camera mic for quick n dirty room sound :P
Hybrid mixing a song in 20 minutes | Laura Cox Band
Переглядів 18 тис.4 роки тому
Laura Cox and her band played a Live Performance on our PA department stage - here's the mixdown! See the full performance: ua-cam.com/video/jjgw06x47Is/v-deo.html Check out Laura's channel: ua-cam.com/users/lowa91 Mixed using Presonus Studio One V4 Quantum interface, Soundcraft MH4 console and plugins from Fabfilter and Slate Digital. 00:00 Intro Setup 02:21 Kick 03:56 Overheads 04:47 Hihat 05...
ABASI PATHOS Distortion Review
Переглядів 3,7 тис.5 років тому
Giving the new Abasi Pathos Drive pedal a test drive! Hi, my name is Max, I'm a guitarist and sound engineer from Germany and this is my very first video - so bear with me! Signal Chain in this Video: Guitar: Solar A1.7ETC Pedal: Abasi Pathos Overdrive - obviously Two Notes Torpedo Reload Attenuator Amp: Peavey 6505 Cab: Zilla 2x12 Super Fatboy Mics: Schoeps CMC54 SE Electronics Voodoo VR1 Audi...
Really glad to hear someone talking about time alignment regarding the use of 2 modelers in parallel for recording. I'm not a tech guy, but I would like to be able to use all the different units in parallel while recording without the awful comb filter sound. I WOULD REALLY LOVE to learn how to fix this mess without spending a ton of time and effort on it. It's an enormous source of frustration for me. Would love to hear you talk about this subject more.
Hey Ben, thanks for your comment! That might be an interesting video idea for me to film indeed! Only major problem is making the time, just became a dad for the second time ;) But I'll save the idea, I do like it!
Very nice video!!! Great job man!!
Thank you very much :)
Hello Max, fantastic Hybrid set up. Have you tried using in the box Delays in the daw coming out to the console and back ? or there’s latency there when using in the box delays ?
Hey, thanks! What do you mean with in the box delays? Latency between strict in the box tracks and hybrid routed to console and back? Or delay effects? Or something else? :)
@@MaxFreist What I meant to ask is can the fx , reverbs, delays etc be routed to the auxes on the desk without latency when mixing hybrid ? or you mostly have the fx sends set up in your daw ?
Hmmm darn. I wish you could get the high gain on one channel and the low gain on another channel so you could have one do metal and then the other be clean. Doesn't look like that's possible
If I understand correctly what you want, this is possible. Which device?
@@MaxFreist It is? I thought the low gain switch affected both channels?
@@MaxFreist Like I'm talking about the one inside too not the one on the front. I want like totally clean one channel and max gain on the other
@@MaxFreisterrr I guess the structure switch is what I mean. I assume it affects both channels right?
@@francismcfadden3305 ah sorry I completely misunderstood you - yes you are right, they affect both channels and I too wish they didn't. But for me low gain plus a boost works great, I really like the BE mode with gain maxed!
Thank you for the great comparison of these two!
You're welcome, thanks for commenting! :) Have you tried the captures/models?
@@MaxFreist No, I haven't. I just use amps and plug-ins for now.
6半が好みです🙌‼️
That’s cool you have a bunch of synergies, that’s what I’m into going towards when I have the money seems like a great direction to get a True Tone in a portable rack first I’ll have to part and sell some tube amps , I have a Headrush original pedal board not the new modeling one and will own this Tonex in a few days . I look at this as for fun and good back up rigs for live use.
All fine but the hardware prerequisites for the pc/long processing time for toneX is a no go for me. As an amp designer I capture little hardware changes I make to judge the differences later. For me the Kemper is still doing the job after 10 years. It’s fast and does the job.
Hi Max Good job, I enjoyed your demo very much. As I am thinking of getting this module, there is one question: Is it possible to lower the gain with the guitar volume knob without loosing dynamic and tightness? I play in a coverband and I do it all the time 😊. My guitar is an hss strat with treble bleed. Thank you for sharing your knowledge. Greets Thomas
Hey Thomas, thank you :) I think that should not be a problem but can't double check right now and it's not something I'm doing a lot - so I'd like to get back some time, but might be quite some time as we just had a child ;)
What about a pickup simulator pedal before the capturing device?
You mean regarding fuzzes? I have never tried one so far. Had the thought too.
Muito bom seu vídeo. Excelente comparação.🎉🎉🎉
Muito obrigado! 🙏🙂
Pretty much explains why the GT1000 Core is still on my board... 💥
Recording sounds were amazing...Great job.. Great snare by Gretsch😊
Thank you Thomas for your kind words! Indeed both snares are great and pretty versatile, I've messed with heads, tuning and damping a bit and you can get a lot out of it 👍🏻😊
A toy and the real thing
How does the boss gt1000 compare to these 2 in the video? As far as processing power and quaility of sounds in the effects...
It really depends on what you want to compare. ToneX has no effects, it's a amp surrogate (yeah, Reverb and comp, but not very good ones imho and not effect units like the other 2). Processing power - quad cortex is best as it's most flexible and can run multiple stuff parallel. GT1000 is limited to 2 amps and fixed number for each FX. Sounds of the fx - both QC and GT1000 are good.
wow... nice job with this analisys!
In fat mode, both channels sound a bit muddy, I would recommend trying it w/o the fat switch in low gain mode and use your volume knob to clean up if need be. If you use the clean channel a lot as part of your gig, then try the BE/BB module for better results. In my case, I don't use a pure clean channel very often and like some hair on my cleans and lower the guitar volume if I need spank. YMMV but one perspective. Thanks for the great review!
Thanks Brandon for the input and kind words 🙏🙂
Great video Thanks! Did you try in the GLOBAL menu to turn BANK NAV off? It is supposed that the delay between presets improves significantly!
Muchas gracias Alejandro! No I haven't yet!
Sounded like you said 50 years...😮
I didnt consider the combined latency of wireless as well... 😢
Yep, it adds up fast. Take a great combination like HX FX and ToneX. Add a wireless. Maybe monitor thru a digital mixer. 10ms easily. Or a effect pedal with modulation, delay or reverb without an analogue dry thru. It adds up ;)
Really thinking of getting the 6.5 if these.
I kept the 6.5 and don't regret it! Very flexible, very adaptable with different heads and tunings 👍🙂
I love the Quad Cortex, but the latency is what keeps me away. The Boss GT1000 has far lower latency than almost all other devices (even faster than the Helix, Kemper, Headrush, and Axe Effects), and you can feel the lag difference when you play. I prefer the tone of the QC, but I cannot get past the latency. Either QC needs an updated version that is far faster, or Boss needs a new GT1000 successor with capture capabilities and better UI.
Thanks for sharing your experience! In the recent 2.1 update (a few days ago) NDSP wrote that overall system latency has been improved - I haven't had the time to test and measure it yet. And yeah, GT1000 successor is something I have thought of too - it's already some years old 😁
Great demo, man! I have to admit, I'm more than a bit jealous of how good your videos look. The image quality is top notch!
Thank you John! Wanna Trade image quality for a quad of 2000 V30? 😁😁😁
@@MaxFreist Man, I wish I even had a quad 😂
Hey Max, any chance you’ll do a demo of your Myasnikov MTL preamp you have in the background there?
Hey, thanks for your comment. It's a great preamp, unfortunately I'm not sure when I should find the time to do a review on it. Also I feel it would only be interesting to a small niche of people..... That's no reason not to do a video on it, but I have a lot of different ideas for videos and need to prioritize ;) So - not now, maybe in the future. Cheers!
Nothing can touch the Low end and punch of real.I hope the engineers make it happen from a vst before I die😢
I just got the tonex plugin since I don't actually use that stuff live and I'm really happy how this type of amp capturing stuff we used to only see on kempers is now available to try for free or buy for like 40 euros to anyone with an audio interface.
Djent timestamps: 4:05 - AMP 4:17 - TONE-X 4:28 - QUAD CORTEX
At the end you're talking about different feels while playing. But you didn't talk about how they differ (amp, ToneX, QC)? For me thats one of the most important topics. So could you tell us something about it?
Hey, you're right, I didn't go into further detail - but that's because I can't put it into words properly. All I know is that when not playing and switching it is harder to tell which is the real amp from just listening to how it sounds. As soon as I have the guitar in hand and switching then I can tell in a blind test. If I find a way to describe it better in the future, I will ;)
Kemper still rules! 🙂
Thank you for showing the clean & diversity possible with this module.
While I didn't perceive the SAT switch to be that big of a difference in the room it's really audible listening back! nice, gonna play a bit more with it :) Thanks for watching everyone! 🙃
Do you maybe have a MTS RM amp? How does the module perform in it?
Hi, yes I have an RM100 and RM4, haven't tried it yet but should be great too - without mods a bit more low end and less tight.
Sounds great man! Thanks for the demo.
Thanks Steven, glad you like it!
Nice demo
Good Job, Max! What kind of pickup is it on the Tele ?
Hey Stepan, thanks mate! It's a Seymour Duncan Little 59 - so a medium output humbucker.
SEHR GEIL Max !!!!!!!
Danke Henning! 🤘🏻
Great demo, couldn't ask for more. Too bad it isn't possible to get the structure and fat switches on for one channel, and off for the other. I guess the BB/BE module is still the better choice if wanting a real clean.
Thank you 😊 Yes the BB is still cleaner. And yeah that was my thought - having a off/Ch2/both switch like the EQ on the IICP or the presence and depth on the Deliverance. Thanks for watching!
Thanks Max great demo I appreciate the details you shared
Thank you! How do you like the sounds?
GOOD REVIEW!
Nice review and playing, thanks Max!
Thanks! :)
Im in a cross bridge now between tonex and QC...i love my pedal board rig and if i sell it i can get QC and if i keep it ican buy tonex....geeeez i cant decide it 🤦♂️🤦♂️🤦♂️
Too many great options ;) Both are good. What do you have on your Pedalboard right now, are you happy with the fx? What music, what are you favourite sounds?
@@MaxFreist nothing special, in fx loop strymon big sky and timeline, eventide micropitch, in front (change overtime) rn a lightspeed, boss od3 and a tuner. Thats all. And the boss ir 200 as a amp and cab. Last diso+ for flexibility.
@@fedboy21 that's a pretty great selection man! I have a Timeline and Mercury7 as external FX. If your happy with the board and the control and "user interface" I'd say stick with it and get a ToneX. If you need compactness, changing multiple fx and sounds with one press (unless you have that implemented on your board already) quad Cortex might be great for you.
To my ears the real amp always has a bit of depth and airiness that are not translating into the captures
It's really a subjectivity of yours since you can see the physical thing. Try blind test!
🔥🔥🔥🔥
That's what plugin latency compensation is for though. Although if you're using the Tonex pedal then yeah the latency of the pedal might become an issue. In a recording situation however plugin latency compensation will take care of any latency on the grid that's caused by a plugin. You might be able to lower the latency figures at higher sample rates I don't know. For live use I don't know and don't care. Mine are studio use-cases only. And in the studio and for tracking you have several methods available to battle latency while tracking.
You are correct regarding plugin latency compensation, but as you said with regards to the pedal in test here.... no latency compensation ;)
@@MaxFreist yeah you're kind of at the mercy of the pedal then. I think you could maybe use real pedals though in front of the Tonex thing and solve it that way maybe. Are these fuzz pedals analogue? I don't know much about pedal distortion. I just use an amp in the studio. But listening to this I mean the Tonex thing sounds fine to me. I wouldn't have a problem trying it in production and seeing if it works for the track. Seems like we have lots of great options these days. :)
@@Screaming-Trees yes great point - we are spoiled with great options these days ;) Yeah the fuzz pedals are analogue. For me the ToneX pedal and software is a tool for a) saving amp sounds and b) quick turn around times and songwriting, where I can just throw the plugin on a DI track instead of reamping multiple tracks thru my amp rig. Still love my amps, still like the Quad Cortex for some of the stuff where it delivers. Fun times 😁
@@MaxFreist Oh for sure. I get it. Guitar isn't my primary instrument I produce electronic music but I do like playing them and I do end up making stuff with guitars. It's mostly a blow off some steam thing for me though, do something different with the brain, get a different perspective etc etc. I have been around a lot of guitar production in a real studio setting though. Mostly around London and Newcastle and more recently in Austin TX. Sometimes just as a tag along with friends and sometimes as a consultant. For most pros anything goes really. I've seen lots of Guitar Rig sessions for example. And that's how it should be I think. Open minded about anything. If it works in the context of the track you are trying to produce it doesn't matter what it is. I get your point about loving your amps though. It's not either or. I prefer amps myself as well but I don't really own that many pedals (just one). And I don't even use that one. But this Tonex thing sounds pretty good to me. I would have no problem using it in the studio. I'm also a bit ampless at the moment having just got rid of Supersonic 22 due to noise floor issues. I'd like to buy a Hiwatt but it seems that's a whole saga. Might take a while to figure out which one is the true Hiwatt company. So until I can sort out my new amp I might have to try this Tonex thing thanks to you. Cheers.
Unfortunately, when the transition between two devices is also a transition between a low chord and a much higher pitched chord, the human ear cannot accurately judge them as a comparison.
The ToneX wins by a mile on price alone.
I just got mine a few days ago. I have a Helix floor and a Mooer GE300. They both sound great, but there is a different level of clarity and fidelity the Tonex has that they can't match. I've mostly concentrated on Marshall and Marshall type amps so far. The 900 and the Taco which I assume is a Friedman. This is the first time I've truly had the amp in room sound from any modeler. The Helix is great and if you didn't have the Tonex to compare it to, you might think it can't get much better. I'm bypassing the cabs and playing through a powercab on the Essex model and its incredible. I haven't downloaded any from tonenet yet, but will soon. I will never buy an amp again.
Awesome that it's working out so great for you! If your into Marshall sounds, check Runt + Maxon from a guy called Tim, just stumbled upon that.
quad cortex all the way
why? ;)
@@MaxFreist It has a bigger, fuller sound. And for me i'm not dong any capturing because the sounds already in it sound amazing.
@@w1zard0f0h cool, thanks for sharing!
that djent sond is so bad. you cant here any diference i sond whit that djent sound. every modeler and tonx sounds the same
what is a good djent sound in your opinion?
I think both the ToneX and QC sound very good. To my ears though (and even with the compression youtube adds), to my ear it sounds like the QC has some cutoff happening in the lows and low mids in comparison to the ToneX. Though I suppose that could be down to a different cutoff in the IR on both units?
The IR was added in the DAW for exact comparison, so different IR resolutions will not factor in ;)
@@MaxFreist In that case this just makes me all the more excited I'll be receiving my ToneX Pedal on Friday! Great comparison, it's really nice to hear these units stacked up to each other so clearly.
@@toast180 thank you! :) Have fun with the ToneX pedal, let me know how it works out for you!