Відео

What does that swipe do/tell you about the paint? I’ve been curious about this for a while 😊

Where could I get these spatula

Very beautiful Do you sell them?

11:52 Gloss meter. How did I miss that? Oh, that's right. I'm painting off to the side here, and when I "encounter issues" I hyper focus on those same issues. But I was here. Very strange that attention span stuff. I have to watch the videos two or three times. I wonder how the gloss meter measures color shifting/duo tone paints?

I have send you an Instagram message. Need your postal adress? 😊

I really enjoyed this live stream, even though I couldn’t watch live. I love to see all of the earth pigments from all over the world! The green looks like a green umber, the yellow looks like a yellow ochre wet and raw Sienna dry, and the red looks like English red wet and Venetian red dry. Thank you for making all 3 even though you were tired.

The transformation in color as you grind the paint is amazing. It's not as extreme as with lapis lazuli, but still beautiful. Why does this particular pigment not have an ID number? Is it just so new that it hasn't been added to the database?

One of your best videos! Great soundtrack!!’ 🎉

I always use artist quality paints. I use pans when I travel and tubes at home.

I have never been all that big on pink (I keep a couple in my pallet for mixing fun purples), but I just can't help but love potter's pink for it's earthiness! I actually used it by itself for a background of a Luna moth painting I did once. I played around with the granulation and managed to make it look like the insect had been mounted on a velvet background! Sort of, anyway.

1. It's a lovely earthy pink. 2. Why hasn't Potter's Pink been in acrylic or oil paint for yet? 🤔

Aww, it's gorgeous! I can see why it's endured through the ages

Thank you, potters pink is such a lovely, subtle granulating pigment and makes interesting mixes, one of my favourites.⭐

My one true love, Potters Pink! I love any dusty color but this one stole my heart the first time we met. It's beautiful straight up but it's my favorite mixing pigment for granulation and color separation.

This is my favorite pink color! It is earthy, dusty, natural, and reminds me of terra cotta pots and tea roses. So beautiful.

First!

Охра.

Nice 🥰

This was great!

Imagine being a very rich and important figure in egypt, you live a good life maybe even get eternalized in paintings. But you wanna make sure to get the best afterlife possible, so you pay for your own mummyfication after death. All goes well: you die, get mummyfied and laid to rest alongside other cool dudes, you get to chill with the once powerfull and mighty people for a couple of millenia, then you see how they vanish. One after the other gets turned into a fine powder. Some ptolemean schizzo is yapping about the curse of the mummy, mummyrot, mummies being used as fuel by fast and big metal snakes on two paralell lines and the robot vs the aztec mummy? while he is snorting some of the powder of course. You see things like this, gifts from above, dumb shit like this aint unseen enough. And you think to yourself: We aRe aBandoNed by gOds.

Apart from the awesome videos I thoroughly appreciate your musical choices 🤌🏻

So satisfying :)

Still the only pigment I feel is a MUST in any pallet! And it's one of the cheapest ones so no reason not to. Now, there are better blues fort mixing vibrant purples ...... But as a blue or as a mixer for darks, it's the best!

This was so nice to watch! Thanks Laurens. I ❤ green earth. I use it to add granulation to non granulating greens and its low tinting strength means the original green does not change that much. Your mix is so creamy and soft.

that's a lot of blue powder

the tiny muller xDDDDDDDD

I've haven't had a chance to view this video until today. Speaking of Mayan colors... the first hand made (bought from Dirty Blue) was your Mayan Red (It's now my standard reference from which I judge all other paints). And my first homemade was Mayan Blue Dark PB82, which is a different shade of PB82 that I haven't seen anywhere else. So I don't know whether I should use it up now, or save it because I'll never be able to get it again. Oh, and I used Kremer's pre-made mix. I "primed" my glass panel with 400 Grit or is there a metric unit of measure? Is that too fine or too course? I didn't seem to have problems mulling.

Hello!, what is the liquid used on the video?

LIve was great, thanks a lot, and i forgot to ask if u could upload a short or something to compare the unrewetable pans and the new batch to compare them. Or maybe show them next week

56:32 "Tyrian purple can't be used as a pigment." I didn't know that. I learned something new already. How much paint can that 1 gram of purpurissum make? One or two dot pans?

Where is everyone chatting please

I have my own still to make my own distilled water as well as other liquids lol shh you never know who is listening

Video looks great here in the U.K.

Going to make a batch of Kamala pigment PNo2 tomorrow but first I need to make some gumarabic binder

Sound is great

Hi everyone

Hello, missed the live, dammit!!!!!! xD Summer was great, tons of rest and procastination xD Been a week in north Spain, Cantabria, in June to run away from heat, it was lovely. How about you, "just" the studio move? Also gathered a couple of questions Pg18 (viridian from kremer) PBr7 Brunt and natural umber the three of them are hard / weird to rewet. Ive been looking online and only could find a post over wetcanvas. Long story short, these pigments react with gumarabic in a way that wont rewet like "regular" pigments, and the guy recommend a recipe with dextrine instead of gum arabic Do you have some intel about this topic? do you own these pigments? my umbers are from Lienzos levante, spanish brand, but id say its the same if u own kremers or whatever brand. Also... i made gum arabic from pwder and it turned really dark overtime (didnt keep it in fridge) it probabbly developed a fungus too (like an oily film on the surface) despite of clove esesnce in it, so tossed it... Is it good it turns darker? is it just oxidation? should i toss it or keep using it (with no fungus on it, i mean)? Does the film im calling fungus just a deemulsification (hope i wrote it right xD)? i know its hard without pictures xD Probably too many questions... Im sorry xD Most of them came to me in early June or so. Ur the only one i found doing this content actively in youtube so... i apologize for the probably future questions. One more xDDDDD I did the frosting or polishing with carborundum u recommended in a video... and realized some pigments are stubborn and wont let me clean them, like PY150 indian yellow imitation or pr101 red oxide. Is there any trick or method to not spend 1 hour cleaning with water and tissue paper? ANd how often should i rep9olish the glass? Again sorry, and thank you in advance.

From what I've read genuine mummy brown contains arsenic used in the mummification process. So don't eat it. Also... don't eat it. 😄 I would be interested in what resins can be detected in it. I suspect a lot of color comes from the resin and that there's very little actual mummy if any at all in it. An ancient gimmick to sell paint wouldn't surprise me at all. The color looks like an iron oxide and a lot like raw umber as you said.

I just wanted to say hello and congratulations! It’s 2 AM in Seattle and I’m going back to sleep now. I’ll watch the rerun

🎉

I was just wondering yesterday what happened to your video uploads. Glad to see you post a new one, so I can fulfill my need of pigment nerdery. 🤓

Arg... missed it by one hour... or 15 minutes.

okay note to self; turn of the auto white balance...

Hi. What's this draw down gauge you use?

Such a cool process and beautiful end result. Thanks for uploading

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I got purple and a purple xlr cable setup gonna look sick

Absolutely gorgeous color n process my friend, appreciate you showin us viewer's the technique's. 👍🏻👍🏻🙂

Nice video but little bit short to explain it