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ULTIMATE Beginners Tutorial DaVinci Resolve 19 - Media, Edit, Color, Fusion and Cloud Introduction
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- Опубліковано 18 сер 2024
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So you're thinking of switching from Premiere or Final Cut Pro to DaVinci Resolve? Awesome. Perhaps you have concerns about how long it might take you to learn a new program, whether your old projects will be compatible or if it can do everything you need it to? In this video we're going to show you can harness your existing skills from Premiere and Final Cut Pro and successfully move to DaVinci Resolve... and perhaps save money and improve your videos in the process!
00:00 Intro
00:21 Is Switching Hard?
01:47 Creating A Project
02:26 Importing Media
03:51 Color Management
05:50 Settings
07:55 Performance and Codecs
09:06 Metadata
11:06 Creating A Timeline
11:51 Multicam
13:02 Text-Based Editing
14:41 Editing Tools Compared
16:41 Three-Point Editing
18:32 Mismatched Res
19:14 Pancakes?
20:03 Importing From Premiere
20:54 All-In-One
21:12 Audio Tools
23:47 Video Effects
24:51 Render Caching
25:25 Fusion
26:57 Planar Tracker
29:07 Color Grading
30:43 Magic Mask
31:47 Film Look Creator
32:23 Workflow
32:50 Project Management
34:02 Collaboration
35:57 What's Next?
37:37 Conclusion
#davinciresolve #videoeditor #premierepro #colorgrading #cinematic #tutorial
It's TIME! Ditch Premiere Pro a nd Switch to DaVinci Resolve - Beginners Tutorial
Welcome to all new DaVinci Resolve users coming from Adobe! This video couldn't have come at a better time. Great tutorial as always.
Thank you
Thanks Stefan. That means a lot and we appreciate you watching!
PURE FIRE.
🔥
Thank-you thank-you thank-you Casey! ❤️
I can say from personal experience, that their course was the best one I've taken for Resolve. It's detailed, interesting, and thorough, and really helps with more of the "how do i actually work in this program".
That's really kind of you to say. Thank-you for all your support. You are amazing!
@@team2films you guys make really good videos… thank you!
Oh look! It's my favorite YT channel with a new video. *grabs the popcorn*
Hope you enjoyed it :) Thanks so much for watching.
Best thing I've ever done was fully switching to DaVinci Resolve when I bought my Pocket 4K one year ago. It's genuinely so much better in every single regard
That's so awesome. Thanks for sharing.
I spent 10 years editing in Premiere, the transition to Davinci took about 3 months. Davinci almost never crashes. Text Based editing is vital for long format interviews. Using the Fairlight page is so much easier than round tripping to Audition, especially for TV commercial work which has tight deadlines and strict audio specifications. I think I paid about $400 AUD back in 2020 and that included the speed editor keyboard. I would NEVER go back to Premiere.
Text-Based-Editing is an absolutely amazing feature. So glad to not have to round-trip projects too. And all of that for 400AUD is insane. So glad it's working out for you. Thanks for watching and commenting.
One year in resolve and fusion and still learning new things i never thought it was in resolve! Well done really great tutorial!
So glad it’s helpful for long time users too
I am a new user of resolve and have been driven crazy by the different edit modes, your demonstration of selecting the top or bottom of a clip had totally bypassed me. You have no idea how much frustration that has caused. Thank you so much for taking the time to put this video out.
Hello! Sorry you’ve had problems with the different edit modes. We think they help simplify the editing toolset. Are there any specific questions we can answer for you?
Thank you for a great essentials overview lesson. It is truly a sign of professionalism when the flow and clarity of the instructional video is in itself evidence of the product potential. Nice presentation, and presence as an instructor; also good energy in Leon's cameo. The bell is set 🙂
I absolutely like the easy way you teach
Thanks so much, that's kind of you to say.
Last week I finished my first project in DaVinci (coming from Premiere). The transition went surprisingly smooth. There were only 2 things, I was really missing, that Premiere has (among many things that I really liked and preferred over Premiere). 1-Maintaining clip's Transform settings after flattening a Multicam 2-Being able to switch off clip names on the timeline, to have a cleaner view and more space for audio waveforms. Probably not the right place for this feedback... Anyway thank you Blackmagic Design for the great and affordable software, thank you T2F for very cool tutorials!
Yeah, agreed, those are good ideas. This might not be what you are after, but it is possible to get a full screen timeline if you use more than one monitor.
Glad you are enjoying the videos, thanks for commenting.
wow that is so much information in one vidoe with such a short time consider how long such videos could be also the pace is nice and easy to follow on and understand. The explanatino behind the feature sets were very helpful. thank you for sharing this one and good luck for future ones.
Surprisingly, your channel really deserves high praise. It is like a picture painted by a talented artist that speaks for itself. I admire your style, editing and color scheme.
Thank-you so much. We appreciate your kind words and are glad you are enjoying the videos we make. It's great to have you here.
Natalie, this tutorial is so well structured and explained. I applaud your instruction and presentation. Incidentally, I come from Avid Media Composer and Final Cut Pro Studio. Would you do a video on setting up your drives for saving the various elements such as auto save, cache, renders and proxies when only drives are involved. Thanks again for a great video!
Hello Daniel, that's a great idea for a video. It's added to the list. We're also working on some content about switching to Resolve from the perspective of Avid Media Composer editors too. It will be interesting to hear your perspectives on that. Thanks for watching, we appreciate having you here.
Great work with the tutorials. Pacing and explanation is very good 😊. Keep up the good work.
Thank-you so much. We got your message and will respond soon.
@@team2films looking forward to ☺️
You're a great instructor, Natalie! Thanks for putting this together. I recently introduced a friend to Davinci, and sending him this video answers a lot of the questions he'll have a long the way.
By the way, you have a new subscriber 😊
Thank-you so much. We're so glad you enjoyed the video, and thanks for recommending us to a friend! Great to have you both here.
Wow, thank you!
You're welcome!
I used premiere and after effects for many years, and I was very hesitant to try Davinci, but hey, I did it and learned Davinci in about a week, but for sure, I am not a pro in Davinci, but at least I know the basics and am focusing now on color grading, and the funny thing is that I am doing things in Davinci better than Adobe, as for fusion, it is a bit hard at first but once you know how it works it gets easier, but it still takes a lot of time to learn fusion, what I like most in DaVinci Resolve mostly reliant on GPU, and since I have a 3090, it renders much faster than Adobe, Not to forget that Davinci is all-in-one, so there is no need to use many software's and keep switching between them.
So thorough and EASY to understand! Thanks @Team2Films for producing content that always elevates the topics and make complex features approachable for novices, but also deliver useful info for the professional users as well! 👍🌞
Thank-you, we're always happy to hear that even content for newcomers still has interest for the more experienced. Thanks for taking the time to leave a comment. We appreciate having you here.
I love the way you guys teach, it is truly enjoyable. Just bought your course DaVinci Resolve for Editors, can't wait to start! 🌻
We are so happy to hear. Thank-you so much, see you inside the course!
מדהים מדהים מדהים תודה רבה על הטוטוריאל הזה!!
Love this video. I remembered that I used this software many years ago. Makes me feel to get back into creating content frequently and making my edits better.
Thanks so much! Keep on creating :)
wow, a good tutor she is!
Excellent introduction and includes tips that even seasoned resolve users may not be aware of. One question. With text based editing. Is it possible to take audio files containing narration and use text best editing to align these (using the selected required text transcribed by resolve) with the appropriate video clips?
thanks, will be looking at this video soon.
what about After Effects and Premiere Pro MOGRTs, they are very useful, streamlining teams working efficiently. Whats the comparable function in Fusion?
thanks
best tut on the web by far!!
Thanks so much!
Thanks Team 2 Films for this course.! Can you upload course tutorial about BlackMagic Fusion Studio ?
We've just released a tutorial on Resolve Studio Fusion! Or do you mean stand-alone-fusion?
It's a great, well structured video. For the first time I'm enjoying learning editing. If i had money, I would definitely buy the course.
We're so glad to have you here. Thanks for watching and commenting.
this lesson help me a lot, teacher so cute
What about the After Effects users? For example my workflow is this : C4D - 3d renders and after that comping in AE - in fact just using some specular, reflection pass, DOF and masks, and then a lot of transitions - fading and finishing - trapcode particular, etc. to delivery in 126:9, vertical...this would be very useful!
Great support, many thanks! DaVinci color managed is very powerful. Actually I had to add a LUT to my dji drone footage (which one?). Switching from FCP.
Will buy this Studio version for its AI tools, magic mask, voice/music management… What about the added value of NPU (new Copilot+PC & ARM version)?
Not a pro, but I consider buying your course as well.
Greetings 🇨🇭
Hello! 👋 thank-you so much for watching. RCM color management does have options for DJI Log. Are they the correct ones for your camera? It’s awesome that the dev team have been optimising resolve for windows arm platforms too.
The course is great for beginners too! Hopefully you’ve seen on our channel that even when we cover advanced topics we do it in a way that doesn’t leave anyone behind.
If you have any questions, please reach out to us using the contact form on the website. We’d be happy to help!
Thanks again for watching, we appreciate having you here!
creativity 💯👌
Great tutorial as always. ✌💪
Thanks so much :)
Thanks much for this video. I ordered my iPad Pro m4 . So, please confirm if DaVinci resolve 19 is already available for iPad ?
such a nice profesional tutorial idk how it's free , thanks
Thanks so much, hope you enjoy it.
such a top tier production as always...
Thanks so much!
Amazing, a lot of this things mentioned i heard from you also in Amsterdam, but this Video is completely on another level, it literally makes Davinci look very easy to deal with. Keep it up!
Thank you so much. That is kind of you to say. So glad you got to come to Amsterdam.
Keyframing and Fusion is kind of a nightmare. And I'm using Resolve as my primary tool. At least compared to 3d software, like in Maya from *20 YEARS ago,* keyframing (animation graph) was "another planet" level, as well as Nuke.... BlackMagic should think about "make it right" and fix rudimentary basic things that's easy to fix (keyframes).
Imagine rewritten UI in QT, the same but with floating windows and panels and not one "fused" window................. Awesome tutorial as always 👏👍
Yes, we agree that the animation controls Fusion could benefit from some improvement. We're hoping improvements are on the cards for a future release. Leon
Great video ❤🎉
Thank-you so much!
Great tute! Perrrty presenter too! 😊
Thanks
Thank you. This video is incredible on so many levels.
Thanks a lot. Appreciate having you here.
amazing features description! thanks
Appreciate you commenting. Thank-you
Excellent video tutorial! I'm new to Davinci and have a few questions.
1. Is there a way to increase the size of the audio meter on the right side of the edit page without switching to the fair light page? It is very small.
If I set the GUI to 200% what would that change?
2. How do you reset the timeline timecode to zero vs the default 1 hour readout?
3. The single preview mode I prefer to use seems to cut a little headroom off the talking head. I think it's set to fit or 100%
4. Other than the mono option on the timeline, is there another way to copy right to left or left to right audio channels on a clip that has one channel only?
5. Do you have a dedicated video on multi-cam editing?
6. Is there a .mov export codec option in export in the free version and what is the max kbps bit rate we can type in other than 80,000?
7. If I understand the color correction process, there needs to be a separate node for each adjustment like gamma, highlights, contrast etc. a node for each vs. all in one adjustment. Is that correct?
8. There are some pretty nice 3D premade fusion titles that are thick and have cool animations. I'll learn to create one from scratch sometime if you have a tutorial video on 3d Titles.
9. How do I get the singe preview window mode to max out in size where it is very wide? Im using a high end pro laptop with 4K 3840 X 2160 screen resolution. I also always film and edit in UHD.
10. Are the built-in sound FX and music library copyright free and can they be used commercially beyond UA-cam?
I appreciate any info on the above questions.
Thanks for watching. Answers below.
1. No.
2. Right-click on the timeline in the media pool, goto Timeline > Starting Timecode.
3. Not sure what you mean.
4. Yes, clip attributes is a great way of doing that.
5. We've got a number of lessons dedicate to that in our DaVinci Resolve for Editors course (link in the description). Check out the lesson listings!
6. Yes, QuickTime (.mov) can be exported from the free version. On Windows there are codec limitations. You can use programs like www.voukoder.org to bring ProRes functionality to Resolve. Or use DNx instead.
7. You can place all your corrections in a single node. That's fine. Most people tend to organise different operations into different nodes. Certain secondary color corrections need to be in separate nodes to limit their effect.
8. Gladly.
9. I'm not sure what you mean here! Sorry. More details?
10. Yes, check out the Sound Library tab.
@@team2films Thank you for your response . You're the only Davinci user channel that responded to my questions. The question on number 3 about the head room was it seems the preview windows are cutting off some of the naturally framed camera shot. I had more headroom on top of the talking persons head in the raw footage. Is the preview windows should be set to fit, 100%...? The number 9 question was it seemed like on some DaVinci tutorials, I've seen they have their single preview screen extremely wide and wondered what seeting adjusted the screen width?
@@JoelS4000 The source monitor is affected by the timeline resolution and project scaling options (I believe). So if your timeline resolution doesn't match your clip, and you have scale to fill enabled it will crop the image. It's not actually cropped though, it's just in the source monitor. I think. Does that sound like it's the solution?
@@team2films I'll double check next time I use the program. Thank you for your time and help.
Absolutely amazing video! Do you guys know if there's any way to automatically update media folders? For example, if I add an Img folder to my media pool with 2 images, but later I add to that folder on my computer more images, does DR19 automatically refresh with the newly added images?
Thanks so much! As far as we are aware, NO Resolve does not have some sort of 'Watch Folder' feature that will automatically import media.
@@team2films got it! Too sad 😔 thanks 🙏
Look up super bins by william justice. It does all that and more.
What is the proper database workflow? In PR, I’m used to editing projects on an external editing drive and archive at completion.
Basically, keep your projects in a library. Once a project is 'finished' you can continue to keep them on the library and organise them in different folders. You can even create different libraries specifically for organising archived projects. You can also export your projects from the library and save them as a .drp file for future use.
If you want to share a project with someone you can export it as a .drp file for them. However the easier method would be to use a networked or cloud base library.
Libraries might sound like a more complicated way of managing projects, but I think that's just because they are so different from the way Premiere works. Libraries are awesome and simplify project management when you are used to them.
Did that help?
Please ask more questions if you have them.
@@team2films can I store libraries on an external drive?
@@DANAMIONLINE Yes.
@@team2films what about all the other setting like local libraries. I might have the terms wrong, but I remember it was more than just having a library on a external drive.
@@DANAMIONLINE Not too sure what you mean. In short, local libraries can be stored on an internal drive, an external drive or a networked drive. But they will only be accessible by one person at a time. You can mount and unmount libraries as you please. Does that answer your question?
Or alternatively, what good headphones you will recommend? Thank you again 😊
We're using two different pairs. Audio Technical ATH-M50X and Yamaha HPH-MT8. They are both excellent.
@@team2films thank you 👍🏻
Amazing quality, as usual 🔥
Thanks so much. Appreciate you commenting.
I switched from Final Cut to Resolve a year ago and don't regret it even a little. Both as a value proposition and for features. I only wish Resolve had a comparable tool to mPuppet (mesh warper) in FCP. It's the only thing that keeps me from deleting the app entirely
Ah yeah, that would be great to see come to Resolve. Suggest it in the forums if you havn't already. Glad Resolve is working out so well for you.
thank you for the great tutorial, I notes that the black bars @Mismatched Res it's a checker board, So could you please explain from where you change to be checker board?
It's a new v19 feature. You can find the options in the Timeline View Options drop down (top left hand corner of the timeline panel).
@@team2films thank you I'm sill in 18.6.6 I will wait it to be out of beta
Thanks, great video. Regarding life save: If you enable this, is there still a way to revert back to a manually saved state? In case you maybe messed something up and need to go back to your earlier version of the project for example.
Yes 100%. That's what the projects backup feature is for. It regularly saves versions of your project that you can revert back to at any time.
first of all I would like to thank you for your wonderful videos and tutorials. Thank you! Second, I would like to ask what gear are your using, i.e monitor for color grading and speakers for audio mixing? Thank you again, Shlomo
Hello! Here's some info.
Current monitor = ASUS PA32UCXR
Speakers = Yamaha HS5 with HS8S Subwoofer
@@team2films thank you for the information. So with this equipment it is possible to learn color grading and correction and sound design? Thank you again 👍🏻😊
@@Lonlysky The best equipment is the equipment you have, or the equipment you can afford. It's possible to learn and produce excellent work with less expensive equipment. For example, most apple computers ship with excellent screens. For sound, a good pair of headphones is the bare minimum. Speakers are great, but require proper positioning and a treated room to get the best from them. Most of the time, it's more valuable to spend time learning new skills than it is to spend money on new equipment. I hope that makes sense! Please feel free to ask more questions.
@@team2films it makes sense, yes. Thank you for your good will and patience! 👍🏻😊🌻
@@team2films would like to ask you what are your recommendations for headphones for mixing? Thank you 😊🙏🏻
one thing that stops me from switching entirely to resolve is the way how resolve saves projects. I would like to have my projects saved inside specific folders so that I could easily find them and open when needed. just the same as premiere can do. now I am forced to open resolve first and then search media pool for required project, which I might forget how it was named. you should really consider to provide the ability to save projects wherever user wants.
Yes, we understand how that could be frustrating when you are used to Premiere's system. It's worth keeping in mind the huge advantages that Resolve's library based project management brings though.
1. It allows multi-user collaboration.
2. It have amazing features like live save, project backups and timeline backups.
3. You could look at it the other way, that having all your projects in one place aids organisation.
4. It integrates with Blackmagic's amazing cloud services.
Not to mention all the other amazing features you get with Resolve like Magic Mask, Music Remixer, world-class color grading tools... etc. Perhaps the change in workflow is worthwhile?
@@team2films it is not about workflow habits, but about convenience of software usage. I don't know if it is difficult to make possible to save project as independent file, but it would be very useful for users
Well done
Thank-you!
excellent , thanks .
Thank-you Barrie
Wow, great vid!
Thank-you Jeff
I think I'll stay, thanks
Appreciate you watching though. Thanks for commenting.
Couldnt pick a better time to release this video
We're hoping people find it helpful. Not trying to wade into whether or not people should switch, but we know are lot are looking to. Thanks so much.
What happened to the Blackmagic 6k Full Frame review? You were testing the camera as far as I can remember?
We've got footage in the can that we shot for the video. I think we might combine it with our PYXIS video. Sorry about that! The spring got super busy!
In the meantime, are there any questions we can answer for you?
@@team2films yes when its out :D
@@CINENIMUS No questions in the meantime?
@@team2films that was the question haha you're welcome for all the algo traffic haha
I have been toying with switching to DaVinci Resolve from Premiere Pro, and I have been messing with v18 for some basic testing. Would you recommend that I jump right into v19 Beta, or should I start with the more stable v18 until the full release of 19?
Heya! BM's Dev team is awesome. Their BETAs are as stable as some other companies 'stable releases'. Throw yourself into the BETA. We're already on release 6, so it's very mature.
Legit high-end colourists are using v19 already in their work. Every single video we've produced since NAB has been on the v19 beta.
Don't be afraid, the water is warm. Jump in. 😊
Coming from FCP, the magnetic timeline has made it really difficult on switching. Anything you recommend to make it easier?
Yeah, the magnetic timeline is great. Although for some workflows it can be counter-productive. Two recommendations for Final Cut Users.
The Cut page offers a similar 'magnetic' experience to Final Cut. It's not the same, but there are elements that will definitely feel familiar.
The Edit Page's Trim Edit Mode is another feature that you'll want to get familiar with. It makes edits ripple in your timeline.
Hope that helps. If you have any more questions, please say.
@@team2films Thanks for the response! actually i'm having trouble wrapping my head around managing libraries
In Premiere and FCP, you have library files which you can share. In DaVinci, it seems to manage them itself and they're not easy to hand-off to somebody else if you're not using the Blackmagic Cloud. Am I missing something?
Is it possible to invert grade/LUT? For example if I have colorful uncorrected image, than create WB and color adjustments to make it neutral, so in general I can generate LUT from (colorful>balanced). Now can I get another balanced neutral color image and applied that LUT inversed, like balaned>colorful. Might a bit confusing description....
Simpler one if I have Vlog LUT and Vlog footage (vlog>rec709), can I use rec709 footage apply LUT inverted and get Vlog? (yeah it will be not the same with vlog, but just for illustration what I want to make).... ??? Some kind of "match grade" but with LUTs
We’d suggest using a CST for the color management operation you are describing. You can convert rec 709 to vlog. You can even turn that into a lut.
Great
for some reason there are some countries that the davinci studio version is not available for buy. :(
I'm sure you can still buy a license, you just might need to find a different retailer for it. For example bhphoto.
Love it🙏🏻
We appreciate that
@@team2films we appreciate you guys🤗
Charming :-)
Always ☺️ Thanks for watching.
I’d LOVE to move over to Resolve from FCPX. I already own a Studio license. But Resolve is convoluted regarding keyboard shortcuts. And basic editing and speed changes are painfully slow compared to FCPX.
Thanks so much for watching! Can you explain more? We've worked extensively in FCPX and it's a great NLE for sure. We love it too! But we think in some ways speed changes are actually implemented better in Resolve. What part of speed changes do you think is painful? And are there specific keyboard shortcuts that you are talking about that are convoluted? We're here to help :)
@@team2films With FCPX, I can change a 60fps clip to 24fps with a single keyboard button press. Speed changes (ramps) can be created also with a single keyboard button press. When cutting, ripple cuts can be done with a single keyboard press. Mapping keyboard shortcuts in Resolve is challenging because each page has separate keyboard shortcuts.
@@skymakai Heya. Yeah, FCP does have some cool features. Here's some extra info for you.
The way FCP makes speed ramps is a little flawed (if I am remembering correctly... correct me if I am not). It cuts the clip into different blocks of different speeds. It 'steps' up and 'steps' down. On the other hand Resolve actually properly 'ramps' the speed. So while there is some additional complexity with the controls, it's a better result.
In Resolve Ripple Cuts CAN be done with a single keyboard press. You need to be in trim edit mode. Then just hit SHIFT + ] or SHIFT + [. If you want a different hotkey, you can assign it.
Yes, pages add complexity to the hotkey assignment in Resolve. But they also bring advantages. I think that kind of cancels things out?
Does that help?
@@team2filmsYou don't need to be in trim edit mode to use shift +[ or ]. Might want to check that again
@@raiidovfx Thanks for your comment. You DO need to be in trim edit mode to perform a ripple edit. @skymakai specifically asked about ripple edits. If you're in selection mode it will leave a gap.
Thanks for the video, I would try to switch over to Davinci from FCPX if they would implement making it as easy to select favorites as it is in FCPX. I can blaze through my clips Hit I/O then F and then build my timeline off those favorited clips. As it is in Davinci, apparently, there is NO way as fast or simple as that. There is always and extra step or keystroke needed apparently to do the same thing which is awkward. Can you do a tutorial on that or what would be a similar workflow in Davinci. I have been trying to years to find a simple way of doing this yet never found anything as "simple". I can blaze through my clips and build a timeline very very fast. Thank you!!!
Yes, it's possible to configure similar workflows, not exactly the same as FCP, but close.
There's a 'good' field that can be used to mark clips, or you can use a hotkey to simply apply the keyword 'favourite'. Then you can recall those marked clips from the automatically generate 'favourites' keyword smart bin.
An overarching thought that might help... When moving from one NLE to another there will be some features that you miss. But if the overall experience is net positive then it is worthwhile. There's so much that Resolve does better that can offset minor inconveniences.
In some cases, there are even better ways of working. For example, instead of I/O favourite... in Resolve I'd use the Cut Page with the Speed Editor. The Source Tape viewer is my favourite way to ingest new media. Using the jog wheel, dedicated I/O buttons and insert buttons, a timeline can be built from rushes much quicker than using a keyboard and mouse.
@@team2films Just saw this but can you all do a tutorial on that select process you are referring to? I have seen dozens of tutorials and have yet to find anything that is convenient. I do NOT want a LONG timeline of my selects in the cut page, too much of a process to then copy or select my favorites to build my timeline from there. Plus all the clips are not really in a Bin to select from, they are spread out on a long time line. I think that is what you are referring to my question about I/O and Favorites selects. Right? IS there a way to Hit I/O and hit a Hot key, Like F and then just review those in a Bin somehow? and not a long time line in the cut page? But rather in a sub folder or Bin which I see in the edit page to build from that folder with those selects? That would be "similar" to FCPX. Thanks! Maybe you all could do a Tutorial some day bc I am sure there are many who would like to see that process.
@@ekphotography Yes there is, set up the word ''Favourite' or whatever works for you as a 'Favourited Keyword', and then assign it a hotkey in Keyboard Preferences. Does that make sense? (Look for 'Favorite Keyword 1')
@@ekphotography Also, it sounds like you'd love our course. There's a whole module that's dedicated to ingest and organisation.
So if I purchased Resolve 18 license, can I use that for Resolve 19 or I have to purchase another license?
You and use your Resolve 18 license for 19. All upgrades are free!
If you buy Resolve 18 licence, then Resolve 19, 20, 21, 22 ... are all free! :)
cannot find the music remixer you show at 22:30 ?
What version of resolve are you using?
@@team2films the latest 18.6. I think I understand it is in version 19 :-) hope it is release soon as production version
What happens if you both color grade at the same time 😅
Colour Grading uses clip locking... you only lock one clip at a time. So you can have several colourists in the timeline simultaneously, they just can't be on the same clip.
The audiio discount code doesn't work anymore
Let me check on that and get back to you. Apologies, we will get that sorted.
I have a pressing question I haven't found an answer to. Being a colorist maybe you can help me. I use a Mac Book Pro m2 Max chip as well as one with an Intel chip. On both computers, I have noticed that the video I exported after color grading it in Davinci resolve, does not look the same. Inside DR it looks great but the exploited one looks less saturated and does not have the same contrast I added when I color-graded it. I have Googled for a response and what I see its a lot of people experiencing the same (using premiere Pro as well as Savici resolve) but no real confirmation or solution. This leads me to believe is a MAC issue and not a Davinci Issue, but I am hoping there is a solution to make the exported file look as close as possible to what was graded in DR. I am using DR 19 latest beta and my monitors are calibrated for REC 709. HE:LP!
Hello, It's a good question. This is a common problem, sadly there isn't a universal solution. If you want to research further you can search for 'QuickTime gamma shift'.
Have you ever been into an electronics store TV department? Each TV will look different. That's because they are not colour critical devices. Each manufacturer does their own thing. They are more concerned with the image looking good rather than looking accurate.
It's similar with computer software. Each manufacturer does their own thing. No one is certifying the software or checking that it processes the image correctly. Your footage might look incorrect in QuickTime, but correct in VLC, or on a TV.... Your videos will only match in a calibrated environment with colour critical hardware and software. Everywhere else it will be different.
What can you do in the meantime... Yes, it's a mac issue, not a DaVinci issue. Try tagging your renders as Rec-709A (instead of Rec 709). Quicktime has issues processing the normal Rec709 tags. Does that help?
This is GOLD 🫶🏻
YOU are GOLD 😎 Thank-you so much Marco.
Please please can you do an example of this? PLEASE? I know you are not a FCPX guy at all but there are many of us who are and have Sony cameras which do NOT do timecode. SO it is nearly impossible to do FCPX to Davinci and back round trip color grades!!!
I still have problems all the time, Davinci NOT recognizing my crops and transforms from FCPX and I also have the dreaded Sony Media offline problem due to the timecode problems. I love FCPX but would really love to do my color grades in Davinci. I have tried so many times over the last 2-3 years but have NOT found anyway of doing it with out a bunch of headaches. Could you please maybe try to do this tutorial with Sony videos? The worst part is I am doing simple 1-2 videos max with simple edits and still cannot find a way of doing it. As it is I am thinking my only option which I will try this week is to copy my project, undo all crops and transforms and any stack clips ( Vertical style videos with 2-3 clips stacked) lay them all out on a timeline then export to Davinci, color grade, reimport the clips, and copy and paste all the transforms and crops etc etc to rebuild the timeline. But that seems like a tidiuos way of having to do something so "simple". Thanks
I can get around the timecode problems manually changing all the timecode numbers or using maybe Commandpost to export an XML but even then, Davinci does NOT recognize my crops and transforms. SO frustrating to say the least. There has got to be a way of doing this properly....?
Hello, we use FCP professionally too. There are many things about it that we like.
Firstly, compatibility when conforming from one NLE to another is problematic because of a lack of standardisation in the industry. There are ways to mitigate issues, it's difficult to diagnose your problems without more information. This isn't really a Resolve issue, this is usually a FCP or Premiere issue.
Second... timecode problems. It's because (like you said) your Sony cameras record to a format that doesn't include timecode, and when you change memory cards, your camera starts numbering the clips from 001 again.
The way to get around that is to re-pack your Sony camera clips before you begin editing. This usually involves putting them in a QuickTime container, and giving each clip a unique name. That will solve your offline and relinking issues.
The conform issues you are describing is one of the reasons lots of people are deciding to make their edits in Resolve too. It's phenomenally powerful as an NLE. If you are already using Resolve, what's keeping you in FCP for your edits?
Thanks for responding, really I have 2 main issue that keep me from editing in DR, One is I already 100’s of plugins paid for and many that resolve does not have! But my main issue is nothing is faster for editing than FCPX , I can rip through my edits hitting I/O then F and make my timelines from those selects! DR does not have that option and has extra steps , bins, or keystrokes that are clumsy in my opinion. I have been asking for 10 years for something similar. So easy and fast!!
@@ekphotography Hello! Yeah, if FCP is working for you, then there's no need to switch. We responded to your other post with some suggestions about I/O F workflows and alternatives in Resolve that might be even better! Yes, it's true there are parts of FCP that are more streamlined. There are also parts of it that are downright clumsy when compared to Resolve. But like we said, if you like how it's currently working for you, that's awesome! FCP is a great program too.
why not 8k this time?
Rendering was taking a while on this project so we put it out at UHD. Sorry :( Now we feel bad! Thanks for watching and caring enough to notice!
@@team2films no problem
Me whose first Editing software is davinchi resolve 😂
Haha! you've never known a switch! That's awesome. Thanks for watching still :)
@@team2films hello team2films can you help me. My issue is that I can't auto align clips based on the waveform. It is out of sync almost by 1 frame. Hopefully I did it manually but why is this issue with resolve.
I still can't stand DaVinci timeline, make it resemble premiere pro then we'll talk. They clearly didn't create it as a cutting tool, I still cut everything in premiere pro before importing for grading and other stuff. YOU NEED BOTH.
Appreciate you watching. What specifically is it about the DaVinci Timeline that you think needs improving?
👍
Is Leon and Natalie dating?
We used to. Now we are married.
@@team2films 😍