The Q series doesn't get a lot of love - but after this example, I have a new-found respect! Maybe it is just because it is a 1 pickup guitar... 🟢My Website: www.troglysguitarshow.com ❓Private Help Sessions: troglysguitarshow.com/help-appraisals/ 👕 Merch: teespring.com/basic-logo-4245?pid=211 🎸New Guitar Day Program: troglysguitarshow.com/ngd/
Ahh. The Gibson Super Strats. Their way of keeping things "authentic" back in the day. It's just amazing how Gibson never copied a THING over the years.
@@Mr.PhatsVarietyVibesShow I bought the Donner Tele from Trogly he featured awhile ago. I can testify that's a fun guitar for a fraction of the price of this guitar here. 🎶
The Kahler Flyer series was slightly lower spec than the standard Kahler bridge. Standard Kahlers can be adjusted for string spacing (the ones you can currently find on their website). The saddles on the Flyer have fixed spacing. The Gibson labeled Kahlers are basically Flyer models. The hex wrench for the string lock is 3/32 (I just checked it on one of my Kahler guitars). I really like this. I'll have to keep an eye open for one. I keep saying I need to pare down my collection. You're not helping. LOL.
I prefer Floyd Roses, but the top-mounted Kahlers have some advantages: the string height and intonation are HEAPS easier to adjust (I suppose Floyd-lovers would say that those things very rarely need changing), the spacing on some can be altered (as you said. I'm not sure about the old ones), the fine tuners and whammy have larger ranges. I had an old one on a late 80s Charvel Model 5, so I'm just going off that.
I quite like it, great headstock. I would prefer a floyd rose rather than a kahler and direct mounted pickup if I was speccing this myself though. Oh and a non-boring colour.
It's like with cars, black is great for a Benz or a BMW. but a Ferrari or a Lambo looks better in something hotter. and it's a poor comparison because this guitar is not the supercar of the Gibsons. and, most cars now are in some variation of silver or gray. this guitar needs metal flake or "sparkles" as the kiddies call them ;-) I've painted a few motorcycles so I should try some guitars, maybe a kit or two just to see the results. I need to get a gold top out of my system. sparkly gold.
@@dbspecials1200 Definitely have a go at doing some custom finishes! I'd definitely recommend a kit or entirely building it yourself though - refinishing can be a helluva hassle when you strip the original off. Also if you're keen on motorcycle paint, check out the fender "Firestorm" finish, no one quite knows how it was done, but it was apparently inspired by motorcycles.
Cool guitar. 1985-1987 was no way too late for super Strats. They flourished well into the early 90's. The problem with these is that people just weren't ready for this kind of an axe from Gibson. Too many other companies were doing it, and cheaper. Kahlers are also great, but they just never got the market share that Floyds and their copies had. You could do a whole video, if you haven't, just on tremolo systems of the 80's. Floyds (1st and 2nd type), various Kahlers, Washburn Wonderbar, the weird ones on Charvel guitars.
True, a locking vibrato video would be killer. Rockingers, Floyd Rose, Kahler. Kahler was a great trem but I believe that once Floyd was granted the patent, it meant that every locking trem had to have the legal 'Under Floyd Rose patents' or something like that. Kahler was spending big bucks fighting China black market copies. There was an old Guitar Player Magazine where they were talking with the owner about that, The Kahler Wars or something. Kahlers also had a funky small palm want bar that you could screw in and have a regular bar and this little palm bar you could do little traditional vibrato playing. The Rockingers were pretty bad and were the vibrato that Ed was playing on his first Kramer's before he was 'officialy' with them. You can see it when he jammed at G.I.T. when he played with Holdsworth. Kramer eventually struck their deal with Floyd Rose by the time Ed did his promo picture.
With that much space in the control cavity, you could do crazy stuff like adding a G&L PTB dual tone pot setup, slap in a Sustainiac board, or just throw on a full active preamp system with whatever crazy boosts you want.
Cool axe, congrats. I have yet to play one but am very into 80's flat radius guitar necks. " Guitar Max" here on UA-cam says the sun valley guitar that you bought is high up on his list of good guitars for the money.
I have one exactly the same (i.e. a 1985 black Q100). Oh, except for two tiny differences as far as I can see: (i) mine has a barrel volume knob, rather than the bell one yours seems to have; (ii) the decal on mine says "Custom Shop Edition" rather than "Custom Shop Original". I don't have a case for it unfortunately, as I purchased it second hand from a guitar shop in the UK in 1989. I think I paid £300. It's a lovely guitar to play - the action is low and the contours on the back and front make it really comfortable to hold. In that respect, I prefer it to my 1987 Gibson Explorer (in diamond white - well, it's more of a dull cream colour nowadays! Yes, I purchase that 'cos I thought it would make me Hetfield! :)) I was in a couple of bar bands and used to play the Q100 through a Marshall lead 100 MOSFET paired with a 4 x 10 cabinet. Heavy metal covers (Metallica, Priest, Slayer, etc.) so usually added in a RAT pedal for a basic distorted metal/rock sound, but other than that never really played around with tones much (other than a bit of clean flanger for the intro to "Seasons in the Abyss"). It never let me down live. I don't remember it being so microphonic. Always had quite a bit of feedback unless actually playing, but I presumed all metal players experienced that! You had to turn the volume knob down between songs, and/or mute the strings with your palm. I'm not much of a lead player, so never went too crazy with the Kahler, but it stays in tune well enough once the strings are stretched in. Only minor gripes are: (i) you do need the right Allen key for the locking nut - mine came with one and I've always been paranoid about losing it! (ii) the strap button on the inside of the upper horn is in a slightly awkward place. I swapped the strap buttons out for strap lock ones, which helps. Thanks for the great video - very informative as I have never seen much else about the Q series guitars.
I believe that guitar became the Gibson/Epiphone USA Pro in about 1988. I have one. It's got a little more sculpting on the top of the body, a Gibson-branded Schaller/Floyd trem, hum + slanted single coil (Gibson HB-L by Bill Lawrence), and an Explorer headstock shape. Fun fact - the neck single coil is wired to a dummy single coil in the control cavity for hum canceling.
Trogly, I love that you are focusing on the Gibson made Super Strats of the 1980's. These guitars have been under greatly appreciated, and are just now getting the love that they deserve. Prices for Gibson US1's with the stop tail piece have been steadily rising. The US1 guitars had Brian May tone right out of the box. In the next few years, I wouldn't be surprised to see the US-1's sell for $13,000-$20,000 range.
A store just outside of St. Louis bought up the last bunch of them and they had them all over the store. Maybe 25 or more hanging everwhere, some had floyd rose tailpieces, some, kahler and some had stop tailpieces. Yes, mahogany body and neck. The headstock was actually a Charvel addtion from when worked at Gibson. They had models with 1 pickup, 2 pickups and 3 pickups, there were single coil Strat type pickups, P90s, and humbuckers in different combinations and in different colors, mostly white, red and black. I ended up with a 3 P90 Black model with the coolest wiring. One Volume, one tone and 2 toggles. One toggle was a standard neck, both , bridge. The other cut the middle pickup or added it in slightly out of phase or allowed it to be on by it's self! So sorry that sold it on Ebay. A guy in Florida bought it and I almost got it back 17years later when I saw it on Reverb but, it had just sold!
Two tones, strum near neck, strum near bridge!! And mark your calendars, Trogly wiggled the trem. and got his shred on. Ü Pretty worthy one trick pony. ♫♥
I almost bought the 3-P90 model back in 1985 or ‘86. Played great and sounded great, but I wasn’t gigging much and I didn’t think I should spend the money. Plus, it was black, probably my least favorite color for guitars. It’s still the only Q series guitar I’ve ever seen in person, and if memory serves me correctly, I think it had a stop bar and tune-o-matic bridge, which I prefer over a locking trem. It’s nice to see that at least a few were made in colors other than black. The Henry J ownership were notorious for announcing something cool and then discontinuing it before getting some into stores. I would have bought an SG Deluxe (3 mini-humbuckers, Bigsby) when they were announced in the ‘90s if I could have found one. I still have never seen one outside of the official one-sheet announcing the model.
I have the 3000 with 3 soapbar p90s, stopbar tail piece and the big toggles in Ferrari red, paid 500 5 years ago and it is in a tie for my #1 guitar with a V90 double that I got around the same time. I use the 3000 for shows all the time because the sound of the pickups is amazing. I tried to do some research years ago and read a story that the 4000 was going to be a Neal Schon model but he bailed on the deal. Apparently Gibson does not have records of how many were made according to someone who said they called the company. but many claim its under 300 of my model. Ive only ever seen a pic of one other 3000 with a stopbar and it was black so there are at least two.
Oh WOW. I love this thing - slightly offset super-strat shape with the axe headstock. Gibson scale AND set neck. That type of Kahler looks good and seems simpler than a Floyd to set up (I hate setting up Floyds) I'm more of a fan of the 200/2000 series with the HB/P90 setup - I now have to add one to my bucket list of guitars to try. For quite an old guitar, from a not-so-collectable era - they have held their value pretty well.
Not going with 24 frets was probably the biggest mistake... Back then that's what all us up n coming shredders wanted... Thin wide neck, flat fast fretboards with 24 for those full 2 octaves
It seems like a pretty cool guitar. I played in a couple of different bar bands in the mid to late 80s. I knew a lot of other people in bar bands and nobody had one of those to my knowledge. It seems like it would have been perfect for that time. I guess not getting the EVH endorsement really the popularity of this guitar. Thanks for documenting this Trogly!
Always wonder why all the hate for Kahlers. Flloyds and strat style tremolos require a hefty chunk of wood removed. While Kahlers take like half an ice scoop. They stay in tune as well, can trem both directions and you don't have to clip the ends.
The Kahler is made of multiple pieces. that's why the trademarked logo and "MADE IN USA" is on it twice, on the base frame and the saddle bridge. but it's anyones guess as to why it needs to appear twice on the completed unit. one of those manufacturing things I suppose.
I believe there was a fight with Floyd Rose and they wanted to really push their product as Floyd was getting the patent on not only the Floyd Rose design but also on the locking/floating trem aspect as well. Once granted, trems would have to have the 'Under Floyd Rose patents' imprinted or cast in the trems.
This was my first "serious" guitar back when I was in college. My girlfriend bought it for me fas a Christmas present in '87 and I was totally blown away, especially after only playing Sears guitars up to that point. I remember how great it felt in my hands. Good times.
Really lucked out today, while paying for warranty on some guitars I asked my guy to get me a sku# for the new bonamassa 59 Lazareth, thinking I'd hear back in a few months but to my delight I was able to pre order it today just a few days after the initial leak. So if your viewers are interested some vendors can preorder them now 🤘
Great guitar! Im a happy owner of a q100 with the pink finish. Swapped the pickup many years ago, same microphonic issue. Otherwise it plays and feels great. Its a keeper for sure.
Guild had a couple of guitars virtually identical. One was called the S-280 Flyer with a bolt on neck and the other was called the S-284 Aviator with a set neck. Several pickup combinations were available, unlike the Gibson Q, and both Guilds also had Kahlers. The Guilds probably sounded better too as a result of their pickup versatility.
Its similar to a late 80's/early 90's Carvin. They were 24.75" and you could get a Kahler Pro trem. Similar headstock. But with a Poplar body, a Neck-Tru Maple neck & Ebony Fretboard.
when the demo goes in to tapping yup trogly likes it lol. when he states it's worth more as a player. this means he wants to keep it for awhile. always a great time here.
The Q series was THE hottest super strat here in Norway in 1985! Ghost designed by Wayne Charvel it hade a neck Taylor made for us tiny teens who could play Preist and Maiden every way, and scary the shit out of those semi-old jazz and shadows mustache-guys ;D Then came the Kramer Pacer, Charvel and Jackson, Ibanez RG, ESP M-1 and Hamer Californian ... did the Q-series turn into Larrivee?
In 1985, I put a used Squier Strat on lay away. Someone had jammed a humbucker diagonally in the bridge position - a single coil in the middle - and stuffed a bunch of wires and 5-way switch into the neck pickup position. It also had the large Fender logo on it. I didn't keep up with the payments and lost it. In retrospect, it looks like someone was trying to replicate the look of an EVH guitar - except EVH hadn't exploded into the mainstream yet.
EVH had most definitely exploded on the 'mainstream' by '85...Jump was released in '83 ahead of their 6th album '1984' and Eddie had recorded the 'Beat it' solo in '82 released in '83, so by '85 Eddie was pretty much a household name and his many, many guitars were very well known.
hmmm I like it, you made me think of trying to find one!, I have another guitar (white & light blue marble look Samick & I love & play this more then my 1982 Les Paul that has a clear blue front deep purple sides & back) that I got in the 90's with a Floyd Rose on it but every time I use the bar it goes out of tune and I had it set up right too, I got the Les Paul a few years later.
honestly this and the m-iii are really awesome looking guitars and i agree if they were a little earlier they would of been as iconic as kramers and ibanez jems
Really appreciate that you’re a Metallica fan too! Took me a while to find your channel, love it! Do you keep all of the guitars you do demos on? You recent did the whole Gibson set of something from the Demo Shop are those keepers or do you turn around & re-sell those guitars? I personally own 5 Les Pauls & an SG but I’m dying for more as most guitar players do lol. Rock on! 🤘🏼
Ah! Memories! My first Gibson was a Q-100 and it was in 1988. My guitar was a stop bar version and had a Custom Shop stamp on the back of the headstock. 😀👍
You should review a Kerry King signature V. It's the perfect guitar for something that is the opposite of what you'd like. For instance a kahler and EMG active pickups.
@@joermnyc that doesn't mean they are good. Especially if they are that microphonic. Would take a pair of Seymour or BareKnuckle, Fishman or Mojo's any day over any of Gibson's pickups. Gibson's are way too inconsistent on final product. Quality control is spotty!!!!
I had the Epiphone pro series, neck thru body, 24 fret with the flyer tremolo. It's was blacked out everything. Not sure where it came from but it was the most high-end Epiphone I had ever played at the time, 1990. It was used and the fret board and neck had that line that the guy thought was a crack. Anyway, if he was truthful, he paid close to $800 the year prior. Which at the time was Gibson and fender money. Anyway, I played gigs either guitar for a decade. Best $300 I ever spent on a guitar. Neck stayed straight, the only thing that I replaced was the locking nut and put strap locks on it. It paid for itself many times over. Peace ✌️
My les paul had a slightly microphonic pickup and once during a practice i just screamed into it in the middle of a song and it was the most metal shit i’ve ever heard
I remember seeing one of these in a guitar shop in Chula Vista CA in 1986. They also had the same figure top you had on here. Their 1 humbucker ker model had a chrome Kahler and it was in white. It was a small shop. The owner wouldn't let us metal kids touch anything worth more than $400. Lol! I got my first guitar from this same shop. I wish I could've checked it out.
Was the shop in question Harper's? That's the only guitar shop that's existed in Chula for as long as I can remember. Nowadays all the metal kids head across the river to Pitbull Audio in National City lol
@@Branbreakers I'm not sure. I remember Harper's being the place to get BC Rich and Kramer guitars. On second thought it wasn't Harper's. It was a block north. Pit Bull Audio....lol! It's been a while since I've been back home. I grew up in National City.
@Trogly When I was station in Ft Stewart in the 80's, one my follow soldiers bought Gibson/Charvel Super Strat. It had two toggle switches for split coil and was this faded black color. I cannot remember the model number but it was 1 of 300 guitar run. Do you have any idea what that could have been?
I would actually use one of those as my main locking trem guitar. Maybe upgrade the kahler to a modern one that actually works well. Put a jb in the bridge with a coil split.
Austin, you mentioned the phrase "tuning stability" in this video while talking about the Kahler double-locking vibrato unit. I can't tell you anything about the actual bridge for lack of experience, but I HAVE had a guitar with the locking nut mounted BEHIND an actual, regular string nut. Using a "system" like this is NOT a smart move, because the locking nut CANNOT COMPENSATE OR PREVENT tuning problems caused by the OTHER nut. The strings can and will bind in the normal string nut, and the locking nut might stabilize the strings to an extent, but ultimately, whatever problems the normal nut might have will have to be addressed and defeated before any stability will be possible. Alas, I never managed to figure my problem out before losing that guitar to theft!😖
@@najmihakimkhairi1210 I mean, try replacing a neck on a non bolt-on guitar. Not an easy thing to do. Some people also just prefer bolton. I like them because I know if my neck every gets screwed I can buy a new neck and not a whole dang guitar lol.
@@najmihakimkhairi1210 Well to start with, Eddie liked switching out necks like most guys switch out pickups, hence the neck through would have definitely been a turn off to him, IMO.
I really like this guitar. I also had no idea that it even existed. I'm mostly an Ibanez player, in particular the S series of which I have 2. Recently though, I found an Epiphone Custom Shop Les Paul with a Floyd Rose, _passive_ EMG pickups, and coil tapping on both volume knobs. It's a mahogany body and neck with an ebony fretboard, and a satin finish on the neck. I love it! I had a '71 Les Paul Gold Top awhile back, but this Epiphone is my favorite LP ever. So where this is going is, I'm finna go cruise eBay for some Q series action. I think it's a guitar that I will love, so thanks for educating me about it. Oh yeah, Imma subscribe. Peace out.
Trogly, the flyer should be able to locked into a hardtail. I know you’re not a locking trem fan. But some kahlers have a lock pin on the side to convert to a hardtail. 👊🏻 Oh, and a hex key set is like 3$ at harbor freight 😜
@@Brett0000 I was just making a point that they’re relatively cheap. For a guy that spends that kinda money on guitars a year, he should have a set of Allen keys. You can get some hardened Allen keys for a bit more at harbor freight. Generally they have a lot of junk. But a nice set of T handles is what Trogly should have at his level.
Had a Gibson U2 back in the eighties in metallic green with black hardware, Floyd, HSS config with mini toggles. Neck was warped unfortunately and the Floyd was a pain. Gibson UK or Robbie Glad we'll took it back and surprisingly got a refund! Went and got a Charvel instead, Floyd again was a pain!
Wanted to ask. In 2002 I ordered a custom shop Gibson. Saved around $5,000 if memory serves me correctly for it. And I would call every few months and they would say it is being worked on. After about a year and a half they said they had no record of my purchase of the guitar. I am not a jerk so I didn’t want to blame Gibson there was a mess up somewhere down the line. But someone else last month told me the same thing happened to them around the same time. Have you heard of this happening to anyone else? Many blessings brother and thanks for all your amazing videos
I have the Q 200, looks the same , except mine has a single coil in the neck, and a coil split for the bridge, and a tone control, 2 volume controls . I got it for $300 maybe 20 years ago. I like it, but it needs a little work on the frets.
I really like that I think I'm going to look for one of those.I always like having one what I call no nonsense guitar(one pickup one volume control) and I sold the last one I had.
I worked retail when these were coming out. We couldnt give them away. At that time the Ibanez RG's were coming out and destroyed everyone. Fender and Gibsons were tough to sell then, especially oddball Gibsons.
********* If I was tied in with Gibson, had a signature guitar etc. I wouldn't hesitate to bring this shape back out!!! This guitar, but in the style of a LP custom? Black, gold hardware etc would look 👌👌👌!!!!
Do you know anything about the Gibson Trad Pro V? I just got one from Musician’s Friend on a Labor Day sale for $1599, but it says that it has Gibson Tradbucker pickups, which are described as proprietary limited run pickups made to resemble Burstbuckers, but the neck is under wound and the bridge is overwound. They also have a unique tapping setup, with a toggle switch to let you choose between coil tapping and coil splitting, letting you choose between the inside or outside coils when coil tapped, and letting you choose between in phase or out of phase. Seems like some great options for the price, but just curious how these unique Tradbuckers sound compared to normal burstbuckers.
I think Trogly's found a keeper. He's never sounded better on _any_ guitar. If it didn't have the vibrato, I'd bid on it, myself. I _love_ no-nonsense guitars. Why do we have pedals and amps, ffs? There's enough confusion, already. A volume knob allows you to isolate and focus on the dynamics of your personal tone. What more could you ask for? The only thing that would throw me off is the pickups. In my opinion, all poles should be slugs. Screw'em down tight and raise the pickup. That's where all the beef is, anyway. I'm tempted to super-glue mine down. Just so any prospective future owners of my guitar don't get the "bright" idea of "fine-tuning" them.
Austin, I know you didn't ask whether we would rock this guitar or not, but I'm commenting on this aspect anyway -- because I almost can't make up my mind. I generally don't like single-pickup guitars for their lack of versatility, and I already mentioned my misgivings about the dual-nut issue ... but there is something about that axe that draws me very much like a guitar that I (thankfully) already own! My black-on-black Ibanez RG220B looks very much like that Q100, though the body is not offset in shape. I bought that guitar even though it had a BADLY cracked neck, because something about it spoke to me; I saw it twice in the pawn shop I bought it from. It grabbed my eye both times. After much work and some TLC, it has become what I would say that that Q100 WANTS to be. I think that the Gibson has different (not necessarily better) body wood, and I KNOW the scale length is different, and my Ibanez has TWO humbuckers and not just one. No coil splits or other fancy pickup tricks -- my RG was built and switched without any such BS. There is something I would like to ask you, though. Do you know whether Epiphone Alnico Classic pickups are wound with unbalanced coils? I am sure that Gibson's BurstBuckers and Epi's ProBuckers are built with uneven coils so as to nail the sound of a particular set of Gibson PAFs, but what about those earlier pickups? I am VERY happy with the sound of the Alnico Classics I put in that RG. I just want to know just how PAF-like they are. Whaddya say?
@@allisonholmesmusic97 Me neither especially since they're so much easier to install than a Floyd Rose and I've played around with guitars with Kahlers and I've never experienced any tuning issues. Plus they're the only whammy bar company to officially make tremolos for basses and they're great as well.
Personally I don’t understand not putting a tone control on a single pickup guitar. I’ve got some no load tone controls and really there’s no noticeable difference between the no load switched and on 10 and it does make a single pickup guitar much more versatile.
The Q series doesn't get a lot of love - but after this example, I have a new-found respect! Maybe it is just because it is a 1 pickup guitar...
🟢My Website: www.troglysguitarshow.com
❓Private Help Sessions: troglysguitarshow.com/help-appraisals/
👕 Merch: teespring.com/basic-logo-4245?pid=211
🎸New Guitar Day Program: troglysguitarshow.com/ngd/
I listing on Reverb? A search for Gibson Q 100 guitar comes back with the “This must be really rare” error page. Is there a better search than Q 100??
Yeah... I really, really dig this guitar!
@@mesoanarchy I got a feeling Trogly just might keep this one,.... he sure had a lot of fun with it.
Gibson got Kramer in the end lol
maybe they tried to hook Richie Sambora with the star inlays
Still got him too with Kramer lol
Ahh. The Gibson Super Strats. Their way of keeping things "authentic" back in the day. It's just amazing how Gibson never copied a THING over the years.
🤣
Does someone have to complain on every Gibson video?
@@squobsofficialyes ❤
I loved it when Trogly demonstrated the micrphonic sound of the pickup🤪That looks like a fun guitar 🤘
@@Mr.PhatsVarietyVibesShow I bought the Donner Tele from Trogly he featured awhile ago. I can testify that's a fun guitar for a fraction of the price of this guitar here. 🎶
Many early Dirty Fingers pickups like this one were microphonic. the best option is to replace it with a new one.
Sounded Floydish like the Wall
The Kahler Flyer series was slightly lower spec than the standard Kahler bridge. Standard Kahlers can be adjusted for string spacing (the ones you can currently find on their website). The saddles on the Flyer have fixed spacing. The Gibson labeled Kahlers are basically Flyer models.
The hex wrench for the string lock is 3/32 (I just checked it on one of my Kahler guitars).
I really like this. I'll have to keep an eye open for one. I keep saying I need to pare down my collection. You're not helping. LOL.
I prefer Floyd Roses, but the top-mounted Kahlers have some advantages: the string height and intonation are HEAPS easier to adjust (I suppose Floyd-lovers would say that those things very rarely need changing), the spacing on some can be altered (as you said. I'm not sure about the old ones), the fine tuners and whammy have larger ranges. I had an old one on a late 80s Charvel Model 5, so I'm just going off that.
I miss the old days of Kahler terms and Dirty finger pickups ... I'd like to track down a Q100 and paint it yellow! ;D
I quite like it, great headstock. I would prefer a floyd rose rather than a kahler and direct mounted pickup if I was speccing this myself though. Oh and a non-boring colour.
It's like with cars, black is great for a Benz or a BMW. but a Ferrari or a Lambo looks better in something hotter. and it's a poor comparison because this guitar is not the supercar of the Gibsons. and, most cars now are in some variation of silver or gray. this guitar needs metal flake or "sparkles" as the kiddies call them ;-) I've painted a few motorcycles so I should try some guitars, maybe a kit or two just to see the results. I need to get a gold top out of my system. sparkly gold.
@@dbspecials1200 Definitely have a go at doing some custom finishes! I'd definitely recommend a kit or entirely building it yourself though - refinishing can be a helluva hassle when you strip the original off. Also if you're keen on motorcycle paint, check out the fender "Firestorm" finish, no one quite knows how it was done, but it was apparently inspired by motorcycles.
Need an epi reissue of this lmao, 1000% instant buy
Yes
Just buy a Squier. Fender does it better anyways.
I would def pick one up!
m-iii all american re issue would be even better
@@Chimp_Handzee and install a floyd rose and locking nut? that's another 300 bucks . you missed to point
Cool guitar. 1985-1987 was no way too late for super Strats. They flourished well into the early 90's. The problem with these is that people just weren't ready for this kind of an axe from Gibson. Too many other companies were doing it, and cheaper. Kahlers are also great, but they just never got the market share that Floyds and their copies had. You could do a whole video, if you haven't, just on tremolo systems of the 80's. Floyds (1st and 2nd type), various Kahlers, Washburn Wonderbar, the weird ones on Charvel guitars.
True, a locking vibrato video would be killer. Rockingers, Floyd Rose, Kahler. Kahler was a great trem but I believe that once Floyd was granted the patent, it meant that every locking trem had to have the legal 'Under Floyd Rose patents' or something like that. Kahler was spending big bucks fighting China black market copies. There was an old Guitar Player Magazine where they were talking with the owner about that, The Kahler Wars or something. Kahlers also had a funky small palm want bar that you could screw in and have a regular bar and this little palm bar you could do little traditional vibrato playing. The Rockingers were pretty bad and were the vibrato that Ed was playing on his first Kramer's before he was 'officialy' with them. You can see it when he jammed at G.I.T. when he played with Holdsworth. Kramer eventually struck their deal with Floyd Rose by the time Ed did his promo picture.
That’s a great little rocker. Ya know when I saw it I got a G&L Rampage vibe. Maybe someone should hand one to Jerry Cantrell
Very close in design
SNAP! That's what i was thinking too :)
With that much space in the control cavity, you could do crazy stuff like adding a G&L PTB dual tone pot setup, slap in a Sustainiac board, or just throw on a full active preamp system with whatever crazy boosts you want.
and a killswitch hehe
I just picked up a Schecter Sun Valley Super Shredder. I'm seeing a resurgence of 80s style guitars. This video is quite timely.
Is it awesome!??! lol. I've been eye balling one of those for a while now.
Cool axe, congrats. I have yet to play one but am very into 80's flat radius guitar necks. " Guitar Max" here on
UA-cam says the sun valley guitar that you bought is high up on his list of good guitars for the money.
@@beefnacos6258 oh, yeah. I absolutely love it. I put EMG 81 and 85 in it, but the stock pickups are great. If you dive bomb, get a trem setter.
@@saltpeter7429 yeah, it's great.
Trogly: spends 40k on Iommi SG's
Also Trogly: doesn't have the right $10 Allen key set
In all seriousness though, keep up the great videos!
Hahaha. You have a great point there.
I do however dig his vids even though the constant laughing for no reason bugs the shite outta me.
He doesn't have an imperial set apparently.
I have one exactly the same (i.e. a 1985 black Q100). Oh, except for two tiny differences as far as I can see: (i) mine has a barrel volume knob, rather than the bell one yours seems to have; (ii) the decal on mine says "Custom Shop Edition" rather than "Custom Shop Original".
I don't have a case for it unfortunately, as I purchased it second hand from a guitar shop in the UK in 1989. I think I paid £300.
It's a lovely guitar to play - the action is low and the contours on the back and front make it really comfortable to hold. In that respect, I prefer it to my 1987 Gibson Explorer (in diamond white - well, it's more of a dull cream colour nowadays! Yes, I purchase that 'cos I thought it would make me Hetfield! :))
I was in a couple of bar bands and used to play the Q100 through a Marshall lead 100 MOSFET paired with a 4 x 10 cabinet. Heavy metal covers (Metallica, Priest, Slayer, etc.) so usually added in a RAT pedal for a basic distorted metal/rock sound, but other than that never really played around with tones much (other than a bit of clean flanger for the intro to "Seasons in the Abyss"). It never let me down live. I don't remember it being so microphonic. Always had quite a bit of feedback unless actually playing, but I presumed all metal players experienced that! You had to turn the volume knob down between songs, and/or mute the strings with your palm.
I'm not much of a lead player, so never went too crazy with the Kahler, but it stays in tune well enough once the strings are stretched in.
Only minor gripes are: (i) you do need the right Allen key for the locking nut - mine came with one and I've always been paranoid about losing it! (ii) the strap button on the inside of the upper horn is in a slightly awkward place. I swapped the strap buttons out for strap lock ones, which helps.
Thanks for the great video - very informative as I have never seen much else about the Q series guitars.
I believe that guitar became the Gibson/Epiphone USA Pro in about 1988. I have one. It's got a little more sculpting on the top of the body, a Gibson-branded Schaller/Floyd trem, hum + slanted single coil (Gibson HB-L by Bill Lawrence), and an Explorer headstock shape. Fun fact - the neck single coil is wired to a dummy single coil in the control cavity for hum canceling.
Trogly, I love that you are focusing on the Gibson made Super Strats of the 1980's. These guitars have been under greatly appreciated, and are just now getting the love that they deserve. Prices for Gibson US1's with the stop tail piece have been steadily rising. The US1 guitars had Brian May tone right out of the box. In the next few years, I wouldn't be surprised to see the US-1's sell for $13,000-$20,000 range.
I had a Q2000 and selling it is one of my biggest regrets. Especially because I sold it for far less than it was worth at the time. 🤦🏻
Yeah. me too!
Want to buy a Q4000 prototype?
A store just outside of St. Louis bought up the last bunch of them and they had them all over the store. Maybe 25 or more hanging everwhere, some had floyd rose tailpieces, some, kahler and some had stop tailpieces. Yes, mahogany body and neck. The headstock was actually a Charvel addtion from when worked at Gibson. They had models with 1 pickup, 2 pickups and 3 pickups, there were single coil Strat type pickups, P90s, and humbuckers in different combinations and in different colors, mostly white, red and black. I ended up with a 3 P90 Black model with the coolest wiring. One Volume, one tone and 2 toggles. One toggle was a standard neck, both , bridge. The other cut the middle pickup or added it in slightly out of phase or allowed it to be on by it's self! So sorry that sold it on Ebay. A guy in Florida bought it and I almost got it back 17years later when I saw it on Reverb but, it had just sold!
This guitar is a keeper bro. Sought after or not. By the way, your playing has gotten way more technical! Are going thru a metal faze??????
;)
Two tones, strum near neck, strum near bridge!! And mark your calendars, Trogly wiggled the trem. and got his shred on. Ü Pretty worthy one trick pony. ♫♥
I gotta say, I dig a single pickup guitar. I like this Q better than the US-1 or the U-2 models.
I almost bought the 3-P90 model back in 1985 or ‘86. Played great and sounded great, but I wasn’t gigging much and I didn’t think I should spend the money. Plus, it was black, probably my least favorite color for guitars. It’s still the only Q series guitar I’ve ever seen in person, and if memory serves me correctly, I think it had a stop bar and tune-o-matic bridge, which I prefer over a locking trem. It’s nice to see that at least a few were made in colors other than black. The Henry J ownership were notorious for announcing something cool and then discontinuing it before getting some into stores. I would have bought an SG Deluxe (3 mini-humbuckers, Bigsby) when they were announced in the ‘90s if I could have found one. I still have never seen one outside of the official one-sheet announcing the model.
I have the 3000 with 3 soapbar p90s, stopbar tail piece and the big toggles in Ferrari red, paid 500 5 years ago and it is in a tie for my #1 guitar with a V90 double that I got around the same time. I use the 3000 for shows all the time because the sound of the pickups is amazing. I tried to do some research years ago and read a story that the 4000 was going to be a Neal Schon model but he bailed on the deal. Apparently Gibson does not have records of how many were made according to someone who said they called the company. but many claim its under 300 of my model. Ive only ever seen a pic of one other 3000 with a stopbar and it was black so there are at least two.
I had one of these in 91. Used to keep my secret stash in the electronics compartment. lol
Oh WOW.
I love this thing - slightly offset super-strat shape with the axe headstock.
Gibson scale AND set neck.
That type of Kahler looks good and seems simpler than a Floyd to set up (I hate setting up Floyds)
I'm more of a fan of the 200/2000 series with the HB/P90 setup - I now have to add one to my bucket list of guitars to try.
For quite an old guitar, from a not-so-collectable era - they have held their value pretty well.
Man, that looks great. Not a trem fan, but everything else just looks killer.
Not going with 24 frets was probably the biggest mistake... Back then that's what all us up n coming shredders wanted... Thin wide neck, flat fast fretboards with 24 for those full 2 octaves
It seems like a pretty cool guitar. I played in a couple of different bar bands in the mid to late 80s. I knew a lot of other people in bar bands and nobody had one of those to my knowledge. It seems like it would have been perfect for that time. I guess not getting the EVH endorsement really the popularity of this guitar. Thanks for documenting this Trogly!
Always wonder why all the hate for Kahlers. Flloyds and strat style tremolos require a hefty chunk of wood removed. While Kahlers take like half an ice scoop. They stay in tune as well, can trem both directions and you don't have to clip the ends.
The Kahler is made of multiple pieces. that's why the trademarked logo and "MADE IN USA" is on it twice, on the base frame and the saddle bridge. but it's anyones guess as to why it needs to appear twice on the completed unit. one of those manufacturing things I suppose.
I believe there was a fight with Floyd Rose and they wanted to really push their product as Floyd was getting the patent on not only the Floyd Rose design but also on the locking/floating trem aspect as well. Once granted, trems would have to have the 'Under Floyd Rose patents' imprinted or cast in the trems.
This was my first "serious" guitar back when I was in college. My girlfriend bought it for me fas a Christmas present in '87 and I was totally blown away, especially after only playing Sears guitars up to that point. I remember how great it felt in my hands. Good times.
The Q series bass story animation is so funny I love it
Many props for sending it back to the original owner. Your a better friend than that guy who took it ever was I bet.
Hey, that black one against the blue wall at 4:08 is my old guitar. I took that photo in my old house. Good to see it again, haha. Great video!
Nice of you to give it back, I think I saw my Gibson
L6 D on reverb awhile back. I did not really want it back but closure is a hell of a thing
Should be called the “Smuggler’s Q” with that space in back!!
I wanna see Gibson reissue their weird 1980s guitars like these
Really lucked out today, while paying for warranty on some guitars I asked my guy to get me a sku# for the new bonamassa 59 Lazareth, thinking I'd hear back in a few months but to my delight I was able to pre order it today just a few days after the initial leak. So if your viewers are interested some vendors can preorder them now 🤘
Great guitar! Im a happy owner of a q100 with the pink finish. Swapped the pickup many years ago, same microphonic issue. Otherwise it plays and feels great. Its a keeper for sure.
That distorted tone from this guitar is crushing! I wonder how this would look with EVH red, black and white strips?
Guild had a couple of guitars virtually identical. One was called the S-280 Flyer with a bolt on neck and the other was called the S-284 Aviator with a set neck. Several pickup combinations were available, unlike the Gibson Q, and both Guilds also had Kahlers. The Guilds probably sounded better too as a result of their pickup versatility.
Its similar to a late 80's/early 90's Carvin. They were 24.75" and you could get a Kahler Pro trem. Similar headstock. But with a Poplar body, a Neck-Tru Maple neck & Ebony Fretboard.
when the demo goes in to tapping yup trogly likes it lol. when he states it's worth more as a player. this means he wants to keep it for awhile. always a great time here.
The Q series was THE hottest super strat here in Norway in 1985! Ghost designed by Wayne Charvel it hade a neck Taylor made for us tiny teens who could play Preist and Maiden every way, and scary the shit out of those semi-old jazz and shadows mustache-guys ;D Then came the Kramer Pacer, Charvel and Jackson, Ibanez RG, ESP M-1 and Hamer Californian ... did the Q-series turn into Larrivee?
In 1985, I put a used Squier Strat on lay away. Someone had jammed a humbucker diagonally in the bridge position - a single coil in the middle - and stuffed a bunch of wires and 5-way switch into the neck pickup position. It also had the large Fender logo on it. I didn't keep up with the payments and lost it. In retrospect, it looks like someone was trying to replicate the look of an EVH guitar - except EVH hadn't exploded into the mainstream yet.
EVH had most definitely exploded on the 'mainstream' by '85...Jump was released in '83 ahead of their 6th album '1984' and Eddie had recorded the 'Beat it' solo in '82 released in '83, so by '85 Eddie was pretty much a household name and his many, many guitars were very well known.
hmmm I like it, you made me think of trying to find one!, I have another guitar (white & light blue marble look Samick & I love & play this more then my 1982 Les Paul that has a clear blue front deep purple sides & back) that I got in the 90's with a Floyd Rose on it but every time I use the bar it goes out of tune and I had it set up right too, I got the Les Paul a few years later.
I had a Gibson Q3000 in the 80's, I wish I never sold that guitar! It had 3 single coil strat style pickups.
honestly this and the m-iii are really awesome looking guitars and i agree if they were a little earlier they would of been as iconic as kramers and ibanez jems
Really appreciate that you’re a Metallica fan too! Took me a while to find your channel, love it! Do you keep all of the guitars you do demos on? You recent did the whole Gibson set of something from the Demo Shop are those keepers or do you turn around & re-sell those guitars? I personally own 5 Les Pauls & an SG but I’m dying for more as most guitar players do lol. Rock on! 🤘🏼
Ah! Memories! My first Gibson was a Q-100 and it was in 1988. My guitar was a stop bar version and had a Custom Shop stamp on the back of the headstock. 😀👍
A friend of mine bought it from me in 1991 and still has it under his bed. Too bad. 🙁
26:29 Didn't expect that reference from Trogly!
I had no idea this existed prior to this video, and now I want one...even if I hate double locking trems.
My daily dose!
You just won the fabulous Wallmart award for the very first comment wooohooo you are most awesome 🍪
@@rondobondo6600 cool! I wasn’t even trying
@@allisonholmesmusic97 I'm glad that you won 😁🍺😁
You should review a Kerry King signature V. It's the perfect guitar for something that is the opposite of what you'd like. For instance a kahler and EMG active pickups.
I’ve never seen a “high end” pickup like a Gibson dirty fingers be THAT microphonic.
Trogly tested another 80s Gibson with very microphonic Dirty Fingers, so I guess it was common in that era.
Gibson dirty fingers are not a high end pickup!!! Not by any means!!!!
I had to take my Dirty Fingers pickups off my 84 Flying V. Very microphonic and only works good when you play Rock/Metal.
@@tippss3332 and yet they are worth a lot of money. 🤷♂️
@@joermnyc that doesn't mean they are good. Especially if they are that microphonic. Would take a pair of Seymour or BareKnuckle, Fishman or Mojo's any day over any of Gibson's pickups. Gibson's are way too inconsistent on final product. Quality control is spotty!!!!
I know microphonic pickups suck, on a guitar. However, when used by the singer, it's a pretty cool, little effect to have in the toolbox.
I had the Epiphone pro series, neck thru body, 24 fret with the flyer tremolo. It's was blacked out everything. Not sure where it came from but it was the most high-end Epiphone I had ever played at the time, 1990. It was used and the fret board and neck had that line that the guy thought was a crack. Anyway, if he was truthful, he paid close to $800 the year prior. Which at the time was Gibson and fender money. Anyway, I played gigs either guitar for a decade. Best $300 I ever spent on a guitar. Neck stayed straight, the only thing that I replaced was the locking nut and put strap locks on it. It paid for itself many times over.
Peace ✌️
Beautiful Guitars! Gibson Super Strats. I'd buy any available example! Great Video's!
My les paul had a slightly microphonic pickup and once during a practice i just screamed into it in the middle of a song and it was the most metal shit i’ve ever heard
I actually wondered if you could do some wild crazy stuff with the microphone pickups for a song lol 😂. Like weird improvising
really like the Q with Humbucker and P90 at the bridge! Would be nice if Gibson would produce some more of those
I remember seeing one of these in a guitar shop in Chula Vista CA in 1986. They also had the same figure top you had on here. Their 1 humbucker ker model had a chrome Kahler and it was in white. It was a small shop. The owner wouldn't let us metal kids touch anything worth more than $400. Lol! I got my first guitar from this same shop. I wish I could've checked it out.
Was the shop in question Harper's? That's the only guitar shop that's existed in Chula for as long as I can remember. Nowadays all the metal kids head across the river to Pitbull Audio in National City lol
@@Branbreakers I'm not sure. I remember Harper's being the place to get BC Rich and Kramer guitars. On second thought it wasn't Harper's. It was a block north. Pit Bull Audio....lol! It's been a while since I've been back home. I grew up in National City.
@Trogly When I was station in Ft Stewart in the 80's, one my follow soldiers bought Gibson/Charvel Super Strat. It had two toggle switches for split coil and was this faded black color. I cannot remember the model number but it was 1 of 300 guitar run. Do you have any idea what that could have been?
Oooo this is gonna be fun! I've always loved the quirky nature of these things 😅
Greetings and well wishes from Utah man!
that smugglers compartment in the back could be a form of gibson trying out some weight relief before trying the chambered relief
I would actually use one of those as my main locking trem guitar. Maybe upgrade the kahler to a modern one that actually works well. Put a jb in the bridge with a coil split.
I bought an '85 gibson Q3000 new in 1985. 3 single coils with individual on/ off switches.
Excellent presentation. Great cam and edit work.
Austin, you mentioned the phrase "tuning stability" in this video while talking about the Kahler double-locking vibrato unit. I can't tell you anything about the actual bridge for lack of experience, but I HAVE had a guitar with the locking nut mounted BEHIND an actual, regular string nut. Using a "system" like this is NOT a smart move, because the locking nut CANNOT COMPENSATE OR PREVENT tuning problems caused by the OTHER nut. The strings can and will bind in the normal string nut, and the locking nut might stabilize the strings to an extent, but ultimately, whatever problems the normal nut might have will have to be addressed and defeated before any stability will be possible. Alas, I never managed to figure my problem out before losing that guitar to theft!😖
EVH always played bolt ons not neck through, so im surprised Gibson approached him with that. Might have had more success if they presented a bolt on!
How that would make a difference?
@@najmihakimkhairi1210 I mean, try replacing a neck on a non bolt-on guitar. Not an easy thing to do. Some people also just prefer bolton. I like them because I know if my neck every gets screwed I can buy a new neck and not a whole dang guitar lol.
@@najmihakimkhairi1210 Well to start with, Eddie liked switching out necks like most guys switch out pickups, hence the neck through would have definitely been a turn off to him, IMO.
I really like this guitar. I also had no idea that it even existed. I'm mostly an Ibanez player, in particular the S series of which I have 2.
Recently though, I found an Epiphone Custom Shop Les Paul with a Floyd Rose, _passive_
EMG pickups, and coil tapping on both volume knobs. It's a mahogany body and neck with an ebony fretboard, and a satin finish on the neck. I love it! I had a '71 Les Paul Gold Top awhile back, but this Epiphone is my favorite LP ever.
So where this is going is, I'm finna go cruise eBay for some Q series action. I think it's a guitar that I will love, so thanks for educating me about it.
Oh yeah, Imma subscribe. Peace out.
Trogly, the flyer should be able to locked into a hardtail. I know you’re not a locking trem fan. But some kahlers have a lock pin on the side to convert to a hardtail. 👊🏻 Oh, and a hex key set is like 3$ at harbor freight 😜
The only thing you’ll get at Harbor Freight is a set of Allen strippers🤣 just buy a nice set of Bondus T-handles
@@Brett0000 I was just making a point that they’re relatively cheap. For a guy that spends that kinda money on guitars a year, he should have a set of Allen keys. You can get some hardened Allen keys for a bit more at harbor freight. Generally they have a lot of junk. But a nice set of T handles is what Trogly should have at his level.
Had a Gibson U2 back in the eighties in metallic green with black hardware, Floyd, HSS config with mini toggles. Neck was warped unfortunately and the Floyd was a pain. Gibson UK or Robbie Glad we'll took it back and surprisingly got a refund! Went and got a Charvel instead, Floyd again was a pain!
Wanted to ask. In 2002 I ordered a custom shop Gibson. Saved around $5,000 if memory serves me correctly for it. And I would call every few months and they would say it is being worked on. After about a year and a half they said they had no record of my purchase of the guitar. I am not a jerk so I didn’t want to blame Gibson there was a mess up somewhere down the line. But someone else last month told me the same thing happened to them around the same time. Have you heard of this happening to anyone else? Many blessings brother and thanks for all your amazing videos
I love the design and the trem.
I've always had issues with Floyds and where my hand likes to sit
If you want an evh paint job ask the guy from guitar guts! He's gotten pretty good at making them, but he might have to throw a kill switch in it.
I have the Q 200, looks the same , except mine has a single coil in the neck, and a coil split for the bridge, and a tone control, 2 volume controls
. I got it for $300 maybe 20 years ago. I like it, but it needs a little work on the frets.
Nice Van Halen playing demo!! Mixed with some Mettalica!!
Man, I need to find one of these. EXACTLY the specs I'm hunting for.
having a plastic template under the bridge seems like it would deaden/absorb some resonance?
I really like that I think I'm going to look for one of those.I always like having one what I call no nonsense guitar(one pickup one volume control) and I sold the last one I had.
I worked retail when these were coming out. We couldnt give them away. At that time the Ibanez RG's were coming out and destroyed everyone. Fender and Gibsons were tough to sell then, especially oddball Gibsons.
********* If I was tied in with Gibson, had a signature guitar etc. I wouldn't hesitate to bring this shape back out!!! This guitar, but in the style of a LP custom? Black, gold hardware etc would look 👌👌👌!!!!
Do you know anything about the Gibson Trad Pro V? I just got one from Musician’s Friend on a Labor Day sale for $1599, but it says that it has Gibson Tradbucker pickups, which are described as proprietary limited run pickups made to resemble Burstbuckers, but the neck is under wound and the bridge is overwound. They also have a unique tapping setup, with a toggle switch to let you choose between coil tapping and coil splitting, letting you choose between the inside or outside coils when coil tapped, and letting you choose between in phase or out of phase. Seems like some great options for the price, but just curious how these unique Tradbuckers sound compared to normal burstbuckers.
Could you do some Kramer,? They are different in a good way.
Pretty cool… a reverse head stock would look very cool on it!
I really dig this thing. Pretty simple design, looks good & comfortable to play. I'd definitely rock this!
I think Trogly's found a keeper. He's never sounded better on _any_ guitar. If it didn't have the vibrato, I'd bid on it, myself. I _love_ no-nonsense guitars. Why do we have pedals and amps, ffs? There's enough confusion, already. A volume knob allows you to isolate and focus on the dynamics of your personal tone. What more could you ask for? The only thing that would throw me off is the pickups. In my opinion, all poles should be slugs. Screw'em down tight and raise the pickup. That's where all the beef is, anyway. I'm tempted to super-glue mine down. Just so any prospective future owners of my guitar don't get the "bright" idea of "fine-tuning" them.
Austin, I know you didn't ask whether we would rock this guitar or not, but I'm commenting on this aspect anyway -- because I almost can't make up my mind. I generally don't like single-pickup guitars for their lack of versatility, and I already mentioned my misgivings about the dual-nut issue ... but there is something about that axe that draws me very much like a guitar that I (thankfully) already own! My black-on-black Ibanez RG220B looks very much like that Q100, though the body is not offset in shape. I bought that guitar even though it had a BADLY cracked neck, because something about it spoke to me; I saw it twice in the pawn shop I bought it from. It grabbed my eye both times. After much work and some TLC, it has become what I would say that that Q100 WANTS to be. I think that the Gibson has different (not necessarily better) body wood, and I KNOW the scale length is different, and my Ibanez has TWO humbuckers and not just one. No coil splits or other fancy pickup tricks -- my RG was built and switched without any such BS. There is something I would like to ask you, though. Do you know whether Epiphone Alnico Classic pickups are wound with unbalanced coils? I am sure that Gibson's BurstBuckers and Epi's ProBuckers are built with uneven coils so as to nail the sound of a particular set of Gibson PAFs, but what about those earlier pickups? I am VERY happy with the sound of the Alnico Classics I put in that RG. I just want to know just how PAF-like they are. Whaddya say?
Dude.. I want this. Microphonic pickup and all. 🤘🏼
I don't see the Aldo Nova on your website anymore, did you get a buyer for it? (just curious) :)
I dig everything except the strap button placement on the horn
That is awesome. And I know most people hate Kahlers but I love em.
I’ve had two guitars with Kahlers. I don’t know why they get so much hate
@@allisonholmesmusic97 Me neither especially since they're so much easier to install than a Floyd Rose and I've played around with guitars with Kahlers and I've never experienced any tuning issues. Plus they're the only whammy bar company to officially make tremolos for basses and they're great as well.
Not a bad guitar. I would want a second pickup, and perhaps a tone pot, but I would rock that.
Finally I have a hss version of this and haven’t had any clue on what it was
Nice "Gibson Baretta" ! Same body as the Victory, I like it and I prefer a Kahler than a Floyd Rose.
Trogly: Some people try to list these for 3k but they are not worth that much
Also Trogly: Lists the guitar for 2999$ on his website
Reflects my willingness to sell. This is part of my personal collection now. I only sell those if the offer is goooood
@@Trog yes I know, i also see you really liked the guitar so it makes you would want to keep it around unless you got a good deal on i!
Hey Trogly, how many Q guitars and US1 guitars did Gibson produce? What are the official production numbers?
There’s a q200 near me for $1200, it’s banana yellow with the custom shop decal. I’m wondering if it’s a good deal?
That is pretty cool and takes me back to my childhood
Allen keys come in both SAE and metric sizes.
Personally I don’t understand not putting a tone control on a single pickup guitar. I’ve got some no load tone controls and really there’s no noticeable difference between the no load switched and on 10 and it does make a single pickup guitar much more versatile.
I love mine! I have to basses and two guitars!