Hang on, when I do this, I'm finding that if you don't set the Spread to PNT (or 0) in each of the assigned tracks, they'll come out of all the speakers.
Awesome tutorial, there is a more convenient way to do this however that you should do an update tutorial on. If you check on the Dolby Atmos box in the settings and set your track to Dolby Atmos 5.1 or 7.1 and open the track properties in Fairlight you eliminate the need for multiple tracks. The single track is spilt into 5 or 7 tracks that you can control within the properties of the track itself, then you can check off the speakers you want. This helps your workflow and frees up a lot of space on your timeline. This way, if you have a big project with 50 audio tracks it won’t multiply it by 5 or 7.
Your explanation was better than the 1 hour davinci video i just watched. but combining what you did in laymen terms and their technical expertise gives me a good grasp on how this works.. thanks great great great stuff...
Awesome, that’s great that you can use both videos to put together the information and knowledge you need for your project. Thanks so much for checking out the video!
@@JasonYadlovski I downloaded your final file and tried in a 5.1 Home Theater System... there's is no sound on rear speakers, just on FL, FR and Center when it's supposed to. What am I missing?
Thanks! Great tutorial. You hit all the basics and a lot of them are tricky. I've been doing the Davinci tutorials, which are much more extended, and you did a great job of summarizing the critical information, especially about creating the busses and assigning the channels. I have a 5.1 system and I actually managed to creat an LFE track for your tutorial. First, I cut up your download and put the clips in their proper places on the other 5 channels and set up the panning. Then I copied all the clips onto the LFE track, selected the proper clip attributes and used the eq for the LFE track to emphasize the low frequencies and push down the higher ones. I pushed up the levels on some clips and left most of them alone. There's almost always low frequency information in a recording like this one; to create an LFE track you just have to filter it a bit and bring up the levels. Then, I turned on the LFE in the pan control for the LFE channel and cranked it up. Finally I used the LFE filter on the 5.1 bus to add a bit of control there and fiddled with the levels to make sure I didn't exceed -2.0 TP. Thanks again.
Hi Jason, thanks for the helpful video. After first try-out I only got stereo. Then discovered that you have to make some changes in the preferences/video and audio IO settings from the main Davinci Resolve menu. Speaker set up , monitor set format, this is default set to stereo. You have to set this to manual and select 5.1 and assign your computer speakers in the stem/output table below. Then restart Davinci and it works perfectly!
Oh nice! Good work figuring that out! I didn't adjust anything in my preferences, but that's good to know! Next week I may make a followup video with a few more tips on 5.1 surround sound, maybe I'll include that too. Thanks for watching and for sharing!😁👍
Hi! Ah, just updated this comment (incase you get a notification with what I previously wrote 😜), I must have mis read your comment earlier, sorry about that! Glad you found the answer here. I know there isn't a whole lot about 5.1 in DaVinci Resolve here on UA-cam so I thought I'd make a few videos about it. Thanks so much for watching, I appreciate it!
Excellent video!! Questions: - For the custom export example in the video, since there's two output tracks (Main 1 Stereo and Main 2 5.1), does that mean that the finished video file has both audio formats in it and both are ready to play? - For playback on any audio setup, does the files and equipment automatically chose which appropriate format to play? - For setting up a new project with both stereo and 5.1 audio formats in the plans, does it require to have two separate project files (one project file for stereo, the other for 5.1)?, or can both formats be in the same project file? Thank you!
Hi! Thanks for watching! Here are answers to your questions: 1 - Yes, both formats will be in the final video and are ready to play. 2 - Yes, it should 3 - Both formats can be in the same file. Check out this video for more info on 5.1, it may help you out. I'll show you how I used both stereo and 5.1: ua-cam.com/video/eIBRoWizXJI/v-deo.html If you have any more questions, feel free to ask! 😁👍
@@JasonYadlovski Thank you for the reply. I saw the linked video and the tips definitely were helpful. This brings up another question which I have not seen a clear answer to online, If working with both stereo and 5.1 formats in the project, how does one keep the workflow organized and how does one put the tracks correctly for both formats? Example - For dialogue, should it be on two tracks? (let's say one on Track 1 for stereo output and a copy of the same dialogue track on the center track of the 5.1? and for the foley, FX, music, ADR, does it need to be duplicated and placed on the appropriate tracks for both formats? Thank you.
So I don’t have any professional experience creating surroundsound etc. but I would say that vocals should always be on a stereo track. Each vocal in theory should be on its own separate stereo track. You can have multiple 5.1 surround sound channels if you need to for effects, etc. it does not necessarily need to be on both types of tracks, you can always export whichever master output you want, including more than one type. For example a 5.1 master and a stereo master track can both be exported in the same file.
Hi Jerry, thanks! The difference between these options is that 5.1 Film configures to Academy standards, whereas 5.1 configures to a standard six-channel output. For more info, try Googling the Academy Standards for Surround Sound. Thank you for watching!
@@JasonYadlovski Googling provides no answers. Both film and, well... "not film" have 6 channels in the same configuration. My guess is that 5.1 Film is just some metadata thing... no actual effect on the sound or its mapping. I've never mixed in Resolve/Fairlight before but I'm gonna attempt to learn it because my director edited everything in Resolve and OF COURSE Resolve sucks at exporting XMLs so that projects can be worked on in other apps.
Hi Jason. Great video , thanks! I download a lot of you tube rock concerts and i do stereo to 5.1 conversions using Fairlight as a hobby to play in my Home theater. What kind of eq's do you recommend for center channel as well as LR mains? Any help is greatly appreciated. Thanks
Thanks! Honestly I haven't done much surround sound work, but as far as EQ, I'd just EQ it the same way I'd work with any other audio. Try and remove harsh frequencies and just clean it up. Unless there is a specific sound you are going for. Thanks for watching!
Good old tutorial but after a lot of efforts of few days I got stuck at the Bus assign option, seems like version 18.6.6 has different way to do things so I don't see similar option as yours. Can you please make a new tutorial of mixing 5.1 surround in Resolve 18/19. Also add how to handle if our audio is already on multiple tracks & we want to have 2 of the audio tracks assigned to 5.1 center speaker, how to do that? as of now with tutorial I can only assign 1 track at a time. For Eg: I had already done my project sound in stereo with 5 different tracks having multiple audio (city traffic, car honking, people sound, foot steps etc) since these are now on separate track how to convert such audio to 5.1 where multiple sound are required to be played assigned to specific channel? Another person commented below 2 years ago "If you check on the Dolby Atmos box in the settings and set your track to Dolby Atmos 5.1 or 7.1 and open the track properties in Fairlight you eliminate the need for multiple tracks. The single track is split into 5 or 7 tracks that you can control within the properties of the track itself, then you can check off the speakers you want. This helps your workflow and frees up a lot of space on your timeline. This way, if you have a big project with 50 audio tracks it won’t multiply it by 5 or 7." Please include this option also in the tutorial. Thanks for all the efforts you put in making us learn.
Thanks! A fixed bus is one that can only be used for one purpose - for example, an Aux, a Main or a Sub Mix. You have to select a bus that does what you want it to do. The new Flexible bus allows you to use a bus for anything - hence it's flexible. You're not locked into one thing with a particular kind of bus. Here's a video about buses that might help: ua-cam.com/video/RIO31k-vdoo/v-deo.html
Great video Jason BUT - how do I create the individual mixes that go into the L,R,C,Sub etc? I'm working with 20 or so tracks in a feature film (dialogue, music, foley, ambient, LFE, gunshots etc). I'm assuming I don't initially export all 20 tracks as a 5.1 mix then re-import them and drop that same new 5.1 mix in each of the 6 new tracks on the timeline. In other words HELP?!
Jason, two questions (1) other videos that provide instructions in this reference the SETTINGS of Davinci (System > Video and Audio I/O) and setting monitor speaker configuration to 5.1. Do you know what the difference is between you doing it this way and doing it in the settings? Also, other videos reference changing the track type to 5.1 (not sure why or if that matters whereas you set yours to Mono). (2) Have you used plugins like Waves UM226 or NUGEN Halo Upmix? If so, do I need to follow your same instructions or does it handle all of the routing?
HI! 1 - I didn't change my sound output settings to 5.1 because I don't have a 5.1 setup, I've only got stereo speakers on my computer. 2 - I haven't tried any of the waves plugins for surround sound, hopefully I can look into that more soon.
That's a great one!! I want to play with sound design now! Great video, very clear even for a french speaker. Cheers from France, I just subscribed to your channel :)
Hey Jason. This video could really use a v19 update. So much has changed! The Bus sends and outputs are confusing...maybe help clarify this too if you redo.
Thanks Jason. This is a great tutorial. I recently got a short film I'd previously mixed in stereo into a film festival and must now make it 5.1. So this video is timely. Question. Stupid question. Originally, when I mixed my audio tracks, I had multiple tracks, like 9 for different characters, SFX, foley, etc. I'd like to have dialogue, foley, and fx coming through the center channel. I know how to use the pan tool to move those audio tracks to the center in a 5.1 mix. But, here's the stupid question, do I need to mix those three separate tracks into one track then assign the combined track as my center channel? Or, can I leave them as separate tracks and pan each of them individually to the center channel so they all come out of the same speaker. I need to deliver a 5.1 mix. But, not sure if me leaving them as separate tracks on my end will result in something being wonky on the DCP end???
You're welcome! I think panning them should work. Another option might be to work with the routing a little - maybe send all of the tracks to a bus and use that bus in the 5.1? Or maybe you can link all of the center channel tracks? It's been a little while since I've worked in 5.1 so I'd probably have to mess around with it for a little bit to see what works best.
Hi there. Firstly, thank you for all your tutorials. They've been very helpful in navigating DaVinci Resolve. Secondly, I need to know if there is a way to edit an individual channel within a track in Davinci? I'm currently using a video with a 6-channel audio (listed as 5.1 in DVR) and I only want the dialogue part of the audio. Currently, the audio is shown as one track with 6 channels. I apologise if my question sound repetitive, I'm still unfamiliar with audio editing in general 😅
Hi! So I'm assuming you've got your audio clip already in one track that is a 5.1 surround sound track, right? If you go into the fairlight tab, then go to your 5.1 track, right click somewhere near the name of the track, you'll see an option to 'Convert to linked group' Choose that and it will separate your 6 'layers' (of the 5.1 track) into individual tracks. Then you should be able to edit the one that has your vocals in it. Hope this helps! If it's confusing, let me know. Thanks for watching!
Alright, so what if I’ve got like a dozen or so tracks-for dialogue, effects, some foley, a bunch of sound design, the score, etc? Do I need to consolidate a bunch of them so I can make just the six tracks?
Thank you for posting all this help. I am importing a 5.1 mix, and it turns into one track of audio. I put the track to 5.1 and can hear it but it doesn't break out into multiple tracks. Is it possible that the track can open up to the 5.1 as it was put together? thank you!!
Hi! I'm not sure if you can separate out the 5.1 track that you're importing. I'd have to mess around with it. I don't work with 5.1 too often so I'm not sure of a fix off the top of my head.
thank you for this very lucid tutorial Jason. Question - by making all six channels mono do I lose the stereo effect of a musical piece? Sorry for the newbie ignorance
Hi! You're welcome! If you have a music track, I'd leave it in a stereo track outside of the surround sound clips/linked group. Unless it was suppose to be mixed in surround sound. You can have both stereo and surround sound tracks in the same project. Hope this helps, thanks for watching!
@@JasonYadlovski Jason, does the fact that a laptop has an HDMI output guarantee that it is capable of processing surround sound signal (6 discrete channels, not just stereo sound across 6 speakers)? Or does it also depend on the sound card in the laptop?
@@alpinewonders I would think that the surround sound would come through the HDMI if the file has 5.1 surround sound in it. Give it a try and se how it works out. Best of luck!
I am working on delivering a movie and the audio guy supplied me the multiple mono and a stereo mix as that’s required on the delivery. I’m new to all of this but for the LFE what should I set the boom to? Or do I even need to since the audio guy already mixed everything and I’m just mapping the channels.
You’re welcome! I’ve had a lot of people ask for a tutorial on the subject. I hope it was clear and easy to understand and follow. 😁👍 thanks for watching! 😁
@@JasonYadlovski I'm getting a clicking sound in the output. Although everything is working fine inside the program it self. Could it be a restriction on the Beta version? I'm also only getting 3 tracks as the output out of 6. Any tips would be much appreciated.
Not sure what might be going on there or why it would be happening. Have you checked your render settings? Should not matter what version you’re running. 🤔
I've been really struggling to get 5.1 to work as I expect it too. It's easy enough for the mono dialogue to be played on the center track and be faded to FL/FR via automation or the pan controls. However, I could never figure out how to make my also mono SFX not appear on the center speaker and only on FL/FR or RL/RR. If panned to the front, it will also always come out of the center. Do you happen to know how to fix this?
Watching this video in 2023 in 5.1 which YT now supports on a Chromecast with Google TV / Samsung TV / Onkyo decoder and there is basically no audio for your speech. (Only when you manually pan to left/right/center/rear.) I have to disable 5.1 surround in YT to hear you.
Hi, Could you please do the same turorial in 17.2 version, Controls are little different, and bus assign is confusing because in 17.2 it is showing bus send, bus out, and volume isn't coming out in 5.1. Thanks Brother...
This threw me off too, after experimenting, out is the bus you want to deal with not send, so to work like the past Workflows select the out not the send, send is some pre fader thing eventually we will use and love one day 🤷♂️
At first thanks for this great explanation but i have a question How can i mix up my 2.1 sound to 5.1? I separated my 2.1 in left and right but when i copy it now in davinci resolve its logically still just left and right How can I integrate left- and right- surround so that it doesn't sound 100 procent exactly like left and right?
Since it’s really just a stereo mix, you can use the pan feature to move it from the front speakers to the back speakers, I’d start there and see how it works out.
Just discovered 2 easy ways to add an LFE without having a dedicated track: 1. Turn on the LFE in any of the channels you want to generate the effect. Set appropriate volume levels for the effect. Then add the LFE filter to your 5.1 buss. The LFE buss filter gives you control over the effect globally. 2. Create an LFE buss, then send each of the channels to that buss and route that buss to the 5.1 buss. Add EQ to the LFE buss that acts like a low pass filter. Then add the LFE filter. But in essence this is a bit redundant: the other channels with automatically route to the 5.1 buss as long as you have the LFE turned on in their pan settings as in method #1. In either case, you can use the channel controls to automate the boom (LFE) levels any individual channel, which in effect, gives you the ability to turn it on and off as well. You can have a dedicated LFE channel if you need it, or if it makes the sound design easier for you to understand. It also makes it possible to add fx, eq, etc. to individual sound clips. Even if you leave it empty, it's probably a good idea to have an LFE channel, just to keep things clear about your 5.1 layout. Otherwise you can't use the group/ungroup track to quickly assign pans. Your tutorial really made me think about this. Thanks.
Hey Jason. I was asking if we can use this functionality to pan the audio for a more nuanced output like using panner to point it to somewhere between right surround and left channel but closer to that. Can we do that? Like we use keys in Premiere Pro you know, where we edit sound in real time?
Hi! I'm not 100% sure what you are asking and I haven't used Premiere Pro, but maybe you're talking about using something like the Stereo Width effect? In the Fairlight page, add the effect to your track, it's under Imaging, then Stereo Width. Or maybe you are looking for something like those offered in under Modulation effects. Hope this helps a little. If not, feel free to clarify more and I'll see if I can help. Thanks for watching!
When watching this video on my 5.1/7.1 channel setup, I can't hear you talk until you are sending to one discreet channel. For example, during your intro and initial speech, I don't hear a thing. When you start mentioning only hearing from center or panning to left/right, I hear where it's supposed to be. Then after that, nothing again. What is going on? I really want to watch and hear this lol.
I know that UA-cam does not support 5.1 surround sound, I’m not sure why you would hear things from certain speakers but not others. As far as I know UA-cam only puts the videos out in stereo. Maybe because the original file panned two different speakers which didn’t come through in the stereo set up of UA-cam.
I have a film full of tracks (like 10 or more) Would I need to get it down to 6 to make this work or do some sort of busing to get it to 6 in the end? How to deal with many tracks please?
@@JasonYadlovski thanks so much for getting back to me! It's overwhelming me as my entire film will likely need to be converted to 5.1 and I have so many tracks. Just wanted to make sure I need to narrow it down to just 6 mono tracks in the end?
@brown2840 yes, a bus is like a track, just remember to send your individual tracks to the bus only and then send the bus to your main output. On your individual tracks you need to remove the Bus1 so you’re not double sending the tracks. So the buses are what would get sent to the main output. I also have this video that might have some helpful info in it for you : ua-cam.com/video/eIBRoWizXJI/v-deo.htmlsi=m3p262FCHKNhCunL
I use DaVinci Resolve 18.5 Studio. I have shot a film that consists of 16 different scenes. I have created a timeline for each scene. The individual scenes are in 5.1 format. I also created a master timeline that contains the 16 individual timelines. This master timeline should also be exported in 5.1 format at the end. Now the problem: While the individual scenes still have a 5.1 structure, the master timeline has only created a stereo track from each timeline. I would like the master timeline to also have a 5.1 structure (L,R,C,LFE,RL,RR) where I can still control each individual track. What settings do I need to make?
Hola, primero muchas gracias por compartir, habemos personas empíricas que nos cae muy bien esta información, se me dificulta un poco por el idioma pero hago el esfuerzo de entender. me gustaría preguntarte algo si es posible. bien, me sucede una situación, cuando quiero linkear el grupo para que se vuelva 5.1, como en el minuto 13:10, no se quedan sombreados los seis track individualmente, si no que se se unen en un solo track donde se ponen los seis canales, se ve diferente de como lo haces en tu ejemplo, quizá podrías recomendarme algo? de ante mano muchas gracias. Bendiciones.
You only show half (the most important thing is to hear it in the studio if you have 6 speakers. For example, how do you connect your 6 lines to an audio interface (for example the "focusrite 18i20") in Windows . The idea is that you test it first before publishing it.
I'm telling you, without your excellent videos I would throw DaVinci in the garbage! not because its bad. But the logic to it makes little sense to me. ANYWAY, I wanted to let you (and others) know that in order for me to get this working. I had to change settings in Preference/Video and Audio I/O Speaker Setup/Speaker configuration/Manual | Device (I had to select my AVR) | Monitor set format 5.1 (then select 5.1) keep up the good work! 🌜🚶♀️(Moonwalk)
HI! Glad you didn't toss DR! It does take some getting used to and the learning curve is steep for sure. I felt the same way when I got started. Thanks for sharing that info!
when i open Bus Format i am getting Bus 1 not Main one and I am not finding the above option like Main Sub Aux. can u help me plz why it is happening ? I am using resolve 18.5...Even i am not getting save option when i am in the Bus Assign....I dont understand ami doing somthing wrong or it is reslove glitch.plz help me
@@JasonYadlovski I'm very new to this and I'm just learning how it works. What 'seems' to be logical isn't happening correctly according to my logic haha.
One final thing, I used an import tool to import an mp4 file and it made 2 tracks, a video track and a composite of the 5.1 channels all into one. To view them all I had to right click and select 'Convert to linked group'. Then after much grief, I didn't know I could unlink them. Finally, there's a 'Bus' instead of Main. I that semantics for ver. 7?
Kinda strange. I can only hear about half of what you're saying, when listening on my 5.1 surround sound system. All other SS videos, and SS tests play fine... I know you do awesome videos, so just curious why that might be?
I've got a bunch of different video clips, all with 5.1 lossless audio, in my timeline. What's the procedure that I should follow? I'm trying to create a compilation video of various war movie scenes that I can use as a demo disc for personal use.
Hi! Since the files area already 5.1, You'll need to drop them in a 5.1 track. I just released another video about how to bring in clips that are already 5.1, just like your situation. Check it out here if you are interested: ua-cam.com/video/eIBRoWizXJI/v-deo.html Hope this helps! Thanks for watching and best of luck with the project! Sounds like it will be cool!
@Jason Yadlovski I downloaded your final file and tried in a 5.1 Home Theater System... there's is no sound on rear speakers, just on FL, FR and Center when it's supposed to. What am I missing?
@@JasonYadlovski thanks for your answer. BTW I have youtube in 5.1 connected to my 5.1 sound system and the audio of your video just plays OK partially and in certain speakers only.
Hey Jason, I have a problem with geting the surround main to work. When I try to activate it in the control room drop down like you do at 20:38 it does change to the Main that I want but it's still only stereo and not 5.1 even though I did select a 5.1 main. This is really frustrating me and I hope you can helpme. Great video though.
I'm assuming you can see all of the 5.1 channels in the meter under the 5.1 main you set, correct? I'm not sure what too have you check without being able to see it and play around with it....🤔
Hi! You’re correct, UA-cam does not support surroundsound. So even if I uploaded it in surround-sound, you would not hear it when watching on UA-cam. hope this helps, Thanks for watching!
Wouldnt it be the easiest way to track objects in the view in relation to the camera and stick sounds to these trackers? Does somebody know if thats possible?
I swear to god, the amount of times I get lost doing this, only to realise my stupid ass keeps forgetting there's a Fairlight tab on the BOTTOM of the screen, and I have to go tutorial hunting to figure out what I screwed up. Every time I'm like "oh yeah, dumbass, it's at the bottom" and then I forget about it overnight anyway.
Hi! I created the 5.1 audio in DaVinci Resolve. You can use the free version and it should work just fine. Does that answer your question? Thanks for watching!
As a beginner this is teaching some seriously flawed fundamentals. Tracks are generally not organized like this when editing. Best practice is to track out by contents like Dialogue, Music and FX. Then just pan those tracks to left/right and surrounds in the panner. Mapping out each track like this this early is a really restricting method and I think could really hurt a beginner trying to learn the skill set here.
I know this is an old video but if you’re still around, I would like to know how to do this. After watching this video, that was pretty much the first thing that crossed my mind. I have a bunch of different tracks, all designated for certain sounds-dialogue (x2), some foley, effects, a bunch of sound design tracks, the score, room tone, etc. And cramming them into just five or six separate tracks means I would have to make a bunch of compound clips or something. So, when panning the sound, is it as simple as moving that little dot around to your taste? And after that, to make it ACTUAL 5.1, can I still follow the steps he did toward the end?
5.1 surround is in fact ACTUALLY supported in UA-cam. But only works on TV UA-cam App. Web browser like chrome sadly doesn't support surround sound . and i doubt phones too.
@@JasonYadlovski Yup. From what I've heard and seen , you can try it out from youtube app on your smart TV . If the video has and is edited in 5.1 , there would be an option to turn on 5.1 (provided you have a 5.1 sound system hooked up) Even the receiver of your surround sound will display the audio source as something else other than stereo
You can use the keyframes in the inspector to pan right and left or you can use the Automation tools to automate or 'keyframe' the pan to any other location.
Has any one been able to get DR 16.2.5 to output to all 6 channels of 5.1 audio to a Vizio 5.1 Surround bar? Any one gotton DR to out put 5.1 surround sound to any 5.1 audio Device?
You may need to update the settings to play through a 5.1 system. I talked about it in this video, it may help you out: ua-cam.com/video/eIBRoWizXJI/v-deo.html
@@JasonYadlovski left same message in other video. At time 2:30 where you say "I'm assuming it would appear here" Well it does but when I goto: Manual / Main / Vizio (NV...tion audio) / 5.1 Then under outputs it only allows me to st 2 outputs not all 6. even when I set outputs to the left and Right surround out puts it still comes out the front and center speakers/ That's been fixed some how don't why or how. I get all 6 channels to assign to. Even the 5.1 surround sound you made for down load doesn't work any idea why. Wish I could attach a screen shot to these comments.
Interesting, another thing to keep in mind is that UA-cam does not support 5.1 surround sound, at least it didn’t when I was making this video. So the audio will likely only be stereo. I didn’t realize that until after I started making this video.
💥💥💥 Check out MORE SURROUND SOUND TIPS in this video: ua-cam.com/video/eIBRoWizXJI/v-deo.html 💥💥💥
how do you do it for stereo
Hi! What are you trying to do?
Hang on, when I do this, I'm finding that if you don't set the Spread to PNT (or 0) in each of the assigned tracks, they'll come out of all the speakers.
Awesome tutorial, there is a more convenient way to do this however that you should do an update tutorial on. If you check on the Dolby Atmos box in the settings and set your track to Dolby Atmos 5.1 or 7.1 and open the track properties in Fairlight you eliminate the need for multiple tracks. The single track is spilt into 5 or 7 tracks that you can control within the properties of the track itself, then you can check off the speakers you want. This helps your workflow and frees up a lot of space on your timeline. This way, if you have a big project with 50 audio tracks it won’t multiply it by 5 or 7.
Thanks for sharing! Sounds like a great way to do it. I might have to make an updated video. 😁👍
@@JasonYadlovski Stellar work, does it work for audio ONLY? and can it be done in premiere pro?
@@JasonYadlovski please do so.
I need it
Your explanation was better than the 1 hour davinci video i just watched. but combining what you did in laymen terms and their technical expertise gives me a good grasp on how this works.. thanks great great great stuff...
Awesome, that’s great that you can use both videos to put together the information and knowledge you need for your project. Thanks so much for checking out the video!
Clever using the panning in the intro to demonstrate the differences. Clever!
Your videos are great!! You explain everything so clearly! Thank you so much for the effort you put into your productions and sharing your knowledge 🥰
You're welcome! Thank you for watching!
@@JasonYadlovski I downloaded your final file and tried in a 5.1 Home Theater System... there's is no sound on rear speakers, just on FL, FR and Center when it's supposed to. What am I missing?
Thanks! Great tutorial. You hit all the basics and a lot of them are tricky. I've been doing the Davinci tutorials, which are much more extended, and you did a great job of summarizing the critical information, especially about creating the busses and assigning the channels.
I have a 5.1 system and I actually managed to creat an LFE track for your tutorial. First, I cut up your download and put the clips in their proper places on the other 5 channels and set up the panning. Then I copied all the clips onto the LFE track, selected the proper clip attributes and used the eq for the LFE track to emphasize the low frequencies and push down the higher ones. I pushed up the levels on some clips and left most of them alone. There's almost always low frequency information in a recording like this one; to create an LFE track you just have to filter it a bit and bring up the levels. Then, I turned on the LFE in the pan control for the LFE channel and cranked it up. Finally I used the LFE filter on the 5.1 bus to add a bit of control there and fiddled with the levels to make sure I didn't exceed -2.0 TP.
Thanks again.
You're welcome! That's great you were able to create the LFE track. Great stuff!
Nice video. Do you have a video on what gear you need to actually hear your 5.1 track before you export? Not one channel talks about this. Thanks
THanks! I don't have a video on that, cause I don't have any 5.1 setups. 😜
I also never done/learned this, much appreciation for the Demo Jason!!!
You’re welcome! 😁👍
Excellent video thanks Jason, very well explained. And I don't even have a 5.1 set-up!
Thanks! I actually don't have a 5.1 setup either. 😄
Thanks Jason. That did help a lot. Have a nice and healthy holiday.
Awesome! Glad it helped! Have a great holiday too!
Thank you so much for this video, it has been very helpful
You’re welcome!
Saved my life with this one Jason
Awesome, glad the video was helpful! 😁👍
Hi Jason, thanks for the helpful video. After first try-out I only got stereo. Then discovered that you have to make some changes in the preferences/video and audio IO settings from the main Davinci Resolve menu. Speaker set up , monitor set format, this is default set to stereo. You have to set this to manual and select 5.1 and assign your computer speakers in the stem/output table below. Then restart Davinci and it works perfectly!
Oh nice! Good work figuring that out! I didn't adjust anything in my preferences, but that's good to know! Next week I may make a followup video with a few more tips on 5.1 surround sound, maybe I'll include that too. Thanks for watching and for sharing!😁👍
How do I export 5.1 in DaVinci? Look all over forums...scattered answers...BAM! This Video! Thank you!
Hi! Ah, just updated this comment (incase you get a notification with what I previously wrote 😜), I must have mis read your comment earlier, sorry about that! Glad you found the answer here. I know there isn't a whole lot about 5.1 in DaVinci Resolve here on UA-cam so I thought I'd make a few videos about it. Thanks so much for watching, I appreciate it!
Awesome! This is exactly what I was looking for, thanks man!!
You’re welcome! Glad you found the video, thanks for watching! 😁👍
Excellent video - I was wondering why my 5.1 was being rendered as stereo. Thanks for your help!
You’re welcome! Glad I could help, best of luck on your project!
Thank you for this wonderful video! It really helped and made such a difference!!!
You’re welcome!
Excellent video!!
Questions:
- For the custom export example in the video, since there's two output tracks (Main 1 Stereo and Main 2 5.1), does that mean that the finished video file has both audio formats in it and both are ready to play?
- For playback on any audio setup, does the files and equipment automatically chose which appropriate format to play?
- For setting up a new project with both stereo and 5.1 audio formats in the plans, does it require to have two separate project files (one project file for stereo, the other for 5.1)?, or can both formats be in the same project file?
Thank you!
Hi! Thanks for watching! Here are answers to your questions:
1 - Yes, both formats will be in the final video and are ready to play.
2 - Yes, it should
3 - Both formats can be in the same file. Check out this video for more info on 5.1, it may help you out. I'll show you how I used both stereo and 5.1: ua-cam.com/video/eIBRoWizXJI/v-deo.html
If you have any more questions, feel free to ask! 😁👍
@@JasonYadlovski Thank you for the reply.
I saw the linked video and the tips definitely were helpful.
This brings up another question which I have not seen a clear answer to online,
If working with both stereo and 5.1 formats in the project, how does one keep the workflow organized and how does one put the tracks correctly for both formats?
Example - For dialogue, should it be on two tracks? (let's say one on Track 1 for stereo output and a copy of the same dialogue track on the center track of the 5.1? and for the foley, FX, music, ADR, does it need to be duplicated and placed on the appropriate tracks for both formats?
Thank you.
So I don’t have any professional experience creating surroundsound etc. but I would say that vocals should always be on a stereo track. Each vocal in theory should be on its own separate stereo track. You can have multiple 5.1 surround sound channels if you need to for effects, etc. it does not necessarily need to be on both types of tracks, you can always export whichever master output you want, including more than one type. For example a 5.1 master and a stereo master track can both be exported in the same file.
@@JasonYadlovski I'll keep that in mind.
Thank you again.
Great video... what's the difference between the 5.1 & 5.1 film settings in resolve?
Hi Jerry, thanks! The difference between these options is that 5.1 Film configures to Academy standards, whereas 5.1 configures to a standard six-channel output. For more info, try Googling the Academy Standards for Surround Sound. Thank you for watching!
@@JasonYadlovski Googling provides no answers. Both film and, well... "not film" have 6 channels in the same configuration. My guess is that 5.1 Film is just some metadata thing... no actual effect on the sound or its mapping. I've never mixed in Resolve/Fairlight before but I'm gonna attempt to learn it because my director edited everything in Resolve and OF COURSE Resolve sucks at exporting XMLs so that projects can be worked on in other apps.
Live some good Googling! What will we do without Google! 😜😁👍
@@GameSack the difference is the channel order. Film Is LCRLsRsLFE vs tv (SMPTE) is LRCLFELsRs
Hi Jason. Great video , thanks! I download
a lot of you tube rock concerts and i do stereo to 5.1 conversions using Fairlight as a hobby to play in my Home theater. What kind of eq's do you recommend for center channel as well as LR mains? Any help is greatly appreciated. Thanks
Thanks! Honestly I haven't done much surround sound work, but as far as EQ, I'd just EQ it the same way I'd work with any other audio. Try and remove harsh frequencies and just clean it up. Unless there is a specific sound you are going for. Thanks for watching!
@@JasonYadlovski thanks
Good old tutorial but after a lot of efforts of few days I got stuck at the Bus assign option, seems like version 18.6.6 has different way to do things so I don't see similar option as yours. Can you please make a new tutorial of mixing 5.1 surround in Resolve 18/19.
Also add how to handle if our audio is already on multiple tracks & we want to have 2 of the audio tracks assigned to 5.1 center speaker, how to do that? as of now with tutorial I can only assign 1 track at a time.
For Eg: I had already done my project sound in stereo with 5 different tracks having multiple audio (city traffic, car honking, people sound, foot steps etc) since these are now on separate track how to convert such audio to 5.1 where multiple sound are required to be played assigned to specific channel?
Another person commented below 2 years ago
"If you check on the Dolby Atmos box in the settings and set your track to Dolby Atmos 5.1 or 7.1 and open the track properties in Fairlight you eliminate the need for multiple tracks. The single track is split into 5 or 7 tracks that you can control within the properties of the track itself, then you can check off the speakers you want. This helps your workflow and frees up a lot of space on your timeline. This way, if you have a big project with 50 audio tracks it won’t multiply it by 5 or 7."
Please include this option also in the tutorial.
Thanks for all the efforts you put in making us learn.
An insanely useful lesson. I would like you to show in another video the difference between a Fixed Bus and a Flexible Bus
Thanks! A fixed bus is one that can only be used for one purpose - for example, an Aux, a Main or a Sub Mix. You have to select a bus that does what you want it to do. The new Flexible bus allows you to use a bus for anything - hence it's flexible. You're not locked into one thing with a particular kind of bus. Here's a video about buses that might help: ua-cam.com/video/RIO31k-vdoo/v-deo.html
@@JasonYadlovski yes, a very useful and important topic.
great video!
can you please share where do you get the sound of the transitions in this video
Hi! Some of that I’ve gotten from Artlist, but most of them came from a transition pack I got from RVisuals or Messiah.
Thanks Jason, That was a helpful tutorial. May U ask which software do you use to screen record?
Thanks! I use Screenflow for Mac to do all of my screen recordings.
@@JasonYadlovski Thanks Mr. Jason
Great video Jason BUT - how do I create the individual mixes that go into the L,R,C,Sub etc? I'm working with 20 or so tracks in a feature film (dialogue, music, foley, ambient, LFE, gunshots etc). I'm assuming I don't initially export all 20 tracks as a 5.1 mix then re-import them and drop that same new 5.1 mix in each of the 6 new tracks on the timeline. In other words HELP?!
Thank you, Jason. Clear and fun tutorial.
You’re welcome! Thanks for watching! 😁👍
Exactly what I was looking for. Thanks
You’re welcome, thanks for watching! 😁👍
Excellent. Thank you!
You’re welcome!
Jason, two questions (1) other videos that provide instructions in this reference the SETTINGS of Davinci (System > Video and Audio I/O) and setting monitor speaker configuration to 5.1. Do you know what the difference is between you doing it this way and doing it in the settings? Also, other videos reference changing the track type to 5.1 (not sure why or if that matters whereas you set yours to Mono). (2) Have you used plugins like Waves UM226 or NUGEN Halo Upmix? If so, do I need to follow your same instructions or does it handle all of the routing?
HI! 1 - I didn't change my sound output settings to 5.1 because I don't have a 5.1 setup, I've only got stereo speakers on my computer. 2 - I haven't tried any of the waves plugins for surround sound, hopefully I can look into that more soon.
That's a great one!! I want to play with sound design now! Great video, very clear even for a french speaker. Cheers from France, I just subscribed to your channel :)
Thanks! Welcome to the community!
Thanks for this. What is your setup for monitoring in 5.1?
Hi! I actually just use the meters to monitor. I don’t have a 5.1 surround sound system. 😁 Thanks for watching!
Logitech Z506 affordable option
Nice, thanks for sharing!
Hey Jason. This video could really use a v19 update. So much has changed! The Bus sends and outputs are confusing...maybe help clarify this too if you redo.
Really well explained !!!!
Thanks!
Thanks Jason. This is a great tutorial. I recently got a short film I'd previously mixed in stereo into a film festival and must now make it 5.1. So this video is timely. Question. Stupid question. Originally, when I mixed my audio tracks, I had multiple tracks, like 9 for different characters, SFX, foley, etc. I'd like to have dialogue, foley, and fx coming through the center channel. I know how to use the pan tool to move those audio tracks to the center in a 5.1 mix. But, here's the stupid question, do I need to mix those three separate tracks into one track then assign the combined track as my center channel? Or, can I leave them as separate tracks and pan each of them individually to the center channel so they all come out of the same speaker. I need to deliver a 5.1 mix. But, not sure if me leaving them as separate tracks on my end will result in something being wonky on the DCP end???
You're welcome! I think panning them should work. Another option might be to work with the routing a little - maybe send all of the tracks to a bus and use that bus in the 5.1? Or maybe you can link all of the center channel tracks? It's been a little while since I've worked in 5.1 so I'd probably have to mess around with it for a little bit to see what works best.
@@JasonYadlovski Thank you!
thank you. very helpful.best video in youtube about 5.1 mix in fairlight
Thanks man! Glad the video was helpful, thank you for watching!
@@JasonYadlovski thank you. keep up the good work. have you tried mixing 5.1 using nx virtual mix room over headphones?
I have not tried that, sounds interesting.
@@JasonYadlovski please do a tutorial about that. It will be helpful for lot of independent filmmakers thank you
Useful as always! Thank you so much for your hard work!
You’re welcome! Glad the video was helpful, I appreciate your feedback! 😁👍
Very helpful! Thanks so much :)
You’re welcome! Thanks for watching! 👍😁
THIS IS GREAT ,THANKS A LOT FOR SHARE THIS
You’re welcome! Glad the video was helpful, thank you for watching! 😁👍
Hi there. Firstly, thank you for all your tutorials. They've been very helpful in navigating DaVinci Resolve.
Secondly, I need to know if there is a way to edit an individual channel within a track in Davinci? I'm currently using a video with a 6-channel audio (listed as 5.1 in DVR) and I only want the dialogue part of the audio. Currently, the audio is shown as one track with 6 channels. I apologise if my question sound repetitive, I'm still unfamiliar with audio editing in general 😅
Hi! So I'm assuming you've got your audio clip already in one track that is a 5.1 surround sound track, right? If you go into the fairlight tab, then go to your 5.1 track, right click somewhere near the name of the track, you'll see an option to 'Convert to linked group' Choose that and it will separate your 6 'layers' (of the 5.1 track) into individual tracks. Then you should be able to edit the one that has your vocals in it. Hope this helps! If it's confusing, let me know. Thanks for watching!
@@JasonYadlovski Yay. Followed your instruction and immediately got what I wanted. Thank you so much for your prompt response and help :)
You're welcome! Happy to help!
Thank you so much you are the best and this is what I want ❤️❤️😍😍
You’re welcome! Thanks for watching!
@@JasonYadlovski 😍❤️
Absolute banger! Thanks so much!
Welcome! Glad you found a video helpful, thanks for watching! 👍😁💯
great work.Thank you.
Thank you and you’re welcome! 😁👍
Alright, so what if I’ve got like a dozen or so tracks-for dialogue, effects, some foley, a bunch of sound design, the score, etc?
Do I need to consolidate a bunch of them so I can make just the six tracks?
Thank youu very much.
You’re welcome, thanks for checking out so many of my videos, I appreciate it!
Thank you for posting all this help. I am importing a 5.1 mix, and it turns into one track of audio. I put the track to 5.1 and can hear it but it doesn't break out into multiple tracks. Is it possible that the track can open up to the 5.1 as it was put together? thank you!!
Hi! I'm not sure if you can separate out the 5.1 track that you're importing. I'd have to mess around with it. I don't work with 5.1 too often so I'm not sure of a fix off the top of my head.
@@JasonYadlovski Gotcha. Thank you for replying, appreciate it. And thanks again for your helpful tips.
VERY helpful!
You’re welcome! 😁👍
thank you for this very lucid tutorial Jason.
Question - by making all six channels mono do I lose the stereo effect of a musical piece? Sorry for the newbie ignorance
Hi! You're welcome! If you have a music track, I'd leave it in a stereo track outside of the surround sound clips/linked group. Unless it was suppose to be mixed in surround sound. You can have both stereo and surround sound tracks in the same project. Hope this helps, thanks for watching!
@@JasonYadlovski Jason, does the fact that a laptop has an HDMI output guarantee that it is capable of processing surround sound signal (6 discrete channels, not just stereo sound across 6 speakers)? Or does it also depend on the sound card in the laptop?
@@alpinewonders I would think that the surround sound would come through the HDMI if the file has 5.1 surround sound in it. Give it a try and se how it works out. Best of luck!
Very helpful, thanks
You’re welcome! Thanks for watching!
I am working on delivering a movie and the audio guy supplied me the multiple mono and a stereo mix as that’s required on the delivery. I’m new to all of this but for the LFE what should I set the boom to? Or do I even need to since the audio guy already mixed everything and I’m just mapping the channels.
GJ Jason and thank's for that!
You’re welcome! I’ve had a lot of people ask for a tutorial on the subject. I hope it was clear and easy to understand and follow. 😁👍 thanks for watching! 😁
Thank you!
You’re welcome! Thanks for watching! 👍😁
@@JasonYadlovski
I'm getting a clicking sound in the output. Although everything is working fine inside the program it self. Could it be a restriction on the Beta version? I'm also only getting 3 tracks as the output out of 6. Any tips would be much appreciated.
Not sure what might be going on there or why it would be happening. Have you checked your render settings? Should not matter what version you’re running. 🤔
I've been really struggling to get 5.1 to work as I expect it too.
It's easy enough for the mono dialogue to be played on the center track and be faded to FL/FR via automation or the pan controls. However, I could never figure out how to make my also mono SFX not appear on the center speaker and only on FL/FR or RL/RR. If panned to the front, it will also always come out of the center.
Do you happen to know how to fix this?
Watching this video in 2023 in 5.1 which YT now supports on a Chromecast with Google TV / Samsung TV / Onkyo decoder and there is basically no audio for your speech. (Only when you manually pan to left/right/center/rear.) I have to disable 5.1 surround in YT to hear you.
Hi, Could you please do the same turorial in 17.2 version, Controls are little different, and bus assign is confusing because in 17.2 it is showing bus send, bus out, and volume isn't coming out in 5.1. Thanks Brother...
I’ll try and make an updated version soon. 😁👍
@@JasonYadlovski Thank you brother, if possible please teach how to render to stereo from 5.1 tracks properly without losing quality...
This threw me off too, after experimenting, out is the bus you want to deal with not send, so to work like the past Workflows select the out not the send, send is some pre fader thing eventually we will use and love one day 🤷♂️
At first thanks for this great explanation but i have a question
How can i mix up my 2.1 sound to 5.1?
I separated my 2.1 in left and right but when i copy it now in davinci resolve its logically still just left and right
How can I integrate left- and right- surround so that it doesn't sound 100 procent exactly like left and right?
Since it’s really just a stereo mix, you can use the pan feature to move it from the front speakers to the back speakers, I’d start there and see how it works out.
Jason, I can't get my panner window to show in my mixer, and the panner option is chosen. Please help. Thx!
Maybe try restarting or try creating a new project? It should be there. 🤔
what hardware is being used to output the 6 channels of audio out to the speakers?
Just discovered 2 easy ways to add an LFE without having a dedicated track:
1. Turn on the LFE in any of the channels you want to generate the effect. Set appropriate volume levels for the effect. Then add the LFE filter to your 5.1 buss. The LFE buss filter gives you control over the effect globally.
2. Create an LFE buss, then send each of the channels to that buss and route that buss to the 5.1 buss. Add EQ to the LFE buss that acts like a low pass filter. Then add the LFE filter. But in essence this is a bit redundant: the other channels with automatically route to the 5.1 buss as long as you have the LFE turned on in their pan settings as in method #1.
In either case, you can use the channel controls to automate the boom (LFE) levels any individual channel, which in effect, gives you the ability to turn it on and off as well.
You can have a dedicated LFE channel if you need it, or if it makes the sound design easier for you to understand. It also makes it possible to add fx, eq, etc. to individual sound clips.
Even if you leave it empty, it's probably a good idea to have an LFE channel, just to keep things clear about your 5.1 layout. Otherwise you can't use the group/ungroup track to quickly assign pans.
Your tutorial really made me think about this. Thanks.
Awesome, great stuff! Thanks for leaving this info to help people!
Hey Jason. I was asking if we can use this functionality to pan the audio for a more nuanced output like using panner to point it to somewhere between right surround and left channel but closer to that. Can we do that? Like we use keys in Premiere Pro you know, where we edit sound in real time?
If you don't get my question, kindly ask me to clarify it is a little complicated doubt to put into words
Hi! I'm not 100% sure what you are asking and I haven't used Premiere Pro, but maybe you're talking about using something like the Stereo Width effect? In the Fairlight page, add the effect to your track, it's under Imaging, then Stereo Width. Or maybe you are looking for something like those offered in under Modulation effects. Hope this helps a little. If not, feel free to clarify more and I'll see if I can help. Thanks for watching!
When watching this video on my 5.1/7.1 channel setup, I can't hear you talk until you are sending to one discreet channel. For example, during your intro and initial speech, I don't hear a thing. When you start mentioning only hearing from center or panning to left/right, I hear where it's supposed to be. Then after that, nothing again.
What is going on? I really want to watch and hear this lol.
I know that UA-cam does not support 5.1 surround sound, I’m not sure why you would hear things from certain speakers but not others. As far as I know UA-cam only puts the videos out in stereo. Maybe because the original file panned two different speakers which didn’t come through in the stereo set up of UA-cam.
I have a film full of tracks (like 10 or more) Would I need to get it down to 6 to make this work or do some sort of busing to get it to 6 in the end? How to deal with many tracks please?
Hey! You can set up some busses - SFX, MUSIC and DIALOGUE, that might help with being able to do it.
@@JasonYadlovski thanks so much for getting back to me! It's overwhelming me as my entire film will likely need to be converted to 5.1 and I have so many tracks. Just wanted to make sure I need to narrow it down to just 6 mono tracks in the end?
Yeah, organizing with buses is what I'd try to do.
@@JasonYadlovski thanks! so the buses themselves can be there own "track" right?
@brown2840 yes, a bus is like a track, just remember to send your individual tracks to the bus only and then send the bus to your main output. On your individual tracks you need to remove the Bus1 so you’re not double sending the tracks. So the buses are what would get sent to the main output.
I also have this video that might have some helpful info in it for you : ua-cam.com/video/eIBRoWizXJI/v-deo.htmlsi=m3p262FCHKNhCunL
Good Job buddy!
Thanks man!
I use DaVinci Resolve 18.5 Studio. I have shot a film that consists of 16 different scenes. I have created a timeline for each scene. The individual scenes are in 5.1 format. I also created a master timeline that contains the 16 individual timelines. This master timeline should also be exported in 5.1 format at the end. Now the problem: While the individual scenes still have a 5.1 structure, the master timeline has only created a stereo track from each timeline. I would like the master timeline to also have a 5.1 structure (L,R,C,LFE,RL,RR) where I can still control each individual track. What settings do I need to make?
Hola, primero muchas gracias por compartir, habemos personas empíricas que nos cae muy bien esta información, se me dificulta un poco por el idioma pero hago el esfuerzo de entender. me gustaría preguntarte algo si es posible.
bien, me sucede una situación, cuando quiero linkear el grupo para que se vuelva 5.1, como en el minuto 13:10, no se quedan sombreados los seis track individualmente, si no que se se unen en un solo track donde se ponen los seis canales, se ve diferente de como lo haces en tu ejemplo, quizá podrías recomendarme algo? de ante mano muchas gracias. Bendiciones.
You only show half (the most important thing is to hear it in the studio if you have 6 speakers.
For example, how do you connect your 6 lines to an audio interface (for example the "focusrite 18i20") in Windows .
The idea is that you test it first before publishing it.
My BUS assign buttons are way different to this - have no idea what is going on and it's not working :( But good video
Yeah I made this video a an older versions ofResolve. Things might look a little different. Might have to make an updated video. 😁
I'm telling you, without your excellent videos I would throw DaVinci in the garbage! not because its bad. But the logic to it makes little sense to me. ANYWAY, I wanted to let you (and others) know that in order for me to get this working. I had to change settings in Preference/Video and Audio I/O Speaker Setup/Speaker configuration/Manual | Device (I had to select my AVR) | Monitor set format 5.1 (then select 5.1) keep up the good work! 🌜🚶♀️(Moonwalk)
HI! Glad you didn't toss DR! It does take some getting used to and the learning curve is steep for sure. I felt the same way when I got started. Thanks for sharing that info!
супер чувак! классное и подробное виде. огромное спасибо за разбор. если бы работал swift кинул бы тебе спасибо в виде денег
You’re welcome!
How do you work with stereo music tracks with this setup? If you want the music in all 4 speakers? Do you have to split it up into 4 mono tracks?
It might work to have the music in a track and just pan it to the middle of the pan section in Fairlight.
when i open Bus Format i am getting Bus 1 not Main one and I am not finding the above option like Main Sub Aux. can u help me plz why it is happening ? I am using resolve 18.5...Even i am not getting save option when i am in the Bus Assign....I dont understand ami doing somthing wrong or it is reslove glitch.plz help me
They changed the bus setup. They are all just Buses now.
you should add extra for dialouge but your tutorial was helpful
Thanks for watching!
If you have a discrete center channel, would you send that to your 'surround' main because it isn't front left or front right?
You might want to send it to a normal stereo out maybe.
@@JasonYadlovski The reason why I'm asking is I want that channel to ONLY go to the center speaker, not be shared by front left/right.
Are you able to send it to send it to your center channel? If yes, why not just do that?
@@JasonYadlovski I'm very new to this and I'm just learning how it works. What 'seems' to be logical isn't happening correctly according to my logic haha.
One final thing, I used an import tool to import an mp4 file and it made 2 tracks, a video track and a composite of the 5.1 channels all into one. To view them all I had to right click and select 'Convert to linked group'. Then after much grief, I didn't know I could unlink them.
Finally, there's a 'Bus' instead of Main. I that semantics for ver. 7?
RE Linking. Why wouldn't you just use the Main/Bus1?
Kinda strange. I can only hear about half of what you're saying, when listening on my 5.1 surround sound system. All other SS videos, and SS tests play fine... I know you do awesome videos, so just curious why that might be?
Strange, not sure what might be going on there....🤔
I've got a bunch of different video clips, all with 5.1 lossless audio, in my timeline. What's the procedure that I should follow?
I'm trying to create a compilation video of various war movie scenes that I can use as a demo disc for personal use.
Hi! Since the files area already 5.1, You'll need to drop them in a 5.1 track. I just released another video about how to bring in clips that are already 5.1, just like your situation. Check it out here if you are interested: ua-cam.com/video/eIBRoWizXJI/v-deo.html Hope this helps! Thanks for watching and best of luck with the project! Sounds like it will be cool!
@@JasonYadlovski Thank you soooooo much!!! 🤩
You’re welcome!
@Jason Yadlovski I downloaded your final file and tried in a 5.1 Home Theater System... there's is no sound on rear speakers, just on FL, FR and Center when it's supposed to. What am I missing?
I'm not sure what might be going on, I don't have a 5.1 setup to try it out.....🤔
@@JasonYadlovski thanks for your answer. BTW I have youtube in 5.1 connected to my 5.1 sound system and the audio of your video just plays OK partially and in certain speakers only.
Cool. I don’t think YT supported 5.1 when I originally uploaded the video.
Hey Jason, I have a problem with geting the surround main to work. When I try to activate it in the control room drop down like you do at 20:38 it does change to the Main that I want but it's still only stereo and not 5.1 even though I did select a 5.1 main. This is really frustrating me and I hope you can helpme. Great video though.
Hi Justus - Have you tried making sure the 5.1 tracks in the timeline are being sent to the 5.1 main?
@@JasonYadlovski Yes the signal was going into the 5.1 main correctly, just the output would always only show stereo even though I set it to 5.1.
I'm assuming you can see all of the 5.1 channels in the meter under the 5.1 main you set, correct? I'm not sure what too have you check without being able to see it and play around with it....🤔
@@JasonYadlovski Yeah I understand it is difficult to do problem solving from the distance. Thanks anyway!
Mi pregunta es ¿cómo hago sonar el 5.1 hacia mi equipo de audio ( home theather ) una interface, pero cuál ?
0:22 The supposed surround sound of this video does not seem to work with my Logitech G430 surround headset
Hi! You’re correct, UA-cam does not support surroundsound. So even if I uploaded it in surround-sound, you would not hear it when watching on UA-cam. hope this helps, Thanks for watching!
What's the differance between 5.1 and 5.1 film?
❤❤
Can we seperate bgm from movie dialogues
If it's all in 1 track, you won't be able to separate it in DaVinci....At least not that I know of. You'll need something more advanced like Izotope.
Hey, why can't I but the audio bitrate above 192kb/s when selecting AAC?
I suppose that's just where they limit Resolve.....🤔
@@JasonYadlovski But you had the option of 320kb/s in the video...
Strange, I’m not sure. I’ll have to look into it a little bit.
0:56 UA-cam does actually support surround sound, but only on TV/Android TV boxes with a device that can playback Dolby Digital+ (E-AC3)
You are right, now it does. 👍
great sir....
Thanks! Thank you for watching!
Would be really cool in the export page if you could select codecs such as Dolby or DTS but unfortunately Davinci doesn’t have them 😞
Maybe in time they will add them, seems like every update has lots of new features, so we may get it. 😜👍
I wish also they add a binaural panning like Logic and exported it as a stereo file 🙏🏻
I think Dolby and DTS will not arrive for home users, except Steinberg Nuendo.
Wouldnt it be the easiest way to track objects in the view in relation to the camera and stick sounds to these trackers? Does somebody know if thats possible?
Not sure if that’s possible but it would be interesting to find out. 👍😁
How to perticularly 5.1 make software not come in the movie filed
Hi! Not quite sure what you are asking, but thanks for watching!
Hi Jason which software u r using..
It's on the title
DaVinci Resolve 16, the most current version as of the date of this video. Thanks for watching!
Is the stereo output Lt Rt when downmixing?
Yeah it’s left and right. 😁👍
I swear to god, the amount of times I get lost doing this, only to realise my stupid ass keeps forgetting there's a Fairlight tab on the BOTTOM of the screen, and I have to go tutorial hunting to figure out what I screwed up.
Every time I'm like "oh yeah, dumbass, it's at the bottom" and then I forget about it overnight anyway.
Haha, yeah gotta get into Fairlight. It's a great tab!
You Didn't mentioned 5.1 audio software name that we need in our PC... Whether it's free or pricey .
Hi! I created the 5.1 audio in DaVinci Resolve. You can use the free version and it should work just fine. Does that answer your question? Thanks for watching!
@@JasonYadlovski Thank You very much.....👍
You’re welcome!
Can you do surround sound in the free version?
Yes, I believe you can
As a beginner this is teaching some seriously flawed fundamentals. Tracks are generally not organized like this when editing. Best practice is to track out by contents like Dialogue, Music and FX. Then just pan those tracks to left/right and surrounds in the panner. Mapping out each track like this this early is a really restricting method and I think could really hurt a beginner trying to learn the skill set here.
Thanks for sharing your experience!
I know this is an old video but if you’re still around, I would like to know how to do this. After watching this video, that was pretty much the first thing that crossed my mind. I have a bunch of different tracks, all designated for certain sounds-dialogue (x2), some foley, effects, a bunch of sound design tracks, the score, room tone, etc. And cramming them into just five or six separate tracks means I would have to make a bunch of compound clips or something.
So, when panning the sound, is it as simple as moving that little dot around to your taste? And after that, to make it ACTUAL 5.1, can I still follow the steps he did toward the end?
5.1 surround is in fact ACTUALLY supported in UA-cam.
But only works on TV UA-cam App.
Web browser like chrome sadly doesn't support surround sound . and i doubt phones too.
5.1 on UA-cam?
@@JasonYadlovski
Yup.
From what I've heard and seen ,
you can try it out from youtube app on your smart TV .
If the video has and is edited in 5.1 , there would be an option to turn on 5.1
(provided you have a 5.1 sound system hooked up)
Even the receiver of your surround sound will display the audio source as something else other than stereo
Cool! I don’t have a 5.1 system on my TV so I can’t give it a try, but good to know!
@@JasonYadlovski ya man 👍
Hopefully in the future web browser like google chrome will have 5.1/7.1/atmos support.
(How) can I keyframe the pan positions?
You can use the keyframes in the inspector to pan right and left or you can use the Automation tools to automate or 'keyframe' the pan to any other location.
@JasonYadlovski I found the Pan. Together with all the other inspector automations. But where can I automate the position in the square room view?
Has any one been able to get DR 16.2.5 to output to all 6 channels of 5.1 audio to a Vizio 5.1 Surround bar? Any one gotton DR to out put 5.1 surround sound to any 5.1 audio Device?
You may need to update the settings to play through a 5.1 system. I talked about it in this video, it may help you out: ua-cam.com/video/eIBRoWizXJI/v-deo.html
@@JasonYadlovski left same message in other video.
At time 2:30 where you say "I'm assuming it would appear here"
Well it does but when I goto:
Manual / Main / Vizio (NV...tion audio) / 5.1
Then under outputs it only allows me to st 2 outputs not all 6. even when I set outputs to the left and Right surround out puts it still comes out the front and center speakers/
That's been fixed some how don't why or how. I get all 6 channels to assign to.
Even the 5.1 surround sound you made for down load doesn't work any idea why.
Wish I could attach a screen shot to these comments.
Strange, I'm not sure why it wouldn't work. It would be nice if you could attach Screenshots to comments. Maybe UA-cam will do that one day.
I had to watch this on my phone because I didn't get any audio through my amp for my TV, only a little bit when you moved the sound around.
Interesting, another thing to keep in mind is that UA-cam does not support 5.1 surround sound, at least it didn’t when I was making this video. So the audio will likely only be stereo. I didn’t realize that until after I started making this video.
I just had this same experience trying to watch it on my setup in the living room
@@JasonYadlovski they do support 5.1 now but only for the TV apps like on game console or steaming box
Sry im late!
No worries, your not late. 😁 the video will be here forever. 😎👍 thanks for watching!
Np dude
I can't watch it on my TV, it has no sound😂 on ny phone it is working