Thank you for this series!! I’m a music therapist and fascinated by this topic. 🙌 Any chance of graduate degree programs in this field being offered at JH? 👀
unfortunately not - however, if you're interested in learning more, feel free to reach out to me and I'll help you find interesting resources to learn from!
Perhaps you should add one more dimension, i.e. the envelope of the notes. You may say that's related to volume and in a way to timbre, but it's much more than that - changing the envelope of a note, even while leaving volume and timbre intact, can change the music completely.
I talk about the temporal envelope of notes in the timbre presentation - the way a note changes in time (attack/sustain/decay) plays a large role in the identification of different instruments, so I believe it fits best there.
Thank you so much. Super! ❤
Well explained thank you. It’s a fascinating topic.
✨️Excellent✨️
Thank you for this series!! I’m a music therapist and fascinated by this topic. 🙌 Any chance of graduate degree programs in this field being offered at JH? 👀
unfortunately not - however, if you're interested in learning more, feel free to reach out to me and I'll help you find interesting resources to learn from!
Continue with videos, please! Great stuff! :) Also, can u tell me the main literature sources for this field of science? Thank you!
Whoaaaaaa
Perhaps you should add one more dimension, i.e. the envelope of the notes. You may say that's related to volume and in a way to timbre, but it's much more than that - changing the envelope of a note, even while leaving volume and timbre intact, can change the music completely.
I talk about the temporal envelope of notes in the timbre presentation - the way a note changes in time (attack/sustain/decay) plays a large role in the identification of different instruments, so I believe it fits best there.