Both Klemperer and Bruno Walter were students of Gustav Mahler, and all of Mahler's pupils had a way with Mozart. The recordings of Klemperer and Walter should prove that Mahler was a fine teacher, as well as a great composer. OBSCURE FACTOID: Otto Klemperer was the father of actor Werner Klemperer of HOGAN'S HEROES fame. Walter and Klemperer were refugees from the Nazis, and we got some of Europe's best people because of Nazi persecution.
Klemperer reportedly called himself immoralist, contrasting himself to Bruno Walter, whom he referred to as a moralist. In many Klemperer performances, I can hear why Klemperer thought of himself that way, but these are such warm, graceful performances. There's nothing of the a moralist about them. Yet I wouldn't say that they're romantic or especially emotional performances. If anything, as in many Klemperer performances, I find myself unusually aware of the inner structure of each movement, of how individual phrases build on one another. Yet nothing sounds clinical or dry here. All of these performances are splendid, and several are well-nigh awe-inspiring. Otto Klemperer, a true Master, generates tremendous excitement not from fast tempi, but from guiding meticulous and precise performances in ways that bring out the innate tensions in the music in full clarity. The orchestral playing is not only taut and exact, but extraordinarily beautiful as well.
I've always suspected that Klemperer misspoke when he called himself an "immoralist" in contrast to Bruno Walter. I think he meant "amoralist"--someone who didn't try to draw a moral out of a piece of music rather than someone who reveled in the immoral in music.
I return to these recordings again and again. They are a legendary moment in recording history ... the remarkable partnership between Klemperer, the Philharmonia, Walter Legge and EMI is now remastered with superb fidelity and uploaded by CMRR. The project and collaboration resulting in these recordings over the span of nearly a decade, unequivocally brought Mozart to the fore, long before the composer became the household name he has now become; long before the fashion of period performance. Klemperer easily holds his own with Bruno Walter, not only because of his superb understanding of the structure of the music and its evocation with talented musicians, but because of the imaginative scope of this project at the time. Thank you for this grand upload.
Otto Klemperer's interpretive merit can certainly hardly be underestimated. However, to claim that Mozart only became internationally known as a result of this reveals a relatively capital gap in memory between 1791 and, let's say, 1956. If we restrict the statement to a specific orchestral part of his work, one could perhaps be more comfortable with it.
Non si deve certo giudicare un grande direttore come Klemperer.passato alla storia ..con magnifiche interpretazioni...questa è indubbiamente una riprova ..con un certo gusto interpretativo pre filologico ..ma bello analitico ..con fraseggi tra le varie sezioni orchestrali..che ti coinvolge ..ottima registrazione di ben 55 anni fa..
You'd be surprised to discover the high number of conductors who have butchered Mozart's symphonies and made them sound horribly. Klemperer was not, of course, one of them.
...of course not only the tempi, but the great OK proved the thesis of Wilhelm Furtwängler as „there is only one tempo, the right one.“ Mi piace moltissimo
Wunderschöne und spannende Interpretation dieser perfekt komponierten Sinfonien mit gut harmonisierten und perfekt vereinigten Tönen aller Instrumente. Der unvergleichliche Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Alles ist wunderbar und atemberaubend!
Una chicca fantastica, una energia vitale interiore che restituisce la gioia creativa di Mozart, con la solita attenzione maniacale all'orchestrazione di Klemperer, senza perdere mai le linee espressive. Sempre tonico, mai pesante: un equilibrio assoluto. Un suono sontuoso, anche come resa tecnica di incisione. WAW. 4 ore e 26 minuti di felicità.
Thanks, oh thanks for these. I have some of them on old LPs. But it's nice having them here, where I can listen and not have to change records every 20 minutes. Great readings!
Excellent performance and good audio, really enjoying this. The period performances of Mozart sound thin. Imagine if Mozart had access to todays orchestras he’d want it this way. After all, he wrote for the opera, which is expansive and grand. All the great works of Mozart are operatic - the symphonies, the piano concertos - and the cantabile melodies are strengthened by the larger orchestra.
Insieme all'edizione discografica di J.Krips, rimane oggi una delle piu' grandi interpretazioni delle sinfonie di W.A.Mozart , con quelle del maestro Muti e di Abbado.
Magnifique ! Décidément, j'adore la symphonie 40. Mais la meilleure version de la 40 reste bel et bien celle de Bruno Walter qui, vers la minute 4:20, c'est à dire entre les mesures 210 et 211, opère une sorte de ralenti ou de suspension de l'orchestre pour réatterrir mesure 211 avec beaucoup de force. Écoutez, c'est très particulier, ce que fait Walter est génialissime, ce n'est pas marqué dans la partition. Il a été critiqué pour ce changement dans la partition. Je pense pour ma part qu'il a sublimé Mozart. Ce qu'il fait n'est pas très perceptible si l'on ne prend pas le temps d'écouter. Si vous avez du mal a vous en rendre compte comparez. Mais je veux vos avis (et à vous aussi @Classical Music / Référence Recording) sur ce que fait Bruno Walter.
Let´s speak about tempi and transparence, I like his moderate tempi, every note gets its time what it needs to develope sound, even slower than Karl Böhm, but full of spirit.
@Luigi Raimondo Pomo : Yes , I agree, I remember the well - balanced tempi of Böhm., so easy found in the miiddle like in a dream , and his minuets were really classical minuets in 3/4 and not a waltz ....
O GOOGLE e a INTERNET fizeram o grande milagre de reunir em um só gigantesco compartimento digital TODAS AS PÉROLAS MUSICAIS do mundo inteiro e beneficiando a cultura mundial da música. Walter Barcelos - Brasil
De jolis moments, mais bon... Klemperer a toujours été un peu lourd à mon goût dans la musique de Mozart, que ce soit en ce qui concerne les opéras ou les symphonies. Bon je fais une petite Liszt ( désolé... ) de ceux qui sont pour moi les enregistrements du siècle : Symphonies No. 25 : Muti VPO ( ou Harnoncourt, Celibidache ) 29 : Fricsay VSO ( ou Muti VPO ) 33 : Carlos Kleiber BPO ou Mravinsky 34 : Frans Bruggen 35 : Fricsay ou Bruggen ( Celibidache et Harnoncourt excellents aussi ) 36 : Carlos Kleiber 1991 ou 1988 ( Bruggen et Muti sont très bons, Krips également ) 38 : Walter 1954 ( ou 1936 ) ou Bruggen ( ou Gardiner, Muti, Ancerl, Krips et Celibidache ont pour moi du mal à tenir sur la durée ) 39 : Mravinsky, Furtwangler ou Bruggen ( Fricsay est extraordinaire, tout comme la dernière version d’Harnoncourt ) 40 : Furtwangler ou Celibidache ( mais la dernière version de Bruggen atteint des sommets ) 41 : Fritz Reiner ou Walter 1948 ( sinon dans une optique plus contemporaine il y a la dernière version d’Harnoncourt ouJacobs, Celibidache ou Fricsay dans une vision plus traditionnelle ). Voilà mon opinion, Klemperer est bon dans les 25, 36 et 38.
Nous le trouvions "lourd" avant mais après une écoute attentive non. Il distille à merveille, idem dans Le Messie de Handel, La Passion de Bach, les opéras de Mozart.. Une version qu'un audiophile qualifie de version de travail. Klemperer est d'une clarté limpide. L'un des plus agréables à suivre partition en mains et il n'est pas mécanique mais il dirige dans la grande tradition classique, avec l'esprit classique d'Haydn :-) L'architecture impeccable.
Je dis non : je pense sincèrement que ça ne peut être l’enregistrement du siècle, trop pesant pour moi, après bien entendu chacun aime ce qu’il lui plaît.
Ce n'est pas l'enregistrement du siècle, l'enregistrement du siècle est déjà sur la chaîne. C'est un enregistrement de référence, la forme classique de ces symphonies est maîtrisée à merveille par Klemperer.
@@classicalmusicreference Je disais cela car vous avez noté "Cent. Rec.". Certes, la forme classique est maîtrisée, mais j'attends plus, des prises de risque, des partis-pris, et surtout de la tension, car je trouve qu'elle manque cruellement. Dans la forme classique je vous conseille dans ce cas la version Muti Vienne.
Excellent upload as always :). One question though: why is this called a "Century's recording" instead of "Reference?" Though I enjoy Klemperer's Mozart, I would think that Bruno Walter's would more deserving of the former designation.
Steven Som Fast seems like a unlikely description of most of Klemperer’s work, especially late performances such as the St. Matthew. To me these sound just right.
@@peterheiman8621 Yes, I never thought that something like that - too fast - could be said for any Otto's interpretations. Just listen to his Mahler's second. Still, I like it as well.
Would you dare to compare Mozarts and Beethovens symphonies? So would you say they are equal or not...these people who say that you can't compare art don't have to give their opinion xD. Would be interesting.
@@angusspencer627 I suggest you bin the ‘Symphonies for Idiots’ book and actually listen to the music; Mozart, Haydn, and Beethoven are unique individual voices who made their own distinctive contribution to the symphonic repertoire. Any attempt to compare these three composers is as pointless as comparing red, blue, and yellow.
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell. Jesus Christ died and resurrected for remissions of everybody's pre-existing sins to save from eternal hell. Penalty of sin already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal hell. Enter heaven. Enjoy heavenly music. For free.
I agree! Mozart would die ............I had been a fan of Klemperer (Beethoven Brahms).......disappointing at this moment! Alternative: Böhm, Krips, Sawallisch, Fricsay!!!!!!
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Wolfgang Amadeus Mozart (1756-1791) - Symphonies 25-41 by Otto Klemperer.
*Click to activate the English subtitles for the presentation* (00:00-11:27)
Symphony No.25 in G minor/g-moll/sol mineur, K.183
1.Allegro con brio (00:00) 2.Andante (06:43)
3.Menuetto (10:34) 4.Allegro (14:14)
-
Symphony No.29 in A/A-dur/la Majeur, K.201
1.Allegro moderato (19:21) 2.Andante (28:12)
3.Menuetto (36:20) 4.Allegro con spirito (39:41)
-
Symphony No.31 in D/D-dur/Ré Majeur, KV 297 ‘’Paris’'
1.Allegro assai (44:43) 2.Andantino (52:49) 3.Allegro (59:33)
-
Symphony No.33 in B flat/B-dur/si bémol Majeur, K.319
1.Allegro assai (1:03:31) 2.Andante moderato (1:11:09)
3.Menuetto (1:16:56) 4.Finale - Allegro assai (1:19:49)
-
Symphony No.34 in C/C-dur/ut majeur, K.338
1.Allegro vivace (1:26:41) 2.Andante di molto (1:34:43)
3.Finale - Allegro vivace (1:43:15)
-
Symphony No.36 in C/C-dur/Do Majeur, KV.425 ‘’Linz’’
1.Adagio - Allegro spiritoso (1:49:57) 2.Andante (1:59:50)
3.Menuetto & Trio (2:06:26) 4.Finale - Presto (2:09:36)
-
Symphony No.35 in D/D-dur/Ré Majeur, KV 385 ‘’Haffner’’
1.Allegro con spirito (2:16:50) 2.Andante (2:22:39)
3.Menuetto & Trio (2:27:40) 4.Finale - Presto (2:30:56)
-
Symphony No.38 in D/D-dur/Ré Majeur, K.504 ‘’Prague’'
1.Adagio - Allegro (2:35:13) 2.Andante (2:46:06) 3.Finale - Presto (2:55:05)
-
Symphony No.39 in E flat/Es-dur/mi bémol Majeur, K.543
1.Adagio - Allegro (3:01:20) 2.Andante con moto (3:09:28)
3.Menuetto - Allegretto (3:19:11) 4.Finale - Allegro (3:23:28)
-
Symphony No.40 in G minor/g-moll/sol mineur, K.550
1.Molto allegro (3:29:32) 2.Andante (3:38:37)
3.Menuetto & Trio (3:37:15) 4.Finale - Allegro assai (3:51:29)
-
Symphony No.41 in C/C-dur/Ut Majeur, K.551 ‘’Jupiter’'
1.Allegro vivace (3:56:43) 2.Andante cantabile (4:06:01)
3.Menuetto & Trio (4:15:09) 4.Finale - Molto Allegro (4:19:57)
--
Philharmonia Orchestra & New Philharmonia Orchestra
Otto Klemperer
Recorded in 1956-65
New Mastering in 2020 by AB for CMRR
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
--
Haydn - Symphonies 88,92,95,98,100,101,102,104 Oxford, Military, Clock, London + Presentation (reference recording : Otto Klemperer) : ua-cam.com/video/_f08qXxqzZY/v-deo.html
-
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : ua-cam.com/video/lnV-3hHKv44/v-deo.html
Dn
D CM OTRA,,
,
A happy coming together of interpretation by the conductor, articulation by the players, and great engineering.
Splendid performances. Mozart + Klemperer = unequaled excellence.
Both Klemperer and Bruno Walter were students of Gustav Mahler, and all of Mahler's pupils had a way with Mozart. The recordings of Klemperer and Walter should prove that Mahler was a fine teacher, as well as a great composer. OBSCURE FACTOID: Otto Klemperer was the father of actor Werner Klemperer of HOGAN'S HEROES fame. Walter and Klemperer were refugees from the Nazis, and we got some of Europe's best people because of Nazi persecution.
The great Otto Klemperer.Immortal great recordings.
Klemperer reportedly called himself immoralist, contrasting himself to Bruno Walter, whom he referred to as a moralist. In many Klemperer performances, I can hear why Klemperer thought of himself that way, but these are such warm, graceful performances. There's nothing of the a moralist about them. Yet I wouldn't say that they're romantic or especially emotional performances. If anything, as in many Klemperer performances, I find myself unusually aware of the inner structure of each movement, of how individual phrases build on one another. Yet nothing sounds clinical or dry here.
All of these performances are splendid, and several are well-nigh awe-inspiring. Otto Klemperer, a true Master, generates tremendous excitement not from fast tempi, but from guiding meticulous and precise performances in ways that bring out the innate tensions in the music in full clarity. The orchestral playing is not only taut and exact, but extraordinarily beautiful as well.
Thank you for your comment, we share your opinion: Klemperer is not a ‘romantic' interpreter.
I've heard lots of Klemperer. Even his Tschaikovsky is not so romantic. But he pulls off fine performances.
I've always suspected that Klemperer misspoke when he called himself an "immoralist" in contrast to Bruno Walter. I think he meant "amoralist"--someone who didn't try to draw a moral out of a piece of music rather than someone who reveled in the immoral in music.
also my opinion@@kennethduckworth8100
I return to these recordings again and again. They are a legendary moment in recording history ... the remarkable partnership between Klemperer, the Philharmonia, Walter Legge and EMI is now remastered with superb fidelity and uploaded by CMRR. The project and collaboration resulting in these recordings over the span of nearly a decade, unequivocally brought Mozart to the fore, long before the composer became the household name he has now become; long before the fashion of period performance. Klemperer easily holds his own with Bruno Walter, not only because of his superb understanding of the structure of the music and its evocation with talented musicians, but because of the imaginative scope of this project at the time. Thank you for this grand upload.
Walter Legge deserves the name 'artistic director of the century'. Thank you Michael for your comment :-)
Otto Klemperer's interpretive merit can certainly hardly be underestimated. However, to claim that Mozart only became internationally known as a result of this reveals a relatively capital gap in memory between 1791 and, let's say, 1956. If we restrict the statement to a specific orchestral part of his work, one could perhaps be more comfortable with it.
Non si deve certo giudicare un grande direttore come Klemperer.passato alla storia ..con magnifiche interpretazioni...questa è indubbiamente una riprova ..con un certo gusto interpretativo pre filologico ..ma bello analitico ..con fraseggi tra le varie sezioni orchestrali..che ti coinvolge ..ottima registrazione di ben 55 anni fa..
There is no such thing as the hit or miss with Mozart's symphonies
All is splendid, great.
You'd be surprised to discover the high number of conductors who have butchered Mozart's symphonies and made them sound horribly. Klemperer was not, of course, one of them.
@@alighieroalighieri404
Thankyou
your comment
From
A corner of Tokyo with autumn tints
🎀🌼🌲🍁🎍🍄🍂⛩️💐🍊🌰🏵️🎴🎑🎏🗼🎎🇯🇵
I love it 🥰 and the graphics,the music is sublime!!!
Mozart's symphony cycle recorded masterfully. THANK YOU "Classical Music / Reference Recording" for the valuable content you give us
A wonderful treasure trove of these iconic symphonic masterpieces! Thanks for uploading. ❤️🎼🎵🎶👏🇮🇪☘️
...of course not only the tempi, but the great OK proved the thesis of Wilhelm Furtwängler as „there is only one tempo, the right one.“ Mi piace moltissimo
Mozart was born to bring the music of GOD to Earth! Thank you for this ineffable and sublime music.
Thank you so much for this upload! Your channel is the best musical channel on UA-cam!
Wunderschöne und spannende Interpretation dieser perfekt komponierten Sinfonien mit gut harmonisierten und perfekt vereinigten Tönen aller Instrumente. Der unvergleichliche Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Alles ist wunderbar und atemberaubend!
Una chicca fantastica, una energia vitale interiore che restituisce la gioia creativa di Mozart, con la solita attenzione maniacale all'orchestrazione di Klemperer, senza perdere mai le linee espressive. Sempre tonico, mai pesante: un equilibrio assoluto. Un suono sontuoso, anche come resa tecnica di incisione. WAW. 4 ore e 26 minuti di felicità.
quanto è vero.
Thanks, oh thanks for these. I have some of them on old LPs. But it's nice having them here, where I can listen and not have to change records every 20 minutes. Great readings!
Que dire d'autre que "DIVIN" ? MERCI pour ces heures merveilleuses. 💖💐🙋
Immense thanks for sharing this treasure trove of Mozart masterpieces and Klemperer 's artistry. PS: Thanks, everyone, for the insightful comments.
Mozart's🎶✨✨⭐💞🎶🎶 Magical Music will Still be played for a thousand Years ,✨✨🎶💞
Excellent performance and good audio, really enjoying this. The period performances of Mozart sound thin. Imagine if Mozart had access to todays orchestras he’d want it this way. After all, he wrote for the opera, which is expansive and grand. All the great works of Mozart are operatic - the symphonies, the piano concertos - and the cantabile melodies are strengthened by the larger orchestra.
Insieme all'edizione discografica di J.Krips, rimane oggi una delle piu' grandi interpretazioni delle sinfonie di W.A.Mozart , con quelle del maestro Muti e di Abbado.
Però preferisco Krips nelle sinfonie giovanili, tipo fino alla 25; nelle successive ne prediligo altri
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻📯🌿🍀☘🌹🌹☘🍀🌿❤❤
Gracias de corazón desde Jesús María, México. Mozart heals. Thank you.
Insuperables versiones en todo aspecto, música, orquesta, toma de sonido y desde luego dirección. Gracias.
Beautifully shaped performances.
Thankyou for the explanation of Mozarts work and life at the beginning...
Amazing..wow awesome, what can l say..only a genius like my dear wolfy...👏👏👏👏👍🤩👍💟💥
The more I listen to these symphonies - especially the later ones - the bigger they become.
Très grand artiste
If only Mozart had lived as long as Telemann❗
I only am intoxicated with Mozart
From
Tokyo shining day and night
Great thanks for beautiful musik, fantastic conductor and brilliant musiсians!
Just perfect, juste parfait !!
Simplemente maravilloso, como si fuese ayer, pa mi pasaron 40 años, pa Mozart 200 años o más 👍👍👍👍👍👍👍❤💯😇🙌👏
Mozart Wolfgang Amadeo 1756-1791
@@martaaliciarinaldi1442 34 años..k corta vida
各、シンフォーニ―の、軽快な響きと、明るく優美な、所いいですね。🎵 ・・晩年の交響曲には、円熟したモーツァルトの、偉大差を感じました。素晴らしい曲・演奏有り難う御座います。👏 🙇 ‼
コメントありがとうございます。 私たちの多くは日本語で私たちに手紙を書きます。 ^^
Très grand interprète
Ciclo de sinfonias de Mozart gravada de forma magistral .. Obrigado "Classical Music/Reference Recording" !
Thank you. It's gorgeous.
Absolument génial et merci 😊
Magnifique ! Décidément, j'adore la symphonie 40. Mais la meilleure version de la 40 reste bel et bien celle de Bruno Walter qui, vers la minute 4:20, c'est à dire entre les mesures 210 et 211, opère une sorte de ralenti ou de suspension de l'orchestre pour réatterrir mesure 211 avec beaucoup de force. Écoutez, c'est très particulier, ce que fait Walter est génialissime, ce n'est pas marqué dans la partition. Il a été critiqué pour ce changement dans la partition. Je pense pour ma part qu'il a sublimé Mozart. Ce qu'il fait n'est pas très perceptible si l'on ne prend pas le temps d'écouter. Si vous avez du mal a vous en rendre compte comparez. Mais je veux vos avis (et à vous aussi @Classical Music / Référence Recording) sur ce que fait Bruno Walter.
quelle version , New York, Columbia ? Oui c'est une référence incontestable :-)
@@classicalmusicreference Il le fait dans toutes, même dans celle de Vienne.
VERDADERAMENTE MÁGICO
sounds great.
Let´s speak about tempi and transparence, I like his moderate tempi, every note gets its time
what it needs to develope sound, even slower than Karl Böhm, but full of spirit.
@Luigi Raimondo Pomo : Yes , I agree, I remember the well - balanced tempi of Böhm., so easy found in the miiddle like in a dream , and his minuets were really classical minuets in 3/4 and not a waltz ....
We all deserve the best -> we all deserve a peaceful life. ☮🌎🌍🌏☮
EXCELENTE GRACIAS POR LA SELECCION, MUY BUENA...
Gracias !
O GOOGLE e a INTERNET fizeram o grande milagre de reunir em um só gigantesco compartimento digital TODAS AS PÉROLAS MUSICAIS do mundo inteiro e beneficiando a cultura mundial da música. Walter Barcelos - Brasil
Magnifique! merci
Thanks again.
There's a rumour that Warner are going to release a huge Klemperer box sometime this year.
superbe!
no 40 2nd 3:38:15
no 40 3rd 3:47:13
Klemperer is Greatness .. oh and Mozart too ... lol.
Superb! Thank you! Do you have the actual recording dates if each symphony? If so, please post. 📯
De jolis moments, mais bon... Klemperer a toujours été un peu lourd à mon goût dans la musique de Mozart, que ce soit en ce qui concerne les opéras ou les symphonies. Bon je fais une petite Liszt ( désolé... ) de ceux qui sont pour moi les enregistrements du siècle :
Symphonies No.
25 : Muti VPO ( ou Harnoncourt, Celibidache )
29 : Fricsay VSO ( ou Muti VPO )
33 : Carlos Kleiber BPO ou Mravinsky
34 : Frans Bruggen
35 : Fricsay ou Bruggen ( Celibidache et Harnoncourt excellents aussi )
36 : Carlos Kleiber 1991 ou 1988 ( Bruggen et Muti sont très bons, Krips également )
38 : Walter 1954 ( ou 1936 ) ou Bruggen ( ou Gardiner, Muti, Ancerl, Krips et Celibidache ont pour moi du mal à tenir sur la durée )
39 : Mravinsky, Furtwangler ou Bruggen ( Fricsay est extraordinaire, tout comme la dernière version d’Harnoncourt )
40 : Furtwangler ou Celibidache ( mais la dernière version de Bruggen atteint des sommets )
41 : Fritz Reiner ou Walter 1948 ( sinon dans une optique plus contemporaine il y a la dernière version d’Harnoncourt ouJacobs, Celibidache ou Fricsay dans une vision plus traditionnelle ).
Voilà mon opinion, Klemperer est bon dans les 25, 36 et 38.
Nous le trouvions "lourd" avant mais après une écoute attentive non. Il distille à merveille, idem dans Le Messie de Handel, La Passion de Bach, les opéras de Mozart.. Une version qu'un audiophile qualifie de version de travail. Klemperer est d'une clarté limpide. L'un des plus agréables à suivre partition en mains et il n'est pas mécanique mais il dirige dans la grande tradition classique, avec l'esprit classique d'Haydn :-) L'architecture impeccable.
lets have peace everywhere - we all deserve a good & safe life. 🇰🇼☮🌎🌍🌏
Es Muss Sein...!
Klemperer...^^
Je dis non : je pense sincèrement que ça ne peut être l’enregistrement du siècle, trop pesant pour moi, après bien entendu chacun aime ce qu’il lui plaît.
Ce n'est pas l'enregistrement du siècle, l'enregistrement du siècle est déjà sur la chaîne. C'est un enregistrement de référence, la forme classique de ces symphonies est maîtrisée à merveille par Klemperer.
@@classicalmusicreference Je disais cela car vous avez noté "Cent. Rec.". Certes, la forme classique est maîtrisée, mais j'attends plus, des prises de risque, des partis-pris, et surtout de la tension, car je trouve qu'elle manque cruellement. Dans la forme classique je vous conseille dans ce cas la version Muti Vienne.
@@Sofronichrist en effet , erreur merci :)
Thank you!
Excellent upload as always :). One question though: why is this called a "Century's recording" instead of "Reference?" Though I enjoy Klemperer's Mozart, I would think that Bruno Walter's would more deserving of the former designation.
hi Nikhil Bajaj, Thank you for your interest, you will find some answers in the presentation video :
ua-cam.com/video/giE0dyLD1jc/v-deo.html
so this is colonel Klink's father conducting, yes?
Which symphony is playing now?
No 25 -1er movement is really fast 😱
You should listen the 1948 amsterdam recording.Probably the fastest ever.
Yes, it is! It is Allegro con brio, but still in 4/4. Klemperer treats it as being in 2/2, alla breve
Es de mal gusto interrumpir la música clásica para poner comerciales
Great recording however, the tempo seems a bit too fast. Still good, though.
Steven Som Fast seems like a unlikely description of most of Klemperer’s work, especially late performances such as the St. Matthew. To me these sound just right.
@@peterheiman8621 Yes, I never thought that something like that - too fast - could be said for any Otto's interpretations. Just listen to his Mahler's second. Still, I like it as well.
Would you dare to compare Mozarts and Beethovens symphonies? So would you say they are equal or not...these people who say that you can't compare art don't have to give their opinion xD. Would be interesting.
Both Mozart and Beethoven were standing on the shoulders of Bach, having been guided there by Haydn.
@@angusspencer627 That's totally right. But that doesn't mean that Bach has to be greater...
@@wlrlel Indeed, as the foundations of a cathedral are not better than its vaults.
@@angusspencer627 Can be. But don't have to. But I see...you understand something from music
@@angusspencer627
I suggest you bin the ‘Symphonies for Idiots’ book and actually listen to the music; Mozart, Haydn, and Beethoven are unique individual voices who made their own distinctive contribution to the symphonic repertoire.
Any attempt to compare these three composers is as pointless as comparing red, blue, and yellow.
/ŽïRt!
MUBARİZ ALİYİV
#AL1K479VYC02626476TARAKCAN ⚪⚪
UMİNYA TUT ACKAN ⚪69⚪!
A ÇTO TAM ÛWAS JOPA BELEÝET NE BELEÝET MİNYA Nİ VOLNOVATİ.
they just don't writem like this anymore..
Me avias
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell.
Jesus Christ died and resurrected for remissions of everybody's pre-existing sins to save from eternal hell. Penalty of sin already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal hell. Enter heaven. Enjoy heavenly music. For free.
this garbage has no place here
@@alexreik424 Music has no place in hell.
your meaningless pop-up ads every 5 min in a 4.5 hr music stream is rediculous - and an insult to Mozart. Thanks for the look, but no more.
Too fast.
I agree! Mozart would die ............I had been a fan of Klemperer (Beethoven Brahms).......disappointing at this moment! Alternative: Böhm, Krips, Sawallisch, Fricsay!!!!!!
Отвратительная запись и, судя по всему, исполнения.
Gracias!!!