I've heard well respected players say walks should walk up and down. I've never really agreed with that theory. Thanks very much for presenting this logic. Sounds great.
What I seem to be encountering more and more from either Young bassists or isolated bassists are cats not grounding the chord progression. So learning a foundation like 1,5,1 connecting tone to the next root normally a half step above or below is essential to start with. Then making sure you include the correct 3rd is next. Also if diminished chords how to stack minor 3rds. How to help the progression instead of wondering around like a lost dog.
There's different school of thoughts and I think the use of more across the fingerboard approach ala Ron Carter is more efficient. This method she is using is not practical as it involves too much vertical playing ( playing up and down) on the fingerboard. You can be melodic too when you play more across the fingerboard.
it isn't her bass. and it seems to be fourth position which is most likely area to be innacurate when you're on a different instrument because of differences in neck block height. so let's hear your intonation buddy!
I’m an old beginner, and recently discovered shifting octaves in blues lines. Of course, I’m looking for more ways to do this, because it sounds SO good. Thank you very much for showing me how to improve exactly that which I am working to improve. And slowly! The transcription is a key that I can build on. I’m so excited to start practicing what you are teaching!
Great to hear you enjoyed the video. Katie Thiroux's teaching is so good and we have several more lessons to check out on our channel. I hope you enjoy them and best of luck with all your bass playing :-)
I have no clue about Jazz,- I just love to listen. But what you are explaining in this video reminds me very much to the baroque masters voiceleadings like Bach, Telemann etc. Btw. your bass playing sounds great: very "bassic"! Compliments!
Yes! I saw that and it felt good to see that lol started with the upright just a few years now (self taught) and I find applications for that ring finger.
PSA: Michael Bisio taught me to conceptualize harmony as a bassist in terms of an X/Y axis: “the bassline is the horizontal expression of a vertical event” ie. chords are vertical and our quarter notes are horizontal. Katie is one bad cat and this is killer info! This reminded me of that punchline that I wanted to share with the class. Ok thank you!
Brilliantly explained
Legendary bassist
I've heard well respected players say walks should walk up and down. I've never really agreed with that theory. Thanks very much for presenting this logic. Sounds great.
Very nice. Thank you.
Very helpful, thx a lot!
Good stuff. Thanks.
Gold. Thank you.
You're welcome!
Excelent!
Might you focus also on the pitch?
Just if you consider it important 😅
Wow after reading comments everyone is critic 🤦🏻♂️ here something new Thank you for this lesson an explaining it 👍🏼
and they’re not even good criticisms lmao
What I seem to be encountering more and more from either Young bassists or isolated bassists are cats not grounding the chord progression. So learning a foundation like 1,5,1 connecting tone to the next root normally a half step above or below is essential to start with. Then making sure you include the correct 3rd is next. Also if diminished chords how to stack minor 3rds. How to help the progression instead of wondering around like a lost dog.
I hope these pets find their forever home
Noice!
There's different school of thoughts and I think the use of more across the fingerboard approach ala Ron Carter is more efficient. This method she is using is not practical as it involves too much vertical playing ( playing up and down) on the fingerboard. You can be melodic too when you play more across the fingerboard.
if you can do both maybe you’ll get twice as many paychecks
Is the bass out of tune or is she?
it isn't her bass. and it seems to be fourth position which is most likely area to be innacurate when you're on a different instrument because of differences in neck block height. so let's hear your intonation buddy!
no you just have square ears (also you are probably a cop)
I’m an old beginner, and recently discovered shifting octaves in blues lines.
Of course, I’m looking for more ways to do this, because it sounds SO good.
Thank you very much for showing me how to improve exactly that which I am working to improve.
And slowly!
The transcription is a key that I can build on.
I’m so excited to start practicing what you are teaching!
Great to hear you enjoyed the video. Katie Thiroux's teaching is so good and we have several more lessons to check out on our channel. I hope you enjoy them and best of luck with all your bass playing :-)
I have no clue about Jazz,- I just love to listen. But what you are explaining in this video reminds me very much to the baroque masters voiceleadings like Bach, Telemann etc. Btw. your bass playing sounds great: very "bassic"! Compliments!
Intersting, she is using the ring finger for the sevenths
Yes! I saw that and it felt good to see that lol started with the upright just a few years now (self taught) and I find applications for that ring finger.
I started on electric bass guitar, so j use the ring finger all the time, especially for something fast
Another excellent lesson Katie. Much appreciated
Verry good.
PSA: Michael Bisio taught me to conceptualize harmony as a bassist in terms of an X/Y axis:
“the bassline is the horizontal expression of a vertical event”
ie. chords are vertical and our quarter notes are horizontal. Katie is one bad cat and this is killer info! This reminded me of that punchline that I wanted to share with the class. Ok thank you!
That's a great way to think about it. Thanks for sharing. :-)
haha, everything is a matter of breathing!
Great stuff 👍
Like :)
Her strings sound good which are at?
In this vvideo she was using my bass which had Evah Pirazzi Weich strings.