I really like the bass lines you do for the first jams you do in your videos. Could you share what is your approach to make those great acid lines. Best.
Here's a trick with the only 16 step sequencer: Ignore it for sequencing notes, and use it for just modulation. You can record in parameter changes without any notes and leave the sequencer running so it's modulating parameters while you play or sequence it externally. 16 steps of notes may be very limiting but treating it like a custom modulator instead it becomes a different beast.
I almost had a heart attack when I saw my beloved monologue was on stage to be judged!!! But, at least you saw the sequencer for what it is and gave it the same praise in it's implementation that I do. All in all, the under-achieving but loveable middle child of the King "-uge" line survives to rock another day!
Just got it as my first -so far- Synthesitzer. only pay 210€ because it is very cheap at Amazon and I got a 50€ coupon for Amazon. Also the wood thingy at the back matches my Hifi Speaker and my living room door perfectly. :-D Was that stupid? I thought about getting a Arturia MiniBrute 2 Noir, but 500€ is steep starting point for beginning a new Hobby IMHO. So far I only played a little with HELM.
all three tunes were delightfully impressive. I didnt even know this synth was disliked at all. This was the number 1 contender a few years back when I was bit by the monologue synth bug and was shopping for one, Ended up with the Roland Se-02 and can't complain. (dont even think about it, not bad gear material). Thank you again for starting my weekend right, I kept the coffee pot on longer while waiting for youtube to let you upload. well worth it.
I am definitely not a fan. I tried. I've owned two. Just too many limitations. For the money I'd probably go with a bass station 2. Better sequencer, better envelopes, paraphonic.
The 16 step sequencer on this thing can do drums and baselines plus using the white noise To get metallic sounds you got hi hats. The 4 motion locks make it possible to cram everything in just 16 steps or one bar. It really can do live techno or dubstep like sets just stand alone by saving multiple patches at the same tempo and flipping that knob back and forth for patch transitioning to overcome that one bar limit so yeah it’s a Beast. I fully love This machines sequencer capacity and when pushed to the limit it can get some pretty off the wall amazing beats Going. 10/10 for korg.
I bought one last year but sold it after a few months to a guy who was giving it to his kid as their first synth. I think it was a very nice gift for the child.
I think this is where you went full circle, for me anyway. Youve handled all my past synths and this is my current synthesizer. Bad? Not sure, alot of the presets I have zero use for, but mine is gold coloured, and thats what I hate most about it. Shouldve gotten black, OR, well, a poly synth. As always, great video!
Hearing your two songs featuring this piece really lets me know that this really is a true descendant of that classic 80s freestyle sound that Korg was deeply involved in.
I've been waiting for this, glad it's finally here. The monologue is my favourite synthesizer, it was my first and it's supplied me with some of my favourite sounds. The sounds may sound a little harsh to some but it's special talent is being able to sit in virtually any mix quite well. I've used it in more songs than i can count. Also there are like hundreds of little tricks that you can do with this synth that are practically only possible on the monologue, when you really go deep into it then it's truly something quite special.
You just sold 100 monologues for Korg. Everytime I wanna whip up cash for gear I can't afford I consider putting the stock knobs back on and selling the log. Then I play it for a final hurrah, play it some more, put some drums on it, and play it for about six hours and realize that the sequencer is awesome. 16 steps you can change every 16 steps on the fly, it never gets old. Sometimes it sounds like ass, is hard to mix with anything, other times it IS the sound.
It's the ultimate beast for acid craziness and Drone sounds, yeah it has limitation, but it's also what makes it so good to use . honnestly i prefer use this one than to have to emulate a 303 with an expensively ridiculous eurorack that sound similar to another expensively ridiculous Eurorack, one of my favorite gear here, and i don't bought expensive synth , i want something else that sound and rocks it's simple like that and for that price the Monologue is a real beast .
Recently I have explored more deeply a lot of synths in comparison to Logues (Mono, Mini, XD, Pro). I arrived to the same conclusion as you. This family's genius is precisely in its limitations. For instance, the Mininova, can do "everything" but then you just stumble into random things, e.g. there's no easy way to change the LFO shape while playing. That's a stupid limitation in the middle of a huge complexity. But the Minilogue in contrast doesn't have basics as a modulation matrix or a sustain pedal input, and those are brilliant limitations: It's all in your panel, visible, at the reach of your hands, one knob per function, what you see is what you get. That's how you get an instrument to become an extension of your body.
I like the Monologue a lot. However, since the Minilogue XD came out, I've seriously been considering selling the Monologue and replacing it with the XD. The XD is such a great upgrade over the original Minilogue and resolves pretty much all the issues I had with the original. But back to the Monologue! The good: it's a relatively inexpensive analogue monosynth with a LOT of potential. I bought mine new when they were $300 and I still think that's a great price for this synth. Definitely worth $300 IMO. That said, last I checked the price had crept above $350 and in that range I'm not so sure... I would probably want something like the Microfreak instead. The oscillators are nice, it seems to stay in tune just fine, and it's definitely got some character to the sound. I like how gnarly and aggressive it can get. The battery compartment is extremely welcome, especially since Korg didn't bother to include a power supply. I really love just sitting on the couch and playing around with the Monologue. Its size is also perfect for this. In terms of "mini-keys," these are the type of mini-keys that I enjoy because they don't particularly feel like mini-keys to me (the Microkorg, in my opinion, has the worst mini-keys ever made). The knobs are smooth and I love turning them, likewise with flicking the switches. This is a cheap plastic-bottom synth but the interface panel feels MUCH higher quality than that, and the OLED display is super crisp and responsive. Only occasionally have I noticed slight weirdness where on certain notes it doesn't quite update quick enough. I also think that this is one of those few synths where its limitations are actually a good thing. While the sequencer is limited, it's one of the easiest to use on any monosynths that I've tried. The filter, like on any good synth, can be utilized as a third oscillator, and you can create a pretty awesome kick using just the filter, no oscillators. To me, the filter is definitely a high point on the Monologue. The synth engine presented here is flexible enough to create workarounds for some of the limitations, and for me that's something that makes a synth exciting. Since it's so well-laid out and easy to use, creating workarounds are not really that difficult, it just requires a little bit of experimentation. I am reminded of the Korg DS-10 in that way, where the limitations force me to seek out new ways to utilize what I'm given and ultimately I end up creating not only results that were better than expected, but results I otherwise wouldn't have thought of had those limitations not forced me to be creative. I probably sound like a big fan of the Monologue... and I am! But onto the bad. Considering the price now hovers around $350, I wouldn't say it's necessarily a bad purchase at that price, but there are certainly some other options, like the Microfreak or various Behringer synths like the Model D, Cat, etc. Go a little higher and you're in Bass Station II territory, and that is one synth that I've been salivating over. I'm still punishing myself for not picking one up brand new when it was on sale for $350. I think the BSII has more sonic flexibility than the Monologue, with an interface that has both strengths and weaknesses in comparison, but in general is the one I'd rather use on any given occasion. One thing you didn't mention was the key arrangement, which on the Monologue is E-to-E. This is because it's intended for supplementing guitar with a "bass line." I guess that's fine, standard guitar tuning starts with E but not every song or every guitar player uses standard tuning, and it does make using the keyboard a little odd. I'd rather have a normal C-to-C keyboard. Additionally, as you pointed out, while this synth has character it's tone is rather aggressive and not everyone may like it (I quite like it, but I can understand why others don't). I'm no mixing guru but I think this one when pushed to its limits might have a bit more trouble sitting in the mix than others. The limitations ultimately do become a factor as well. I don't think they're a breaking point for a $300 synth, but when comparing to something like the Microfreak (which wasn't out when I bought the Monologue), I think in hindsight I would have chosen that for its greater flexibility. Having new analog synth options in 2017 was an awesome thing, and the Monologue is a great analog synth, especially for someone just starting out (in that case, the limitations and ease of use make it a great instrument to learn with). And with some out-of-the-box thinking, you can get a lot of great results. That said, I have several other monosynths (and still some I'm considering to purchase) that I think I'm ready to move on from the Monologue, and replace it with the Minilogue XD which is a steal at its current price when you compare it to the Opsix or the Wavestate (both of which should be $650 or less in my opinion), and capable of so much more than the Monologue. Again, it's a great synth, really, and it has its place. But I think competition has caught up and surpassed it at this point, especially if you're looking at paying ~$350 for it. Still, it's capable of some really cool stuff. (Yes, I'm having trouble accepting the idea of parting with mine.) Sorry for the super long comment! Thanks to anyone who bothers to read it!
I love my monologue. Wish it had pattern chain. But it still sounds amazing for the price. It also interfaces very well with my modular. Korgs filters and lfos shit on most mainstream competition. Monologue does acid better then almost every 303 clone and is way easier to program/ sequence with other gear. Plus the internal quantizer with microtuning is very nice.
If we were playing Bad Gear Bingo I’d be ticking all the boxes. I bought mine off a fine British fellow who had more emit less the same opinions as Florian. Maybe time to do an OP-1, it’s overpriced, over hyped, bad for making music that is not lofi pop or hiphop, we still don’t know how all the synth engines work, and it beats the microkorg for hipster chic
@@randommcranderson5155 I have four teenage engineering gadgets... 3 are totally flawless and work perfectly. however, one of them has a button stuck and despite numerous emails, there's been no reply. however, as the device in question isn't my 'go to', it's fine - I'll ignore that one button! (or keep randomly poking it...)
Shots fired. The distortion + filter has that tone I’ve always looked for. I love it. Are there ‘better’ in its class/price range… yes. This is is just fun and immediate…”too aggressive and too fuzzy” ? Yes please! (Also I have the baby blue microbrute.)
Was that a Kurt Cobain picture you showed when you invoked Richard D James? 🤣 Dude you kill me sometimes, I swear I could rewatch your videos and catch random Easter eggs all over. High quality entertainment 🤣 as always. Edit: have to give props for the ending jam, loved it
Just found one for 200 American earth bucks NEW😎 Didn't need another mono synth but this is much more than that, the sequencer is killer. Never bought it thinking it would end up a as secret drum machine/percussion looper Take a monotribe with 16 steps, add a mini keyboard and the always appreciated motion recording from volcas, digital CCs and a real midi interface you have the monologue. Love it!
Oida. - kompaktes, informatives und originelles Format - GAS befriedigend - Unlike einiger anderer Reviewer megafette Demobeats - ur kreative visuals Dieser Kanal is massiv underrated. Danke Wiederschaun.
I bought a Monologue as my intro to the world of Synths and it's still the only hardware synth I own. I love it but there are things that it just can't do. The simple envelope is really what I miss when making sounds. I use it mainly for it's phat bass noise. I'm surprised that you didn't mention the keyboard and that it starts on E rather than C.
As I wrote to the MicroKorg episode: the Monologue is (of course) no MicroKorg replacement, but for me it is exactly this. I'm sure it will be a legend one day. I really love this lil fella.
Its cool this synth had a lot of character and gets a lot of love. I just could not get along with it compared to my Microbrute, Volca Bass, or Mother 32. Definitely a matter of taste. Solidly built for the price and a great value if you dig the sound
It’s a great learner synth (especially for kids with the oscilloscope), that has quite some Interesting abilities. You did miss the 4 lanes of automation in the sequencer, which I think is the best “longevity” option on this entry level synth. The price is so good, that it would definitely work for a permanent bass synth (layer), as selling one doesn’t make much sense ;)
Literally bought this as a learner synth for my niece (who's in elementary school). Don't know how far she got with it, but I couldn't resist and got myself one too :D
This synth is so good, it deserves a special edition with a more solid build and an option to get it only as a module. Of course, I was a huge fan of the ER-1 as well, so I was very happy to see these two powerhouses together! Tip 1: Internal clock sequencer speed goes up to 600 BPM from the tempo menu. Tip 2: The Mac and PC editor also lets you import custom tunings from Scala.
I once programmed a two-part sequence on it because the two VCOs tune knob can be modulated to precision. So even though it’s 16-step, it can act as a duo synth
yessss been waiting for this one for a while i've had the monologue for almost two years. it's a long learning curve, and as i'm living in a third-world country and can't afford another synth yet i've been able to go through it. you are right, i take it more as a groovebox than a mono synth. it's so much fun for me to try to make presets that have sequences made of melody and beats. i once made a sequence that kinda sound like i'd taken it out of a yoshi game, so maybe it's kinda good for chiptune? also you can find sweet spots with the lfo that make involuntary harmonies, and sometimes it sounds quite good if used for ambient. that jam was on point tho. also lmao the guy that said there were only 20 preset slots didn't even bother watching an explanatory video
I love the wicked cool tones I get from my Monologue. The more I play and tweak it, the more I love it. You can get some amazing complex tones out of it with a great set of loud speakers which are able to shake the walls.
Let's go dude, my first synth! Got it for a bargain a couple years back, the rubberized plastic knobs are getting a little sticky now, but I love it's sounds and the hands on control.
I like it due to the memory bank and screen, what I don't really like that much is the filter it's kinda "squeaky" but some interesting sounds can be achieved with the INT knobs
Dope Mono Synth. I use it to create UK Garage Square Wave Bass and some serious dark Techstep Bass tones which I then sample into my MPC for further tickling of the Foxes. As as sound design tool its great. I was aware of its limitations, but the bass this can make is seriously naughty. Great show brother, Glove from Berlin.
I actually quite liked the sound of this synth , IMHO the filter was more aggressive than the mini , but I hated the keyboard starting at E so much that I just avoided playing it . Wish they would of made a module and saved the space just a bit probably would of kept it .
Excellent video . You commented at the end of this video that your search for the ideal mono synth continues. I'd love to see a round-up video where you make a decision (from all of the mono synths you've reviewed to date) and explain your rationale. That would be an entertaining video and would allow us to get a bit deeper into that impressive brain of yours. Keep them coming. Love your content.
Excellent! I really like the Monologue. You can really get some good acid madness out of it. This is the 2nd piece of gear that I own that you've featured on your show, and I'm sure it won't be the last - hahaha
If this is someone who "obviously has a hard time getting sounds he likes", I don't think I can handle the tracks he'll make when the ideal mono is found 🤯
You know that feeling when it's like a third of the parameter range that gives you sounds that perfectly do the job and it's just a matter of taste? I didn't get that feeling on the Monologue for sure;)
@@AudioPilz I do know what you mean, and agree 100% :) Although I do have fun programming it, it's like fighting for the steering wheel sonically. I just had to give you crap because your struggle sure wasn't evident in the music (which IMO was really something special)! ⚡🎧⚡
You left out one of this synth’s best features: the external input that lets you run other audio devices through the filter. Hook up a digital polysynth or a drum machine, use the motion sequencer to automate the filter, and let the games begin.
I found this channel when I came across your bad gear episode about a piece of gear I owned (Volca Beats) and now I get to see another episode with a synth I own! This was my first budget hardware synth so I've grown quite fond of it. Funnily enough, my biggest problem with the synth is that it starts on E instead of C and it always throws me off! I've actually found myself using it more for mono leads than I have basses, I quite enjoy the sounds I can get running it through my quadraverb.
excellent episode as always. feel marginally hurt as i love this synth. feel like you shouldve mentioned how the workflow is so easy and the built in oscilloscope is great for noobs to learn whats going on. the afx thing is obsessed with microtuning which this is very powerful at (i dont care). i feel like the presets misrepresent the instrument. downloading some basic ones kinda makes it easier to play with and actually use in compositions. Also, oscillator sinks excellent series of youtube videos are a must for any monologue peeps
had no idea this was considered a bad synth. I’m no expert on synthesis, but I have noticed that synth people are often super critical. Seemingly, any synth could be considered bad
Worth the wait, I knew it. For a change, I don't have a Monologue but I do really want one. That aggressive quality is ideal for dystopian, John Foxx-style noodlings.
To me the main point of this synth (other than the lovely aggressive sound, which apparently is a point of contention), is the usability of the sequencer for live improv. Playing into the sequencer live feels insanely good, I purchased and returned a key step pro because it didn’t respond nearly as well as this when playing live, and having 4 automation lanes that you can record over whenever you want (plus the incredibly accessible slide function that you didn’t mention, I have not seen an interface better for adding slides on the fly) makes it possible to turn your improv around instantly to whatever direction you may want to take it. I suppose I would say this is a great instrument for improv and live performances, but I can see why people might want something else for studio/daw workflow. Also I must say that it responds very well to aggressive outboard drive effects, especially for acid lines.
I felt my guts sinking when I saw the thumbnail... Best analog monosynth that I know of! Zero bad things under the hood. It does all it promises and then some. Edit: Yes, the sequencer lenght is quite short, but 16 steps for baselines is more than enough if you are not a jazz base player.
A super memed out episode, love it bro!! (The Aragorn one though! 🤣) I was literally lookin’ at Korg Monologues last night. Might still grab the gold edition at some point…. #thesonicpotential (another great edit)
never tried this one, but minilogue is very nice from both UI and sounds - only thing where it sucks - is what sequences are being switched instantly without playing til end of the bar, like on volcas :(
For me there is a lot of potential in instant changeing patches while sequencer is runing. Only i wish for a way to hold a patch while searching for another.
My first synth and I still fucking love it! Even though I've amassed more "better" synths I still go back to the Monologue for a lot of my leads and basses. It's still a beast!
"Temptation of Ulie" Pretty appropriate since Berhinger had a personal feud against a journalist and mistreated their workers in China. This keyboard seemed interesting, and a decent size for small studios. I'll definitely focus more on the Minilogue XD or whatever it's call when I have room.
For the price, I think the Monologue is brilliant despite only a sixteen step sequence length - DAF and many others managed to create great tracks with little else. As for the "perfect" monosynth, my choice would be another Korg, the MS-20. The sound that defined a lot of 80s cold wave, EBM and Neue Deutsche Welle bands.
my man great work. this was my 2nd synth after the microbrute. i have had it a few years, but I think I can do more with it. I have found the sequencer to be short.. anyways my dude i love you channel. watching from the usa--texas. rock on
You saved me from MPX8, like day or two before purchase. In the meantime I bought Monologue cheaply and I learned how to operate. I hate 16 step sequencer without track mode too, otherwise it's definitely my cup of tea. PS On day one first thing I checked on my Monologue after unboxing was if knobs are wobbly... and you're the one who teached me to do so
That meme @7:17 is on point. I love my Monologue. Though I suspect it has something to do with the chromatically playable HUGE 808-style kick I programmed onto the first patch slot. Also worth mentioning that the Mono came along right at the beginning of that massive monosynth boom in the 2010s. Its closest direct competitor was the Arturia Microbrute, whose ass it pretty well kicked. Well, except for the Brute's 64 step sequence length... They put a man on the moon 52 years ago, so there's no excuse for a 16 step sequencer... or is there? The 4x lanes of parameter automation gets pretty chaotic pretty quickly, so maybe the there's some method in the limitation madness?
Honestly, a good 2-pole filter can be just as good on monos as a 4-pole imo. Examples that come to mind are the Korg35 from the MS-10/MS-20, the Oberheim SEM filter, miniKorg traveler filter and possibly my favorite bread-and-butter filter for monosynths, the Pittsburgh Modular SVF used in the SV-1 and Binary Filter module.
While I enjoy your reviews, I don’t think that this is such a bad synth! In fact, you inspired me to use it in new creative ways, and your song towards the end was full on brilliant! Great job 👏🏻
At first I was not impressed but now I can't wait to the next video I really love your videos especially your musicvideos of the instruments you talk about. Iam your fan!! Love from TAO
Yet again I see gear that I have here, and one of of my all-time favorites. Can't wait till you get to The Temptation of Uli that sits next to it :D I love the sound - yes, it tends to be fuzzy and aggressive - but I have plenty of mellowness in 3 FM synths and the Casio CZ3000 :)
This really gave a kick start to my day. Well done. Owning one felt a bit limited for me. I felt like ran out of things to do with it as much as the form factor and controls were really pleasant. Best to spend a bit more and get a minilogue
I think despite its envelope (which is versatile enough for me) this little thing is absolutley packed with features: automation, audio input, oscilloscope, custom scales, ring mod, sync, audio range lfo, noise generator... It even does PWM, bro! Bread and butter sounds with appealing aesthetics and useful I/O. I never regretted buying this as a first hardware synth.
I had one and sold it for a Bass Station 2 which I don't really regret. I agree that it's trickier than it should be to find good sounds, and the BS2 jogs laps around it in both value and sound quality. Maybe that could be your next monosynth experiment if you haven't tried it
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Thank you for your patience!!! Finally got the episode through the copyright check;)
did someone copyrighted their memes? :D
TOOK YOU LONG ENOUGH
ahah goddamn I'm so sorry this is really a thing...thanks for the great {free} content!
I really like the bass lines you do for the first jams you do in your videos. Could you share what is your approach to make those great acid lines. Best.
Totally worth it. Best episode to date IMO! Glad I wasn't drinking when the picture 'AFX' popped up!!! HAAHAHAHAHAA
So what song ticked UA-cam's copyright box? As in: what did they think you played?
Here's a trick with the only 16 step sequencer: Ignore it for sequencing notes, and use it for just modulation. You can record in parameter changes without any notes and leave the sequencer running so it's modulating parameters while you play or sequence it externally. 16 steps of notes may be very limiting but treating it like a custom modulator instead it becomes a different beast.
Yes, and you dont have to let the modulations run in sync!
Nice technique!
Righto! I’m going to try that.
wow, nice trick! never thought about that
Agree. Record various parameter modulations like you have four 16- points envelopes.
Lol, almost had beer coming out my nose laughing at the "Richard D. James" pic at 4:19 !! Well played Mr. Pilz, well played!
Thanks! Maybe Mr. Cobain is the lost twin?
Now I want this Synth even more
If the sound works for you it's a great choice!
lol the picture of kurt for rdj slayed me.... bust out laughed
Thanks!
For a second I thought it was really RDJ, uncanny
Have had mine for 3 years it was my first synth actually, I’ll always love that little thing
I could watch this all day. Clear and concise reviews as always, and your demo tracks are great.
Thanks!
I almost had a heart attack when I saw my beloved monologue was on stage to be judged!!! But, at least you saw the sequencer for what it is and gave it the same praise in it's implementation that I do. All in all, the under-achieving but loveable middle child of the King "-uge" line survives to rock another day!
The "-uge" line...😅😅😅
Just got it as my first -so far- Synthesitzer. only pay 210€ because it is very cheap at Amazon and I got a 50€ coupon for Amazon.
Also the wood thingy at the back matches my Hifi Speaker and my living room door perfectly. :-D
Was that stupid? I thought about getting a Arturia MiniBrute 2 Noir, but 500€ is steep starting point for beginning a new Hobby IMHO. So far I only played a little with HELM.
@zebarzebra i want a minibrute 2 to this day but i dont think id recommend it as first synth. Theres alot going on in its layout
all three tunes were delightfully impressive. I didnt even know this synth was disliked at all. This was the number 1 contender a few years back when I was bit by the monologue synth bug and was shopping for one, Ended up with the Roland Se-02 and can't complain. (dont even think about it, not bad gear material). Thank you again for starting my weekend right, I kept the coffee pot on longer while waiting for youtube to let you upload. well worth it.
Thanks for your patience!!!
I have both the se02 and the monologue. I love them both equally for different reasons
I am definitely not a fan. I tried. I've owned two. Just too many limitations. For the money I'd probably go with a bass station 2. Better sequencer, better envelopes, paraphonic.
The 16 step sequencer on this thing can do drums and baselines plus using the white noise To get metallic sounds you got hi hats. The 4 motion locks make it possible to cram everything in just 16 steps or one bar. It really can do live techno or dubstep like sets just stand alone by saving multiple patches at the same tempo and flipping that knob back and forth for patch transitioning to overcome that one bar limit so yeah it’s a Beast. I fully love This machines sequencer capacity and when pushed to the limit it can get some pretty off the wall amazing beats Going. 10/10 for korg.
The motion locks are indeed great!
I bought one last year but sold it after a few months to a guy who was giving it to his kid as their first synth. I think it was a very nice gift for the child.
Absolutely. That's what I call good parenting!
I think this is where you went full circle, for me anyway. Youve handled all my past synths and this is my current synthesizer.
Bad? Not sure, alot of the presets I have zero use for, but mine is gold coloured, and thats what I hate most about it. Shouldve gotten black, OR, well, a poly synth.
As always, great video!
Thanks! Gold paintjob makes everything better;)
Get a minilogue xd. Motion sequencer rocks and with third-party oscillators it can be an amazing groovebox.
@@Sx107music Bought one! I dont think I'll ever get rid of this synth, I really like it! Thanks for the tip
Always enjoy seeing the amount of effort and editing you put into your videos. Keep up the great work!
Thank you!!!
Glowsticking Drum'n'Bass Breakkorg Neurostep is the jam I needed for this friday
Yup, really fits the season;)
Hearing your two songs featuring this piece really lets me know that this really is a true descendant of that classic 80s freestyle sound that Korg was deeply involved in.
👍
I've been waiting for this, glad it's finally here. The monologue is my favourite synthesizer, it was my first and it's supplied me with some of my favourite sounds. The sounds may sound a little harsh to some but it's special talent is being able to sit in virtually any mix quite well. I've used it in more songs than i can count.
Also there are like hundreds of little tricks that you can do with this synth that are practically only possible on the monologue, when you really go deep into it then it's truly something quite special.
Agreed, it really sits well in the mix
Well worth the wait and a good summary of the MonoLogue too. Happy Friday everyone!
Thanks Chris!
As in under an hour wait, then I agree...
You just sold 100 monologues for Korg. Everytime I wanna whip up cash for gear I can't afford I consider putting the stock knobs back on and selling the log. Then I play it for a final hurrah, play it some more, put some drums on it, and play it for about six hours and realize that the sequencer is awesome. 16 steps you can change every 16 steps on the fly, it never gets old. Sometimes it sounds like ass, is hard to mix with anything, other times it IS the sound.
Yes, it's definitely fun to play and often hit or miss
It's the ultimate beast for acid craziness and Drone sounds, yeah it has limitation, but it's also what makes it so good to use . honnestly i prefer use this one than to have to emulate a 303 with an expensively ridiculous eurorack that sound similar to another expensively ridiculous Eurorack, one of my favorite gear here, and i don't bought expensive synth , i want something else that sound and rocks it's simple like that and for that price the Monologue is a real beast .
Recently I have explored more deeply a lot of synths in comparison to Logues (Mono, Mini, XD, Pro). I arrived to the same conclusion as you. This family's genius is precisely in its limitations. For instance, the Mininova, can do "everything" but then you just stumble into random things, e.g. there's no easy way to change the LFO shape while playing. That's a stupid limitation in the middle of a huge complexity. But the Minilogue in contrast doesn't have basics as a modulation matrix or a sustain pedal input, and those are brilliant limitations: It's all in your panel, visible, at the reach of your hands, one knob per function, what you see is what you get. That's how you get an instrument to become an extension of your body.
The fast LFO gives the synth some modular vibe, true!
Monologue versus TD-3?
@@HammyHavoc nenni
I like the Monologue a lot. However, since the Minilogue XD came out, I've seriously been considering selling the Monologue and replacing it with the XD. The XD is such a great upgrade over the original Minilogue and resolves pretty much all the issues I had with the original.
But back to the Monologue! The good: it's a relatively inexpensive analogue monosynth with a LOT of potential. I bought mine new when they were $300 and I still think that's a great price for this synth. Definitely worth $300 IMO. That said, last I checked the price had crept above $350 and in that range I'm not so sure... I would probably want something like the Microfreak instead.
The oscillators are nice, it seems to stay in tune just fine, and it's definitely got some character to the sound. I like how gnarly and aggressive it can get. The battery compartment is extremely welcome, especially since Korg didn't bother to include a power supply. I really love just sitting on the couch and playing around with the Monologue. Its size is also perfect for this. In terms of "mini-keys," these are the type of mini-keys that I enjoy because they don't particularly feel like mini-keys to me (the Microkorg, in my opinion, has the worst mini-keys ever made). The knobs are smooth and I love turning them, likewise with flicking the switches. This is a cheap plastic-bottom synth but the interface panel feels MUCH higher quality than that, and the OLED display is super crisp and responsive. Only occasionally have I noticed slight weirdness where on certain notes it doesn't quite update quick enough.
I also think that this is one of those few synths where its limitations are actually a good thing. While the sequencer is limited, it's one of the easiest to use on any monosynths that I've tried. The filter, like on any good synth, can be utilized as a third oscillator, and you can create a pretty awesome kick using just the filter, no oscillators. To me, the filter is definitely a high point on the Monologue. The synth engine presented here is flexible enough to create workarounds for some of the limitations, and for me that's something that makes a synth exciting. Since it's so well-laid out and easy to use, creating workarounds are not really that difficult, it just requires a little bit of experimentation. I am reminded of the Korg DS-10 in that way, where the limitations force me to seek out new ways to utilize what I'm given and ultimately I end up creating not only results that were better than expected, but results I otherwise wouldn't have thought of had those limitations not forced me to be creative.
I probably sound like a big fan of the Monologue... and I am! But onto the bad. Considering the price now hovers around $350, I wouldn't say it's necessarily a bad purchase at that price, but there are certainly some other options, like the Microfreak or various Behringer synths like the Model D, Cat, etc. Go a little higher and you're in Bass Station II territory, and that is one synth that I've been salivating over. I'm still punishing myself for not picking one up brand new when it was on sale for $350. I think the BSII has more sonic flexibility than the Monologue, with an interface that has both strengths and weaknesses in comparison, but in general is the one I'd rather use on any given occasion.
One thing you didn't mention was the key arrangement, which on the Monologue is E-to-E. This is because it's intended for supplementing guitar with a "bass line." I guess that's fine, standard guitar tuning starts with E but not every song or every guitar player uses standard tuning, and it does make using the keyboard a little odd. I'd rather have a normal C-to-C keyboard. Additionally, as you pointed out, while this synth has character it's tone is rather aggressive and not everyone may like it (I quite like it, but I can understand why others don't). I'm no mixing guru but I think this one when pushed to its limits might have a bit more trouble sitting in the mix than others.
The limitations ultimately do become a factor as well. I don't think they're a breaking point for a $300 synth, but when comparing to something like the Microfreak (which wasn't out when I bought the Monologue), I think in hindsight I would have chosen that for its greater flexibility. Having new analog synth options in 2017 was an awesome thing, and the Monologue is a great analog synth, especially for someone just starting out (in that case, the limitations and ease of use make it a great instrument to learn with). And with some out-of-the-box thinking, you can get a lot of great results. That said, I have several other monosynths (and still some I'm considering to purchase) that I think I'm ready to move on from the Monologue, and replace it with the Minilogue XD which is a steal at its current price when you compare it to the Opsix or the Wavestate (both of which should be $650 or less in my opinion), and capable of so much more than the Monologue.
Again, it's a great synth, really, and it has its place. But I think competition has caught up and surpassed it at this point, especially if you're looking at paying ~$350 for it. Still, it's capable of some really cool stuff. (Yes, I'm having trouble accepting the idea of parting with mine.)
Sorry for the super long comment! Thanks to anyone who bothers to read it!
I have them both Monologue and Minilogue XD side by side on my rack. They are one dynamic duo.
Thank you for sharing!
all i can say is... XD
That sums it up pretty nicely
I got mine in blue for $200. I am still finding out the sounds it can do after three years of owning it.
I love my monologue. Wish it had pattern chain. But it still sounds amazing for the price. It also interfaces very well with my modular. Korgs filters and lfos shit on most mainstream competition. Monologue does acid better then almost every 303 clone and is way easier to program/ sequence with other gear. Plus the internal quantizer with microtuning is very nice.
I like it as a meta-acid machine as well!
Nailing it as usual with impeccable humor. Thanks for doing those episodes.
Thank you!!!
I find the little waveform display absolutely adorable!
So cute!!!
If we were playing Bad Gear Bingo I’d be ticking all the boxes. I bought mine off a fine British fellow who had more emit less the same opinions as Florian. Maybe time to do an OP-1, it’s overpriced, over hyped, bad for making music that is not lofi pop or hiphop, we still don’t know how all the synth engines work, and it beats the microkorg for hipster chic
An interesting choice for sure (Bad is not what I would say) but if you want hate on good gear - look no further than....
*OCTATRACK*
Teenage engineering and Elektron are always great for some controversy;) Thanks for the suggestions!
@@SphericEl The Octatrack is a beast in what it can do.
But the learning curve... Damn... Mt. Everest isn't as steep as the OTs learning curve. xD
@@AudioPilzthe problem with teenage engineering is that all their engineers are teenagers and it shows in the build quality.
@@randommcranderson5155 I have four teenage engineering gadgets... 3 are totally flawless and work perfectly. however, one of them has a button stuck and despite numerous emails, there's been no reply. however, as the device in question isn't my 'go to', it's fine - I'll ignore that one button! (or keep randomly poking it...)
I've said it before but you are one crazy talented musician.
I love it that you skip between genres like that
Thank you so much!!!
Shots fired.
The distortion + filter has that tone I’ve always looked for. I love it.
Are there ‘better’ in its class/price range… yes. This is is just fun and immediate…”too aggressive and too fuzzy” ? Yes please!
(Also I have the baby blue microbrute.)
It's a mediocre sound you can get from all new 'analog' synths nowadays. Only liked the LFO sound when he pushed it.
It's really funny how tastes differ;)
There's probably no better in the same price range. But I would go for Bass Station II.
Was that a Kurt Cobain picture you showed when you invoked Richard D James? 🤣 Dude you kill me sometimes, I swear I could rewatch your videos and catch random Easter eggs all over. High quality entertainment 🤣 as always. Edit: have to give props for the ending jam, loved it
Thank you! Easter eggs 4 life!!!
Broke my shit laughing at that😂
clever stuff 'easter eggs' = another view added on a re watch!
I thought it was David Spade for a second. 😉
on point with the lols- gonna rewatch this one many times!
Just found one for 200 American earth bucks NEW😎
Didn't need another mono synth but this is much more than that, the sequencer is killer. Never bought it thinking it would end up a as secret drum machine/percussion looper
Take a monotribe with 16 steps, add a mini keyboard and the always appreciated motion recording from volcas, digital CCs and a real midi interface you have the monologue. Love it!
Yeah, sometimes you just have to buy another mono;)
I like this synth because…it's fuzzy and aggressive. You hit that part nail-on-the-head!
Thanks! It's great to have such a variety of instruments to choose from!
Kinda crazy how this series has become an essential part of my week. I NEED THIS SHIT MAN!!!
❤️❤️❤️❤️❤️❤️
Was my first synth and it taught me so much I had so much fun with it. Only bad point for me was the 16 step sequencer.
That one's a real limitation
If you work with daw and some midi, no more limitations lol
Oida.
- kompaktes, informatives und originelles Format
- GAS befriedigend
- Unlike einiger anderer Reviewer megafette Demobeats
- ur kreative visuals
Dieser Kanal is massiv underrated.
Danke Wiederschaun.
Daungschen!!!
I bought a Monologue as my intro to the world of Synths and it's still the only hardware synth I own. I love it but there are things that it just can't do. The simple envelope is really what I miss when making sounds. I use it mainly for it's phat bass noise. I'm surprised that you didn't mention the keyboard and that it starts on E rather than C.
Yea it's a great feature, perfect for rock n roll!😁
Originally, I had a guitarist joke in it;)
As I wrote to the MicroKorg episode: the Monologue is (of course) no MicroKorg replacement, but for me it is exactly this. I'm sure it will be a legend one day. I really love this lil fella.
Love the Microkorg too!
That DnB track was fiyahhh. Nice work
Thank you!!!
Great episode! I have no regrets buying my monologue used. Like you, it I use it for drum and bass. It is a sleeper synth.
Thanks! Great for DnB!!!
Its cool this synth had a lot of character and gets a lot of love. I just could not get along with it compared to my Microbrute, Volca Bass, or Mother 32. Definitely a matter of taste. Solidly built for the price and a great value if you dig the sound
Certainly a matter of taste. Really liked the UI
What an amazing video! Best review I have EVER seen!
Thank you!!!
It’s a great learner synth (especially for kids with the oscilloscope), that has quite some
Interesting abilities.
You did miss the 4 lanes of automation in the sequencer, which I think is the best “longevity” option on this entry level synth.
The price is so good, that it would definitely work for a permanent bass synth (layer), as selling one doesn’t make much sense ;)
Yeah, I really liked the oscilloscope too!
Literally bought this as a learner synth for my niece (who's in elementary school).
Don't know how far she got with it, but I couldn't resist and got myself one too :D
Wie immer ein großer Spaß, Dir zu zuschauen. Musste pausieren, um das Aragorn-meme zu lesen und hab geprustet vor lachen!
Danke!!!
The monologue was my first analog monosynth and still my favorite.
Great synth if you like the sound!
Acid bass box is why I went back for this one. Your jams are great for "new purchase justification". :D
Thank you so much!!!
This synth is so good, it deserves a special edition with a more solid build and an option to get it only as a module. Of course, I was a huge fan of the ER-1 as well, so I was very happy to see these two powerhouses together! Tip 1: Internal clock sequencer speed goes up to 600 BPM from the tempo menu. Tip 2: The Mac and PC editor also lets you import custom tunings from Scala.
A module only version would be great
A module with a real ADSR envelope and 4-pole synth would be really sweet. I would also prefer faders but I know Korg just loves knobs.
Minilogue XD Desktop?
I once programmed a two-part sequence on it because the two VCOs tune knob can be modulated to precision. So even though it’s 16-step, it can act as a duo synth
Nice technique!!!
yessss been waiting for this one for a while
i've had the monologue for almost two years. it's a long learning curve, and as i'm living in a third-world country and can't afford another synth yet i've been able to go through it.
you are right, i take it more as a groovebox than a mono synth. it's so much fun for me to try to make presets that have sequences made of melody and beats. i once made a sequence that kinda sound like i'd taken it out of a yoshi game, so maybe it's kinda good for chiptune?
also you can find sweet spots with the lfo that make involuntary harmonies, and sometimes it sounds quite good if used for ambient.
that jam was on point tho.
also lmao the guy that said there were only 20 preset slots didn't even bother watching an explanatory video
Yeah, these hate comments are not always well-educated;)
I love the wicked cool tones I get from my Monologue. The more I play and tweak it, the more I love it. You can get some amazing complex tones out of it with a great set of loud speakers which are able to shake the walls.
It can be really nasty!!!
Let's go dude, my first synth! Got it for a bargain a couple years back, the rubberized plastic knobs are getting a little sticky now, but I love it's sounds and the hands on control.
I was afraid they would get sticky. Bummer...
@@AudioPilz It isn't so much of an issue to be honest, but I'd definitely keep Chromacaps in the back of my mind for the next decade :)
My rubber knobs are still perfect after 4 years of intermittent use.. my first synth as well :) btw AudioPilz thanks for your videos!!
I like it due to the memory bank and screen, what I don't really like that much is the filter it's kinda "squeaky" but some interesting sounds can be achieved with the INT knobs
Not my favorite filter either...
Dieser Kanal entwickelt sich immer mehr zu einer Ansammlung von Synth Meta Jokes. Herrlich
Freut mich zu hören!
Dope Mono Synth. I use it to create UK Garage Square Wave Bass and some serious dark Techstep Bass tones which I then sample into my MPC for further tickling of the Foxes. As as sound design tool its great. I was aware of its limitations, but the bass this can make is seriously naughty. Great show brother, Glove from Berlin.
Thanks! Foxes must be tickled!!!
I actually quite liked the sound of this synth , IMHO the filter was more aggressive than the mini , but I hated the keyboard starting at E so much that I just avoided playing it . Wish they would of made a module and saved the space just a bit probably would of kept it .
It's a keybed for guitar players;)
@@AudioPilz yeah but I’m a a drop D guitar player lol
Excellent video . You commented at the end of this video that your search for the ideal mono synth continues. I'd love to see a round-up video where you make a decision (from all of the mono synths you've reviewed to date) and explain your rationale. That would be an entertaining video and would allow us to get a bit deeper into that impressive brain of yours. Keep them coming. Love your content.
Thank you!!! Great idea! My favorite is still the Doepfer MS-404
@@AudioPilz researching this one now. Thanks.
Welp the first synth I ever bought since I got in this hobby. This shall he a fun episode.
Nice starting point!
The super modern synth videos are always great for curing my curiosity-induced GAS. Meme game leveled up yet again with this upload.
Thanks!
The ideal monosynth is the Minimoog. Was true in 1970 and always will be! (ok, ok, I actually own a MiniBoog, but hey!)
There is some truth to it!
Omg! Seeing this on the channel surprises me a lot! I think Korg takes the second place after Roland in the history of „Bad Gear“.
True, with Yamaha as the third
Roland sucks ass since a decade.... I can't believe how much shit they release:;;) but it's hard funy
The final jam played at 0.5 speed sounds like a John Carpenter masterpiece.
😂
Excellent! I really like the Monologue. You can really get some good acid madness out of it. This is the 2nd piece of gear that I own that you've featured on your show, and I'm sure it won't be the last - hahaha
Lol, there should be Bad Gear in every household;)
If this is someone who "obviously has a hard time getting sounds he likes", I don't think I can handle the tracks he'll make when the ideal mono is found 🤯
You know that feeling when it's like a third of the parameter range that gives you sounds that perfectly do the job and it's just a matter of taste? I didn't get that feeling on the Monologue for sure;)
@@AudioPilz I do know what you mean, and agree 100% :) Although I do have fun programming it, it's like fighting for the steering wheel sonically. I just had to give you crap because your struggle sure wasn't evident in the music (which IMO was really something special)!
⚡🎧⚡
It's sequencer and midi functions are amazing and it's great at faux chip tune style sounds.
Agreed!
You left out one of this synth’s best features: the external input that lets you run other audio devices through the filter. Hook up a digital polysynth or a drum machine, use the motion sequencer to automate the filter, and let the games begin.
Love doing this with my volca fm
I do this with my Behringer Crave. Turns the Monologue in a 3 oscillator monster
Nice technique, thanks for pointing that out!
I found this channel when I came across your bad gear episode about a piece of gear I owned (Volca Beats) and now I get to see another episode with a synth I own! This was my first budget hardware synth so I've grown quite fond of it. Funnily enough, my biggest problem with the synth is that it starts on E instead of C and it always throws me off! I've actually found myself using it more for mono leads than I have basses, I quite enjoy the sounds I can get running it through my quadraverb.
Thanks! The e-e keyboard triggers some serious OCD;)
excellent episode as always. feel marginally hurt as i love this synth. feel like you shouldve mentioned how the workflow is so easy and the built in oscilloscope is great for noobs to learn whats going on. the afx thing is obsessed with microtuning which this is very powerful at (i dont care). i feel like the presets misrepresent the instrument. downloading some basic ones kinda makes it easier to play with and actually use in compositions. Also, oscillator sinks excellent series of youtube videos are a must for any monologue peeps
Thanks! Osc Sink's videos are great!
The librarian preset manager thing is a right pain the ass. Never could get it to work for me.
@@patkelly8309 ah weird I didn’t have any issues
I do with the minilogue XD. Heard a windows update rigged it, can't get it to work since like October last year
@@solidkeys to be fair i probably haven't used it since then. ****!
I was always sceptical about Monologue. And now it appears here!
...it's in good company;)
had no idea this was considered a bad synth. I’m no expert on synthesis, but I have noticed that synth people are often super critical. Seemingly, any synth could be considered bad
Some of them are quite universally loved (Access Virus for example) but most of them get some kind of flak
Worth the wait, I knew it. For a change, I don't have a Monologue but I do really want one. That aggressive quality is ideal for dystopian, John Foxx-style noodlings.
I just hit play on underpass;)
Finally, Friday is complete
TGIF!!!
To me the main point of this synth (other than the lovely aggressive sound, which apparently is a point of contention), is the usability of the sequencer for live improv. Playing into the sequencer live feels insanely good, I purchased and returned a key step pro because it didn’t respond nearly as well as this when playing live, and having 4 automation lanes that you can record over whenever you want (plus the incredibly accessible slide function that you didn’t mention, I have not seen an interface better for adding slides on the fly) makes it possible to turn your improv around instantly to whatever direction you may want to take it. I suppose I would say this is a great instrument for improv and live performances, but I can see why people might want something else for studio/daw workflow. Also I must say that it responds very well to aggressive outboard drive effects, especially for acid lines.
The sequencer is definitely the centerpiece of the synth!
I felt my guts sinking when I saw the thumbnail... Best analog monosynth that I know of! Zero bad things under the hood. It does all it promises and then some.
Edit: Yes, the sequencer lenght is quite short, but 16 steps for baselines is more than enough if you are not a jazz base player.
There's always a bit of Jazz bass in the mix;)
@@AudioPilz Do you have the next piece of gear lined up already? Would it be at all possible to see you do the Korg i3 workstation?
A super memed out episode, love it bro!! (The Aragorn one though! 🤣) I was literally lookin’ at Korg Monologues last night. Might still grab the gold edition at some point…. #thesonicpotential (another great edit)
Thanks! The LOTR meme was probably the most Facebook dad thing I ever did😂😂😂
Can the Roland Gaia be considered BadGear?
It certainly can and it will eventually get the Bad Gear treatment
Love the production values on your channel. (Of course, I may just be trying to console myself on past purchases.) :)
Thanks!
never tried this one, but minilogue is very nice from both UI and sounds - only thing where it sucks - is what sequences are being switched instantly without playing til end of the bar, like on volcas :(
I'm torn when it comes to switching behavior. I really prefer to choose;)
For me there is a lot of potential in instant changeing patches while sequencer is runing. Only i wish for a way to hold a patch while searching for another.
That DnB track was incredible. well done! another stellar video!
Thank you!!!
My first synth and I still fucking love it! Even though I've amassed more "better" synths I still go back to the Monologue for a lot of my leads and basses. It's still a beast!
Nice starting point for a synth addiction;)
I use the rim shot from the TR-8 to trigger the sequencer from the sync in.
"Temptation of Ulie"
Pretty appropriate since Berhinger had a personal feud against a journalist and mistreated their workers in China.
This keyboard seemed interesting, and a decent size for small studios. I'll definitely focus more on the Minilogue XD or whatever it's call when I have room.
The Monologue is indeed super compact!
Sweet the video is up. Thanks again!
Thanks for your patience!
This was my first synth, had to sell it to pay rent but sometimes I really miss it a ton. We even processed vocals with this little monster 😢💙
Nice! Totally neglected processing of external signals
I run my Monologue through the Boss SL20 and a Gigadelay, I'd use something fancier but I really like that I can run it on batteries.
Nice setup!
Admit it, the real reason for the delay is that Uli sued you for designating him to be the devil instead of god
NFT drop of that meme so I can afford the lawyers;)
For the price, I think the Monologue is brilliant despite only a sixteen step sequence length - DAF and many others managed to create great tracks with little else. As for the "perfect" monosynth, my choice would be another Korg, the MS-20. The sound that defined a lot of 80s cold wave, EBM and Neue Deutsche Welle bands.
MS-20 is a classic!
please do the eventide h9000 in the next episode
Lmoa
But but ...what about the monotribe :)
Expensive episode;)
@@AudioPilz Eventide will be watching like a hawk if you ever dare to review any of their gear. They be touchy.
@@AudioPilz GUYS!! GIVE THIS POOR GUY A H9000!!
my man great work. this was my 2nd synth after the microbrute. i have had it a few years, but I think I can do more with it. I have found the sequencer to be short.. anyways my dude i love you channel. watching from the usa--texas. rock on
Thanks, man!
monologue good
Bad Gear bad?;)
You saved me from MPX8, like day or two before purchase. In the meantime I bought Monologue cheaply and I learned how to operate. I hate 16 step sequencer without track mode too, otherwise it's definitely my cup of tea.
PS On day one first thing I checked on my Monologue after unboxing was if knobs are wobbly... and you're the one who teached me to do so
Wobble check is the most important one!
Great work as always! It’s always great to see the Beatstep Pro get some love!
Thanks! BSP is such a versatile piece of gear
Glad to see a synth I own get the Bad Gear treatment! Really like that demo neurostep track too!
Thanks!
That meme @7:17 is on point.
I love my Monologue. Though I suspect it has something to do with the chromatically playable HUGE 808-style kick I programmed onto the first patch slot. Also worth mentioning that the Mono came along right at the beginning of that massive monosynth boom in the 2010s. Its closest direct competitor was the Arturia Microbrute, whose ass it pretty well kicked.
Well, except for the Brute's 64 step sequence length... They put a man on the moon 52 years ago, so there's no excuse for a 16 step sequencer... or is there? The 4x lanes of parameter automation gets pretty chaotic pretty quickly, so maybe the there's some method in the limitation madness?
ever tried ever failed no matter try again fail again fail better
Honestly, a good 2-pole filter can be just as good on monos as a 4-pole imo. Examples that come to mind are the Korg35 from the MS-10/MS-20, the Oberheim SEM filter, miniKorg traveler filter and possibly my favorite bread-and-butter filter for monosynths, the Pittsburgh Modular SVF used in the SV-1 and Binary Filter module.
While I enjoy your reviews, I don’t think that this is such a bad synth! In fact, you inspired me to use it in new creative ways, and your song towards the end was full on brilliant! Great job 👏🏻
I feel like that's the true purpose of these videos. He always finds a legitimate use for the "bad gear" by stacking subgenre descriptors.
Thank you so much!!!
Worth the wait! Glad everything worked out brother.
Thanks for your patience!
At first I was not impressed but now I can't wait to the next video I really love your videos especially your musicvideos of the instruments you talk about. Iam your fan!! Love from TAO
Thank you!!!
Yet again I see gear that I have here, and one of of my all-time favorites. Can't wait till you get to The Temptation of Uli that sits next to it :D
I love the sound - yes, it tends to be fuzzy and aggressive - but I have plenty of mellowness in 3 FM synths and the Casio CZ3000 :)
Nice setup;)
This is my favorite synth and I own an RCA Mark II, Raymond Scott's Electronium, and a MicroKorg.
Nice collection!
This really gave a kick start to my day. Well done.
Owning one felt a bit limited for me. I felt like ran out of things to do with it as much as the form factor and controls were really pleasant.
Best to spend a bit more and get a minilogue
Happy to hear that, thanks!
I think despite its envelope (which is versatile enough for me) this little thing is absolutley packed with features: automation, audio input, oscilloscope, custom scales, ring mod, sync, audio range lfo, noise generator... It even does PWM, bro!
Bread and butter sounds with appealing aesthetics and useful I/O. I never regretted buying this as a first hardware synth.
The feature set is certainly nothing to complain about
Monologue is my first synth. Thanks for burning it.
Always a pleasure;) Thanks for watching!
Damn dude, your jams and video editing somehow get better w/ every video!!
Thank you!!!
I had one and sold it for a Bass Station 2 which I don't really regret. I agree that it's trickier than it should be to find good sounds, and the BS2 jogs laps around it in both value and sound quality. Maybe that could be your next monosynth experiment if you haven't tried it
BS2 seems to be one of the best affordable ones around atm, true!