I noticed that Maurice Andre used both lip and hand vibrato. I prefer lip myself, but many like the hand style. The thing is, is that if your tone isnt great with one or the other, one can work at it, or just use what is preferred.
dear Barbara, your discussion on the production and use of vibrato was very clear and helpful. I particularly enjoyed your mention our common teacher James F Burke whose tone, technique, and musicality were terrific. Thank you
Hello Barbara,I have been composing and publishing (with Charles Colin) accompaniments for the Ernest Williams Staccato and Studies for Style. You are likely more familiar with hem than me. Are the any favorite etudes without acc you would like to see?
Dear Barbara, thank you for the nice explanation. However I need to ask for your opinion. I have been practising hand vibrato for nearly two years and I am finding lot of inconsistencies of its quality each day. I have found out that reason is probably a mouthpiece pressure. When my mouth is fresh and relaxed, the vibrato is also nicely round and relaxed. But when I am getting tired and starting to use more mouthpiece pressure, the vibrato is harder to achieve and becomes convulsive. Do you experience something similar? How to avoid this and how to keep same consistent quality level of vibrato each day? Is non pressure embouchure the way to go? Thank you very much for reply
M CH good question and thanks for your comment. You may be using too much motion on the valves which would upset your embouchure. Most of the time the motion is fairly subtle. Of course, that being said, everything is much easier on the trumpet when we are fresh and relaxed. If you become so fatigued that you’re using a lot of mouthpiece pressure it’s probably time to put it away for a few hours or wait until the next day when you’re fresh again. Rest is a very important feature of our practicing that many trumpeters forget about. Keep up the good work!
Barbara, you are a great teacher and trumpet player.
Your sound and technique are amazing! Congratulations!
incredible playing. Great lesson.
I noticed that Maurice Andre used both lip and hand vibrato. I prefer lip myself, but many like the hand style. The thing is, is that if your tone isnt great with one or the other, one can work at it, or just use what is preferred.
I loved this! Great demonstration and explanation of the technique. Amazing color and warmth to her sound as well.
Das gefällt mich sehr . Danke
I only use this method
great job !!!!! God Bless
Dang I use my mouth sorry.
Awesome Action Standards Don’t be. It’s not a one-size only fits all.
Cool 🤝👍🏻
Great info and high quality video as well. Any videos on embouchure or aperture control? I didn t notice any amonf your videos on your page.🤓🙏🏾🎺
dear Barbara, your discussion on the production and use of vibrato was very clear and helpful. I particularly enjoyed your mention our common teacher James F Burke whose tone, technique, and musicality were terrific. Thank you
Thank you, James! When did you study with Jimmy? What a wonderful trumpeter and person he was!
Hello Barbara,I have been composing and publishing (with Charles Colin) accompaniments for the Ernest Williams Staccato and Studies for Style. You are likely more familiar with hem than me. Are the any favorite etudes without acc you would like to see?
Dear Barbara, thank you for the nice explanation. However I need to ask for your opinion. I have been practising hand vibrato for nearly two years and I am finding lot of inconsistencies of its quality each day. I have found out that reason is probably a mouthpiece pressure. When my mouth is fresh and relaxed, the vibrato is also nicely round and relaxed. But when I am getting tired and starting to use more mouthpiece pressure, the vibrato is harder to achieve and becomes convulsive. Do you experience something similar? How to avoid this and how to keep same consistent quality level of vibrato each day? Is non pressure embouchure the way to go? Thank you very much for reply
M CH good question and thanks for your comment. You may be using too much motion on the valves which would upset your embouchure. Most of the time the motion is fairly subtle. Of course, that being said, everything is much easier on the trumpet when we are fresh and relaxed. If you become so fatigued that you’re using a lot of mouthpiece pressure it’s probably time to put it away for a few hours or wait until the next day when you’re fresh again. Rest is a very important feature of our practicing that many trumpeters forget about. Keep up the good work!
@@batrumpeter Thank you very much for finding a time to answer me Barbara.
What was the piece you were playing at the begining of thid video?
The Allemande from the Suite of 7 French Dances by Claude Gervaise!
The last song does anybody know the name
L33k Nation the offstage Trumpet solo from Beethoven’s Leonore Overture #3
I prefer jaw vibrato which is more clear to hear (mariachi trumpet player)
GhostLegend. Is there a specific exercise to learn the mariachi vibrato? Thanks.