yes but what I am still unsure as it will be my first edit... is I have several clips of an interview that lasted one hour with 2 cameras... Do you process manually each clips as multicam or you select them all first and process multicam ? I think we have to do it each clip at a time but unsure :) I will try but if you can help here, it will save time :)
Quick tip, its much easier to just open the source multi-cam clip in the timeline and color grade each clip from there. That way you only need to grade the source clips, not all of the cut up clips on the main timeline. Also, multi-cam audio is buggy in DR if the camera has more than 2 channels of audio like the C70. I typically create the mult-cam clip, select the audio camera source in the multi-cam clip so that the desired waveform will show on the timeline, then I go back to the source audio track that I want and put that audio track below the multi-cam track, after synching them together I delete the multi-cam clip's audio track and lock the audio track and video track in place. This gives me back full control over the audio and prevents them from getting out of synch during the edit.
what if I'm editing a multicam podcast with three separate audio sources? How do I get all three audio sources to be playing at the same time in multicam mode? That way I only need to do multicam edits to the camera angles but still have all three mics running throughout the whole video.
Came here to say exactly this!!! Way more time consuming to do the other way but this is a great tutorial. Premiere has this same feature and that’s where I started!
@@sandrolecirque That's another good example where DR's multicam audio solution isn't that helpful. The solution is simple though, just use the multicam clip for video, for audio place all of the audio tracks below the multicam clip, click Synch audio to synch them together, then perform a final sync to the master audio track from the multi-cam clip. To make things easier you will want a clap or something that all 3 mics can hear to synch that waveform spike between all three tracks so that they all synch up or you can use TC. The last step is to lock all of the tracks in place on the timeline so that during the edit you don't lose the synch.
@@sandrolecirque idk if this is helpful being so late but my workaround for this is to create a timeline to sync up all of my audio and then create a compund clip out of just the audio. i create new subclips of all of the videos so everything has the same start time and then make a multicam out of each of the video subclips and the compound audio clip. The audio clip will still show up in the multi-cam video viewer as a black screen but it can be ignored while the compunded audio clip is selected as the full-time audio source!
This is one of the things that trips me up often when editing in Resolve. You have to go into the audio inspector when you have a mono track and set it up for both channels for it to be stereo. I've forgotten that step more than once. It would be nice for Resolve to have a project setting on what to do when mono audio is the main timeline track.
Holy cow, this made my life somuch easier! I normally just plop every source into its own track and turn on the tracks one by one to cut and delete the bits I dont want. Now I can just let it roll and use the numbers to pick whichever angle looks best. So much quicker! Thank you!
Very helpful, thank you! Quick tip for color, add the 3 clips to individual groups in the color tab at the beginning. After you're done cutting you can just color one clip under the "Group Pre-Clip" tab and it'll apply to every clip
Рік тому+12
Thank you very much for the video. I would like to add that the shortcut for switching the clips (while in the Edit Tab AND in multicamera mode) is SHIFT+CAM NUMBER. Oddly the numbers of the numpad do not work with this shortcut, only the ones on the top of the keyboard.
top of the keyboard is standard, but the SHIFT is wild... I use to use Premier Pro and it was just automatically just 12345 ect... No need for Shift... thats effing annoyiong.
HI Josh, how do you handle multiple sources of "good audio" eg recording a wedding where i will have a good audio from the groom microphone and a separate audio track from the officiant, I need to be able to include both those audio tracks in the final multicam and not just pick one?
Holy cow, this is exactly what I needed! As a noob I struggled all weekend trying to line up six cameras in the edit page. One question, will the sync audio work for a concert where there’s a bunch of crowd noise?
Nicely illustrated, I particularly like the fact that I’m in the middle of a project and I needed to be taught this quickly so I could get on with it, so it was great not to have a load of other rubbish added for the sake of it, very powerful format.like a quick reference.
"I'm gonna go and hit number 3." REALLY NEAT! Thank you! Yes, I learned something that I hope to use down the road. However, you omitted the mechanics on how you did this. What keyboard command are you using to chop this up? Are you selecting with the mouse? By the way, I'm running Windows, so I understand keyboard commands will be different.
Great info but I need the audio as well for the mic'd up guest in the interview.... Host mic vs Guest mic.... podcast stuff... How do I make sure the cut includes the audio from the clip?
Hi Josh, just stumbled on your channel and just the watched the MultiCAM solution you uploaded. Indeed you've made my life 100x easier. Now am going to look like a Pro at editing :-) :-) in Resolve. Been going round the mountain to find the quickest way to edit multiCAMs. Cheers Bro, keep up the great work.
thanks for the video, i have a question: i edit podcasts and the audio from mic recording is separate wavs so essentially i replace the audio from the camera with the proper wav recording. how does that work when creating a multi cam edit? currently i have 1 host shot 1 guest shot and 1 wide shot and 2 audio wavs but its come up as 5 angles... any tips for this? thanks
Thanks for this guide, but I have in my case one long clip from camera 1 and many short clips from camera 2 (20 clips). I can't have 21 multi-cams at once, I want have 2. Cam 1 as angle 1 och clips from cam 2 as angle 2, How can I solve that ? Thanks a lot!
Don't know if you ever got an answer for this, but the solution is to mark the clips as either "camera 1" or "camera 2" in the file meta data in resolve. Then when you're creating the multicam clip, there's an option to "match clips of from the same camera" (or something like that) and it'll enable meta data options (the camera # should be the default option). Hope this helps!
I have been working on videos that have 2 camera angles and are long in length and I've been "struggling" (more like taking much more time) with editing both of them at the same time. Thanks a lot for the tutorial
I do not know resolve yet, but I have to assume if you can pick your audio upfront to prevent it being switched when you star the cuts. Could you not also color grade the three cameras before doing any cuts to prevent having to copy and paste between all the clips. The whole tutorial seemed great until that last part, and I was thinking to mysef If this is how I have to do this then its not worth the trouble. With a lot of cuts it would be so easy to start missing a copy, or paste, select a wrong file, etc then mess it all up. Again you made it a point to ensure you didnt mess up the audio to have to fix later, wouldn't you also ensure you dont have to add trouble to fixing the color? So I would think a soluton to that problem should be a part of thet tutorial.
I'm so mad i didn't know this earlier. My boss taught me this on Premiere a day ago and immediately applied the workflow to Davinci thanks to your video. Well done tutorial!
@@TheThrillerZone DR has been pretty good to me... Almost feel like i should spend the $300 bucks to unlock stuff. also this video did NOT cover some importaint topics like others did.... unless there was a change in DR since this video came out.,
Thanks a lot for this video, one thing i dont understand, why i cant hear the audio while editing, i have selected the right clip, i can see audio levels
In this case you have 1 main audio source you want to use for all clips. What about if you record a podcast and have multiple cameras and multiple audio tracks you need to produce? I'm used to Premiere where when you make a multicam, it creates 1 video track and then layers all the audio tracks underneath, so the audio tracks can interact and not have hard cuts. Only way I can think to do it in Davinci right now is to add multiple audio layers and then select each camera for each track.
I would bounce out just the audio all cleaned up and bring it back in the session on its own track and sync it to the video, then I would mute all the audio tracks on the videos. Treat your audio completely separate. Hope that helps.
Thank you for this! Really helpful. 2 Questions: 1. At 2:50, why did you bypass the option to Create New Multicam Timeline? 2. It seems like there would be a big timesaver to Color Grade the source tracks first (especially if several cameras, long footage, multiple clips, so that no copy/pasting is required after editing). How would one pursue this prior to making the Multicam clip?
so I just found myself in the same position and my workaround is going to be to cut the testimonial / talking head vids into spliced clips that I'm going to then grade and paste to the rest of them before linking them in the TL and rendering them in place (right click linked clips>render in place) and choose a high res uncompressed format for my freshly graded testimonial that Resolve will now treat as ONE clip I can fully transcribe and import into a mew multi camera sequence this helps me get rid of the dead air in between, grade the clips, and it's an indicator for me to switch to the other angle. Let me know if you found another way!
@@christianmorales8996 Ah interesting! Thanks for the share. I wouldn't have thought of rendering in place or of up-encoding to a high res uncompressed format. My present workflow experiment was to back up and color grade the original footage (i.e. both cameras). And then link them and make primary cuts via the Cut page to whittle down the clips. The audio was bothering me, so I took time to optimize the mic track (once sync'd to the camera audio tracks). And then make finer, more precise cuts on the EDIT page, via a manual approach of stacking the camera tracks and the optimized audio track, linking the clips for cuts and deletions. Seems like a slow approach, but it's working for me. The automated M-Cam approaches were giving me inconsistent results.
This is great. What if your audio comes from a different source or what if you have edits in your original. For example, if it's an interview and banter needs to be cut out, how do you use multicam with that scenario?
Great video, thanks! However I'm using Resolve 19 and when I play the timeline containing the multicam clip, only ONE of the two video preview windows plays at a time. I can play the main timeline OR the source clip, but they're not playing together which is necessary for this technique. What setting am I missing?
Great video, been using multicam on Davinci for years and there's one thing I still cannot comprehend. You know how whenever you hit either 1, 2 or 3 on your keyboard to make the camera change and then moving forward on the timeline, the camera that you pressed on continues to be on screen? Sometimes what happens on my projects is that if I click on a keypad number, it changes the frames before the cursor on the timeline. When this happens, the highlight on the multicam goes from red to blue, has this ever happened to you? I don't know what I'm doing wrong but this messes up my workflow bad and I cannot fix it!
Thanks for your video! I’m new at Davinci. When you were choosing which camera angle you wanted in the multicam timeline, how were you choosing the angle? I couldn’t tell how you were choosing angle 1, 2 or 3 along the timeline.
Hey man. Great vid, great help. If i record audio seperately, so I have 3 video and my seperate wav file, can I add that as one of my clips and it will sync as normal?
Wow, nice job... wondering if this can also be done if I have 8 clips but from 2 cameras, I had some issues while recording and had to stop and record several times, and adding to the pain, one camera did not record audio but thank god it did work for video and the audio was recorded separately. How can I make use of MultiCam if I'm in this scenario?
Thanks for the clear explanation Josh. QUESTION: after creating the multicam clip, is there a way to adjust each of the angles indivIdually (framing, color, exposure, etc.), so that after cutting, I don't have to copy the attributes from the first cut to all the other subsequent cuts for that angle? Does that make sense?
Happy Monday, I hope you learned something!
good to say : it's also working fine with the Speed Editor ;-)
yes but what I am still unsure as it will be my first edit... is I have several clips of an interview that lasted one hour with 2 cameras... Do you process manually each clips as multicam or you select them all first and process multicam ? I think we have to do it each clip at a time but unsure :) I will try but if you can help here, it will save time :)
Best video ever, thanks
Quick tip, its much easier to just open the source multi-cam clip in the timeline and color grade each clip from there. That way you only need to grade the source clips, not all of the cut up clips on the main timeline. Also, multi-cam audio is buggy in DR if the camera has more than 2 channels of audio like the C70. I typically create the mult-cam clip, select the audio camera source in the multi-cam clip so that the desired waveform will show on the timeline, then I go back to the source audio track that I want and put that audio track below the multi-cam track, after synching them together I delete the multi-cam clip's audio track and lock the audio track and video track in place. This gives me back full control over the audio and prevents them from getting out of synch during the edit.
what if I'm editing a multicam podcast with three separate audio sources? How do I get all three audio sources to be playing at the same time in multicam mode? That way I only need to do multicam edits to the camera angles but still have all three mics running throughout the whole video.
Came here to say exactly this!!! Way more time consuming to do the other way but this is a great tutorial. Premiere has this same feature and that’s where I started!
@@sandrolecirque That's another good example where DR's multicam audio solution isn't that helpful. The solution is simple though, just use the multicam clip for video, for audio place all of the audio tracks below the multicam clip, click Synch audio to synch them together, then perform a final sync to the master audio track from the multi-cam clip. To make things easier you will want a clap or something that all 3 mics can hear to synch that waveform spike between all three tracks so that they all synch up or you can use TC.
The last step is to lock all of the tracks in place on the timeline so that during the edit you don't lose the synch.
@@sandrolecirque idk if this is helpful being so late but my workaround for this is to create a timeline to sync up all of my audio and then create a compund clip out of just the audio. i create new subclips of all of the videos so everything has the same start time and then make a multicam out of each of the video subclips and the compound audio clip. The audio clip will still show up in the multi-cam video viewer as a black screen but it can be ignored while the compunded audio clip is selected as the full-time audio source!
Noted
My left ear was very informed, thank you!
me dangling the audio jack to see if it was the headphones lol
🤣
This is one of the things that trips me up often when editing in Resolve. You have to go into the audio inspector when you have a mono track and set it up for both channels for it to be stereo. I've forgotten that step more than once.
It would be nice for Resolve to have a project setting on what to do when mono audio is the main timeline track.
After making a video that looks so good, I'm surprised he missed that lol...
I can hear via both channels, whaddayamean?
This is exactly what I need! I can't believe I never knew Resolve had this. Thanks for the tutorial.
Legend thanks! Im going to use this method to edit my podcast going forward. Very well explained. Thanks again
I finally learned how to use Davinci Resolve after searching for about an hour! Thank you Josh. Keep them coming. You're a great teacher.
Super clear and helpful. Thank you!
best multi tutorial, love the color grade too man
Great instructions, made editing my first 3 camera angle video much easier. Thanks so much 😊
thanks for 3:29 out of nowhere the Multicam window disappeared so I was able to enable it again!
Holy cow, this made my life somuch easier!
I normally just plop every source into its own track and turn on the tracks one by one to cut and delete the bits I dont want. Now I can just let it roll and use the numbers to pick whichever angle looks best. So much quicker! Thank you!
Important to note: You have to be on the Edit tab for this to work. This will not work on the Cut tab-you won't get the multicam option there.
Perfect comment, thanks. I kept trying to figure out why I wasn't seeing the option, switched to the Edit tab and boom.
@@pipp33 I may have yelled "this video lies" just prior to figuring it out. :)
thanks champ
Thank you !!!
Hero
Very helpful, thank you! Quick tip for color, add the 3 clips to individual groups in the color tab at the beginning. After you're done cutting you can just color one clip under the "Group Pre-Clip" tab and it'll apply to every clip
Thank you very much for the video. I would like to add that the shortcut for switching the clips (while in the Edit Tab AND in multicamera mode) is SHIFT+CAM NUMBER. Oddly the numbers of the numpad do not work with this shortcut, only the ones on the top of the keyboard.
top of the keyboard is standard, but the SHIFT is wild... I use to use Premier Pro and it was just automatically just 12345 ect... No need for Shift... thats effing annoyiong.
Thank you.
Thanks, this was my one moment of inclarity (un-clarity?) with this tutorial.
I was about to ask what shortcut he was using. Thanks!
Using Davinci Resolve 19 and SHIFT no longer seems to be needed. Just press the numbers.
HI Josh, how do you handle multiple sources of "good audio" eg recording a wedding where i will have a good audio from the groom microphone and a separate audio track from the officiant, I need to be able to include both those audio tracks in the final multicam and not just pick one?
I have multiple clips rather than just 3, when i do it, it does not work, any tips?
Holy cow, this is exactly what I needed! As a noob I struggled all weekend trying to line up six cameras in the edit page. One question, will the sync audio work for a concert where there’s a bunch of crowd noise?
Nicely illustrated, I particularly like the fact that I’m in the middle of a project and I needed to be taught this quickly so I could get on with it, so it was great not to have a load of other rubbish added for the sake of it, very powerful format.like a quick reference.
Question: as your cursor was stationary how were you switching angles?
Great quick tutorial. I used to do this in FCP, and had issues getting this working in Resolve.
Best explanation from all the videos I tried on UA-cam on this subject. Thank you so much!
super useful video! thank you!!
"I'm gonna go and hit number 3."
REALLY NEAT! Thank you! Yes, I learned something that I hope to use down the road. However, you omitted the mechanics on how you did this. What keyboard command are you using to chop this up? Are you selecting with the mouse? By the way, I'm running Windows, so I understand keyboard commands will be different.
This was nice. Thanks for making this video.,
Thank you! Trying it out with our live performance video of our dance punk band now!
You goanna save me hours with this 10 min video. Thanks man! Right on point.
Great info but I need the audio as well for the mic'd up guest in the interview.... Host mic vs Guest mic.... podcast stuff... How do I make sure the cut includes the audio from the clip?
Hey! is there a button you press to switch between multi-cams or do you just click on it?
very clear , master... i can breath now. All the best.
great video, significantly more informative and effective than everything else I've found. Thanks
Hi Josh, just stumbled on your channel and just the watched the MultiCAM solution you uploaded. Indeed you've made my life 100x easier. Now am going to look like a Pro at editing :-) :-) in Resolve. Been going round the mountain to find the quickest way to edit multiCAMs. Cheers Bro, keep up the great work.
This sounds a lot easier than i thought it would be 😅 Thanks for the video!
Thanks for this video, it was a huge help!
when you said you 'hit number 3,2,1' were you pressing the number keys or did you set shortcut keys beforehand?
Appreciate the tips! Super helpful for me editing a interview!
video was really helpful!! thanks, u even explained color grading tricks!! thankss!!
@josh, thank you so much for this, I think you've explain this the best VS all the other videos I've watch so far
Thank you!
hey, thanks! great tutorial! concise explanation of process.in only 10 minutes!!
Great and concise explanation!!! Thank you!!!
This was perfect for what I wanted to know!!
41 seconds in after "turning off each individual layer" on my 3 camera interview. Thank you Josh, looking forward to the rest of the video.
This is a game changer for me
thanks for the video, i have a question: i edit podcasts and the audio from mic recording is separate wavs so essentially i replace the audio from the camera with the proper wav recording. how does that work when creating a multi cam edit? currently i have 1 host shot 1 guest shot and 1 wide shot and 2 audio wavs but its come up as 5 angles... any tips for this? thanks
thanks so much - very helpful and MIND BLOWING FEATURES. this would have taken forever with premiere pro years ago
Thanks for this guide, but I have in my case one long clip from camera 1 and many short clips from camera 2 (20 clips). I can't have 21 multi-cams at once, I want have 2. Cam 1 as angle 1 och clips from cam 2 as angle 2, How can I solve that ? Thanks a lot!
Don't know if you ever got an answer for this, but the solution is to mark the clips as either "camera 1" or "camera 2" in the file meta data in resolve. Then when you're creating the multicam clip, there's an option to "match clips of from the same camera" (or something like that) and it'll enable meta data options (the camera # should be the default option). Hope this helps!
Thank you for taking the time to explain it to us.
Thank you so much, I've been doing this the hard way the entire time!
I have been working on videos that have 2 camera angles and are long in length and I've been "struggling" (more like taking much more time) with editing both of them at the same time. Thanks a lot for the tutorial
Sheesh! You've dropped some awesomeness, Josh :O
OMG you saved me so many hours of work!!! I was doing it the old way! Thanks!!!
I do not know resolve yet, but I have to assume if you can pick your audio upfront to prevent it being switched when you star the cuts. Could you not also color grade the three cameras before doing any cuts to prevent having to copy and paste between all the clips.
The whole tutorial seemed great until that last part, and I was thinking to mysef If this is how I have to do this then its not worth the trouble. With a lot of cuts it would be so easy to start missing a copy, or paste, select a wrong file, etc then mess it all up.
Again you made it a point to ensure you didnt mess up the audio to have to fix later, wouldn't you also ensure you dont have to add trouble to fixing the color?
So I would think a soluton to that problem should be a part of thet tutorial.
Thanks Josh for this video, i will post it on my upcoming release :D
Can someone quickly tell me how I can put more clips into my multicam without opening a new multicam
Thank you!
I'm so mad i didn't know this earlier. My boss taught me this on Premiere a day ago and immediately applied the workflow to Davinci thanks to your video. Well done tutorial!
BRO, this was a quick and AWESOME mini-tutorial for someone just getting started on DR, and coming from PP. Cheers mate!
PP was easier IMO.... this still isnt working for me...
@@JPOC226 I enjoyed PP until it just started dragging my system down. Once you get the hang DR smokes. And PS: it outputs in 1/5 the time of PP
@@TheThrillerZone DR has been pretty good to me... Almost feel like i should spend the $300 bucks to unlock stuff.
also this video did NOT cover some importaint topics like others did.... unless there was a change in DR since this video came out.,
This was hugely helpful! Thanks heaps legend
Thank you Josh!
This video is EXCELLENT. Good work, Sir!
Fabulous tutorial.
Always enjoy learning. Appreciate the video!
Excellent video! Thanks for your help
Excellent video. Thank you. Super-helpful!
thank you so much, this is extremly usefull, I just edit a tutorial of 2 hrs, and did not knew this existed. Really good tutorial
Great stuff, man - easy to follow and super-good info!
thanks man i appriacte itttt learned it just now and doing it yayaya
is this studio version?
this changed my life. THANK YOU!!!
Thanks a lot for this video, one thing i dont understand, why i cant hear the audio while editing, i have selected the right clip, i can see audio levels
Thank you great tutorial
amazing!! thank you
Thank you for your information! helped a ton! 👍
This was so helpful. Just saved me a few hours editing my podcast videos
Glad to help!
Very helpful, thank you!
In this case you have 1 main audio source you want to use for all clips. What about if you record a podcast and have multiple cameras and multiple audio tracks you need to produce? I'm used to Premiere where when you make a multicam, it creates 1 video track and then layers all the audio tracks underneath, so the audio tracks can interact and not have hard cuts. Only way I can think to do it in Davinci right now is to add multiple audio layers and then select each camera for each track.
have you found any solution
??
That's how I've been doing it
I would bounce out just the audio all cleaned up and bring it back in the session on its own track and sync it to the video, then I would mute all the audio tracks on the videos. Treat your audio completely separate. Hope that helps.
@@tylerwinter512 YUP!
Thank you for this! Really helpful. 2 Questions:
1. At 2:50, why did you bypass the option to Create New Multicam Timeline?
2. It seems like there would be a big timesaver to Color Grade the source tracks first (especially if several cameras, long footage, multiple clips, so that no copy/pasting is required after editing). How would one pursue this prior to making the Multicam clip?
so I just found myself in the same position and my workaround is going to be to cut the testimonial / talking head vids into spliced clips that I'm going to then grade and paste to the rest of them before linking them in the TL and rendering them in place (right click linked clips>render in place) and choose a high res uncompressed format for my freshly graded testimonial that Resolve will now treat as ONE clip I can fully transcribe and import into a mew multi camera sequence
this helps me get rid of the dead air in between, grade the clips, and it's an indicator for me to switch to the other angle. Let me know if you found another way!
@@christianmorales8996 Ah interesting! Thanks for the share. I wouldn't have thought of rendering in place or of up-encoding to a high res uncompressed format.
My present workflow experiment was to back up and color grade the original footage (i.e. both cameras). And then link them and make primary cuts via the Cut page to whittle down the clips. The audio was bothering me, so I took time to optimize the mic track (once sync'd to the camera audio tracks). And then make finer, more precise cuts on the EDIT page, via a manual approach of stacking the camera tracks and the optimized audio track, linking the clips for cuts and deletions. Seems like a slow approach, but it's working for me. The automated M-Cam approaches were giving me inconsistent results.
This was so helpful! thank you!
Thank you so much. Learned a lot!
This is great. What if your audio comes from a different source or what if you have edits in your original. For example, if it's an interview and banter needs to be cut out, how do you use multicam with that scenario?
Greta Vid, TY. ? Could this be done with the coresponding audio tracks, if you had a differnt audio track for each angle?
Very Good thank you!
Thank YOU so much for this!
Deffo need to practice with this. We tried it once and it didn't work out well with our setup.
Great video, thanks! However I'm using Resolve 19 and when I play the timeline containing the multicam clip, only ONE of the two video preview windows plays at a time. I can play the main timeline OR the source clip, but they're not playing together which is necessary for this technique. What setting am I missing?
Great video, been using multicam on Davinci for years and there's one thing I still cannot comprehend. You know how whenever you hit either 1, 2 or 3 on your keyboard to make the camera change and then moving forward on the timeline, the camera that you pressed on continues to be on screen?
Sometimes what happens on my projects is that if I click on a keypad number, it changes the frames before the cursor on the timeline. When this happens, the highlight on the multicam goes from red to blue, has this ever happened to you? I don't know what I'm doing wrong but this messes up my workflow bad and I cannot fix it!
I have over 100 clips from a live band concert any tips how to attack synching all those clips to a master wav file?
Fantastic job, Josh. Very concise & informative.
If the audio source isnt from the camera (eg from Rodecaster or the likes), how do we work with that?
nice job, this one is very very useful
THANK YOU SO MUCH
Thanks for your video! I’m new at Davinci. When you were choosing which camera angle you wanted in the multicam timeline, how were you choosing the angle? I couldn’t tell how you were choosing angle 1, 2 or 3 along the timeline.
I was hitting 1, 2 or 3 on my keyboard
I was going to ask the same question, so thanks!
Hey man. Great vid, great help. If i record audio seperately, so I have 3 video and my seperate wav file, can I add that as one of my clips and it will sync as normal?
wish you would of spoke about using this method with using a external source as the audio .
Great short tutorial, thanks!
Wow, nice job... wondering if this can also be done if I have 8 clips but from 2 cameras, I had some issues while recording and had to stop and record several times, and adding to the pain, one camera did not record audio but thank god it did work for video and the audio was recorded separately. How can I make use of MultiCam if I'm in this scenario?
Great video!
Thanks for the effort but how do you proceed and sync clips if it fails?
What do you do if DaVinci can't sync one of your cam angles? Is there a way to manually add a clip to a multi-cam clip?
Thanks, that helped a lot!
Thanks for the clear explanation Josh. QUESTION: after creating the multicam clip, is there a way to adjust each of the angles indivIdually (framing, color, exposure, etc.), so that after cutting, I don't have to copy the attributes from the first cut to all the other subsequent cuts for that angle? Does that make sense?
I have the same question!
Have you tried an adjustment layer over the clip?
@brettblandford3411 yes that's easier, but it would still require duplicating the adjustment clip for every instance of the angle
Thanks alot earned a subscriber