Joe Stump presents "Neo-Classical Master Class" YOUNG GUITAR
Вставка
- Опубліковано 7 лип 2021
- ------------ Basic Licks ------------
0:30 Lick 1 Ex-1 Alternate picking in sextuplets
0:38 Lick 2 Ex-2 Small position shifts around a fret
0:44 Lick 3 Ex-3 A harmonic minor on high E string
0:53 Lick 4 Ex-4 Triplets on shuffle beat 1
1:01 Lick 5 Ex-5 Triplets on shuffle beat 2
1:09 Lick 6 Ex-6 Triplets on shuffle beat 3
1:17 Lick 7 Ex-7 Triplets on shuffle beat 4
1:33 Lick 8 Ex-8 16th notes on shuffle beat
1:44 Lick 9 Ex-9 Pedal notes in A natural minor
1:58 Lick 10 Ex-10 Pedal notes on the key of B minor chord progression
2:10 Lick 11 Ex-11 Two down strokes in a row with over a string
2:25 Lick 12 Ex-12 Pedal-note phrase with a wide stretched fingering
2:35 Lick 13 Ex-13 Pedal-note phrase with the first finger moving around
------------ Lead Phrases ------------
2:52 Lick 14
Ex-14 Sweep arpeggio in "Figure of 8" movements 3:09
Ex-14 slow 4:22
5:24 Lick 15
Ex-15 Coneecting two phrase in down strokes 5:34
Ex-15 slwo 6:25
7:37 Lick 16
Ex-16 3 note per string and diminished phrase with stretched fingering 7:44
Ex-16 slow 8:12
9:14 Lick 17
Ex-17a Use alternate picking at the top of the sweep arpeggio 9:20
Ex-17a slow 9:56
Ex-17b 3 groups of 16th notes in 4 beat 9:35
Ex-17b slow 10:37
11:12 Lick 18
Ex-18 Harmonic minor P5th below in Key = Gm 11:31
Ex-18 slow 12:13
12:46 Lick 19
Ex-19 Position shifting in octaves 13:01
13:32 Lick 20
Ex-20 Bend techniques and dim. arpeggio 13:51
Ex-20 slow 14:20
15:12 Lick 21 15:21 Ex-21 Two different approaches in a shuffle beat
TABs and interview:
YOUNG GUITAR 2021 August issue
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TAB: YOUNG GUITAR 2021 August amzn.to/3jCwHEl
Basic Licks
0:30 Lick 1 Ex-1 ６連符のオルタネイト・ピッキング
0:38 Lick 2 Ex-2 上下１フレットのポジション移動パターン
0:44 Lick 3 Ex-3 １弦上で弾くAハーモニック・マイナー
0:53 Lick 4 Ex-4 シャッフル上の３連符 その1
1:01 Lick 5 Ex-5 シャッフル上の３連符 その2
1:09 Lick 6 Ex-6 シャッフル上の３連符 その3
1:17 Lick 7 Ex-7 シャッフル上の３連符 その4
1:33 Lick 8 Ex-8 シャッフルのリズム上で弾く16分音符
1:44 Lick 9 Ex-9 Aナチュラル・マイナーのペダル・ノート
1:58 Lick 10 Ex-10 Bマイナー Key循環コード上のペダル・ノート
2:10 Lick 11 Ex-11 弦跳びの連続ダウン・ピッキング
2:25 Lick 12 Ex-12 ストレッチを含むペダル・ノート・フレーズ
2:35 Lick 13 Ex-13 ペダル・ノート:人差指の規則的な弦移動パターン
Lead Phrases
2:52 Lick 14
Ex-14 ポジション大移動の“8の字”スウィープ 3:09
Ex-14 スロー 4:22
5:24 Lick 15
Ex-15 フレーズ連結時の連続ダウン・ピッキング 5:34
Ex-15 スロー 6:25
7:37 Lick 16
Ex-16 ３ノート・パー・ストリング&ストレッチのディミニッシュ 7:44
Ex-16 スロー 8:12
9:14 Lick 17
Ex-17a 1弦をオルタネイトで折り返すスウィープ 9:20
Ex-17a スロー 9:56
Ex-17b 16分×3音パターンのアクセント移動 9:35
Ex-17b スロー 10:37
11:12 Lick 18
Ex-18 Gマイナー Keyのハーモニック・マイナー P5thビロウ 11:31
Ex-18 スロー 12:13
12:46 Lick 19
Ex-19 オクターヴの連続ポジション移動 13:01
13:32 Lick 20
Ex-20 チョーキング&ディミニッシュのアルペジオ 13:51
Ex-20 スロー 14:20
15:12 Lick 21 15:21 Ex-21 シャッフルのリズムに乗せた2つのアプローチ
------------- Basic Licks -------------
0:30 Lick 1 Ex-1 Alternate picking in sextuplets
0:38 Lick 2 Ex-2 Small position shifts around a fret
0:44 Lick 3 Ex-3 A harmonic minor on high E string
0:53 Lick 4 Ex-4 Triplets on shuffle beat 1
1:01 Lick 5 Ex-5 Triplets on shuffle beat 2
1:09 Lick 6 Ex-6 Triplets on shuffle beat 3
1:17 Lick 7 Ex-7 Triplets on shuffle beat 4
1:33 Lick 8 Ex-8 16th notes on shuffle beat
1:44 Lick 9 Ex-9 Pedal notes in A natural minor
1:58 Lick 10 Ex-10 Pedal notes on the key of B minor chord progression
2:10 Lick 11 Ex-11 Two down strokes in a row with over a string
2:25 Lick 12 Ex-12 Pedal-note phrase with a wide stretched fingering
2:35 Lick 13 Ex-13 Pedal-note phrase with the first finger moving around
------------- Lead Phrases -------------
2:52 Lick 14
Ex-14 Sweep arpeggio in "Figure of 8" movements 3:09
Ex-14 slow 4:22
5:24 Lick 15
Ex-15 Coneecting two phrase in down strokes 5:34
Ex-15 slwo 6:25
7:37 Lick 16
Ex-16 3 note per string and diminished phrase with stretched fingering 7:44
Ex-16 slow 8:12
9:14 Lick 17
Ex-17a Use alternate picking at the top of the sweep arpeggio 9:20
Ex-17a slow 9:56
Ex-17b 3 groups of 16th notes in 4 beat 9:35
Ex-17b slow 10:37
11:12 Lick 18
Ex-18 Harmonic minor P5th below in Key = Gm 11:31
Ex-18 slow 12:13
12:46 Lick 19
Ex-19 Position shifting in octaves 13:01
13:32 Lick 20
Ex-20 Bend techniques and dim. arpeggio 13:51
Ex-20 slow 14:20
15:12 Lick 21 15:21 Ex-21 Two different approaches in a shuffle beat
Young Guitar uploading stuff from Malmsteen and Stump at the same day. What a time to be alive.
Joe is an Amazing guitarist and composer! and an extremely cool cat! He deserves an entire issue dedicated to his solo career, with Alcatrazz and Joe Stump's Tower Babel. It's great seeing him get the recognition he deserves! Looking forward to all three of your new albums Joe! I will see you on tour!
Joe is MAGNIFICENT !!!
Amazing stuff!! Coming from an old fan, Joe pulled some new stuff here. Amazing ideas and amazing command of the blade, especially for his age.
I like the Blackmore posters in the background. 🤘
カッコイイ！
ルックスもプレイも！！
日々進化していますね🎸
Fantastic job Joe!
I love how dark and evil Joe sounds. A horde of demons descending onto earth from dark clouds and then as they separate their lord emerges in the middle and the tune plays leaving you with a heavy feeling of doom in your chest.
Cool 🤟👍🎸
I would see him and Yngwie do a collab album!
I wish but Yngwie would never agree to that unfortunately. It would be my ultimate pleasure though.
guitar master indeed
Cool
Sounds alot like yngwie
First!
Yes, good 😎🎸🎶🎶
Great Joe, this is much better tahn Yngwie video, the main difference I that you learn new patterns, yngwie its the same always, even he cannot play like he did, thanks Joe.
Blackmore ?
YJM ?
MAB ?
What is Axel Rudi Pell doing now??
he's amazing!!!! him and Malmsteen have very similar sounds. who came first? or do they both come from the same school? cool class thanks!!!!
@john cash Panos Arvanitis.
@john cash Yes, it is NOT an original style at all. It's called "neo-classical" for a reason. It's CLASSICAL music. Played really fast. On a guitar. With distortion.
@john cash No, I have no idea what YOU are talking about.
@john cash Yngwie also said: "I fukkin don't like donuts!"
Obviously he has a similar style as Yngwie, just goes to show how Yngwie was groundbreaking and amazingly talented. Joe stump is great aswell. Problem is that whenever someone plays neoclassical people just goes 'urr yngwie clone' who cares? If it wasn't Yngwie it would have probably been someone else, neoclassical is so cool and fun to play. I also play neoclassical and just like Joe I don't care about trying to not be Yngwie, what I play is very similar to Yngwie lick (at least i'm trying lol) because he's the OG master and im thankful for him
❤
Versión de Giardino gringo con la diferencia que el si sabe tocar la guitarra.
quien?
another another another uuu🤣
イングヴェイが事故を起こさず年齢を重ねていった世界線の人がこっち来ちゃった感じ。
Tabs?
buy young guitar in amazon
TABS????? PLEASEEEEEEE :OOO
この人イングヴェイより歳上だよね？
体毛スゲー
指ながっ！
手がデカイ😅
ジョー・スタンプは昔からだけど、テクニック面ではフィンガリングがバタバタしていて粗いんだよな。テンポも遅れ気味で。まあ、独特の味わいがあって好きだけどね。
すげえ分かる。ネオクラシカルというよりロックなんだよなフィーリングの根っこの部分が
@@user-id5ot3ey7o It's pure badass balls-to-the-wall sound and feel. Yngwie is more fluid, but I really prefer Joe's raw feel. And, of course, his composing skills are unmatched. His last 5 albums are true gems.
イングヴェイもジョーも根っこがロッカーなのは一緒やけど、イングヴェイはクラシックを感じ取った人で、ジョーは学び取った人って印象。どっちがいいかって事でもないけど、結局個人的にはイングヴェイになっちゃうんだよなー。まあ、ジョーがいなかったらいまのALCATRAZZはないからすごくありがたいと思ってるんやけどね。
ゆっくり弾くとノイズやミスが目立つのは、やっぱ速弾き前提の人なんだなあと思う。
昔から凄く上手いけど、もうちょいセクシーさというか華というか…そういうのがあったらなぁと思う。
he is not even ashamed of his yngwie wannabe-ness....weird
잉베이 신보나오는데 넌 뭐하냐 클론
잉베이 영향을 마니 받앗네~턱밑에 겨털은 좀 깍든지 다듬던지 ㅎㅎ
Great player but 100% YJM rip off
You are extremely musically ignorant if you say that. You probably can't read nor sight read music.
Joe's picking mechanic alone is not only different but more "complete" so to speak. Joe can play both ascending and descending notes by using pure economy due to the double slant and he has a bit more freedom on that regard, Yngwie can still pull it off with legato don't get me wrong but they have completely different approaches to make it work. COMPLETELY.
Music composition is entirely different too, different phrasing and tempo choice, like Joe is almost in a genre of his own altogether. He tends to go for much darker sounds like those you hear in black metal but keeps it melodic so that he can fuse it well with neoclassical. You can especially hear this in his album The Dark Lord Rises.
Yngwie plays neoclassical on hard rock/heavy metal.
It's no secret that Joe is an Yngwie fan, but that doesn't mean he's a rip off. Someone plays in Phrygian therefore they ripped Yngwie. Come on man, be educated.
But it's no surprise really, you can see people commenting "Yngwie rip off" even under Jason Becker videos if you look well enough.
To people like you every neoclassical artist who came after Yngwie is a rip off. It's funny how all blues players have been playing the same shit for a century and nobody bats an eye.
@@stonerawks9882 Very well said. There is room for more than ONE neo classical guitarist , just like there were many fine classical composers. Joe is one of the best there is
@john cash And yet you WILL occasionally see people who come up with abysmal comments like this one under Jason's videos.
It's not uncommon at all.
I'm just pointing out how the average metal enthusiast who hears harmonic minor/phrygian scales will yell YNGWIEEEEE, ELSE RIP OFF
@john cash Joe DOESN'T sound like Yngwie. In the slightest. The only thing that remotely connects them are eerie sounding scales. Show some respect.
One actual Yngwie clone is Katsu Ohta, who is still an amazing guitar player mind you with some interesting melodies. But Joe sounds NOTHING like Yngwie. I'm sorry but this is a fact. Please try and understand music before judging artists.
breh that tone is awful
You are awful if you really think so