Timecodes: 00:00 Miniature Overture 03:20 March 06:03 Dance of the Sugar Plum Fairy 07:47 Russian Dance (Trepak) 09:02 Arabian Dance 11:49 Chinese Dance 12:57 Dance of the Mirltons (Reed Flutes) 15:29 Waltz of the Flowers
I love it so much. It makes me so happy every time. Just the most beautiful, charming compositions I know. I listen to this a thousand times it doesn't get boring. Thank you tchaikovsky for bringing this to life
11:40 ... sadly another rendition that doesn't follow scores. I hate that abrupt end of such a lush exotic theme, when it was clearly indicated : diminuendo -> morendo -> PPPPPPPPPPPPP!!!
Thats standard practice for scores past the first page or if theres no stave changes though 🤷♂️ Its pretty easy to read. It also saves space on the paper and makes the score overall cleaner
Everything @afriendlymusician said is right. This used to really mess me up but i also used the groupings/brackets of instruments or the keys of the instruments to figure out what instruments were which based in position (top to bottom).
Timecodes:
00:00 Miniature Overture
03:20 March
06:03 Dance of the Sugar Plum Fairy
07:47 Russian Dance (Trepak)
09:02 Arabian Dance
11:49 Chinese Dance
12:57 Dance of the Mirltons (Reed Flutes)
15:29 Waltz of the Flowers
explodes Russian Dance (Trepak)
bOom...
Bless you for the time codes
I love it so much. It makes me so happy every time. Just the most beautiful, charming compositions I know. I listen to this a thousand times it doesn't get boring. Thank you tchaikovsky for bringing this to life
non è possibile creare così tanti capolavori in una sola opera.
tchaickosky è il genio
True, so he was.
He is, after all, the king of melody.
This is my first time actually hearing this with the score (and all the way through)! This was an amazing way to end my day!
15:29 Such a masterpiece 🙏🙏🙏
Precious harp ❤🎶
thank you for uploading this. happy holidays.
0:02 0:02 Ouverture miniature
3:24 3:24 March
7:50 7:50 Dance russe Trepak
14:17 21:43 22:28
16:35 4:32
14:20 amo esa parte la sincopa que hacen los bajos
Perfect.
2:23 is my favorite part
The staccato hits me too
03:20 is the song imma play for my concert this year I am a contrabass
The best Russian music in one score
i played along with my violin
Me too but viola ♡ I wonder if we have ever played along with it at the same time.
Tuba be really enjoying this
糖梅仙子
A段：
06:05
B段：
06:43
再現A段
07:13
Violin 2B: 2:35
11:14 아랍 막
왈츠 2번째 도돌파트 18:25
Y saber que tengo que tocar todo esto el miércoles nooo😢
2:38
Todokete setsuna sani wa...
9:27
14:48
Chinese dance = bassoon torture
@@oliviafritz7799 flute literally has a solo for the majority of the movement and the movement after though
@@bakedpotato3680 al igual que la flauta con la escala muy aguda
Arabian dance = lower strings torture
Orchestrating a piece right now. Good to know.
And flute torture
where can I have the score?
The score is from imslp.org: ks.imslp.net/files/imglnks/usimg/0/01/IMSLP231707-SIBLEY1802.18390.9bd0-39087009433006score.pdf 😊
4:32 14:17 16:34
11:40 ... sadly another rendition that doesn't follow scores. I hate that abrupt end of such a lush exotic theme, when it was clearly indicated : diminuendo -> morendo -> PPPPPPPPPPPPP!!!
Violin excerpt 2:36
2:23
3:18
The suite does not include the best parts of the ballet: the Christmas Tree and the Pas de Deux.
8:16 Danse russe Trepak - B
차이코프스키는 진심으로 플룻을 사랑했구나
And you didn't include "Sugar Plum Fairy's Cavalier"! That's almost a crime to me.
15:29
14:10
1:16
8:10
It's so annoying when scores don't label the staves past the first page. Please refrain from using these types of scores in future videos.
While I do agree on this, the unfortunate reality is that sometimes there aren't any better scores to work with.
Well they are labeled, just smaller and in a different position
Thats standard practice for scores past the first page or if theres no stave changes though 🤷♂️ Its pretty easy to read. It also saves space on the paper and makes the score overall cleaner
Everything @afriendlymusician said is right. This used to really mess me up but i also used the groupings/brackets of instruments or the keys of the instruments to figure out what instruments were which based in position (top to bottom).