Love this neoclassical style of Hindemith! The harmony is complex yet accessible. Especially enjoyed the energetic, playful, fast sections; but the slower sections are lyrical, beautiful !
What a jolly, affirmative and inventive work this is! It has both skill and emotion, which always produce music worthy of use! Regardless of our instruments, Hindemith gave us all music we could learn and play, enjoy and memorize. I am an organist, so I learned all three of his organ Sonatas, memorizing the first and the third! Bravo Papa Paul!
This was the last oboe piece I performed... I still dream of her, the reed between my lips... the tone underneath my fingers.. can't get her out of my head even after 10 years... one day I will hold this instrument in my hands again and sing... one day... hopefully
During some 20 years, Hindemith wrote an amazing series of sonatas for winds and piano - including tuba ! My modest opinion is that the "best" ones are those for flute and this one for oboe.
Hindemith wote sonatas for piano and all the wind instruments of the orchestra, including the English horn and the tuba. He achieved that over a very long time range.
Paul Hindemith:Oboaszonáta 1.Allegramente 00:00 2.Molto adagio - Vivace - Molto lentamente, Come prima - Vivace di nuovo 03:52 Ingo Goritzki-oboa Kalle Randalu-zongora
Nobody, it seems, takes “sehr langsam” seriously - the tempo marking for the second movement. Except Ronald Roseman, I think. It does not sound “very slow” to me.
It is so damn hard to play it that slow and keep the phrase's direction. I'm coming back to re-learn the piece--playing it that slow makes your brain want to make a big deal out of every note because there are so few-either finger accenting or breath accenting things that shouldn't be. Pacing the dynamics and increase in vibrato intensity, a crescendo from p to mf over what feels like forever, takes a lot of nuance and lung support over a ~40 second phrase (at written tempo) with no breath.
pianofilms Lol. Okay, it sounds kind of cute that way, but is not marked staccato in the score. In college I was taught to play Hindemith “like Brahms”.
@@W0lfman0 Interpretation is a magical thing. I wouldn't be okay with someone being told to play my music in the style of someone else, but to each their own.
O. Dalton I don’t think someone could play your music in the style of someone else. Besides, you are contradicting yourself. If you don’t play the score the way it is written, then you are playing it in someone else’s style: yours.
These were primarily intended as student works, and to this day remain "staple" for senior recitals. Pianists at music schools frequently get paid GOOD MONEY to accompany senior recitals in you guessed it: "Another fucking Hindemith Sonata." If you want to earn a good living at a music school as a pianist, your only repertoire could be various Hindemith sonatas. You'll always have "customers." sanjosemike
One of Hindemith's most inventive works, especially regarding rhythm.
I remember working this piece up for recitals and auditions. Never performed, though. Beautiful performance, well done. Thank you.
Love this neoclassical style of Hindemith! The harmony is complex yet accessible. Especially enjoyed the energetic, playful, fast sections; but the slower sections are lyrical, beautiful !
What a jolly, affirmative and inventive work this is! It has both skill and emotion, which always produce music worthy of use! Regardless of our instruments, Hindemith gave us all music we could learn and play, enjoy and memorize. I am an organist, so I learned all three of his organ Sonatas, memorizing the first and the third! Bravo Papa Paul!
What a perfect combination of instruments.
This was the last oboe piece I performed... I still dream of her, the reed between my lips... the tone underneath my fingers.. can't get her out of my head even after 10 years... one day I will hold this instrument in my hands again and sing... one day... hopefully
😳
@@PM_ME_MESSIAEN_PICS Yeah, I was on drugs or something, ignore it :D
So boucing melody !! I feel so happy with hearing this. Hurry i will play this piece happyyyyyyyyy
0:01 Movement I - Munter
3:52 Movement II - Sehr Langsam, Lebhaft
Definitely one of my favorite oboe pieces to practice
Wonderful ! Thanks for making me discover his work :)
During some 20 years, Hindemith wrote an amazing series of sonatas for winds and piano - including tuba ! My modest opinion is that the "best" ones are those for flute and this one for oboe.
sehr gute Aufnahme!! Bravo.
This is fantastic.
Very, very interesting. I enjoyed it.
Hindemith wote sonatas for piano and all the wind instruments of the orchestra, including the English horn and the tuba. He achieved that over a very long time range.
Paul Hindemith:Oboaszonáta
1.Allegramente 00:00
2.Molto adagio - Vivace - Molto lentamente, Come prima - Vivace di nuovo 03:52
Ingo Goritzki-oboa
Kalle Randalu-zongora
The best oboe sonata I've ever heard!
Not Poulenc's?
@@emilyhandcream804the best oboe sonata THEY have heard, not you
mvt i part 1: 0:00
mvt i part 2: 1:56
mvt ii part 1: 3:51
mvt ii part 2: 6:06
I AM DEEPLY CONFUSED
dried persimmon why?
Hard sightreading piece lol.
We came here to listen to Hindemith not your personal problems.
@@Forestier1 so?
@@Forestier1cry about it
This is bussin
Best Music in the world.
This guy killed me in my high school regional auditions
Sounds like 70s prog rock like gentle giant or yes
Please upload his tuba sonata as it is far more interesting then some of his others
Nobody, it seems, takes “sehr langsam” seriously - the tempo marking for the second movement. Except Ronald Roseman, I think. It does not sound “very slow” to me.
It is so damn hard to play it that slow and keep the phrase's direction. I'm coming back to re-learn the piece--playing it that slow makes your brain want to make a big deal out of every note because there are so few-either finger accenting or breath accenting things that shouldn't be. Pacing the dynamics and increase in vibrato intensity, a crescendo from p to mf over what feels like forever, takes a lot of nuance and lung support over a ~40 second phrase (at written tempo) with no breath.
Man, I would be foaming at the mouth trying to figure out the piano rhythms. It's not hard to play if you can read all those bars.
5:11 two starts
what do you mean? they play what's on the score, no?
where i can download the sheet?
Imslp
Fantastic, but its better more slowly ...
Don't like the pianist making all the opening 8ths staccato in the 1st movement.
cool, thx for your opinion. I will go back to not caring about it now
pianofilms Lol. Okay, it sounds kind of cute that way, but is not marked staccato in the score. In college I was taught to play Hindemith “like Brahms”.
@@W0lfman0 Interpretation is a magical thing. I wouldn't be okay with someone being told to play my music in the style of someone else, but to each their own.
O. Dalton I don’t think someone could play your music in the style of someone else. Besides, you are contradicting yourself. If you don’t play the score the way it is written, then you are playing it in someone else’s style: yours.
09:23
me when fugue
Another fucking Hindemith sonata.
These were primarily intended as student works, and to this day remain "staple" for senior recitals. Pianists at music schools frequently get paid GOOD MONEY to accompany senior recitals in you guessed it: "Another fucking Hindemith Sonata." If you want to earn a good living at a music school as a pianist, your only repertoire could be various Hindemith sonatas. You'll always have "customers."
sanjosemike
My comment was not disparaging. I was referencing a comedy article on the subject.
This first moment is faster than what Hindemith has written in the part….this is to fast…