@@manman007frfr thank you manman007frfr; what a very skibbity based opinion from a peer in the music world! let me inspect your channel to discover your obscure musical talent- GOOD HEAVENS! IT APPEARS YOU HAVE NONE! might you be huffing a stronger dose of that copium then you initially intended? not very sigma manman007frfr
I'm a massive glaive fan but I have never gotten to the 1:00 mark of this "more than life" ever, in my mind I don't think a single person likes this song
i like this videoooo and like i agreeeeee buttttt, i don't think 'hyperpop' is a concept that exists. the artists and pioneers that emmerged during the inception of that musical landscape didn't really take ownership over the title "hyperpop", so the fact that it even lacks a definition of the 'genre' from the artists that it is made by makes what it means very wobbly. u can usually define what a word means by making sense of the cultures in which a word is used in, but in this case you can say "anesthesia by ryan hall is hyperpop" in the first sentence, and then in the next say "360 by charli xcx is hyperpop"??? am i tweaking or is there absolutely nothing in common with those two songs. (was that a weird example tho?) my point is that "hyperpop" is a word that was born out of corporations trying to label music often created by minorities, trying to very illogically push these artists under a very vague umbrella. this is harmful because now artists are trying so hard to meet these arbitrary standards that spotify playlists, and critics have established, with the hopes of gaining more traction that way. am i making sense??? so while i completely agree that this song is really sterile and kind of unimaginative just in my opinion (tbh i don't really like this song either), but just because it is glaive hopping on a track with mgk doesn't mean it HAS to be an experimental "hyperpop" track, u get what i mean? experimentation in music doesn't need to mean 'glitchy production', or 'grandiose instrumentation', that in itself limits how much u can experiment with music u know. ily tho, its just that "hyperpop" as a label needs to stop imo, at least as a term that is used lmk what u think
that was a well thought out SA LMAO and i do agree. I used “hyperpop” in the video cause, well, like you said it is an umbrella term. there was a portion of the video i clipped where i went more in depth about different root artists of the genre, and discussed how glaive was one of those artists who inadvertently thrusted the genre into the main stream. your totally not tweakin tho, i feel the exact same way. as for the experimentation, i just wanted the song to do something different, daring, or interesting. glaive was marketed as a “hyperpop” artist (umbrella term) on MGKs “pop punk” album; i would have loved to hear some sort of boundary pushing song because that’s what it’s marketed as. but not only did i not get experimental, i got next to nothing- it was just a slog to listen 2 :/ songs don’t always have to be “deep” or “boundary pushing” but if it’s not even good in the first place, then what’s the reason of me listening other then just to be gaslit into believing, “oh this is a good hyperpop song!” lmaoo we’re deff on the same page and it’s an interesting topic. if i ever get to a reasonable sized audience, this is second channel material right here to write up and talk about 🙂↕️ thanks for being so thoughtful w/ ur response
@@po9t omg yes i agree this is a very good take, and its so weird to call a track like that an "innovative hyperpop song" lmaooo i completely see where ur coming from now, and a collaboration like that would demand a lot more effort in terms of making something nuanced but that clearly didn't happen. some key things i missed out in my comment was that i definitely agree with the fact that the lyricism is really schmaltzy and corny, particularly on mgk's end and that i also realised that the production is almost trying too hard to almost amalgamate pop punk and hyperpop with the half baked midwest emoey guitars in the intro, and the trap hihats and the overdone autotune and all that but in the end it just sounds like a very bland pop punk thing with some very weird and random "hyperpop" elements. but yes i totally agree with this as well and it actually gave me a lot more clarity to ur perspective. ALSOOO the remix was fucking sickkkkkk i forgot to mention :))
@@po9t YIPPE WOOHOO THAT'S MY FAV ALBUM OF ALL TIME LET'S GO btw she did a stream breaking down all the songs on the album (except for the second half of movies for guys) and it's on yt so you can use that as a resource (if you didn't know already of it, that is)
crazy how hyperpop went from a genre only terminally online soundcloud kids knew to a well established real genre of music, like my mom knows the fucking mgk glaive song (i actually like more then life tho ngl)
@@0aeth0 the transformation was INSANE, literally every producer out there wanted to emulate production like dylan brady till it snowballed to what it is now. i’m happy it’s a time has been put to rest because it inspired SO MUCH alternative music that branched out into its own genres entirely
6:53 best description of grossbeat i've ever seen
im such a good youtuber ☝️🤓
love that tascam in the background
that’s for a later video i’ve been working on ;)
Glaive
Glaive
t9op just posted lets go
let us be going! Haza!
approach on this one is really cool
it’s a lot diff the the initial one i showed you, it deff payed off after re-shooting xd
its been a while
ever tried getting up with chamber pop?
i have not 👀 i should try
Why does it it feel that this dude switches rooms every video
LMAO ur not wrong 😂 i re-arrange my room quite a bit
Who's house did you break into to record this one because it looks great in there
haha, thanks! when i’m not in school i spend most of my free time painting new pieces to decorate the studio with- i’m loving the way it’s shaping out
glaive killed it on that song i don't even care 😭😭
real MGK did ass and ruined it though
theres an og version with basically more glaive i can find it
ua-cam.com/video/A67l_irmlNM/v-deo.htmlsi=VQVBNLUJz4JlzEvj
it’s funny to think that they cut glaives part because he ended up carrying the song 😂💀
I actually don't think this vid did get demonetized... so, congrats
oh also good vid btw xD
i was STRESSING about it but i think your right and im in the clear ❤️ god bless amEriKa 🦅🇺🇸
"sugon deez"
you actually read the description 😂😂
@@po9t I see words, I read
fire
Wow it sounds so much worse
@@manman007frfr thank you manman007frfr; what a very skibbity based opinion from a peer in the music world! let me inspect your channel to discover your obscure musical talent- GOOD HEAVENS! IT APPEARS YOU HAVE NONE! might you be huffing a stronger dose of that copium then you initially intended? not very sigma manman007frfr
@@po9t holy yap
you did a really good job on this remix! (best thing u did was removing mgk's parts)
hehe i am genius 🐇
Glaive
I'm a massive glaive fan but I have never gotten to the 1:00 mark of this "more than life" ever, in my mind I don't think a single person likes this song
Babe wake up, po9t posted
cat montage.mp4
i like this videoooo and like i agreeeeee buttttt, i don't think 'hyperpop' is a concept that exists. the artists and pioneers that emmerged during the inception of that musical landscape didn't really take ownership over the title "hyperpop", so the fact that it even lacks a definition of the 'genre' from the artists that it is made by makes what it means very wobbly. u can usually define what a word means by making sense of the cultures in which a word is used in, but in this case you can say "anesthesia by ryan hall is hyperpop" in the first sentence, and then in the next say "360 by charli xcx is hyperpop"??? am i tweaking or is there absolutely nothing in common with those two songs. (was that a weird example tho?) my point is that "hyperpop" is a word that was born out of corporations trying to label music often created by minorities, trying to very illogically push these artists under a very vague umbrella. this is harmful because now artists are trying so hard to meet these arbitrary standards that spotify playlists, and critics have established, with the hopes of gaining more traction that way. am i making sense???
so while i completely agree that this song is really sterile and kind of unimaginative just in my opinion (tbh i don't really like this song either), but just because it is glaive hopping on a track with mgk doesn't mean it HAS to be an experimental "hyperpop" track, u get what i mean? experimentation in music doesn't need to mean 'glitchy production', or 'grandiose instrumentation', that in itself limits how much u can experiment with music u know. ily tho, its just that "hyperpop" as a label needs to stop imo, at least as a term that is used lmk what u think
that was a well thought out SA LMAO and i do agree. I used “hyperpop” in the video cause, well, like you said it is an umbrella term. there was a portion of the video i clipped where i went more in depth about different root artists of the genre, and discussed how glaive was one of those artists who inadvertently thrusted the genre into the main stream. your totally not tweakin tho, i feel the exact same way. as for the experimentation, i just wanted the song to do something different, daring, or interesting. glaive was marketed as a “hyperpop” artist (umbrella term) on MGKs “pop punk” album; i would have loved to hear some sort of boundary pushing song because that’s what it’s marketed as. but not only did i not get experimental, i got next to nothing- it was just a slog to listen 2 :/ songs don’t always have to be “deep” or “boundary pushing” but if it’s not even good in the first place, then what’s the reason of me listening other then just to be gaslit into believing, “oh this is a good hyperpop song!” lmaoo we’re deff on the same page and it’s an interesting topic. if i ever get to a reasonable sized audience, this is second channel material right here to write up and talk about 🙂↕️ thanks for being so thoughtful w/ ur response
@@po9t omg yes i agree this is a very good take, and its so weird to call a track like that an "innovative hyperpop song" lmaooo i completely see where ur coming from now, and a collaboration like that would demand a lot more effort in terms of making something nuanced but that clearly didn't happen. some key things i missed out in my comment was that i definitely agree with the fact that the lyricism is really schmaltzy and corny, particularly on mgk's end and that i also realised that the production is almost trying too hard to almost amalgamate pop punk and hyperpop with the half baked midwest emoey guitars in the intro, and the trap hihats and the overdone autotune and all that but in the end it just sounds like a very bland pop punk thing with some very weird and random "hyperpop" elements. but yes i totally agree with this as well and it actually gave me a lot more clarity to ur perspective. ALSOOO the remix was fucking sickkkkkk i forgot to mention :))
another essay lmao
What is the really loud and crunchy bass called i need it
it’s from the UMRU kit, the 808 one shot is called “close to god”
You interested in doing a video on how to Frailty by Jane Remover? Sorry if this is annoying or if the album isn't your style.
I loved the album actually and a Jane Remover type video would be sick! I’ll add it to the growing list of topics i want to cover
@@po9t YIPPE WOOHOO THAT'S MY FAV ALBUM OF ALL TIME LET'S GO btw she did a stream breaking down all the songs on the album (except for the second half of movies for guys) and it's on yt so you can use that as a resource (if you didn't know already of it, that is)
this video DIDNT get copyrighted
@@aidenhiltonn i got worried there for a sec 😤😮💨
Would love to see Glaives thoughts on the remixed version.
maybe one day we will!
crazy how hyperpop went from a genre only terminally online soundcloud kids knew to a well established real genre of music, like my mom knows the fucking mgk glaive song (i actually like more then life tho ngl)
@@0aeth0 the transformation was INSANE, literally every producer out there wanted to emulate production like dylan brady till it snowballed to what it is now. i’m happy it’s a time has been put to rest because it inspired SO MUCH alternative music that branched out into its own genres entirely
Might not be one of his best songs, but it is where I found Glaive from so I kinda have those tinted glasses on that particular song.
@@supermariozackary5660 i have the same feeling about SOOO many of my fav songs- ik the feeling 🐇
drama trial mentioned thats my goat
drama trial the literal goat- gotta do a video some day on their sound