So much color is added to this video purely from Charles' almost child-like energy and joy when analyzing this piece. Love the content as always, keep it up.
Taylor Eigsti is truly one of the most technical keyboardist, it's especially incredible when he leads anything with his left hand. The changes are classically precise yet unexpected.
I love the way how everything really exciting about music is virtually impossible to explain in words, and the amount of emotional hand waving and jazz chord faces in this video is just about right to convey it perfectly 😀
I could (and have) listen to you being super hype about music for hours. Thank you for your hard work on your content. Your editing shows that you (or who ever edits these) put a lot of extra work not only with the original sources but your silly reactions. I love your videos.
Watching this reminds me of when I saw Hiromi Uehara live in new york city a couple months ago- it's a whole different world of music watching the give-and-take between a really skilled jazz pianist and their band
Here's the thing Charles... You don't give yourself enough credit!!! It's many people out there listening to YOUR OWN CHOPS, and saying to themselves... "Why do I bother!!!" Lol.... You're AWESOME in your own right my man, and that's coming from someone who's been in the music realm on trumpet since 1980!!!! 🔥🔥🔥🔥🔥🔥
💯 He basically picked this out by ear and said “ah forget it”. If he really sunk into that solo, Charles would be able to turn it inside out! He better than he thinks.
If one is nerdy enough about something, one can still viscerally react to it nearly as much after the 100th listen as the first listen. I know because that is how I am, if the thing is cool enough (for me). I’ll still freak out in a good way at something I have heard dozens of times. Part of it is the thing being complex enough to not fully comprehend it on the first few listens; the rest is sheer RESPECT and ADMIRATION after you DO more or less understand (the technical part of) it.
Taylor is amazing! I got to play with him (in the backup orchestra) back in 2010. He also played Rhapsody in Blue in the same show. That guy is a BEAST!
I was lucky enough to attend the Stanford Jazz Workshop when Taylor and Julian Lage were instructors. I learned more there in one week as a bass a player than I felt like I had in years of playing before that. Taylor is such a nice and down to earth guy as well which makes it all the better. Joshua Crumbly was a student there at the same time. It’s been awesome to see his development too, he had only just started playing upright bass!
Wow, I am blown away. Incredible video. I have to say, I enjoy videos like this much more than the reactions to movie scores and show themes. While that music does have cool chords, they aren’t so mind blowing. This video is the pinnacle of something you used to talk quite extensively on. Feel. Eigsti's feel is incredible, which is part of why it is so incredible. I would love to see more videos like this.
It's been 15 years since I've played my trumpet with a group, but nailing those rhythmic hits as a group is some of the most satisftying moments on stage.
What's mind blowing is the improvisation (i assume) of this. This man literally hears stuff like this in his head and he's translating it with his hands. Sure people can improvise but at this level and others at this level it just blows my mind
There is a lot to be said for your ability to listen to that and break it down to digestible appreciation for plebs like me. I'm a trained classical musician, but I wouldn't have been able to appreciate Taylor's performance nearly on the level this guy deserves without your help, Charles. Thank you!
I was introduced to Taylor by his work with Gretchen Parlato. His accompaniment on "Me and You" as well as SWV's "Weak" is literally breathtaking. Thanks for highlighting such a gentle giant like Taylor. He's not often on people's radar but he should be.
Love geeking out with you on all the dynamics and techniques … I stand in awe of you both! Great stuff! Going to the Jazz Corner tonight with new listening skills!
YES YES YEW YES!!!!! Ahhhhhhhh TAYLOR!! Got to see him live and it was incredible! Him and Joey Alexander (for different reasons) just annihilated my life!! love it!!!!!!!
Really nice indeed. There's a video of Taylor Eigsti Trio playing 'Caravan' live at Stanford that is absolutely killin, an amazing intro flowed by equally band performance, including a stellar solo. TE is definitely a rather underrated pianist, despite chops and technique he is always a musical player. 7:35 -quasi 'the lick', maybe closer to the motif to 'Mellow Mood'.
Dear Charles, thank you for putting Taylor on my radar, since I had never heard of him. Just checked the songs Tree Fall and Sparky and was literally blown away! The musicianship and quality of writing is of the highest order 👏🏾 I now have to delve into as much of his stuff as possible. Thank you so much, big love from England buddy 😊
The first time I heard Taylor was Holding Back the Years, Gretchen Parlato. His tone is remarkable. I've really never heard a pianist with such a unique sound.
Charles, the ascending figure he plays at 3:14 is a novelty piano figuration from the 1920s. It’s a couple of consecutive fourth intervals in the right hand, with each pair of sequential fourths in the right hand preceded by a note or chord in the left, so a 3/8 over 4/4 hemiola. This shit was up to date in 1923. It still sounds cool today because while the musical modernism of the 1920s fed eventually into bebop, a lot of people forgot about novelty piano. That shit was unfortunately uncool for about 50 years, until it started getting revived in the 1970s (in a small way, although still dissed by some “scholars”) and now is generally a fully accepted part of the current day “ragtime scene” although most of the pianists tend to play the solo piano rags of that time rather than play any of the pop song arrangements by the era pianists like I try to do. For some clear examples, check out not only Zez Confrey (for example: “Greenwich Witch”) but there’s a great jazz piano solo by Boston bandleader Sid Reinherz he did in 1923 called “The Boston Trot”. He uses some of these novelty riffs in it as well, although it’s a real jazz solo with an improvising horn right hand and a swinging 4/4 beat. Finally, the great Frank Banta uses all these different tricks in a highly technical way in his brilliant piano solos done for Victor and Banner/ARC. For example, at the end of his phenomenal 1925 solo “My Sugar” (his arrangement of a pop song), he plays a stupendous upwards break that includes some fourths but is so fast as to be nearly incomprehensible, yet amazingly clean. All in ONE TAKE! Banta was Victor’s #1 studio pop pianist in the 20s. He’s on probably over 1,000 records. That should tell you something.
thanks for introducing Taylor Eigsti to me (: I like the way he respects the melody within all that complexity. That's exactly the kind of piano playing I love to hear and analye as a musician.
this is insane, thanks for introducing us to such an amazing band! this may be a little of a genre break but could you do a video about rai thistlethwayte? i'm still so blown away by his overtime solo everytime i listen to the knower live sesh :D
Good stuff. I don't play myself but I love jazz, and I love hearing how players hear and understand this music on a more nuanced level than myself. This Taylor's playing reminded me of Bill Evans's harmonic language (that influence from the French Impressionist composers) and Keith Jarrett's more energetic drive. Good stuff. Will have to check him/this band out.
I HIGHLY recommend you check out Masashi Hamauzu's music. The harmonic structure of his music is sooooo good. Taylor's part reminds me so much of that.
Haha! There is something special about watching professional musicians swooning over other musicians but you take it to a whole new dimension! This was fun! And of course interesting content 😊
Taylor’s awesome. Took a class from him on chord construction, truly eye opening. Edit - also, if you’re new to Taylor’s music, I highly recommend checking out Let It Come To You with Eric Harland on drums, absolutely killer album. Caravan will blow your mind.
A saying I’ve heard from a jazz guitarist once was that you can recognize talented technicians even if you know nothing about the music they are playing, just by observing the ease with which they seem to do so - “an insane bass player almost doesnt move their fingers, he just seems to go up and down from time to time”
*I am HOOKED on this stuff* you're like a drug! just remember 'the artist is improvising technique for an interpretative end result; thus analyzing the actual technique is being in the 'just make it work' territory and THAT if definitely *Trippy*
Glad to find someone who shares my enthusiasm for this live recording! I’ve been geeking out about this for at least 7 years. I’d love to hear your take on Taylor’s solo on January by Ben Wendel and/or Still Play.
You NEED to look at the Xenoblade 3 music specifically the Moebius theme and ‘the weight of life’ especially the way they use a choir in the Moebius theme is amazing
Funny! To see you of all people , blown away!! I actually admire your playing and still recall the first video I saw of yours where you were comically playing a rhythmic harmony along with some odd character who was complaining, and I´ve been a follower since! My only assumption is: When you get out and play a lot of gigs, that´s where the "magic" is born out of all the home practice and study. Likewise, having a solid band of great player that gels and thinks together is ....well..need I say more? But yeah.....THIS GUY!! 👉🤯
I imagine a jazz soloist (on whatever instrument) as entering into a kind of mantic state. Do even they know where the melody and chords are coming from? To a significant extent, they do--O marvel!
Charles mentioned intonation around 5:30 in relation to hitting the keys, but I've never heard of the term in this sense so I went a-googling. I found nothing related to this. Only the standard use of intonation as referring to pitch accuracy.
Go check out Taylor's latest album Tree Falls on Spotify! bit.ly/tayloreigsti_treefalls
Interesting and rather eclectic collection of tracks. Bandwiches reminds me of some of Zorsy's work.
Can you analyse super mario galaxy
This is absolutely brilliant! Thanks Charles. I think you would like Django Bates and also a lesser known pianist called Richard Fairhurst.
Please, Make video about Kapustin 8 etudes 👏
Hey Charles, do you remember a pianist named Austin Peralta?? He was a wizard. Died very very young. Reminds me of this guy in some ways.
So much color is added to this video purely from Charles' almost child-like energy and joy when analyzing this piece. Love the content as always, keep it up.
Yea, Charles inner child is what makes this YT channel so good 😂
Yeah! Just enjoying music with him must be a very good time spent
Taylor Eigsti is truly one of the most technical keyboardist, it's especially incredible when he leads anything with his left hand. The changes are classically precise yet unexpected.
07:50 This " WHOOO HOOO" is probably the most powerful we've ever heard from Charles. Jazz are about EMOTIONS.
I love the way how everything really exciting about music is virtually impossible to explain in words, and the amount of emotional hand waving and jazz chord faces in this video is just about right to convey it perfectly 😀
“Jazz chord faces” is such a perfect phrase.
I could (and have) listen to you being super hype about music for hours. Thank you for your hard work on your content. Your editing shows that you (or who ever edits these) put a lot of extra work not only with the original sources but your silly reactions. I love your videos.
He saw crossroads and was like, "Hold my latte so my right hand can have a jazz duel with my left hand...Pfff what kinda name is Macchio anyways?"
It's the feminine form of the word "macho".
Watching this reminds me of when I saw Hiromi Uehara live in new york city a couple months ago- it's a whole different world of music watching the give-and-take between a really skilled jazz pianist and their band
Here's the thing Charles... You don't give yourself enough credit!!! It's many people out there listening to YOUR OWN CHOPS, and saying to themselves... "Why do I bother!!!" Lol.... You're AWESOME in your own right my man, and that's coming from someone who's been in the music realm on trumpet since 1980!!!! 🔥🔥🔥🔥🔥🔥
💯 He basically picked this out by ear and said “ah forget it”. If he really sunk into that solo, Charles would be able to turn it inside out! He better than he thinks.
watching charles react to piano like he's sniffing bath salts is the best thing in the world😂
this is the best comment
3:24?
@@junc9530if he didn’t he’d just be silent for 10mins listening
If one is nerdy enough about something, one can still viscerally react to it nearly as much after the 100th listen as the first listen. I know because that is how I am, if the thing is cool enough (for me). I’ll still freak out in a good way at something I have heard dozens of times. Part of it is the thing being complex enough to not fully comprehend it on the first few listens; the rest is sheer RESPECT and ADMIRATION after you DO more or less understand (the technical part of) it.
@@andrewbarrett1537 been there mate😂
Taylor is amazing! I got to play with him (in the backup orchestra) back in 2010. He also played Rhapsody in Blue in the same show. That guy is a BEAST!
I was lucky enough to attend the Stanford Jazz Workshop when Taylor and Julian Lage were instructors. I learned more there in one week as a bass a player than I felt like I had in years of playing before that. Taylor is such a nice and down to earth guy as well which makes it all the better. Joshua Crumbly was a student there at the same time. It’s been awesome to see his development too, he had only just started playing upright bass!
same seeing julian and taylor play together was lit
Wow, I am blown away. Incredible video.
I have to say, I enjoy videos like this much more than the reactions to movie scores and show themes. While that music does have cool chords, they aren’t so mind blowing. This video is the pinnacle of something you used to talk quite extensively on. Feel. Eigsti's feel is incredible, which is part of why it is so incredible. I would love to see more videos like this.
It's been 15 years since I've played my trumpet with a group, but nailing those rhythmic hits as a group is some of the most satisftying moments on stage.
Love the editing on this video!
You are a master too man... so much fun in your videos thanks for all your data
What's mind blowing is the improvisation (i assume) of this. This man literally hears stuff like this in his head and he's translating it with his hands. Sure people can improvise but at this level and others at this level it just blows my mind
There is a lot to be said for your ability to listen to that and break it down to digestible appreciation for plebs like me. I'm a trained classical musician, but I wouldn't have been able to appreciate Taylor's performance nearly on the level this guy deserves without your help, Charles. Thank you!
I believe in the hip hop world Charles would be considered a “hype man”
I really need to check out more of his stuff!
Taylor's solo on Gretchen Parlato's "All That I Can Say" live in NYC is very memorable
I enjoy your videos, but the way you get exited about stuff is just priceless. Happy to see that you really love what you do.
This Is PEAK Jazz Right Here, Absolutely PHENOMENAL.
I was introduced to Taylor by his work with Gretchen Parlato. His accompaniment on "Me and You" as well as SWV's "Weak" is literally breathtaking. Thanks for highlighting such a gentle giant like Taylor. He's not often on people's radar but he should be.
They’re both SO SO GREAT! I’ve had the joy of learning directly from them and I’m always thinking of how they would approach things
Love geeking out with you on all the dynamics and techniques … I stand in awe of you both! Great stuff! Going to the Jazz Corner tonight with new listening skills!
i'm watching these largely for charles' reactions - the enthusiasm and excitement is infectious (and hilarious!)
YES YES YEW YES!!!!! Ahhhhhhhh TAYLOR!! Got to see him live and it was incredible! Him and Joey Alexander (for different reasons) just annihilated my life!! love it!!!!!!!
Thanks for the introduction (and your equally amazing exclamations 😉) - off to explore now!
Really nice indeed. There's a video of Taylor Eigsti Trio playing 'Caravan' live at Stanford that is absolutely killin, an amazing intro flowed by equally band performance, including a stellar solo. TE is definitely a rather underrated pianist, despite chops and technique he is always a musical player. 7:35 -quasi 'the lick', maybe closer to the motif to 'Mellow Mood'.
Your channel is the best on UA-cam. Hands down. Champ. 🏆
Your excitement when you explain love it
My mind is completely blown…like *WHAT?!* ALSO, your happiness and energy are infectious and legit can carry me through my day.
It’s amazing this energy -passion over this. Applause 👏🏻
Dear Charles, thank you for putting Taylor on my radar, since I had never heard of him.
Just checked the songs Tree Fall and Sparky and was literally blown away!
The musicianship and quality of writing is of the highest order 👏🏾
I now have to delve into as much of his stuff as possible.
Thank you so much, big love from England buddy 😊
The first time I heard Taylor was Holding Back the Years, Gretchen Parlato. His tone is remarkable. I've really never heard a pianist with such a unique sound.
Charles, the ascending figure he plays at 3:14 is a novelty piano figuration from the 1920s. It’s a couple of consecutive fourth intervals in the right hand, with each pair of sequential fourths in the right hand preceded by a note or chord in the left, so a 3/8 over 4/4 hemiola. This shit was up to date in 1923. It still sounds cool today because while the musical modernism of the 1920s fed eventually into bebop, a lot of people forgot about novelty piano. That shit was unfortunately uncool for about 50 years, until it started getting revived in the 1970s (in a small way, although still dissed by some “scholars”) and now is generally a fully accepted part of the current day “ragtime scene” although most of the pianists tend to play the solo piano rags of that time rather than play any of the pop song arrangements by the era pianists like I try to do. For some clear examples, check out not only Zez Confrey (for example: “Greenwich Witch”) but there’s a great jazz piano solo by Boston bandleader Sid Reinherz he did in 1923 called “The Boston Trot”. He uses some of these novelty riffs in it as well, although it’s a real jazz solo with an improvising horn right hand and a swinging 4/4 beat.
Finally, the great Frank Banta uses all these different tricks in a highly technical way in his brilliant piano solos done for Victor and Banner/ARC. For example, at the end of his phenomenal 1925 solo “My Sugar” (his arrangement of a pop song), he plays a stupendous upwards break that includes some fourths but is so fast as to be nearly incomprehensible, yet amazingly clean. All in ONE TAKE! Banta was Victor’s #1 studio pop pianist in the 20s. He’s on probably over 1,000 records. That should tell you something.
thanks for introducing Taylor Eigsti to me (:
I like the way he respects the melody within all that complexity. That's exactly the kind of piano playing I love to hear and analye as a musician.
You should review some hiromi stuff. She's an incredible pianist who really got her own special sound.
My first thought too
Thank u for introducing me to this video I’ve never heard anything like this before 😍😍😍
The editing on this video was hilarious!!! Great job
Fun fact: Charles' "Ooooh" in the beginning of the video is a Eb
this is insane, thanks for introducing us to such an amazing band!
this may be a little of a genre break but could you do a video about rai thistlethwayte? i'm still so blown away by his overtime solo everytime i listen to the knower live sesh :D
Taylor Eigsti and Robert Glasper are piano demigods. Taylor's melody vocabulary on Gretchen Parlatto's Weak cover is insane too.
His solo piano version of “Like Someone in Love” is one of my absolute favorite UA-cam videos 🎶
wow very technique, he put his finger down on the keys! on the black and white sometimes at the same time! very amaze, such level, plenty wow.
you're making me fall in love with music all over again. thanks for this
His playing reminds me a lot of Kapustin's playing and writing!
so, not a jazz pianist, but someone I'd love to see you make a video about is Tim Minchin, that dude does amazing stuff with the instrument
This is sooo gooood
Especially low register, so distinguish and full
Good stuff. I don't play myself but I love jazz, and I love hearing how players hear and understand this music on a more nuanced level than myself. This Taylor's playing reminded me of Bill Evans's harmonic language (that influence from the French Impressionist composers) and Keith Jarrett's more energetic drive. Good stuff. Will have to check him/this band out.
God I love this new series! It reminds me of nerding out on awesome jazz videos with a friend in college
We need more videos like this this is soo good. WE NEED MORE JAZZZZ
I was listening to this recording many dozen a times before your video. thanks for bringing it to the spotlight!
This video got me into Taylor's music. Great artist, really underappreciated!
I love hearing someone analyze a piece of music!
Thanks for your video! You do such a great job of providing access to methods of seeming madness!
I HIGHLY recommend you check out Masashi Hamauzu's music. The harmonic structure of his music is sooooo good. Taylor's part reminds me so much of that.
Haha! There is something special about watching professional musicians swooning over other musicians but you take it to a whole new dimension! This was fun! And of course interesting content 😊
You pointed out a lot of things that are inspiring me to work on in my soloing and writing, too. Great analysis and commentary, man.
That's over-the-top crazy stuff going on there. Amazing.
That nerd out! I love it 😊
I met Taylor along with Becca Stevens when they came and did a masterclass/performance at my university in 2018, they are both incredible.
Taylor’s awesome. Took a class from him on chord construction, truly eye opening.
Edit - also, if you’re new to Taylor’s music, I highly recommend checking out Let It Come To You with Eric Harland on drums, absolutely killer album. Caravan will blow your mind.
Hey man I really enjoy your vids!! I don’t even play piano (guitar player) but I I feel like we see the same epicness in certain pieces of music.
Saw him live with Terence Blanchard last week, absolutely blew me away.
I played with Taylor! In an orchestra with him and the Brubeck brothers. One of my faves
I love your energy/responses/narration :D
this was awesome. Thanks for that. can't wait for the next one.
Great video I love when people can articulate why something is great
A saying I’ve heard from a jazz guitarist once was that you can recognize talented technicians even if you know nothing about the music they are playing, just by observing the ease with which they seem to do so - “an insane bass player almost doesnt move their fingers, he just seems to go up and down from time to time”
Kendrick Scott’s little pre-bomb kick is so Elvin Jones…just sublime
Super COOL! Thank you!
*I am HOOKED on this stuff* you're like a drug! just remember 'the artist is improvising technique for an interpretative end result; thus analyzing the actual technique is being in the 'just make it work' territory and THAT if definitely *Trippy*
Hi Charles! I would like to see your "review" on the Joe Armon Jones solo on NPR's Ezra Collective concert 🙏🏻🙏🏻🙏🏻
Insane! Thanks for sharing this!
We need more of this
You're not doing bad yourself! He does his phenomenal thing and you do your thing!
This was amazing! Thx
Thanks for introducing ne to this guy! Another guy with wicked left hand chops like Taylor is a guy named Baptiste Trotignon
Great commentary. I’m non pianist but enjoyed your review. Thanks for posting!
Glad to find someone who shares my enthusiasm for this live recording! I’ve been geeking out about this for at least 7 years. I’d love to hear your take on Taylor’s solo on January by Ben Wendel and/or Still Play.
You NEED to look at the Xenoblade 3 music specifically the Moebius theme and ‘the weight of life’ especially the way they use a choir in the Moebius theme is amazing
Enjoyed this! Great stuff!👍🏾🎵🎵🎵🎹
For some reason, this reminded me of Denis Matsuev's improv on Rhapsody in Blue. Great stuff.
Funny! To see you of all people , blown away!! I actually admire your playing and still recall the first video I saw of yours where you were comically playing a rhythmic harmony along with some odd character who was complaining, and I´ve been a follower since! My only assumption is: When you get out and play a lot of gigs, that´s where the "magic" is born out of all the home practice and study. Likewise, having a solid band of great player that gels and thinks together is ....well..need I say more? But yeah.....THIS GUY!! 👉🤯
crazy good solo
This was insanely cool! Thanks for this!
The Mario woah killed me 🤣 this guy is a beast
7:42 Was So Good He Had To Run TF OUT OF THERE. 😂 Man Is An Absolute BEAST At This Holy Shit.
I can get this energetic from music too. I got this a while back from dont stop me now for example.
That mario edit immediately made me hit that like button 😂 keep up the good work Charles
Is that a Mason & Hamlin that Taylor is playing in the video? It sounds so perfect, sharp and powerful yet somehow deep and warm
I just watched video in question yesterday!
Looks like is enjoying it too. ❤
I imagine a jazz soloist (on whatever instrument) as entering into a kind of mantic state. Do even they know where the melody and chords are coming from? To a significant extent, they do--O marvel!
Need to check out Monty Alexander's "Work Song" from the Live in Montreaux album. It's got John Clayton on bass and Jeff Hamilton on drums
I only understand this music through your commentary ❤❤
Charles mentioned intonation around 5:30 in relation to hitting the keys, but I've never heard of the term in this sense so I went a-googling. I found nothing related to this. Only the standard use of intonation as referring to pitch accuracy.
Taylor is so good, it's ridiculous, off the scale! One of the best jazz pianists around.
This was so much fun to watch
Charles “I don’t even know where to begin” also Charles - does it perfectly 😂