So much color is added to this video purely from Charles' almost child-like energy and joy when analyzing this piece. Love the content as always, keep it up.
Taylor Eigsti is truly one of the most technical keyboardist, it's especially incredible when he leads anything with his left hand. The changes are classically precise yet unexpected.
I love the way how everything really exciting about music is virtually impossible to explain in words, and the amount of emotional hand waving and jazz chord faces in this video is just about right to convey it perfectly 😀
I could (and have) listen to you being super hype about music for hours. Thank you for your hard work on your content. Your editing shows that you (or who ever edits these) put a lot of extra work not only with the original sources but your silly reactions. I love your videos.
If one is nerdy enough about something, one can still viscerally react to it nearly as much after the 100th listen as the first listen. I know because that is how I am, if the thing is cool enough (for me). I’ll still freak out in a good way at something I have heard dozens of times. Part of it is the thing being complex enough to not fully comprehend it on the first few listens; the rest is sheer RESPECT and ADMIRATION after you DO more or less understand (the technical part of) it.
Here's the thing Charles... You don't give yourself enough credit!!! It's many people out there listening to YOUR OWN CHOPS, and saying to themselves... "Why do I bother!!!" Lol.... You're AWESOME in your own right my man, and that's coming from someone who's been in the music realm on trumpet since 1980!!!! 🔥🔥🔥🔥🔥🔥
💯 He basically picked this out by ear and said “ah forget it”. If he really sunk into that solo, Charles would be able to turn it inside out! He better than he thinks.
Watching this reminds me of when I saw Hiromi Uehara live in new york city a couple months ago- it's a whole different world of music watching the give-and-take between a really skilled jazz pianist and their band
I was lucky enough to attend the Stanford Jazz Workshop when Taylor and Julian Lage were instructors. I learned more there in one week as a bass a player than I felt like I had in years of playing before that. Taylor is such a nice and down to earth guy as well which makes it all the better. Joshua Crumbly was a student there at the same time. It’s been awesome to see his development too, he had only just started playing upright bass!
Wow, I am blown away. Incredible video. I have to say, I enjoy videos like this much more than the reactions to movie scores and show themes. While that music does have cool chords, they aren’t so mind blowing. This video is the pinnacle of something you used to talk quite extensively on. Feel. Eigsti's feel is incredible, which is part of why it is so incredible. I would love to see more videos like this.
Taylor is amazing! I got to play with him (in the backup orchestra) back in 2010. He also played Rhapsody in Blue in the same show. That guy is a BEAST!
It's been 15 years since I've played my trumpet with a group, but nailing those rhythmic hits as a group is some of the most satisftying moments on stage.
I was introduced to Taylor by his work with Gretchen Parlato. His accompaniment on "Me and You" as well as SWV's "Weak" is literally breathtaking. Thanks for highlighting such a gentle giant like Taylor. He's not often on people's radar but he should be.
What's mind blowing is the improvisation (i assume) of this. This man literally hears stuff like this in his head and he's translating it with his hands. Sure people can improvise but at this level and others at this level it just blows my mind
There is a lot to be said for your ability to listen to that and break it down to digestible appreciation for plebs like me. I'm a trained classical musician, but I wouldn't have been able to appreciate Taylor's performance nearly on the level this guy deserves without your help, Charles. Thank you!
Really nice indeed. There's a video of Taylor Eigsti Trio playing 'Caravan' live at Stanford that is absolutely killin, an amazing intro flowed by equally band performance, including a stellar solo. TE is definitely a rather underrated pianist, despite chops and technique he is always a musical player. 7:35 -quasi 'the lick', maybe closer to the motif to 'Mellow Mood'.
Dear Charles, thank you for putting Taylor on my radar, since I had never heard of him. Just checked the songs Tree Fall and Sparky and was literally blown away! The musicianship and quality of writing is of the highest order 👏🏾 I now have to delve into as much of his stuff as possible. Thank you so much, big love from England buddy 😊
Love geeking out with you on all the dynamics and techniques … I stand in awe of you both! Great stuff! Going to the Jazz Corner tonight with new listening skills!
The first time I heard Taylor was Holding Back the Years, Gretchen Parlato. His tone is remarkable. I've really never heard a pianist with such a unique sound.
Charles, the ascending figure he plays at 3:14 is a novelty piano figuration from the 1920s. It’s a couple of consecutive fourth intervals in the right hand, with each pair of sequential fourths in the right hand preceded by a note or chord in the left, so a 3/8 over 4/4 hemiola. This shit was up to date in 1923. It still sounds cool today because while the musical modernism of the 1920s fed eventually into bebop, a lot of people forgot about novelty piano. That shit was unfortunately uncool for about 50 years, until it started getting revived in the 1970s (in a small way, although still dissed by some “scholars”) and now is generally a fully accepted part of the current day “ragtime scene” although most of the pianists tend to play the solo piano rags of that time rather than play any of the pop song arrangements by the era pianists like I try to do. For some clear examples, check out not only Zez Confrey (for example: “Greenwich Witch”) but there’s a great jazz piano solo by Boston bandleader Sid Reinherz he did in 1923 called “The Boston Trot”. He uses some of these novelty riffs in it as well, although it’s a real jazz solo with an improvising horn right hand and a swinging 4/4 beat. Finally, the great Frank Banta uses all these different tricks in a highly technical way in his brilliant piano solos done for Victor and Banner/ARC. For example, at the end of his phenomenal 1925 solo “My Sugar” (his arrangement of a pop song), he plays a stupendous upwards break that includes some fourths but is so fast as to be nearly incomprehensible, yet amazingly clean. All in ONE TAKE! Banta was Victor’s #1 studio pop pianist in the 20s. He’s on probably over 1,000 records. That should tell you something.
thanks for introducing Taylor Eigsti to me (: I like the way he respects the melody within all that complexity. That's exactly the kind of piano playing I love to hear and analye as a musician.
this is insane, thanks for introducing us to such an amazing band! this may be a little of a genre break but could you do a video about rai thistlethwayte? i'm still so blown away by his overtime solo everytime i listen to the knower live sesh :D
YES YES YEW YES!!!!! Ahhhhhhhh TAYLOR!! Got to see him live and it was incredible! Him and Joey Alexander (for different reasons) just annihilated my life!! love it!!!!!!!
Good stuff. I don't play myself but I love jazz, and I love hearing how players hear and understand this music on a more nuanced level than myself. This Taylor's playing reminded me of Bill Evans's harmonic language (that influence from the French Impressionist composers) and Keith Jarrett's more energetic drive. Good stuff. Will have to check him/this band out.
A saying I’ve heard from a jazz guitarist once was that you can recognize talented technicians even if you know nothing about the music they are playing, just by observing the ease with which they seem to do so - “an insane bass player almost doesnt move their fingers, he just seems to go up and down from time to time”
I HIGHLY recommend you check out Masashi Hamauzu's music. The harmonic structure of his music is sooooo good. Taylor's part reminds me so much of that.
Haha! There is something special about watching professional musicians swooning over other musicians but you take it to a whole new dimension! This was fun! And of course interesting content 😊
Taylor’s awesome. Took a class from him on chord construction, truly eye opening. Edit - also, if you’re new to Taylor’s music, I highly recommend checking out Let It Come To You with Eric Harland on drums, absolutely killer album. Caravan will blow your mind.
You NEED to look at the Xenoblade 3 music specifically the Moebius theme and ‘the weight of life’ especially the way they use a choir in the Moebius theme is amazing
*I am HOOKED on this stuff* you're like a drug! just remember 'the artist is improvising technique for an interpretative end result; thus analyzing the actual technique is being in the 'just make it work' territory and THAT if definitely *Trippy*
Had his first few albums. but seems to have gone quiet on the recording front for some time. Glad you reminded me of him, as I see his latests album is relatively recent...2021. Seems there was an 11 year gap!
Glad to find someone who shares my enthusiasm for this live recording! I’ve been geeking out about this for at least 7 years. I’d love to hear your take on Taylor’s solo on January by Ben Wendel and/or Still Play.
Funny! To see you of all people , blown away!! I actually admire your playing and still recall the first video I saw of yours where you were comically playing a rhythmic harmony along with some odd character who was complaining, and I´ve been a follower since! My only assumption is: When you get out and play a lot of gigs, that´s where the "magic" is born out of all the home practice and study. Likewise, having a solid band of great player that gels and thinks together is ....well..need I say more? But yeah.....THIS GUY!! 👉🤯
Go check out Taylor's latest album Tree Falls on Spotify! bit.ly/tayloreigsti_treefalls
Interesting and rather eclectic collection of tracks. Bandwiches reminds me of some of Zorsy's work.
Can you analyse super mario galaxy
This is absolutely brilliant! Thanks Charles. I think you would like Django Bates and also a lesser known pianist called Richard Fairhurst.
Please, Make video about Kapustin 8 etudes 👏
Hey Charles, do you remember a pianist named Austin Peralta?? He was a wizard. Died very very young. Reminds me of this guy in some ways.
So much color is added to this video purely from Charles' almost child-like energy and joy when analyzing this piece. Love the content as always, keep it up.
Yea, Charles inner child is what makes this YT channel so good 😂
Yeah! Just enjoying music with him must be a very good time spent
Taylor Eigsti is truly one of the most technical keyboardist, it's especially incredible when he leads anything with his left hand. The changes are classically precise yet unexpected.
07:50 This " WHOOO HOOO" is probably the most powerful we've ever heard from Charles. Jazz are about EMOTIONS.
He saw crossroads and was like, "Hold my latte so my right hand can have a jazz duel with my left hand...Pfff what kinda name is Macchio anyways?"
It's the feminine form of the word "macho".
I love the way how everything really exciting about music is virtually impossible to explain in words, and the amount of emotional hand waving and jazz chord faces in this video is just about right to convey it perfectly 😀
“Jazz chord faces” is such a perfect phrase.
I could (and have) listen to you being super hype about music for hours. Thank you for your hard work on your content. Your editing shows that you (or who ever edits these) put a lot of extra work not only with the original sources but your silly reactions. I love your videos.
watching charles react to piano like he's sniffing bath salts is the best thing in the world😂
this is the best comment
3:24?
@@junc9530if he didn’t he’d just be silent for 10mins listening
If one is nerdy enough about something, one can still viscerally react to it nearly as much after the 100th listen as the first listen. I know because that is how I am, if the thing is cool enough (for me). I’ll still freak out in a good way at something I have heard dozens of times. Part of it is the thing being complex enough to not fully comprehend it on the first few listens; the rest is sheer RESPECT and ADMIRATION after you DO more or less understand (the technical part of) it.
@@andrewbarrett1537 been there mate😂
Here's the thing Charles... You don't give yourself enough credit!!! It's many people out there listening to YOUR OWN CHOPS, and saying to themselves... "Why do I bother!!!" Lol.... You're AWESOME in your own right my man, and that's coming from someone who's been in the music realm on trumpet since 1980!!!! 🔥🔥🔥🔥🔥🔥
💯 He basically picked this out by ear and said “ah forget it”. If he really sunk into that solo, Charles would be able to turn it inside out! He better than he thinks.
Watching this reminds me of when I saw Hiromi Uehara live in new york city a couple months ago- it's a whole different world of music watching the give-and-take between a really skilled jazz pianist and their band
I was lucky enough to attend the Stanford Jazz Workshop when Taylor and Julian Lage were instructors. I learned more there in one week as a bass a player than I felt like I had in years of playing before that. Taylor is such a nice and down to earth guy as well which makes it all the better. Joshua Crumbly was a student there at the same time. It’s been awesome to see his development too, he had only just started playing upright bass!
same seeing julian and taylor play together was lit
Wow, I am blown away. Incredible video.
I have to say, I enjoy videos like this much more than the reactions to movie scores and show themes. While that music does have cool chords, they aren’t so mind blowing. This video is the pinnacle of something you used to talk quite extensively on. Feel. Eigsti's feel is incredible, which is part of why it is so incredible. I would love to see more videos like this.
Taylor is amazing! I got to play with him (in the backup orchestra) back in 2010. He also played Rhapsody in Blue in the same show. That guy is a BEAST!
It's been 15 years since I've played my trumpet with a group, but nailing those rhythmic hits as a group is some of the most satisftying moments on stage.
Love the editing on this video!
I was introduced to Taylor by his work with Gretchen Parlato. His accompaniment on "Me and You" as well as SWV's "Weak" is literally breathtaking. Thanks for highlighting such a gentle giant like Taylor. He's not often on people's radar but he should be.
They’re both SO SO GREAT! I’ve had the joy of learning directly from them and I’m always thinking of how they would approach things
What's mind blowing is the improvisation (i assume) of this. This man literally hears stuff like this in his head and he's translating it with his hands. Sure people can improvise but at this level and others at this level it just blows my mind
You are a master too man... so much fun in your videos thanks for all your data
Taylor's solo on Gretchen Parlato's "All That I Can Say" live in NYC is very memorable
My mindset as a musician is that anything is possible...just gotta put in the work. And boy what patience does that work require!
There is a lot to be said for your ability to listen to that and break it down to digestible appreciation for plebs like me. I'm a trained classical musician, but I wouldn't have been able to appreciate Taylor's performance nearly on the level this guy deserves without your help, Charles. Thank you!
I believe in the hip hop world Charles would be considered a “hype man”
Really nice indeed. There's a video of Taylor Eigsti Trio playing 'Caravan' live at Stanford that is absolutely killin, an amazing intro flowed by equally band performance, including a stellar solo. TE is definitely a rather underrated pianist, despite chops and technique he is always a musical player. 7:35 -quasi 'the lick', maybe closer to the motif to 'Mellow Mood'.
I enjoy your videos, but the way you get exited about stuff is just priceless. Happy to see that you really love what you do.
Dear Charles, thank you for putting Taylor on my radar, since I had never heard of him.
Just checked the songs Tree Fall and Sparky and was literally blown away!
The musicianship and quality of writing is of the highest order 👏🏾
I now have to delve into as much of his stuff as possible.
Thank you so much, big love from England buddy 😊
I really need to check out more of his stuff!
Love geeking out with you on all the dynamics and techniques … I stand in awe of you both! Great stuff! Going to the Jazz Corner tonight with new listening skills!
The first time I heard Taylor was Holding Back the Years, Gretchen Parlato. His tone is remarkable. I've really never heard a pianist with such a unique sound.
i'm watching these largely for charles' reactions - the enthusiasm and excitement is infectious (and hilarious!)
Charles, the ascending figure he plays at 3:14 is a novelty piano figuration from the 1920s. It’s a couple of consecutive fourth intervals in the right hand, with each pair of sequential fourths in the right hand preceded by a note or chord in the left, so a 3/8 over 4/4 hemiola. This shit was up to date in 1923. It still sounds cool today because while the musical modernism of the 1920s fed eventually into bebop, a lot of people forgot about novelty piano. That shit was unfortunately uncool for about 50 years, until it started getting revived in the 1970s (in a small way, although still dissed by some “scholars”) and now is generally a fully accepted part of the current day “ragtime scene” although most of the pianists tend to play the solo piano rags of that time rather than play any of the pop song arrangements by the era pianists like I try to do. For some clear examples, check out not only Zez Confrey (for example: “Greenwich Witch”) but there’s a great jazz piano solo by Boston bandleader Sid Reinherz he did in 1923 called “The Boston Trot”. He uses some of these novelty riffs in it as well, although it’s a real jazz solo with an improvising horn right hand and a swinging 4/4 beat.
Finally, the great Frank Banta uses all these different tricks in a highly technical way in his brilliant piano solos done for Victor and Banner/ARC. For example, at the end of his phenomenal 1925 solo “My Sugar” (his arrangement of a pop song), he plays a stupendous upwards break that includes some fourths but is so fast as to be nearly incomprehensible, yet amazingly clean. All in ONE TAKE! Banta was Victor’s #1 studio pop pianist in the 20s. He’s on probably over 1,000 records. That should tell you something.
Your channel is the best on UA-cam. Hands down. Champ. 🏆
Thanks for the introduction (and your equally amazing exclamations 😉) - off to explore now!
thanks for introducing Taylor Eigsti to me (:
I like the way he respects the melody within all that complexity. That's exactly the kind of piano playing I love to hear and analye as a musician.
this is insane, thanks for introducing us to such an amazing band!
this may be a little of a genre break but could you do a video about rai thistlethwayte? i'm still so blown away by his overtime solo everytime i listen to the knower live sesh :D
Fun fact: Charles' "Ooooh" in the beginning of the video is a Eb
YES YES YEW YES!!!!! Ahhhhhhhh TAYLOR!! Got to see him live and it was incredible! Him and Joey Alexander (for different reasons) just annihilated my life!! love it!!!!!!!
Your excitement when you explain love it
I LOVE how much YOU LOVE this!
being at a jazz camp and having this dude just walk on stage and play a set without knowing who he is was one of the most insane experiences ever
It’s amazing this energy -passion over this. Applause 👏🏻
Taylor Eigsti and Robert Glasper are piano demigods. Taylor's melody vocabulary on Gretchen Parlatto's Weak cover is insane too.
This is sooo gooood
Especially low register, so distinguish and full
Thank u for introducing me to this video I’ve never heard anything like this before 😍😍😍
My mind is completely blown…like *WHAT?!* ALSO, your happiness and energy are infectious and legit can carry me through my day.
wow very technique, he put his finger down on the keys! on the black and white sometimes at the same time! very amaze, such level, plenty wow.
Good stuff. I don't play myself but I love jazz, and I love hearing how players hear and understand this music on a more nuanced level than myself. This Taylor's playing reminded me of Bill Evans's harmonic language (that influence from the French Impressionist composers) and Keith Jarrett's more energetic drive. Good stuff. Will have to check him/this band out.
you're making me fall in love with music all over again. thanks for this
The editing on this video was hilarious!!! Great job
I was listening to this recording many dozen a times before your video. thanks for bringing it to the spotlight!
His playing reminds me a lot of Kapustin's playing and writing!
so, not a jazz pianist, but someone I'd love to see you make a video about is Tim Minchin, that dude does amazing stuff with the instrument
His solo piano version of “Like Someone in Love” is one of my absolute favorite UA-cam videos 🎶
A saying I’ve heard from a jazz guitarist once was that you can recognize talented technicians even if you know nothing about the music they are playing, just by observing the ease with which they seem to do so - “an insane bass player almost doesnt move their fingers, he just seems to go up and down from time to time”
This Is PEAK Jazz Right Here, Absolutely PHENOMENAL.
You pointed out a lot of things that are inspiring me to work on in my soloing and writing, too. Great analysis and commentary, man.
Thanks for your video! You do such a great job of providing access to methods of seeming madness!
I HIGHLY recommend you check out Masashi Hamauzu's music. The harmonic structure of his music is sooooo good. Taylor's part reminds me so much of that.
crazy good solo
We need more videos like this this is soo good. WE NEED MORE JAZZZZ
this was awesome. Thanks for that. can't wait for the next one.
Super COOL! Thank you!
God I love this new series! It reminds me of nerding out on awesome jazz videos with a friend in college
I love your energy/responses/narration :D
That nerd out! I love it 😊
This was amazing! Thx
You should review some hiromi stuff. She's an incredible pianist who really got her own special sound.
My first thought too
7:42 Was So Good He Had To Run TF OUT OF THERE. 😂 Man Is An Absolute BEAST At This Holy Shit.
Haha! There is something special about watching professional musicians swooning over other musicians but you take it to a whole new dimension! This was fun! And of course interesting content 😊
Insane! Thanks for sharing this!
Taylor’s awesome. Took a class from him on chord construction, truly eye opening.
Edit - also, if you’re new to Taylor’s music, I highly recommend checking out Let It Come To You with Eric Harland on drums, absolutely killer album. Caravan will blow your mind.
The Mario woah killed me 🤣 this guy is a beast
I met Taylor along with Becca Stevens when they came and did a masterclass/performance at my university in 2018, they are both incredible.
That mario edit immediately made me hit that like button 😂 keep up the good work Charles
I love hearing someone analyze a piece of music!
We need more of this
That's over-the-top crazy stuff going on there. Amazing.
Great video I love when people can articulate why something is great
Hey man I really enjoy your vids!! I don’t even play piano (guitar player) but I I feel like we see the same epicness in certain pieces of music.
This was insanely cool! Thanks for this!
I played with Taylor! In an orchestra with him and the Brubeck brothers. One of my faves
Charles “I don’t even know where to begin” also Charles - does it perfectly 😂
Enjoyed this! Great stuff!👍🏾🎵🎵🎵🎹
Saw him live with Terence Blanchard last week, absolutely blew me away.
Hi Charles! I would like to see your "review" on the Joe Armon Jones solo on NPR's Ezra Collective concert 🙏🏻🙏🏻🙏🏻
That face at 7:51 might just be my new favorite image on the internet
Taylor Eigsti Is Easily One Of The BEST Jazz Player I've Ever Seen HOLY FUCK.
You NEED to look at the Xenoblade 3 music specifically the Moebius theme and ‘the weight of life’ especially the way they use a choir in the Moebius theme is amazing
Looks like is enjoying it too. ❤
*I am HOOKED on this stuff* you're like a drug! just remember 'the artist is improvising technique for an interpretative end result; thus analyzing the actual technique is being in the 'just make it work' territory and THAT if definitely *Trippy*
Would love to hear your analysis on Robert Glasper!
Had his first few albums. but seems to have gone quiet on the recording front for some time. Glad you reminded me of him, as I see his latests album is relatively recent...2021. Seems there was an 11 year gap!
Glad to find someone who shares my enthusiasm for this live recording! I’ve been geeking out about this for at least 7 years. I’d love to hear your take on Taylor’s solo on January by Ben Wendel and/or Still Play.
Wao very amazing play
Is that a Mason & Hamlin that Taylor is playing in the video? It sounds so perfect, sharp and powerful yet somehow deep and warm
Need to check out Monty Alexander's "Work Song" from the Live in Montreaux album. It's got John Clayton on bass and Jeff Hamilton on drums
Very cool analysis video
Reminds me of Keith Emerson's left hand and Jordan Rudess' right hand
Funny! To see you of all people , blown away!! I actually admire your playing and still recall the first video I saw of yours where you were comically playing a rhythmic harmony along with some odd character who was complaining, and I´ve been a follower since! My only assumption is: When you get out and play a lot of gigs, that´s where the "magic" is born out of all the home practice and study. Likewise, having a solid band of great player that gels and thinks together is ....well..need I say more? But yeah.....THIS GUY!! 👉🤯
Absolutely Fucking PHENOMENAL, This Guy Is Fucking INSANE, Holy Fuck.
This video got me into Taylor's music. Great artist, really underappreciated!
Kendrick Scott’s little pre-bomb kick is so Elvin Jones…just sublime