This has a spooky kind of charm to it. A great, charismatic actress. Strange how black and white and Bird's sax throws it into a 1950's groove. I'm the only English person I know who has actually read the Beats. I recall going down to London in about 1973 to buy the Beats and other stuff on Camden High Street. Robin Witting
Not your Ferlinghetti "Coney" but a light, delightful piece of personal filmmaking honoring postwar East Coast culture, the Beats and the ability to believe.
This has a spooky kind of charm to it. A great, charismatic actress. Strange how black and white and Bird's sax throws it into a 1950's groove. I'm the only English person I know who has actually read the Beats. I recall going down to London in about 1973 to buy the Beats and other stuff on Camden High Street. Robin Witting
Cool! Thanks for your interesting comment.
RIP Lawrence
That was really cool!
Thank you!
Not your Ferlinghetti "Coney" but a light, delightful piece of personal filmmaking honoring postwar East Coast culture, the Beats and the ability to believe.
Thank you!
RIP
This was the first book I bought at the bookstore in Bloomington I still have it ..
Oh, wow!
Mágico lugar.a poesia de estarmos vivos
¡Muchas gracias!
I can't find anything about this film or its director online. Who is Nora Finton? When was this made?
Thank you for your interest! The person in question is none other than myself. I made this film in the '90s on 16 mm, then later digitized it.
@@SurfLizard7 Thanks!
Black and white always tells stories
Indeed!