I wish UA-cam was available when I was a youth. A lot of what Noah thought in this lesson took me years of personal research as well as listening to other musicians to figure out. This platform is clearly one of the greatest creations of this century.
I agree 100%. It also took me years to figure it out and then only after a master guitarist was willing to share his knowledge with me. He was 40 and had great teachers. I was 60 and had no help until he assisted . Now it’s all here on Ttoob. Now if we just had placed to play with other players ….
@@rockettroll1507 Ya, I know what you mean about Practice Space: my parent's garage is currently used as Storage Space for my Ex- wife's -boyfriend's- Crap. 🔪😡🔪😡🔪
@@johntrojan9653 I hear you on this, and lord knows I've met my share of less-than-candid older musicians in my years of playing and touring. After awhile, though, I learned to be careful about being too quick to put players in this category. I started to understand that in many cases, not all, it was more of a difficulty in communication, or of some guys being unable to express themselves in the manner they'd like... You know, they know the melodies, changes, all the rhythmic permutations, they're good at it or else they wouldn't be there, of course. Maybe they learned it all by ear, or they were the 'let my playing do the talking' types. For myself, as I aged, I found that I rather enjoyed sharing any knowledge I had, any little tricks of the trade, secrets, hacks as they're now known. I found it exhilarating to give a younger player something new to chew on, especially when they were really into it. I found that passing it on helped me too, by stretching to recall things that I otherwise may have forgotten, sometimes, when trying to illustrate a certain idea. Nothing too profound, just my two cents after almost 40 years with a bass hanging off by neck :-p
You’re helping me a lot with my playing, it’s hard to find nice intermediate lessons like these. It seems like you put a lot of time into these, thank you so much man🙏🏼
Another splendid video, Noah. It’s funny, if I think in terms of scale degrees, all of this is pretty easy to follow. I just have to remember the fancy names🙂
@@NoahKellman I finally had the chance to study with an in-person teacher, and some of the things that have made a huge difference for me are weight transfer into keys; centering with arm behind fingers 4-5, grouping of notes, avoiding gripping with fingers. My suggestion for your video would be on 1) what types of exercises to practice technique on, (of course tunes can work as well) and 2) specifically what to think about when you practice. I was practicing things like 7th arpeggios and running into terrible tension because of bad form. Was probably getting negative value out of valuable practice time. Cheers, and thanks for the videos!
Thanks a lot for the videos! I've been working on your hand independence exercises over the past few weeks and I'm really starting to see the improvement-- keep up the great work!
Highly recommend the JPS course,I’ve taken the course,and in my humble opinion,this is the best course on the Net. Noah is a great teacher,and his concepts are amazing,a systematic approach,that yields results,if you seriously want to improve your playing,take this course!
One way thinking of C melodic minor is as a B-flat major scale with the B-flat raised a half step to B natural. This way the chords line up. That is the second mode of B-flat major is C Dorian, the third mode is D Phrygian, the fourth E Lydian, and so on. This corresponds to C minor major, D Phrygian (natural 13), E Lydian (Augmented 5th), and so on. So if you know the modes in a major key, you know them for the melodic minor scale one note higher, except you have to adjust one note (the seventh note of the melodic minor scale is a half step higher).
Thinking of modes makes make no sense to me tbh. When I solo I think of all the notes of C major as one scale over whatever chord I'm playing. Let me explain... If the chord progression is Dm7 G7 C I'm not thinking D dorian or G mixolydian. The whole time I'm just thinking a C major scale over all three chords ol
Noah, I’ve been waiting for such a demystification of melodic minor chords for over five years. None of the content I’ve searched (books, videos, articles) have explained it this well. Giving thanks.
Most melodic minor modes have two names. This stems from the fact that melodic minor can either be thought of as a major scale with a flat 3rd, or a dorian scale with a raised 7th: I. Ionian b3 = Dorian #7 II. Dorian b2 = Phrygian #6 III. Phrygian b1 = Lydian #5 ("augmented") IV. Lydian b7 ("dominant") = Mixolydian #4 V. Mixolydian b6 = Aeolian #3 (Aeolian dominant) VI. Aeolian b5 = Locrian #2 VII. Locrian b4 = Ionian #1 (Altered)
Pleasure! Immediately I get to the piano I'll jump right into it. This completely changed the way I used to see things and opened my mind a little wider. That said, thank you man.
OMG! Absolutely WONDERFUL session. As a gospel musician, I do a lot of this stuff intuitively.... I will absolutely hang out with scales... I have never done that before... I see where that will absolutely take my playing to another level.. thank you...
Thanks for a useful video. Now rant time. when I heard compound ones I got unsettling feeling of being a complete ignorant idiot who has no clue of what's going on and missing the whole interesting world under my nose (I am, lol, but not this time). Spent like 4 hours trying to get my head around. The entire concept can be put "start playing all the notes of starting on ". For some reason this simple concept is not emphasized enough. Mods follow same approach as Major scale, yet with sophisticated naming (yeah, you need naming like that to emphasize the difference of mel/harm minor). IDK, I've been always viewing the minor as a major starting from the 6th gegree. Therefore, I've been using same names for but startting from locrian (the 2nd degree of minor is the 7th degree of major) rather than compound ones. Tha's wrong, I know, but tell me why modes are "different scales"? They are different flavors, but the same DNA is encoded in them: major scale. Think of it like siblings: each is a person, yet all share something same and therefore they can be systhematized into a bigger group (e.g., family, being a human, mamal, etc. ).
Great video as always Noah! It was funny to hear you put a name to "hanging out on a scale". I've found, as a relative beginner, something I've come to enjoy is sitting with a new voicing or scale without worrying about where I'm coming from or where I'm going. Beyond just getting the shape underneath my hands, it also gives me more space to improvise comfortably and get familiar with the tonality and colors of each scale tone. Loved the Locrian #2/Altered for minor 2-5s at the end!
Thanks, Jack! Glad you got some good info from it. Yeah, that’s a really fun exercise. I’ve always found it really critical for solidifying a concept, not even just scales, as you say!
Wouldn't Locrian ♮2 make more sense? #2 implies a #9/♭3 to me, which of course isn't the case in thar scale. It's a locrian scale where instead of the 2nd degree being lowered, it remains natural. I guess this all assumes you're using the major scale as the default, though.
I feel like the altered scale is a very "wild, outside, hairy, and mean" V7 going to a minor tonic, and Mixolydian b6 feels like a much "tamer, inside, sleek, and sophisticated" V7 going to a minor tonic.
Wonderful video, but I just want to point out that when you're playing the F Lydian Dominant, I noticed that you added that F# in to the mix. I see this constantly on other videos by other pianists, as well. They talk about a scale, and when they demonstrate they tend to add other stuff in to the mix without ever explaining why, which is kind of confusing to a guy like me.
Thanks, you are a great teacher. I wonder why you care about all scales derived from melodic minor. It is the scale I already know. What I need for the improvisation is the ability to play all chords belonging to that scale, then if I play strong enough the first note of the chord I don't have to think of any other scales, but the original melodic minor, don't I?
Can you teach me how to do what you did in the first 28 seconds, assuming I have the talent or at least the intellect? Oh and the melodic minor scale that started on the third is phrygian, not lydian, which name you used correctly on the fourth.
New subscribers very great stuff just one issue. Just assuming here, if your mic is on your desk maybe think about getting a boom to hold it there's a lot of noise from the keys being played. Otherwise great information
Why do we use the seventh mode over the V chord? Why is it not the fifth mode? I understand that the 7th is part of the V, but if we think in terms of the seventh mode, then the arpeggio that I'm visualizing is going to be different.
Honestly guys, there are others that teach nothing like Noah and I scratch my head because they have way more subscribers but the content is nothing like what you learn from Noah. Give a thumbs up man I can't believe he only has 105k after so many years of uploading valuable content. It doe's my head in how some of the dumbest stuff on youtube has millions of views or subscribers
You know this is very useful!!! helps alottt I have searched far and wide for the actual CHORDS. they say all the scales and they dont share the chords its very useful... or just sharing a 251 combo its just bullshit. I can play piano but i cant read music so i could never figure out chords, If you ever get the chance to show more chords of each or any of the scales please it would help so many musicians. thank you heaps!!
Hi Noah, Really like your lessons, although I've studied scales, when I'm improvising I can't remember so much information and I just mainly play by ear, Is that ok? thanks Simon.
Brother, first of thanks for valuable videos from you🌹❤. I heared like that the melodic minor as two variation ascending and descending. (Descending will be natural minor). If we use both ascending and descending in same scale, the picture of chords and modes will be entirly different. Am i right? I think here you explained only ascending scale of melodic minor. Is Ascending scale of melodic minor also known as Jazz scale?
Guitar student, came here for the modes, but the format and how everything is explained is awesome 🤤 The only tip would be maybe you can tune the microphone to not pick up the keys being pressed? I gets a bit distracting when trying to hear the "sound" Everything else is top notch. Awesome channel.
Dude beautiful tutorial and wonderful playing. Subscribed. You laid it out in a very interesting and conceptual way. I have a couple of stupid questions for you. First, are the modes of the melodic minor primarily used in a minor cadence? In other words, are there times where you would use a mould of the melodic minor when going from the five dominance to a major one cord. Ex. Galtered scale going to a C major seven chord. Also, it would appear to me that the Lydian dominant and the altered scale are two of the most applicable modes of the melodic minor. Do you have any videos or advice on breaking down, practicing, and applying those modes in a harmonic context. Looking forward to your other videos🇨🇦
You're really summed it up properly at the very end. All of these whiz-bang modes are gobbledygook. I don't even think it matters whether you know their names so much as you can play a chord and know how to improvise around it using mostly chord tones. The key is what you did after you showed us each scale and how you improvised using it. And is high and mighty as I sound, I'm not anywhere near your level in being able to jam around within a scale. So you are spot on that that's where the work needs to be done.
You are the best Pianist I saw in You Tube. You are also one of the best Pianist I have heard. You have the best choice of notes and chords. I love watching your useful videos.
NOAH!! as always love your videos. What do you use to make the second piano layer that highlights which keys you're playing?? trying to make some tutorial vids for my band for new keys players to learn. all the resources I'm seeing are for over the top synesthesia style piano visualizers
Oh wao!!!! This is the video that has the best visual view to see how modes work. When people tried to explain to me what a mode was I got so confunsed, it's so easy to understand thoug.
I'm basically an old rock guitar player who in an effort to make my solo's sound a little more sophisticated stumbled into your video and got a lot out of it. I'll definitely be tuning in more.
genial ,en el piano se ve claramente la cantidad de notas agregadas de tension que se son caracteristicas de cada modo de la escala , excelente material ! toco guitarra ,pero esto ayuda mucho visiualmente a reconocer los sonidos dentro de la escala y como pueden funcionar de forma diferente .exitos!
![Demonstrating The Modes of Harmonic Minor [MUSIC THEORY / SCALES]](http://i.ytimg.com/vi/qk8uobP4uJE/mqdefault.jpg)
I wish UA-cam was available when I was a youth. A lot of what Noah thought in this lesson took me years of personal research as well as listening to other musicians to figure out. This platform is clearly one of the greatest creations of this century.
SUPER DITTO ! ✔️✔️✔️✔️
Other "Musicians" that I hung around kept their 'Magic' tightly to themselves - "UGH !" 😩 😡 😩
I agree 100%. It also took me years to figure it out and then only after a master guitarist was willing to share his knowledge with me. He was 40 and had great teachers. I was 60 and had no help until he assisted . Now it’s all here on Ttoob. Now if we just had placed to play with other players ….
@@rockettroll1507 Ya, I know what you mean about Practice Space: my parent's garage is currently used as Storage Space for my Ex- wife's -boyfriend's- Crap. 🔪😡🔪😡🔪
@@johntrojan9653 I hear you on this, and lord knows I've met my share of less-than-candid older musicians in my years of playing and touring. After awhile, though, I learned to be careful about being too quick to put players in this category. I started to understand that in many cases, not all, it was more of a difficulty in communication, or of
some guys being unable to express themselves in the manner they'd like... You know, they know the melodies, changes, all the rhythmic permutations, they're good at it or else they wouldn't be there, of course. Maybe they learned it all by ear, or they were the 'let my playing do the talking' types. For myself, as I aged, I found that I rather enjoyed sharing any knowledge I had, any little tricks of the trade, secrets, hacks as they're now known. I found it exhilarating to give a younger player something new to chew on, especially when they were really into it. I found that passing it on helped me too, by stretching to recall things that I otherwise may have forgotten, sometimes, when trying to illustrate a certain idea. Nothing too profound, just my two cents after almost 40 years with a bass hanging off by neck :-p
Noah, your tutorials ALWAYS deliver top-notch material, demonstrated with exemplary technique! And you
Thank you, David! Much appreciated.
That opening solo was absolutely beautiful.
Thanks so much!
You’re helping me a lot with my playing, it’s hard to find nice intermediate lessons like these. It seems like you put a lot of time into these, thank you so much man🙏🏼
Thank you, Noah
The tutorial I was waiting for!
Glad you found it useful!
Maybe you could do a tutorial on how to achieve a perfect technique like yours ;)
Hey Samuel, thanks appreciate that and I'll definitely think about if there's a good way to summarize into a methodology suitable for a YT video.
Good idea. I second that
Another splendid video, Noah.
It’s funny, if I think in terms of scale degrees, all of this is pretty easy to follow. I just have to remember the fancy names🙂
@@NoahKellman I finally had the chance to study with an in-person teacher, and some of the things that have made a huge difference for me are weight transfer into keys; centering with arm behind fingers 4-5, grouping of notes, avoiding gripping with fingers. My suggestion for your video would be on 1) what types of exercises to practice technique on, (of course tunes can work as well) and 2) specifically what to think about when you practice. I was practicing things like 7th arpeggios and running into terrible tension because of bad form. Was probably getting negative value out of valuable practice time. Cheers, and thanks for the videos!
@@NoahKellman please do it kind sir
Thanks a lot for the videos! I've been working on your hand independence exercises over the past few weeks and I'm really starting to see the improvement-- keep up the great work!
Fantastic tutorial, so much valuable information delivered in a concise enjoyable format. Thanks Noah
Thanks Noah, your work is much appreciated.
Great video as usual Noah! Hope you're keeping well 😊
Highly recommend the JPS course,I’ve taken the course,and in my humble opinion,this is the best course on the Net.
Noah is a great teacher,and his concepts are amazing,a systematic approach,that yields results,if you seriously want to improve
your playing,take this course!
Hey Ed, thanks so much for the shoutout here! Really appreciate it and I look forward to working with the new group very soon.
Loving all of your videos! You and Chad LB are really upping my jazz chops!
Hah glad to hear it! Thanks for the comment
One way thinking of C melodic minor is as a B-flat major scale with the B-flat raised a half step to B natural. This way the chords line up. That is the second mode of B-flat major is C Dorian, the third mode is D Phrygian, the fourth E Lydian, and so on. This corresponds to C minor major, D Phrygian (natural 13), E Lydian (Augmented 5th), and so on. So if you know the modes in a major key, you know them for the melodic minor scale one note higher, except you have to adjust one note (the seventh note of the melodic minor scale is a half step higher).
👍
A very gooood job! Thank you so much!
Great lesson man!
DO you read people's mind ? That is exactly what i needed !!!
Hah! Glad to hear it, and thanks for the comment.
Can you do one on harmonic minor modes? How many modes are there besides the church modes ? Thank you
Thinking of modes makes make no sense to me tbh. When I solo I think of all the notes of C major as one scale over whatever chord I'm playing. Let me explain...
If the chord progression is
Dm7
G7
C
I'm not thinking D dorian or G mixolydian. The whole time I'm just thinking a C major scale over all three chords ol
Noah, I’ve been waiting for such a demystification of melodic minor chords for over five years.
None of the content I’ve searched (books, videos, articles) have explained it this well. Giving thanks.
My pleasure! And sorry for the late reply.
Guitar player here but loved your explanation here 👏🏼
Same
seems i come a bit late, just found the countdown is done of your waitlist link T_T ....... i wanna join too
Most melodic minor modes have two names. This stems from the fact that melodic minor can either be thought of as a major scale with a flat 3rd, or a dorian scale with a raised 7th:
I. Ionian b3 = Dorian #7
II. Dorian b2 = Phrygian #6
III. Phrygian b1 = Lydian #5 ("augmented")
IV. Lydian b7 ("dominant") = Mixolydian #4
V. Mixolydian b6 = Aeolian #3 (Aeolian dominant)
VI. Aeolian b5 = Locrian #2
VII. Locrian b4 = Ionian #1 (Altered)
Ionian #1, huh? I knew someone would interpret the Altered scale like this.
The intro is amazing man, I have never seen this use of melodic minor modes and your patterns are phenomenal. Very useful video
Thanks so much, Luxolo! Appreciate that. Glad you found the video useful.
Pleasure! Immediately I get to the piano I'll jump right into it. This completely changed the way I used to see things and opened my mind a little wider. That said, thank you man.
OMG! Absolutely WONDERFUL session. As a gospel musician, I do a lot of this stuff intuitively.... I will absolutely hang out with scales... I have never done that before... I see where that will absolutely take my playing to another level.. thank you...
11:33 ... Like if Chick's beautiful soul had taken over the video for a little moment.
Thanks for a useful video.
Now rant time.
when I heard compound ones I got unsettling feeling of being a complete ignorant idiot who has no clue of what's going on and missing the whole interesting world under my nose (I am, lol, but not this time).
Spent like 4 hours trying to get my head around. The entire concept can be put "start playing all the notes of starting on ". For some reason this simple concept is not emphasized enough. Mods follow same approach as Major scale, yet with sophisticated naming (yeah, you need naming like that to emphasize the difference of mel/harm minor).
IDK, I've been always viewing the minor as a major starting from the 6th gegree. Therefore, I've been using same names for but startting from locrian (the 2nd degree of minor is the 7th degree of major) rather than compound ones. Tha's wrong, I know, but tell me why modes are "different scales"? They are different flavors, but the same DNA is encoded in them: major scale. Think of it like siblings: each is a person, yet all share something same and therefore they can be systhematized into a bigger group (e.g., family, being a human, mamal, etc. ).
Hey Noah, Great video! If you have time you might find this jazz scale concept interesting. Do a search for "Mike James Octatonic Altered".
Superb lesson, thank you very much. Helping me solidify these concepts after reading them in Mark Levine's book.
Great video as always Noah! It was funny to hear you put a name to "hanging out on a scale". I've found, as a relative beginner, something I've come to enjoy is sitting with a new voicing or scale without worrying about where I'm coming from or where I'm going. Beyond just getting the shape underneath my hands, it also gives me more space to improvise comfortably and get familiar with the tonality and colors of each scale tone. Loved the Locrian #2/Altered for minor 2-5s at the end!
Thanks, Jack! Glad you got some good info from it. Yeah, that’s a really fun exercise. I’ve always found it really critical for solidifying a concept, not even just scales, as you say!
11:06 Noah, I think I’ve heard this being used by Brubeck on “Koto Song”
Wouldn't Locrian ♮2 make more sense? #2 implies a #9/♭3 to me, which of course isn't the case in thar scale. It's a locrian scale where instead of the 2nd degree being lowered, it remains natural.
I guess this all assumes you're using the major scale as the default, though.
I feel like the altered scale is a very "wild, outside, hairy, and mean" V7 going to a minor tonic, and Mixolydian b6 feels like a much "tamer, inside, sleek, and sophisticated" V7 going to a minor tonic.
Could you create songs ( singing style ) with jazz melodic modes ? Thank you
Hi,
Thank you for the video.
I have one question - how do you show all the chords during the playing?
Thanks!
JUST WHAT I WAS LOOKING FOR.... even tho i dont play piano
Wonderful video, but I just want to point out that when you're playing the F Lydian Dominant, I noticed that you added that F# in to the mix. I see this constantly on other videos by other pianists, as well. They talk about a scale, and when they demonstrate they tend to add other stuff in to the mix without ever explaining why, which is kind of confusing to a guy like me.
I’ve got a degree in music from a major music university. Noah makes me feel like a kindergartener.
Nice video! I like playing the whole tone scale over the dominant
Sorry.
What's the model of the keyborad?
Thanks in advance
Hey Noah great tutorial, friendly remark : you realize your microphone is picking up all the noise from the keyboard keys ?? happy playing
Thanks, you are a great teacher. I wonder why you care about all scales derived from melodic minor. It is the scale I already know. What I need for the improvisation is the ability to play all chords belonging to that scale, then if I play strong enough the first note of the chord I don't have to think of any other scales, but the original melodic minor, don't I?
Extremely useful and well explained. Thanks
Can you teach me how to do what you did in the first 28 seconds, assuming I have the talent or at least the intellect? Oh and the melodic minor scale that started on the third is phrygian, not lydian, which name you used correctly on the fourth.
New subscribers very great stuff just one issue. Just assuming here, if your mic is on your desk maybe think about getting a boom to hold it there's a lot of noise from the keys being played. Otherwise great information
Why do we use the seventh mode over the V chord? Why is it not the fifth mode? I understand that the 7th is part of the V, but if we think in terms of the seventh mode, then the arpeggio that I'm visualizing is going to be different.
That keyboard makes a tipewriting weird noise? Fix that. Nice content, btw
what program do you use to get real time descriptions of what you are playing
hey thanks so much, great video. what is the name of the chord app you mentioned?
What piano tone did you use in Nord?
beautiful video and playing. Bravo! :)
Are the chord progressions for minor and melodic minor use the same notes?
Fantastic lesson! Subscribed. Thanks
isnt this the acoustic scale? also any chord with a semi tone interval in middle is going to sound bill evans
What are the common chord progressions on the melodic minor scale?
such a cool sound! thanks
Honestly guys, there are others that teach nothing like Noah and I scratch my head because they have way more subscribers but the content is nothing like what you learn from Noah. Give a thumbs up man I can't believe he only has 105k after so many years of uploading valuable content. It doe's my head in how some of the dumbest stuff on youtube has millions of views or subscribers
Can these be used as substitutions in regular progressions?
Just wanted to mention that the sixth mode I can name it as an Aeolian with a flated fifth
Can yuo pls play the modes slowly ,to make it easy for student to see.
U didn’t link the beginner modes video bro
I learned so much thank you Noah, but also it sounds like the licc a lot lol
Is the little page on top an app i can get? Seems rly useful to learn some stuff
Thank you for inspiring me more sir
C Dorian (b2) (Bb minor scale)? 😊
The Aolian mode (a b c d e f g a) is minor. If I wanted to play in B Aolian, do I just make everything one tone higher? (b Csharp d e Fsharp g a b)?
Yep
Pretty sure that alt is 7(b13, #9) #9 at top 15:23
Why is it locrian #2 instead of natural 2?
Thank you very much Noah Great lesson
Top Notch... I’m from the Syracuse area. As a guitarist I love ur knowledge. It’s a good refresher on some rusty theory..
Oh awesome what part of Syracuse?
Deep dive
Cool beans! Thanks!
You know this is very useful!!! helps alottt I have searched far and wide for the actual CHORDS. they say all the scales and they dont share the chords its very useful... or just sharing a 251 combo its just bullshit. I can play piano but i cant read music so i could never figure out chords, If you ever get the chance to show more chords of each or any of the scales please it would help so many musicians. thank you heaps!!
Hi Noah, Really like your lessons, although I've studied scales, when I'm improvising I can't remember so much information and I just mainly play by ear, Is that ok? thanks Simon.
Brother, first of thanks for valuable videos from you🌹❤. I heared like that the melodic minor as two variation ascending and descending. (Descending will be natural minor). If we use both ascending and descending in same scale, the picture of chords and modes will be entirly different. Am i right? I think here you explained only ascending scale of melodic minor. Is Ascending scale of melodic minor also known as Jazz scale?
Guitar student, came here for the modes, but the format and how everything is explained is awesome 🤤
The only tip would be maybe you can tune the microphone to not pick up the keys being pressed? I gets a bit distracting when trying to hear the "sound"
Everything else is top notch. Awesome channel.
I’m a bass player and this stuff os very interesting.I’ve been practicing the melodic minor,harmonic minor and minor modes for the past months 👏🏼
Dude beautiful tutorial and wonderful playing. Subscribed. You laid it out in a very interesting and conceptual way. I have a couple of stupid questions for you.
First, are the modes of the melodic minor primarily used in a minor cadence? In other words, are there times where you would use a mould of the melodic minor when going from the five dominance to a major one cord. Ex. Galtered scale going to a C major seven chord.
Also, it would appear to me that the Lydian dominant and the altered scale are two of the most applicable modes of the melodic minor. Do you have any videos or advice on breaking down, practicing, and applying those modes in a harmonic context.
Looking forward to your other videos🇨🇦
You're really summed it up properly at the very end. All of these whiz-bang modes are gobbledygook. I don't even think it matters whether you know their names so much as you can play a chord and know how to improvise around it using mostly chord tones.
The key is what you did after you showed us each scale and how you improvised using it. And is high and mighty as I sound, I'm not anywhere near your level in being able to jam around within a scale. So you are spot on that that's where the work needs to be done.
I always hang out with the chord.
You are the best Pianist I saw in You Tube. You are also one of the best Pianist I have heard. You have the best choice of notes and chords. I love watching your useful videos.
Dude ask people to comment! That boosts the algorithm too. Thanks for the data, you're awesome
NOAH!! as always love your videos. What do you use to make the second piano layer that highlights which keys you're playing?? trying to make some tutorial vids for my band for new keys players to learn. all the resources I'm seeing are for over the top synesthesia style piano visualizers
Play professor Noah! I felt that improv at 11:30-11:45, 14:05-14:20 🎹🔥🔥.
I really enjoy playing Mixolydian b6 over static sus7 chords. It has a really strange vibe.
Hi Noah why is these modes useful?
Oh wao!!!! This is the video that has the best visual view to see how modes work. When people tried to explain to me what a mode was I got so confunsed, it's so easy to understand thoug.
Noah this is amazing, thank you! Is there a course you sell that goes through the different RH licks and patterns that can be played for each mode?
I'm basically an old rock guitar player who in an effort to make my solo's sound a little more sophisticated stumbled into your video and got a lot out of it. I'll definitely be tuning in more.
I am another guitar player who appreciates the clarity. Thank you! So many of the you tube guitar videos are nonsense.
11:30 is gorgeous, really refreshing and innovative stuff
Very helpful lesson ! Thx 🎉👍
You’re an excellent teacher. I am learning very valuable stuff from you ❤
Do you have any tutorial s on the fingerings...ie which finger to use as this holds me back
11:41 The Licc
XD
I love how you explain it Noah but you can do this cuz you have perfect technique. It may take me 10 yrs to just get somewhere near.
This is SO helpful! Thanks!
genial ,en el piano se ve claramente la cantidad de notas agregadas de tension que se son caracteristicas de cada modo de la escala , excelente material ! toco guitarra ,pero esto ayuda mucho visiualmente a reconocer los sonidos dentro de la escala y como pueden funcionar de forma diferente .exitos!
Some of the nicest playing on the tutorials I’ve seen. Great content. Thanks!
So when do you use Dorian b9 ?
Gr8 vid bro appreciate you