Portland Travel Production | Sony FS5 | Aputure 600D
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- Опубліковано 27 січ 2025
- vocalremover.org
T-BAR - amzn.to/48zv00i
Paul Huenefeld - / @paulhuenefeld
Follow me on Instagram:
/ joelgabrielsen
My Current Gear
Paid Amazon Affiliate Links
Teradek Serv Micro:
amzn.to/3LKRHGm
iPad Cage:
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SIDIO CRATE:
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T Marker:
amzn.to/3lysNPD
Gimbal:
amzn.to/3HXzkei
Favorite Backpack:
amzn.to/3Yu2BnW
Sony FS5:
amzn.to/3HUD15y
330 WATT Led: KEY LIGHT
amzn.to/3XaC8dO
Soft Box and Grid:
amzn.to/3JEyOUP
Hair Light:
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Dana Dolly:
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Vlogging Camera: Insta360 GO
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Main Camera: FX3
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Favorite Lens: Tamron 35-150
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8X8 Frame:
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Favorite Light:
amzn.to/3wNssew
Excited to see the brokeh in action!
Thanks! Me too! Gotta find the right shoot to use it on. Thanks for watching!
great noise removal tool. I would've picked a section of the crackle, without the fireworks pops and looped it in so the sound design was natural.
Great idea! Adding in some of the natural ambience would be slick. Thanks for watching!
I wouldn’t use the filtered and isolated audio of the fireplace because wouldn’t hold all the information that you may want. For vocals I find isolation is pretty solid. Even resolve has a vocal isolation filter now in the studio version which is very solid. But for none dominant sounds it loses a lot of quality. The full unfiltered take probably wouldn’t have enough clean room tone either. You would have to hold for 20-40 seconds on location then cut out the pops later which seems like a waste of time on a shoot like this when they want you out by noon. And any 6 seconds of clean audio pulled from the interview when looped will feel artificial because not enough tone for a natural loop. You would be better off just getting a 1 minute long sound effect of fire cracking and dropping it in and adding eq and mixing it to fit within the scene. Or just stick with the clean dialogue and potential music added and eliminate the fire crackling all together.
super interesting to see, feel free to get even more in to the gear specifics in the next one 🙂
Absolutely! That's a good idea. I love talking about gear, but I'm always afraid I'm boring people.
@@JoelGabrielsen OMG no, gear info is half the reason we're here :-)
Love your videos and your ingenuity. I just ordered a cardellini clamp.
Awesome! Thank you! I appreciate the support! Cardellini's are great to have! Very useful. Thanks for watching!
Great video Joel!
Thanks for the advice of vocalremover, in some situations could help, it gave you great results!
I hope you have a great 2024!
Greetings from Uruguay.
Thanks for the positive comment! I appreciate the support on my channel! I hope you have a great 2024 as well!!!
Love the video!! Waves has a really awesome plugin and so does Izotope for cleaning up audio like that!
Fascinating, id of flipped the setup inside with that fireplace setup to use the window light, and use blur or framing to get anything too christmasy out. Especially in a time crunch, quicker to work with light than against. But you really showed adaptability here. Really great attitude as well, props man, all that and you didnt crack a sweat.
Absolutely! I always love the look on natural light. That defiantly would have worked and expedited the setup time. I appreciate the positive comment! and I appreciate the support on my channel.
@@JoelGabrielsen Hey, you make neat videos, I watch. haha happy new year!
Great job and travel setup. The app did a great Job with your audio.
Thanks so much! Yeah I was surprised how well it leaned up the audio for me. Thanks for watching!
We were told to not move anything on a big 3 day shoot. Client said do it anyway. Then we got a call that the owner of the location was headed over to fix something and we had 30min to completely reset the space. Talk about a mad rush!
Insane!!
DUDE! That is crazy. Yeah it's always a struggle working in locations that don't let you do what you need to do. Very limiting. But we always make do.
I do a similar thing for a t-bone
To be even more light weight I use a mafer clamp on a basic light stand so I dont have to fly with a c-stand
Cheap neewer silk with some 1" spring clamps
Great T-bar (i've also heard it called tbone) solution. I was looking into buying a grip ear for speed rail or 1" square bar, but this is brilliant. And I already have one of those backdrop bars, so off to the races! Keep up the vlogs.
Absolutely! Im always looking for lighter and easier setups. Thanks so much for watching!
For a budget power solution for exteriors I’d look into getting an Anker 757 powerhouse. Is able to power a good amount while being relatively small for its power capabilities. And it’s inexpensive. The downside is it’s electric so it needs to charge and can’t be topped off with gas. But it does charge fast and has a car charger so you could charge it on the road even though that does take a little longer.
Dude that's a bummer, I'd have loved to see what you could've come up with in that beautiful house. But unfortunately, that's how it goes sometimes. You still managed, and that's something. Good job on that audio isolation as well!
That's so much for the positive comment! I appreciate it! Yeah it's always a bummer when plans change but that's defiantly part of the job. I was surprised on the audio as well. Definitely not an audio pro but glad I was able to make it sound halfway usable. Thanks for watching!
Shoutout to the Airdoctor in the T bar shot
That raw audio would’ve had me stressed! But the processed audio came out amazing. Thanks for the link!
Dude, I was sweating bullets! but glad to know I can remove fireplace crackles in the future. The little things you learn...
How much did the sun moving affect your filming?
Luckily because of the time of the year the sun stayed low the whole day and was on the other side of the hose so it held pretty well for us!
Thanks for watching!
Great video, and the footage from the FS5 looks great! Did you shoot SLOG or one of the other picture profiles?
Thanks so much! I was shooting in SLOG-3 4k internal codec. Im always surprised how good the footage still holds up today for being an older camera. Thanks for watching!
Any situational advice on when to remove the reflector dish vs with out? I know PDMokrey does no reflector (in hislast video) for more even light. Do you see it getting any "source-y" ness without the reflector?
Gret question! I typically will not use a reflector if I don't have a ton of space and want to fill the whole diffusion. You loose a ton of output if you don't use a reflector dish. In most cases I will try to use a medium reflector to get more punch out of the lights.
thank you!@@JoelGabrielsen
Great BTS. I love the real-time walkthrough of your videos. I wonder what you feel about internal 4K at 8-bit vs. external 4K 10bit on your FS5s. I am mixed. I have been trying both PP8 and PP2 on 4K and comparing 8-bit internal vs. 10-bit external, and I do not really notice a difference unless I am shooting in raw and end up changing the grading. I prefer PP2 over raw personally.
Honestly, I much prefer the internal 8bit codec for the smaller file sizes. I used to shoot RAW out of the FS5 and could barley notice a difference lol Just my preference.
HMU if you have another PDX shoot. I visit there often as my wife’s parents live there.
Absolutely! that would be awesome. Im hoping to have more shoots over there in 2024 and will need to schedule some free days to explore the city.
@@JoelGabrielsen Sweet! I'm based out of Hilo, Hawai'i... so be sure to HMU if/when you're there. :)
when you travel are your cases overweight ?
Yes! I try to keep the majority of them under 50lbs to expedite the check in process but I few of my cases were over 70lbs. If you travel with a media pass they will usually have overnight fees.