Hey guys hope you enjoyed this one! I focused more on the synth structure and overall dark atmosphere rather than the riffs. Just wanted to try and be more experimental as I'm really getting more into synth work. Hope y'all are having a great day :)
You are the goat! 🔥🔥🔥 Only thing if I would give u constructive feedback from my ears: I miss a little more impact mixing wise. Maybe check your bus compression or master limiter that it is not squashing the transients too much. 3 things could help 1) Maybe try to remove low end before hitting the dynamic bus fx and add the low end after the fx back in (reason: of all the frequencies low end overloads the compressor most and is therefore squashing the transients to much) 2) clipping the unneccessary spikes (not the transient, only the crazy peaks that go faaaar beyond everything else) of all your instruments so the bus compressor is not out of control and squashing your whole track when the crazy spikes hit 3) maybe use expansion after your master bus compression to add some of the transients back in. So you have a glued and controlled mix with the compression and at the same time punch with the multiband expansion. Pro-MB, or Ozone are an option. Can't wait what you come up with next 🖤
![Heilung Norupo [Official Music Video]](http://i.ytimg.com/vi/64CACoHNBEI/mqdefault.jpg)
Hey guys hope you enjoyed this one! I focused more on the synth structure and overall dark atmosphere rather than the riffs. Just wanted to try and be more experimental as I'm really getting more into synth work. Hope y'all are having a great day :)
Amazing dude 🔥🔥🔥
That's the kinda shit creatures from "Scorn" would listen to. Absolutely dark my man!
Perfection.
Thank you 🙏🖤
This is sick❤❤
Thanks very much man!!
You are the goat! 🔥🔥🔥
Only thing if I would give u constructive feedback from my ears: I miss a little more impact mixing wise. Maybe check your bus compression or master limiter that it is not squashing the transients too much.
3 things could help
1) Maybe try to remove low end before hitting the dynamic bus fx and add the low end after the fx back in (reason: of all the frequencies low end overloads the compressor most and is therefore squashing the transients to much)
2) clipping the unneccessary spikes (not the transient, only the crazy peaks that go faaaar beyond everything else) of all your instruments so the bus compressor is not out of control and squashing your whole track when the crazy spikes hit
3) maybe use expansion after your master bus compression to add some of the transients back in.
So you have a glued and controlled mix with the compression and at the same time punch with the multiband expansion.
Pro-MB, or Ozone are an option.
Can't wait what you come up with next 🖤
@@Daozhille thanks man!! And this is some very good constructive advice. I'll try it out. Thank you for the suggestions!!
I stealed them from Buster and Luca Pretolesi ;) @@blackholestudios9284