A another band. Wich i listen to for a long time! And still letten me Down on the real vocals.. i hope silverstein wont let me down at the end of november
He's basically losing his voice lol cus their song is absolutely vocally demanding no wonder all those off vocals and maybe it's too loud and he's not hearing correctly In the monitoring earpiece??? Still a huge fan tho
It made me happy to hear honestly, really strange to hear real vocals without pitch correction in modern rock, respect to them for a genre that's so fake and overdemanding now but I'm sure they'll join the crowd eventually, the whole genre is just too ridiculous vocally. All of that being said, you can see confusion and IEM fumbling at 1:00, if he can't hear himself, that's it, it's over. None of us can be accurate without talkback, think of a deaf person speaking.
@@SmoothnessWorld The epitome of difficult singing is distorted and cricothyroid dominant with a dark timbre at a high pitch. The whole genre is now built upon this being standard in every chorus since That's The Spirit by BMTH, which set the stage for pitch corrected and saturated vocals in that vocalisation to be the key sound of modern rock, they did an amazing job transforming the genre, but it's had a knockoff effect on vocal expectations live. So you've got a cricothyroid dominant tessitura to stabilise in (no one can, we all point the mic at the crowd and have a break), with distortion on top of it because it needs to sound large and aggressive, a dark timbre to avoid the baby-cry of too much glottal compression with a neutral larynx which requires recruiting more of the thyroarytnoid musculature, alongside all that which distortion brings, this is a huge amount of the throat involved all the time. Then screams of course which are much less demanding. My wife is a speech pathologist, the most common injuries are from the military.. but excellent singers who are trying to replicate modern rock is up near the top, not realising that the sound is in the pre-amp, heavy compression, saturation, tape drive, and bitcrushing and especially pitch correction. I just hosted them in Adelaide on the 11th at Lion Arts and talked to Landon Kirk and Brian Butcher about it, they're all anxious about this and how to manage expectations in unplugged gigs, people in this genre and Pop are used to and want unnatural perfection now.
That's so dope, they're having so much fun on stage. Saw them last week, phenomenal show.
Man, what a great band. Wish them all the best!
Fantastic song!
My favorite band atm
A another band. Wich i listen to for a long time! And still letten me Down on the real vocals.. i hope silverstein wont let me down at the end of november
🔥🔥🔥
is craigs guitar the omen elite 7 stbb?
Stupid phone audio mucking things up
He's basically losing his voice lol cus their song is absolutely vocally demanding no wonder all those off vocals and maybe it's too loud and he's not hearing correctly In the monitoring earpiece???
Still a huge fan tho
🐓🐓🐓🐓🐓
dude is soo off tune in live performance ... :D
Hard song to sing
It made me happy to hear honestly, really strange to hear real vocals without pitch correction in modern rock, respect to them for a genre that's so fake and overdemanding now but I'm sure they'll join the crowd eventually, the whole genre is just too ridiculous vocally.
All of that being said, you can see confusion and IEM fumbling at 1:00, if he can't hear himself, that's it, it's over. None of us can be accurate without talkback, think of a deaf person speaking.
@@LoftyAssertions genre is just too ridiculous vocally?? why?
@@SmoothnessWorld The epitome of difficult singing is distorted and cricothyroid dominant with a dark timbre at a high pitch. The whole genre is now built upon this being standard in every chorus since That's The Spirit by BMTH, which set the stage for pitch corrected and saturated vocals in that vocalisation to be the key sound of modern rock, they did an amazing job transforming the genre, but it's had a knockoff effect on vocal expectations live.
So you've got a cricothyroid dominant tessitura to stabilise in (no one can, we all point the mic at the crowd and have a break), with distortion on top of it because it needs to sound large and aggressive, a dark timbre to avoid the baby-cry of too much glottal compression with a neutral larynx which requires recruiting more of the thyroarytnoid musculature, alongside all that which distortion brings, this is a huge amount of the throat involved all the time. Then screams of course which are much less demanding.
My wife is a speech pathologist, the most common injuries are from the military.. but excellent singers who are trying to replicate modern rock is up near the top, not realising that the sound is in the pre-amp, heavy compression, saturation, tape drive, and bitcrushing and especially pitch correction.
I just hosted them in Adelaide on the 11th at Lion Arts and talked to Landon Kirk and Brian Butcher about it, they're all anxious about this and how to manage expectations in unplugged gigs, people in this genre and Pop are used to and want unnatural perfection now.
Poor vocals
Wow... He really screwed up the vocals man. Sounds like studio magic was a little bit to much on that one.
The song is still killer!
Cheers