I saw George play 8 years ago, stood about ten feet from his gear, he had several amps that night including a soldano, the lynchbox and something else I can't remember but I do remember the soldano wasn't even on. One thing I noticed about his pedal board as it was about two feet in front of me,lol, and that was that he did not even have his signarure Morley wha on it. It was a crybaby. Got to meet George that night also, VERY COOL guy!
This is a fantastic vid - thanks so much for posting. I've followed George since the first Dokken album & have always loved his playing. So great to see his gear up real close. I love the way he unplugs the fx so the batteries don't run down - so deliciously old-school...
that guy thats being interviewed sold me a Geroge Lynch model guitar a while back at Sam Ash! he mentioned working with him and at the time i didn't even know who george lynch was!
Actually George was around before Eddie. Eddie just made it first. Single humbucker strat, Marshall and Soldano are the things they have in common. Playing styles are really different. just looking at the effects they use. I'm very happy that we have both of them. What about Randy, Yngwie, and Maiden. It's a shame your ears aren't more open. Eddie is special, but guitar didn't die with him.
@momay69 ....it's also fairly well argued that "believe it or not" Ace Frehley may have been the actual EVH influence. Think about....Ace WAS doing it before Eddie AND Gene produce the first VH record.....sooooo. It definitely sounds like a plausible theory. No? I certainly can't confirm nor deny.
@REALCougarsRmales yeah. for sure he used them on Dokken's "Dysfunctional" album, on his Sacred Groove album, and I think he used a Bogner on the second Lynch Mob album.
@momay69 yeah, talk-box too. As I understand it...George was actually really praised in the early days....and that Gene Simmons was actually going to hear George play when he discovered Van Halen. I don't doubt it...I remember George saying that he was a fan of Eddies. I think those guys all checked each other out in that scene. I bet those were some pretty cool times:)
@WarBeer ....Heck, I could actually see someone coming up with it on there own. It's kind of a "logical" technique if you think about it? ...and has been "hinted" at in various forms form many years. Even some classical guitar pieces have some "different" RH techs. Violin "pizzicato's" even "sort of " elude to it. Either way...I'd love to know how Eddie came about it. I don't remember ....did the article say how GL came by it?
@momay69 many people tapped before eddie, old jazz players were tapping for years before eddie did. but eddie revolutionized it, doing that licks style noone had heard before
Hey Brett, I just wanted to stop by and say hey whatsup man. I really dig your video's you do a great job of getting all the little nitty gritty details and secret's during your interview's that many overlook! Usually when I watch these types of video's I go oh no another Internet marketing promo video like Exp....er we won't mention names hahaha. You rock dude! Cheers, IC.
@skaterguitar4ever - I believe it has something to do with inverting the positive and negative frequencies to get rid of ground loop hum. Not 100% if that's what it does, but that's the only real practical situation I could think of.
Guitarmed And Dangerous Allot of it was his Soldano SLO, his Marshall Plexi was in there a fair amount as well.He's never without his MXR Phase 90 script, or his Keeley Modded Boss DS-1, and Boss DD-3 (I think) delay... aside from that, it was pretty much a free-for-all as far as pedals go.
He had an instructional video around that time. Check it out. It shows him in the studio recording a lot of wicked sensation. You can get a glimpse of a lot of what he uses. Most of it is studio effects. He does run through his rig a bit and show off his guitars and stuff though.
Great tone through out his career ESP guitars and the Plexi Marshall tones not the ''Brown Sound'' the Lynch Sound clean Plexi high headroom tones on album after album and in the late '80s Monsters of Metal he ruled! Metallica was overdriven and beyond my like of distortion, Scorpions,Kingdom Come , Van Halen, but Lynch stood alone in his Quorum,.. even keeled,his phrasing was flawless he was even better than his band! At the time the only other principal was Warren DiMartini tonewise, may be Jake E Lee too. Its got to do with the choice of guitar,amp and how you measure up as MASTER of your domain. Up to par though Michael Schenker was a hard to beat number he was there before during and after for a time and by George so was Lynch! BTW the very best tone had to of come from Aspen Pittman's collection a '70 Purple 1959 100watt head I believe the tremolo model, he was the man with the Plexi as I read texts and his choice were best of no mods to his Plexis, pretty cool huh!! That was his Signature tone, ''Unmodded Plexis''!!
js6729 I saw them the complete unit before Sebastian Bach '86(?), at a NYC outing called ''The Cat Club'' just about a year prior to ''18 and Life''. The sound was there I couldn't forget the unique guitars they played, not the usual arsenal by far, and they were really great live on Saturday Night Live with Adam Sandler ''Monkey Business couple years later, I still have a VHS recording of it!! Back at the '86 night though I remember they had a great club sound not loud at all but tasteful housed in and very appreciated, the Main act was Atom Ant of ''I Want MY Heavy Metal'' fame, and he got shot glasses launched at him got cut short of his whole routine! By then Lynch was a World Wide phenom getting endorsements from Major European Amp Companies and being showered like a Prince he was in the Big Mags ahead of Van Halen,Michael Schenker too, which I got alot of reading done on Guitar World,Guitar, and 3 years before on Guitar Player on the AC/DC issue, he was King of the Glam World just they didn't call it that because he was a Guitar Personality! Good call you brought back alot of memories! btw These players Lynch,Malmsteen,Van Halen,Vai,Schenker, to name a few, they developed an ear that is their gift. They were meant to lead orchestras in that their time pieces had a specific classical annotations derived from the primary Blues scales of all things, they will quote Hendrix,Gary Moore, Peter Green because that muse of a concept was translated rather transliterated by the understanding that they would in turn take it to where it had the meaning they would eventually progress into their own fusion if you will, so if you took it a step further that concept would be another time piece within the current influences of today as they did also, that makes for alot of the understanding of today's virtuosity being so advanced as tomorrow's players can you only imagine, but like you and I we dig the tones!LOL!
@momay69 You know what I've heard. That Billy Sheehan was doing it on Bass before both of them in the early 70's. Either way some unknown person probably did it before all of them. They have all done it incredibly well though and given tons to us all.
@momay69 Jimmie Webster made recordings in the 1950s using the method of two-handed tapping he described in 'Touch Method for Electric and Amplified Spanish Guitar', published in 1952. Webster was a student of electric pickup designer Harry deArmond , who developed two-handed tapping as a way to demonstrate the sensitivity of his pickups. Webster's approach was not popularly adapted. There you go.
@WarBeer ...surrounded Eddie. The guy apparently used to go out of his way to hide what he was doing from other players....and he's always been vague (or possessive sometimes) over his tapping origins. So, it's always been somewhat of a mystery. Apparently Ace (and I'm no KISS fan) was doing it before Eddie also. I don't know if it was before Lynch or not. I was only implying that maybe?...Eddie had seen Ace do it? Maybe he saw George...I don't know.
@REALCougarsRmales Yes he did on "The Lynch That Stole Riffness" he used a Bogner Ueberschall. I know this for a fact because the record was tracked by me at my studio. S~
Roy Smeck played ukilele. Eddie revolutionized the way people played rock guitar - period. Lynch is excellent and so was Rhoads but with no VH1 album there would have been no Ozzy1 and no Dokken albums. I love how people try to rewrite history after the fact.
@WarBeer ....BTW....my initial comment to you was in NO way negative. I've read about GL, MK, EV....for years....and I don't doubt the GL thing....I was simply adding a little side note that I thought you might have found interesting. You took it completely wrong...I actually like all of the guitarist we've been talking about. And in truth GL and EV are very different in their approach to tapping.
@WarBeer ....and I apologize for my earlier comment...I let you get me riled over some silly. Truthfully, if you're a kid...and you like Lynch...I'm glad. I hope you learn to play like him. In the end...we both must like this stuff or we'd not be here:) Anyways...they're all good players....and I really dug early Great White:)
A Zoom multi? I mean, I have a 505II and it's a fun piece of gear for fucking around in the basement, but I wouldn't take it onstage at a bar gig let alone an arena. Also, has he disowned the G-Flex cabinet? I own that too and that thing is fucking nice as all hell but word is he doesn't use them.
@innerkiwi Yeah man the MAB overdrive is smokin! I have been noticing alot of awsome players have been starting to use the MAB overdrive as it catches on like wildfire. MAB really nailed a sweet sopund out of that baby. I think it has the potential to in spirit anyways become almost like the TS808 ni terms of being a widly used staple in the next 15 years or so. IC.
it was the guitar world 25th anniversery of randy rhoads death. Ya i read that issue and randy did say that he was intimidated by a young up and coming guitarist by the name of george lynch.
in the very early 70s a band from Tennessee named target did taping before they called their band target,they were a Very hard rock close to metal guitarist,dual leads,Les Pauls and Marshalls
Recent videos have George saying he has used Randalls "forever". Also Steve Stevens is on all sorts of vids claiming the gear is what he uses. I guess whoever hands you the "envelope under the table full of cash". Both GL and SS are 2 of my favorite guitarists, but these videos don't mean shit.
Kirk Hammett and Scott Ian did it for years and still do it with Mesa Boogie. They might use the current Randall stuff but its been pretty shit for the last half decade or so. Now that they have Mike Fortin designing amps for them, they might come back into being popular again.
Yngwie was "endorsed" by Aria Pro back in the 80s but other than 2 ads I remember from magazines of the era, he used an Aria V for ONE song live with Alcatrazz on the Metallic 84' DVD and one tour and it's in the Island in the Sun video. You can use anything you want when you're endorsed you just have to show a little love to the company here and there by appearing in public with it. It's all in the non-disclosure agreement Musician's sign when they are sponsored.
Benny Netenyahu Some Randalls seem really great and I know John Petrucci used them when he was poor and Gus G. uses one on his Instructional. I ALMOST bought a Mesa Mark V or Triple Rec but after hearing the EVH 5150 III I almost bought that until I discovered DIEZEL HERBERT and never looked back. If I ever bought another amp it would be a Diezel VH4 just for a little variety but man, once you shred on a Diezel there IS no turning back!!! :D
I loved what I heard with the Peavey JSX, then when Scott Ian said he has one at home & takes 2 on the road with him, its all the amp he needs for anything he plays ..........it sorta pushed me that last bit to buy it . And while Im glad I did because It is every bit as good as he said it is ........but then yeh, he brogs on other amps too & says about the same thing . But after 2 years, JSX for the moeny is the most brutally clean best amp you can buy imo. From innocent clean stuff to Doomy death metal & everything inbetween. I thinK Id even match it up to that Plexi in this video even.
Goodness gracious people...you'll argue over peanut butter. Jimmy page used to Tap live--who the hell cares. What? no human ever thought of using his right finger on the fret board--its not Einsteins theory of gravity for goodness sake. The issue is who did it real good. I dont think Babe Ruth was the first guy to imagine the homerun swing as a viable, every day technique..but he did it best and brought it to forefront by hitting more than an entire team in a year. Same with Ed...its Eds baby
@momay69 ....lol...I do make my own music...and I agree, cover bands suck!...LMAO. Now that "bullshit" story. Well, "A" since I SAID that I can't confirm nor deny...(which implied that it was just a THEORY)....apparently I'm NOT spreading shit. "B"...it actually game from a discussion with a friend who's probably one of the worlds foremost experts on KISS. Who has many friends that know most of the guys we're talking about. I only mentioned it...because of the secretiveness that has always....
dont be callin me a rookie. if you think george lynch copies eddies style, then youre the rookie. George may respect Eddie, but he got his own style too.
ive met george manny timessnarky goofy funny one hell of a monster on dat g tar unorthodox selection of notes and style im 56 no refridgerator racks full of shit in it les paul into a marshal modded jcm 800 2 of them a mrshall cab vin 30s what the hell else do you need ask my freind ace frehley keep it simple create youre own style get a slamming band you might get noticed no drugs no violence practice youre ass off daily dont smash anny fingers lmfdao im hardcore dave im out of here good luck stay safe much love all ciao adios aufwederzane namastay peace
Sorry, don't see it. Their styles are so completely different. I can see where maybe Lynch respects Eddie, but, I don't see where Lynch tries to copy him. Nor a wanna be.
If this is his rig then there are a number of problems. 1st problem, he's running his mod effects in his signal path instead of his fx loop. This is why his tone blows now. The Phase 90 sucks tone. The EVH phase 90 doesn't because Ed changed the sweep and boosted the mids. And that zoom pedal sounds like poop...
I saw George play 8 years ago, stood about ten feet from his gear, he had several amps that night including a soldano, the lynchbox and something else I can't remember but I do remember the soldano wasn't even on. One thing I noticed about his pedal board as it was about two feet in front of me,lol, and that was that he did not even have his signarure Morley wha on it. It was a crybaby. Got to meet George that night also, VERY COOL guy!
This is a fantastic vid - thanks so much for posting. I've followed George since the first Dokken album & have always loved his playing. So great to see his gear up real close. I love the way he unplugs the fx so the batteries don't run down - so deliciously old-school...
I love how they actually get a good look at the pedals.
that guy thats being interviewed sold me a Geroge Lynch model guitar a while back at Sam Ash! he mentioned working with him and at the time i didn't even know who george lynch was!
Nobody can replicate the crunch tone for sure
Actually George was around before Eddie. Eddie just made it first. Single humbucker strat, Marshall and Soldano are the things they have in common. Playing styles are really different. just looking at the effects they use. I'm very happy that we have both of them. What about Randy, Yngwie, and Maiden. It's a shame your ears aren't more open. Eddie is special, but guitar didn't die with him.
I met Gerry back in 2009 at Sam Ash while he was on the phone with Lynch about guitar hangers. He sold me my first Jackson. Very cool guy.
@momay69 ....it's also fairly well argued that "believe it or not" Ace Frehley may have been the actual EVH influence. Think about....Ace WAS doing it before Eddie AND Gene produce the first VH record.....sooooo. It definitely sounds like a plausible theory. No? I certainly can't confirm nor deny.
I have the MXR Phase 90, but its the EVH Phase 90. Really great, its both MXR Phase 90 pedals in one, script and block.
what songs does george use the phase 90 on?
@REALCougarsRmales yeah. for sure he used them on Dokken's "Dysfunctional" album, on his Sacred Groove album, and I think he used a Bogner on the second Lynch Mob album.
@momay69 yeah, talk-box too. As I understand it...George was actually really praised in the early days....and that Gene Simmons was actually going to hear George play when he discovered Van Halen. I don't doubt it...I remember George saying that he was a fan of Eddies. I think those guys all checked each other out in that scene. I bet those were some pretty cool times:)
@WarBeer ....Heck, I could actually see someone coming up with it on there own. It's kind of a "logical" technique if you think about it? ...and has been "hinted" at in various forms form many years. Even some classical guitar pieces have some "different" RH techs. Violin "pizzicato's" even "sort of " elude to it. Either way...I'd love to know how Eddie came about it. I don't remember ....did the article say how GL came by it?
@momay69 many people tapped before eddie, old jazz players were tapping for years before eddie did. but eddie revolutionized it, doing that licks style noone had heard before
The actor John Cusack should make a pedal, it would be sensitive and quirky sounding.
lmao the actor is a freaking nut job
Hey Brett, I just wanted to stop by and say hey whatsup man. I really dig your video's you do a great job of getting all the little nitty gritty details and secret's during your interview's that many overlook! Usually when I watch these types of video's I go oh no another Internet marketing promo video like Exp....er we won't mention names hahaha. You rock dude! Cheers, IC.
@skaterguitar4ever - I believe it has something to do with inverting the positive and negative frequencies to get rid of ground loop hum. Not 100% if that's what it does, but that's the only real practical situation I could think of.
@momay69 nope classical guitarists were the first to tap, look it up, they been around even way before the first elctric guitar
anyone know the setup lynch used on the first lynch mob album? His solos have such an amazing sound.
Guitarmed And Dangerous Allot of it was his Soldano SLO, his Marshall Plexi was in there a fair amount as well.He's never without his MXR Phase 90 script, or his Keeley Modded Boss DS-1, and Boss DD-3 (I think) delay... aside from that, it was pretty much a free-for-all as far as pedals go.
He had an instructional video around that time. Check it out. It shows him in the studio recording a lot of wicked sensation. You can get a glimpse of a lot of what he uses. Most of it is studio effects. He does run through his rig a bit and show off his guitars and stuff though.
Urethra Franklin Yes a purple rented 100 watt Marshall head,Boss OD-1 and a Eventide harmonizer and that’s it.
When using the John Cusack pedal ...peter Gabriel’s “in your eyes” starts playing
i have the zoom pedal, i love that thing!!!
Great tone through out his career ESP guitars and the Plexi Marshall tones not the ''Brown Sound'' the Lynch Sound clean Plexi high headroom tones on album after album and in the late '80s Monsters of Metal he ruled! Metallica was overdriven and beyond my like of distortion, Scorpions,Kingdom Come , Van Halen, but Lynch stood alone in his Quorum,.. even keeled,his phrasing was flawless he was even better than his band! At the time the only other principal was Warren DiMartini tonewise, may be Jake E Lee too. Its got to do with the choice of guitar,amp and how you measure up as MASTER of your domain. Up to par though Michael Schenker was a hard to beat number he was there before during and after for a time and by George so was Lynch! BTW the very best tone had to of come from Aspen Pittman's collection a '70 Purple 1959 100watt head I believe the tremolo model, he was the man with the Plexi as I read texts and his choice were best of no mods to his Plexis, pretty cool huh!! That was his Signature tone, ''Unmodded Plexis''!!
Nelson DeJesus Another really good tone from back then imo was from Scott hill and dave sabo of skid row
js6729 I saw them the complete unit before Sebastian Bach '86(?), at a NYC outing called ''The Cat Club'' just about a year prior to ''18 and Life''. The sound was there I couldn't forget the unique guitars they played, not the usual arsenal by far, and they were really great live on Saturday Night Live with Adam Sandler ''Monkey Business couple years later, I still have a VHS recording of it!! Back at the '86 night though I remember they had a great club sound not loud at all but tasteful housed in and very appreciated, the Main act was Atom Ant of ''I Want MY Heavy Metal'' fame, and he got shot glasses launched at him got cut short of his whole routine! By then Lynch was a World Wide phenom getting endorsements from Major European Amp Companies and being showered like a Prince he was in the Big Mags ahead of Van Halen,Michael Schenker too, which I got alot of reading done on Guitar World,Guitar, and 3 years before on Guitar Player on the AC/DC issue, he was King of the Glam World just they didn't call it that because he was a Guitar Personality! Good call you brought back alot of memories! btw These players Lynch,Malmsteen,Van Halen,Vai,Schenker, to name a few, they developed an ear that is their gift. They were meant to lead orchestras in that their time pieces had a specific classical annotations derived from the primary Blues scales of all things, they will quote Hendrix,Gary Moore, Peter Green because that muse of a concept was translated rather transliterated by the understanding that they would in turn take it to where it had the meaning they would eventually progress into their own fusion if you will, so if you took it a step further that concept would be another time piece within the current influences of today as they did also, that makes for alot of the understanding of today's virtuosity being so advanced as tomorrow's players can you only imagine, but like you and I we dig the tones!LOL!
@momay69 You know what I've heard. That Billy Sheehan was doing it on Bass before both of them in the early 70's. Either way some unknown person probably did it before all of them. They have all done it incredibly well though and given tons to us all.
Mr. Scary ROCKS!
When was this?
@momay69
Jimmie Webster made recordings in the 1950s using the method of two-handed tapping he described in 'Touch Method for Electric and Amplified Spanish Guitar', published in 1952. Webster was a student of electric pickup designer Harry deArmond , who developed two-handed tapping as a way to demonstrate the sensitivity of his pickups. Webster's approach was not popularly adapted.
There you go.
@WarBeer ...surrounded Eddie. The guy apparently used to go out of his way to hide what he was doing from other players....and he's always been vague (or possessive sometimes) over his tapping origins. So, it's always been somewhat of a mystery. Apparently Ace (and I'm no KISS fan) was doing it before Eddie also. I don't know if it was before Lynch or not. I was only implying that maybe?...Eddie had seen Ace do it? Maybe he saw George...I don't know.
ace is cool but definitely couldn't tap
@REALCougarsRmales Yes he did on "The Lynch That Stole Riffness" he used a Bogner Ueberschall. I know this for a fact because the record was tracked by me at my studio.
S~
Roy Smeck played ukilele. Eddie revolutionized the way people played rock guitar - period. Lynch is excellent and so was Rhoads but with no VH1 album there would have been no Ozzy1 and no Dokken albums. I love how people try to rewrite history after the fact.
what happened to the zoom pedal anyways?
@momay69 Yeah but both Eddie & George saw Harvey Mandel doing it!
@WarBeer ....BTW....my initial comment to you was in NO way negative. I've read about GL, MK, EV....for years....and I don't doubt the GL thing....I was simply adding a little side note that I thought you might have found interesting. You took it completely wrong...I actually like all of the guitarist we've been talking about. And in truth GL and EV are very different in their approach to tapping.
@WarBeer ....and I apologize for my earlier comment...I let you get me riled over some silly. Truthfully, if you're a kid...and you like Lynch...I'm glad. I hope you learn to play like him. In the end...we both must like this stuff or we'd not be here:)
Anyways...they're all good players....and I really dug early Great White:)
what? i have this amp. he pointed to the grail and said mr scary and pointed to the mr scary and said grail
A Zoom multi? I mean, I have a 505II and it's a fun piece of gear for fucking around in the basement, but I wouldn't take it onstage at a bar gig let alone an arena.
Also, has he disowned the G-Flex cabinet? I own that too and that thing is fucking nice as all hell but word is he doesn't use them.
@innerkiwi Yeah man the MAB overdrive is smokin! I have been noticing alot of awsome players have been starting to use the MAB overdrive as it catches on like wildfire. MAB really nailed a sweet sopund out of that baby. I think it has the potential to in spirit anyways become almost like the TS808 ni terms of being a widly used staple in the next 15 years or so. IC.
never heard of it,it was a staple in the mab worshippers only,never made it out into the real world
@momay69 ....lol...well, I guess that goes for you too....since I never said that Lynch didn't start tapping before Eddie:)
roy smeck invented tapping eddie popularized it
so, the amp hasn't been modified !... :))
The digital database for George's set up calls for the British amp clean. I believe it.
Wow, Lynch recorded third Dokken with solid state amp. Randall.
A 1968 Plexi JMP Super Lead is the Holy Grail.....Dime it and you are in heaven.
You're not going to tell me you think today's rock is better than 70's and 80's rock.
the zoom pedal's not even plugged in lol
Cause it's garbage I have one.
it was the guitar world 25th anniversery of randy rhoads death. Ya i read that issue and randy did say that he was intimidated by a young up and coming guitarist by the name of george lynch.
It doesn't matter what he uses, the sound is in his fingers.
in the very early 70s a band from Tennessee named target did taping before they called their band target,they were a Very hard rock close to metal guitarist,dual leads,Les Pauls and Marshalls
Woah! Ganaden? I might be possibly related to him!
240p resolution...Noooooooo!!!
Recent videos have George saying he has used Randalls "forever". Also Steve Stevens is on all sorts of vids claiming the gear is what he uses. I guess whoever hands you the "envelope under the table full of cash". Both GL and SS are 2 of my favorite guitarists, but these videos don't mean shit.
Kirk Hammett and Scott Ian did it for years and still do it with Mesa Boogie. They might use the current Randall stuff but its been pretty shit for the last half decade or so. Now that they have Mike Fortin designing amps for them, they might come back into being popular again.
Yngwie was "endorsed" by Aria Pro back in the 80s but other than 2 ads I remember from magazines of the era, he used an Aria V for ONE song live with Alcatrazz on the Metallic 84' DVD and one tour and it's in the Island in the Sun video. You can use anything you want when you're endorsed you just have to show a little love to the company here and there by appearing in public with it. It's all in the non-disclosure agreement Musician's sign when they are sponsored.
Benny Netenyahu Some Randalls seem really great and I know John Petrucci used them when he was poor and Gus G. uses one on his Instructional. I ALMOST bought a Mesa Mark V or Triple Rec but after hearing the EVH 5150 III I almost bought that until I discovered DIEZEL HERBERT and never looked back. If I ever bought another amp it would be a Diezel VH4 just for a little variety but man, once you shred on a Diezel there IS no turning back!!! :D
Mike Todd
I like Diezel's cabs. Much more controllable bass than Mesa's.
I loved what I heard with the Peavey JSX, then when Scott Ian said he has one at home & takes 2 on the road with him, its all the amp he needs for anything he plays ..........it sorta pushed me that last bit to buy it . And while Im glad I did because It is every bit as good as he said it is ........but then yeh, he brogs on other amps too & says about the same thing . But after 2 years, JSX for the moeny is the most brutally clean best amp you can buy imo. From innocent clean stuff to Doomy death metal & everything inbetween. I thinK Id even match it up to that Plexi in this video even.
first?? that would be Harvey Mandel alias the Snake
cool haircut, bro
Goodness gracious people...you'll argue over peanut butter. Jimmy page used to Tap live--who the hell cares. What? no human ever thought of using his right finger on the fret board--its not Einsteins theory of gravity for goodness sake. The issue is who did it real good. I dont think Babe Ruth was the first guy to imagine the homerun swing as a viable, every day technique..but he did it best and brought it to forefront by hitting more than an entire team in a year. Same with Ed...its Eds baby
Who gives a f*** to who did 2 hands tapping first ?
TONES ALL IN THE FINGERS LOL LIKE IM EVER MODDING A MARSHALL TO SOUND LIKE DEMARTINI OR LYNCH OR EVERYONE EVER
@momay69 ....lol...I do make my own music...and I agree, cover bands suck!...LMAO. Now that "bullshit" story. Well, "A" since I SAID that I can't confirm nor deny...(which implied that it was just a THEORY)....apparently I'm NOT spreading shit. "B"...it actually game from a discussion with a friend who's probably one of the worlds foremost experts on KISS. Who has many friends that know most of the guys we're talking about. I only mentioned it...because of the secretiveness that has always....
he is a nerd toy freak mate . tinkering call mark and get him in learning room again for scroll arial and darga classic style for 1 year
why does it even matter?
where did the guitar go. people suck today.. dont argue with me you know its true.
George's sound nowadays is too gritty like rubbing two sheets of 440grade sandpaper together
It's because he decided down tune everything and play distortion instead of overdrive.
dont be callin me a rookie. if you think george lynch copies eddies style, then youre the rookie. George may respect Eddie, but he got his own style too.
Billy Gibbons and John Entwhisle, two hand tapping 40 years ago. Just sayin'
Tal Farlow was tapping back in the 40's and 50's.
ugh zoom
Wtf is that guys problem?!? Touch my amp settings your loosing that finger!!!!!!!!!!
ive met george manny timessnarky goofy funny one hell of a monster on dat g tar unorthodox selection of notes and style im 56 no refridgerator racks full of shit in it les paul into a marshal modded jcm 800 2 of them a mrshall cab vin 30s what the hell else do you need ask my freind ace frehley keep it simple create youre own style get a slamming band you might get noticed no drugs no violence practice youre ass off daily dont smash anny fingers lmfdao im hardcore dave im out of here good luck stay safe much love all ciao adios aufwederzane namastay peace
dude, no
Do these jeans make my ass look fat?
is that tech guy voice anoying or what
Sorry, don't see it. Their styles are so completely different. I can see where maybe Lynch respects Eddie, but, I don't see where Lynch tries to copy him. Nor a wanna be.
If this is his rig then there are a number of problems. 1st problem, he's running his mod effects in his signal path instead of his fx loop. This is why his tone blows now. The Phase 90 sucks tone. The EVH phase 90 doesn't because Ed changed the sweep and boosted the mids. And that zoom pedal sounds like poop...
Ugh...