a color workflow that makes sense
Вставка
- Опубліковано 4 жов 2024
- [Re-upload] Colorists and film professionals prefer grading in “Scene referred” Color spaces. Because camera LOG and RAW were invented to capture stuff for more flexibility and dynamic range, camera color spaces or scene color spaces are designed to be bigger and wider. It naturally makes sense to manipulate the image in a bigger color space before the data is converted to a smaller one. Let’s take a quick look at what these exactly mean.
► Download DEMO Plugin
coloristfoundr...
Compatible Softwares
► DaVinci Resolve
Instagram Color Palette Inspiration
► / coloristfoundry
That's great! For a long time I was looking for a simple tool for color correction... And here it is! your video. But I don’t quite understand how I can buy this plugin from you? I'm from Russia and can't pay by card.
brother plzz make a dedicated video proper way to use Ultimate Colorist Toolkit 2022, Vol.3 lut
Total novice here: I’m a zcam user and DaVinci doesn’t have zlog2 recognition - does this effect my use of this workflow?
Yes
Yes it does, but I believe I saw a ZCam CST Plug-in out there somewhere floating on the internet.. that could surely help!
Oh awesome will search
Best workflow for zcam's is to use aces. Google "t freeman aces" and you will find instructions...
The color space for public is like the same as for security cameras.
You bet the public is the last to get the real info and do only get the transformed colors. We help them a lot by doing this.
They better stay in their tiny, compressed world or mental space : you guess, a lot of real estate there... huge spaces.