RED Komodo + FilmBox Light vs. Kodak Vision3 250D Comparison

On a recent pickup shoot, I had the rare opportunity to film with both the RED Komodo 6k and an Arri SR2 with 250D Vision3 Stock at the same time.
For my previous Dehancer test, see this - • RED Komodo + Dehancer ...
I decided to do a matching test, because I wanted to try out the different film emulation software that I own.
On the Kodak 250D, the CU shot was filmed on a 12-120 Zeiss T3 at around 35mm (90mm FF equivalent) and T9 at 6:30AM
On the RED, the CU shot was filmed on a 50mm Contax Zeiss at around F8 at 6:35AM, and then digitally zoomed to match the Kodak frame in post.
FilmBox Lite 250D blows everything else out of the water (Dehancer, Cineprint, Juan Melara, etc.). The skin tones and backgrounds were almost an exact match, requiring only temperature and tint correction. I found that FilmBox Lite renders the greens a tiny bit yellow, so pushing that a little bit on the spider web helps, but it isn't necessary.
I'm extremely happy with these results. If working on a project which demands film emulation, I will definitely be including the FilmBox 3-month subscription price for color correction and using that. I will use Dehancer as a stand-in or as a stylized film look.