“I make albums so people can play it and you actually hear it. You know, driving your car, you hear another car playing it. You know, go to the barbershop, you hear them playing it. You know, turn the radio on, and you hear them playing it. It’s called great music. It’s called albums that you actually hear the songs. Not no mysterious shit that you never hear it.” -Fake Type
Couldn’t finish the demondice discog vid because of how overwhelming it was, music like this has to be an operation to terrorize neurodivergent people i stg
@@IceJJFishArchive if by terrorize you mean being my several year long hyperfixation yes! i frankly like the chaos and the fake type hate train is not something i would like to take off 😁 have a mediocre day
I would enjoy all electroswing a little bit more if they bothered to actually put in a swung pattern on the hi hats- you know, swing? The name of the genre?
you forget that the lowest-common denominator electro swing producer doesn't know what a tuplet is because you can't make them using the fl step sequencer.
You’re so real for that Mr. Stetson If anyone’s actually interested I’d love to add Bloody Mary by KANKAN to this. Fantastic song imo. FAKE TYPE can do great work
if you didnt know listening to this bands entire discography perfectly recreates being trapped in nutty putty cave in 27 hours based on how claustrophobic this band is
when i think electro swing, i think sample-based music where they take an vintage song, put some punchier drums on it, a synth bass, and that's about it either the genre has REALLY changed when i wasn't looking, or i'm thinking of a different thing.
People have been experimenting. For example Caravan Palace uses live horns, and mixes it with other genres. And then you have fake type, who um, barely is electro swing because their music DOESNT HAVE SWING TO IT
why karen, why, you just had two decent albums(Alkatraz, Shut Up Get Happy) in a row and now you do this to me, after the absolute crisp production on KGA, we all watched you grow so much from the DDEP to the early stages of mori, but why this?
You can't convince me this wouldn't fit as a Fanboy & Chum Chum album, now you can't unhear it. If they made a song about that purple sizzurp they drank then it would be indistinguishable.
Back when Brad made the video about listening to the entire Demondice discography lots of instrumentals on one of her albums reminded me of Fake Type and their music. It’s interesting to see Brad reviewing this album now. Quite poetic
I'm sort of a FAKE TYPE fan but i have definitely grown out of their music. I still like a couple of their newer songs but ur compliant on the annoying-overused instruments is hella vaild. That's probably why I prefer their older songs. The energy is a bit lower and the flow (imo) is nicer.
@@CocoaMoloko I think a good example of that is Fake Types "At Atelier" It has the high energy (not too much) without the over the top vocals. It has a nice flow and I honestly love that song lol. (Also it's cute the message)
i could not agree harder, their earlier songs, even the more chaotic ones are fun and have better direction. Newer songs literally all sound the same and are the musical equivalent of jangling keys in front of a baby’s face
@@a_dumbuser at atelier was great, reminded me of la primavera, hell, it even referenced a line of la primavera directly, which made me smile. But after that song, they simply went back to this very annoying sound that i don't enjoy, fake box and fake book were good, but this.. god..
This album’s sound is what it feels like to go to a city hosting a loud ass music festival that goes on all night and trying to sleep at a hotel nearby
honestly ive never been a fan of FAKE TYPE, but i do love tophamhat-kyo. i believe with the series of princess♂songs the lyrics make a lot more sense, and in general it’s just more musical
those and that one rustage song played a minor part in my survival in 7th grade (the worst year i ever had to go through) Now I'm a metalhead, specifically prog Where did I go right?!
I wonder if every single time they were producing each track they were like "YOOO!! WHAT IF IT DID A KEY CHANGE???" as if it was a brand new revelation each time.
6:45 When i said that the song Toon Bangers sounded like an untalented Electro Swing Maximum The Hormone, it was because the tempo of the song Toon Bangers reminded me of the flow switch around the 2 minute mark in the song "Yoshu Fukushu" by Maximum The Harmone. So when i was listening to the song Toon Bangers, i instantly thought "wow, this is just an untalented Electro Swing version of Maximum The Hormone", lmao
if youre going to do a keychange for EVERY track, at least have the album play in order in a way that each change leads into the next track's key, or SOMETHING with it
I respect Brad and Paruko's opinion, but as a Japanese person, I personally feel strange about this album being considered one of the worst albums of the year. For me, this album is enjoyable in terms of wordplay by TOPHAMHAT-KYO. This is a linguistic part of the album, so I can see why you might not understand it. I agree that the production on this album is awful and the performances are irritating. But for me, this album is not a big mess. I found wordplay to be fun to listen to, and there were not so many lyrics that I felt were that cringe ("Yosomono" is certainly a little bit cringe, even for me). In that respect, I genuinely felt that I could understand what they were trying to do with this album. It's certainly not good, but from a Japanese point of view, it's not that bad. This is just my opinion. My English is poor, sorry if this is hard to read.
I think this just shows that even music that a lot of people do not seem to like appeals to someone somewhere. For me, I think the rapid key changes and how they used electronic sound felt like my head was being bombarded lol. Being able to understand the lyrics might help me enjoy it more honestly
It has to be a culture barrier. I’ve never really heard music that if played in a social setting I’d ask to turn off until this lol. It’s actively giving me a headache no hate of course just interesting to me lol
Perhaps I’m just really bad at hearing lyrics, but I originally thought the chorus of the Toon Bangers was also in Japanese, and Paruko was giving a translated version, but after listening to it a couple of times in the VOD I think it’s surprisingly all in English, it’s just said very fast. Like for instance at 4:21 you can hear the end of the “Toon Bangers” line, after that at 4:22 it’s the “real to anime” line, and at 5:33 you can hear the end of the chorus “go broke, it’s ‘bout time!”.
Listen as a fake type fan I'll be the first to admit that every single one of their songs sound the same. It's to the point where I actively listen to their music and STILL can't keep any of the songs straight.
One good song that sort of fits the bill of “faster-paced elecrobeat type japanese music” way better than this is One Off Mind by VAN DE SHOP. Miyashita Yuu and Isubokuro have done good vocal covers of it. Which is interesting, because their vocals give the song entirely opposite vibes, where miyashita’s vocals give the lyrics a bitter and theactrical tone and isubokuro’s makes the lyrics sound more dizzying and emotional (at least to my ears).
God yeah I love that song. I haven't kept up with Van de Shop's recent music, but I love both Happy Shape and One Off Mind for the same reason. I wouldn't call them narrative as in story-telling, but the themes are strong, and the "vibe"/genre matches it well. So I think that's why the electroswing-ish doesn't feel tacky in One Off Mind. I wish I knew a good word for it, but I always find comments (in jp) talking about how those songs have a strong "world sense/impression." I hate what's lost in translation because what they mean is exactly true. It's then cool to see how covers can slightly change the perspective of such sense depending on how they sing...
I feel like some Japanese dude just wrote the few English words he knew as lyrics then shoved as many instruments as he could in a song then turned it into this album. This is prob a big hit in Asia maybe idk
Nightmare parade works because it's not constantly blaring on your ears, it takes breaks, it allows you to breathe, same with most of their early songs. Like, they even almost went back to their roots with at atelier, which i really enjoyed, but then they went back to their recent sound.
I think the problem is that it's so absolutely maximillist and overblown that there's no bounce to it, which is what swing is all about. There needs to be more space for a rhythm to take charge. It doesn't help that the vocalist raps so fast that there's no flow or rhythm to his performance either. It's just a fucking barrage.
It says actually nothing about you, I used to be such a music elitist. And realized literally all of it is garbage. Don’t let what people like effect you
Wow... this is something else. This gives me a new appreciation for minimalist hip hop and ambient music. As someone also on the spectrum, just listening to this for a few minutes is too much for my ears to handle. This can't be music
i had to listen to a louie zong album within the first 8 minutes of this to calm down and not be anxious while doing work btw. this is genuinely chinese water torture for overstimulated easily autistics
Coming from someone who's been a Fake Type fan for years, I really don't like their newer stuff and this isn't a good place to start. Their early albums are amazing, they mix a lot of different genres together and it's all experimental and you don't get bored listening to it. They're already a pretty niche band and it's really sad seeing how they're getting attention for their worst material, if you're gonna react to Fake Type please listen to their album Fake Box, it's my favorite.
You know when humans feed carnivores in natural reserves by attaching a big piece of meat to a jeep and driving it around? This music is how I imagine being that antelope leg feels like.
idk if you know this but fake type is pretty well recieved in japan. Eiichiro Oda, the creator of one piece, mentioned fake type as being his top artist a few times. He also credits demondice's design of the character Princress to be the inspiration for Uta, the main character in the movie. This is also why fake type has a song in the movie, sung by Ado, a huge popstar who just became the first female solo act to ever preform at Japan's national stadium. Tophamhat-kyo, the vocalist for fake type, actually wrote her new song, Show, which she sung at said concert
Reminds me of when I was obsessed with tophamhat-kyo my freshman year of high school, now most of his music just sounds like this to me and it makes me a little sad
i used to listen to a lot of vocaloid music back in the early 2010s and there's no way this producer wasn't a part of that scene. i'm almost positive the rapper was, unless there are somehow two japanese rappers named after topham hatt out there. the beats just scream "i made this for hatsune miku" though. the overproduction, the somewhat repetitive nature, the goddamn key changes in every song that annoyed the hell out of me even back when i was really into this stuff... it just feels like my past is coming back to haunt me, and it brought a friend, and that friend is demondice.
I mean... Who are the members of FAKE TYPE again? If Dyes Iwasaki is there then he's made a vocaloid song or two if I remember correctly. Not vocaloid but KAFU is even used in one of these tracks so... Same crowd maybe? Part of me wonders if this is a NND thing specifically. I haven't heard many, but the few NND rappers I've heard sound similar to TopHatHam Kyo... In the sense of yelling their lyrics.
Going through this album really helped me understand why I never was able to get into Fake Type ever since i heard them in my pre teens. It's just too much going and all the sounds are so sharp and jumbled. I listened to some songs only because I'd hear them so much i needed to tire it out of my brain. Also I forget nqrse works with them sometimes. nqrse has made some pleasant music and I wonder why he works with them because of it...
For a moment i thought this was probably an intriguing album by the cover and brad was probably being too harsh but then i clicked in and saw demondice and realised any cool cover for an album loses value if demondice is associated
Jesus, this album sounds hella cluttered. I used to be a heavy Fake Type Fan. Im kind of surprised how much of a mess this sounds. Why is the nqrse track so weird and jumbled? Nqrse has fucking amazing vocals and he couldn't even save that
When you sped up Honky Tonky Night I felt like I was getting crushed. One of the worst listening experiences of my life. Ty for the video and stream though love you appreciate you
i really really think you should listen to their albums before fake swing. With Fake Swing 1 and 2 they fell from their roots after having Princess take off like it did and got pretty repetitive. Fake Type was originally way different. Some songs to hear this that I'd recommend are ツキ (tsuki), urban caravan, la primavera, and tokyo hedo roman. There's honestly even some good ones on Fake Swing 1 like No Proof.
This is essentially Cosplay TikTok/Theatre (but never really been in theatre) Kid type of music. I can close my eyes & I can clearly see the make-up transition into Freddy Fazbear while lipsyncing. 😭
Tfw you finally make it up the stairs to heaven and you see Jesus Jesus Japanesus, causing you to fall down the stairs straight to Hell out of fear, and in Hell they play FAKE SWING 2 on every station
@@gokuharagonta we also cant show him enstars project sekai or any other stuff like it. i would love to see him roast it but i would recieve serious heartburn
As a verified Fake Type Fan I can understand why not everyone can like them. Most of the songs are the same energetic rhythm that I personally love but other songs are actually much more novel.
Also, i personally really enjoy Ado's music, to me it feels like there's actual effort being put into their songs. But this album is just unbelievably annoying
Ado is a great singer, that's for sure, her voice range is absolutely impressive, i love how when she goes low she becomes very raspy and aggressive, really gives impact to her "angrier" songs like tot musica or useewa
@zeke_arts3125 NAHH THIS. one of my favorite things that she did in terms of vocal range was the april fools day joke where she made a 4 member idol group all voiced by her. it's absolutely insane
@@kordeliiius9821 still, can't deny her immense talent and potential, she's not the worst vocalist ever like paruko said imo, but she's also not the best vocalist ever, she's really good.
This music genuinely hurts for me to listen to. It makes my head hurts worse because of it. It feels so insecure. Like artistic scribbling anything they can think of in fear the viewers will be bored
Fake type x Demondice is probably the most horrifying mix of artists I have ever seen. Im going to cry that sounds HORRENDOUS so far what even was that?!?!?!?
i have autism and half of the songs here sound like what it feels like to have a sensory meltdown
"It's like being waterboarded." - Brad
agreed
This album makes me want to curl up and lie down on the floor
And that’s not even an exaggeration
as a fellow accoustic i couldn’t agree more
fanboy & chum chum theme song was clearly a huge inspiration for the music of this album
Fan boy and chumchum at least had the courtesy of being less than a minute long
FAKE TYPE would be great locksmiths the way they keep switching keys
Soulless 4 be like
@@ImpendingRiot83 I'm gonna touch you passionately lil homie
“I make albums so people can play it and you actually hear it. You know, driving your car, you hear another car playing it. You know, go to the barbershop, you hear them playing it. You know, turn the radio on, and you hear them playing it. It’s called great music. It’s called albums that you actually hear the songs. Not no mysterious shit that you never hear it.” -Fake Type
Lol
WE
THE BEST
WHO WE-
MUSIC
"They're a clown college drop-out" is easily the sickest burn I've heard this year, possibly this decade.
''You disney adult looking motherfucker'' is also another Bradley classic from this year.
This shid sounds like the audio equivalent of “that’s just MY STYLE!!” type art when an artist gets their wonky anatomy critiqued
This shid is the audio equivalent of “comedians” who think being obnoxious, wacky and loud = funny
I want clown college dropout to be my new username.
fake type is so incredibly talented because they somehow managed to capture pure sensory overload into a 30 minute album
Not in a good way like Kobaryo either, it's just a spammy mess that's incredibly obnoxious
genuinely. i have never experienced this sort of Sensory Overload in a record before and frankly i am disgusted with it
@@Stardevoir brad should listen to omega synthesizer
Couldn’t finish the demondice discog vid because of how overwhelming it was, music like this has to be an operation to terrorize neurodivergent people i stg
@@IceJJFishArchive if by terrorize you mean being my several year long hyperfixation yes! i frankly like the chaos and the fake type hate train is not something i would like to take off 😁 have a mediocre day
This album feels like if jingling keys in your face wasn’t enough, so the person proceeds to violently shake you in front of jingling keys.
whilst you're inside of a shaking building
in the middle of an earthquake.
And then the keys change
Also they're screaming in your face while jingling keys in both hands
An album so bad that it makes you think that you lost your way again
Through the strom through the wind of bad sounds
this album is like a videogame trying hard to beat the stage
@@edwardbloxyall while you’re still collecting coins
@@babybeamerboy
trying hard to save the girl, obstacles and jumping hurdles
@@lildeezn while growing up to be a big boy
I would enjoy all electroswing a little bit more if they bothered to actually put in a swung pattern on the hi hats- you know, swing? The name of the genre?
Lol why don't people point that out more? 😂 Very true
Yeah...you think they'd know that you have to have the beat *SWING* if you're making *SWING* music lmao
There are electro swing acts that actually do swing but with samples and dj scratches. I don't know what this is
you forget that the lowest-common denominator electro swing producer doesn't know what a tuplet is because you can't make them using the fl step sequencer.
If I had to take a shot for every key change this band did in this album, I would be drunk af
Hey Artemiy, didn't knew you liked Brad Taste in Music!
No kidding it's like listening to a Pollock painting while having a bad trip
U would end up like George Best
youd be dead
You'd die of alcohol poisoning
No way, Japanese pitbull made cuphead music
Bro these songs are brutal😂😂
check out Innocent Tyrant by chogakusei for unironic peak FAKE TYPE
PREACH
You’re so real for that Mr. Stetson
If anyone’s actually interested I’d love to add Bloody Mary by KANKAN to this. Fantastic song imo. FAKE TYPE can do great work
GOATGAKUSEI MENTIONED!!
I watched my dad save pennies, he lived through the Great Depression. He heard his grandpa say penis, true story.
if you didnt know listening to this bands entire discography perfectly recreates being trapped in nutty putty cave in 27 hours based on how claustrophobic this band is
This that John Jones mix
when i think electro swing, i think sample-based music where they take an vintage song, put some punchier drums on it, a synth bass, and that's about it
either the genre has REALLY changed when i wasn't looking, or i'm thinking of a different thing.
People have been experimenting. For example Caravan Palace uses live horns, and mixes it with other genres. And then you have fake type, who um, barely is electro swing because their music DOESNT HAVE SWING TO IT
Guys, apparently Crack Selling Anthem by Big Baller B is in my Spotify wrapped playlist. I don't know if i should be proud or ashamed of this
the only thing that would make this vod better is a key change
This album is a dementia simulator. You forget every song immediately after hearing it, and every song sounds the same
The Caretaker wishes he had the musical ability of FAKE TYPE
Blows Theoretically Pure Anterograde Amnesia out of the water
@@TunaminV1Persistent repetition of phrases could never
As an autistic person I legit could not finish this video as the music was legit giving me sensory overload
It feels like the music is attacking you, like wtf?
@@thatstockin it very much is, it's that bad
@@thatstockin and not even in a good way.
Same, oh my GOD
@@thatstockinI mean Mordecai from Regular Show put it best, “You can’t touch music but music can touch you.”
1. Toon Bangers feat. DEMONDICE - 2:42
2. FAKE SOUL - 8:51
3. 魔崇華麗奴 - 14:54
4. BARBER SHOP feat.青妃らめ - 19:02
5. ヨソモノ- 24:06
6. アングラ劇場 feat. nqrse - 30:17
7. Dryad - 32:51
8. Honky Tonky Night feat,缶缶 - 38:11
9. マンネリウィークエンド feat.花譜 - 42:29
10. ウタカタララバイ- 46:31
God bless you
i think you timestamped them wrong, all of them go to the same song
@@elvenado7763 i think the album listing is wrong. it says there's 10 songs but i'm convinced it's just one reaaaaallly long song.
Wait r u guys just roasting the song or are you srs
why karen, why, you just had two decent albums(Alkatraz, Shut Up Get Happy) in a row and now you do this to me, after the absolute crisp production on KGA, we all watched you grow so much from the DDEP to the early stages of mori, but why this?
You can't convince me this wouldn't fit as a Fanboy & Chum Chum album, now you can't unhear it. If they made a song about that purple sizzurp they drank then it would be indistinguishable.
This sounds like how it would feel to play pachinko on speed for 4 days straight
So glad to hear the return of the "THAT'S CALLED MF BARS" soundbite
you know it’s bad when you can’t even tell when he’s playing a soundbite over the song 😭😭😭
Back when Brad made the video about listening to the entire Demondice discography lots of instrumentals on one of her albums reminded me of Fake Type and their music. It’s interesting to see Brad reviewing this album now. Quite poetic
Alkatraz?
I'm sort of a FAKE TYPE fan but i have definitely grown out of their music. I still like a couple of their newer songs but ur compliant on the annoying-overused instruments is hella vaild. That's probably why I prefer their older songs. The energy is a bit lower and the flow (imo) is nicer.
some of their chill more melodic songs are literally peak music i'm not even joking
@@CocoaMoloko I think a good example of that is Fake Types "At Atelier" It has the high energy (not too much) without the over the top vocals. It has a nice flow and I honestly love that song lol. (Also it's cute the message)
i could not agree harder, their earlier songs, even the more chaotic ones are fun and have better direction. Newer songs literally all sound the same and are the musical equivalent of jangling keys in front of a baby’s face
to this day 'witch hat' remains my favorite of theirs and sadly i don't think thats ever going to change
@@a_dumbuser at atelier was great, reminded me of la primavera, hell, it even referenced a line of la primavera directly, which made me smile. But after that song, they simply went back to this very annoying sound that i don't enjoy, fake box and fake book were good, but this.. god..
This album’s sound is what it feels like to go to a city hosting a loud ass music festival that goes on all night and trying to sleep at a hotel nearby
I just cried a lot and this comment made me laugh so thank you lmao
Oh god, i can already feel that horrible exhaustion and like a terrible headache coming in just thinking about that
This is what happens when the Bendy and the ink machine OST is your Illmatic
the fact demondice was the highlight of this project is terrifying
The main highlight is when the songs ended
honestly ive never been a fan of FAKE TYPE, but i do love tophamhat-kyo. i believe with the series of princess♂songs the lyrics make a lot more sense, and in general it’s just more musical
those and that one rustage song played a minor part in my survival in 7th grade (the worst year i ever had to go through)
Now I'm a metalhead, specifically prog
Where did I go right?!
princess and its whole series are fake type songs just published under tophamhatkyo
The second I heard Peruko say it was dogshit I knew we were in for a ride
I didn't know why Brad kept him around until this. Comedy gold
@@thisgoddamusernamestoodamnlong *her
@@thisgoddamusernamestoodamnlongher*
As a Romanian, I appreciate your Saxobeat praise! Especially since it just so happens that today is my country's National Day.
ayy i’m romanian too🙏🏻
romanians out here 👏
not romanian but that song goes off. plus i like the way she says "freak." freek
I was disappointed because I love ‘La primavera’ by Fake Type - but then I saw Demon Dice and I understood.
fake type makes good stuff sometimes but by god when they miss they MISS
I wonder if every single time they were producing each track they were like "YOOO!! WHAT IF IT DID A KEY CHANGE???" as if it was a brand new revelation each time.
You can actually hear Brad's will to live draining from his body as the album progresses.
6:45 When i said that the song Toon Bangers sounded like an untalented Electro Swing Maximum The Hormone, it was because the tempo of the song Toon Bangers reminded me of the flow switch around the 2 minute mark in the song "Yoshu Fukushu" by Maximum The Harmone. So when i was listening to the song Toon Bangers, i instantly thought "wow, this is just an untalented Electro Swing version of Maximum The Hormone", lmao
if youre going to do a keychange for EVERY track, at least have the album play in order in a way that each change leads into the next track's key, or SOMETHING with it
That would add literally nothing to the album
@@nerdy_hedgehog at least it'd give the key changes a function. as they are they're literally just.....there. for no reason.
I respect Brad and Paruko's opinion, but as a Japanese person, I personally feel strange about this album being considered one of the worst albums of the year. For me, this album is enjoyable in terms of wordplay by TOPHAMHAT-KYO. This is a linguistic part of the album, so I can see why you might not understand it.
I agree that the production on this album is awful and the performances are irritating. But for me, this album is not a big mess. I found wordplay to be fun to listen to, and there were not so many lyrics that I felt were that cringe ("Yosomono" is certainly a little bit cringe, even for me). In that respect, I genuinely felt that I could understand what they were trying to do with this album.
It's certainly not good, but from a Japanese point of view, it's not that bad. This is just my opinion. My English is poor, sorry if this is hard to read.
your english is perfect no worries.
For me I love FAKE TYPE (Honky Tonky Night's by far my favourite) and I don't find this album to be terrible :\
I think this just shows that even music that a lot of people do not seem to like appeals to someone somewhere. For me, I think the rapid key changes and how they used electronic sound felt like my head was being bombarded lol. Being able to understand the lyrics might help me enjoy it more honestly
@@dukejahu3119 the lyricism can get cooky at times but their songs have a lot of cool messages it's amazing
It has to be a culture barrier. I’ve never really heard music that if played in a social setting I’d ask to turn off until this lol. It’s actively giving me a headache no hate of course just interesting to me lol
Perhaps I’m just really bad at hearing lyrics, but I originally thought the chorus of the Toon Bangers was also in Japanese, and Paruko was giving a translated version, but after listening to it a couple of times in the VOD I think it’s surprisingly all in English, it’s just said very fast.
Like for instance at 4:21 you can hear the end of the “Toon Bangers” line, after that at 4:22 it’s the “real to anime” line, and at 5:33 you can hear the end of the chorus “go broke, it’s ‘bout time!”.
I know from when I used to listen to them that English lyrics that don't make much sense and are pronounced really weirdly is a very consistent thing
its not you, its just unintelligible yelling. no one can decipher the semi truck of sound being hurled at light speed towards our heads.
Me too, until you pointed it out! 😅
Trying to listen to the lyrics on this is an actual chore, the music is like electronic spaghetti.
Ig its a similar case to some japanese eurobeat, but amplified x10
That aint slim shady thats thin dim
"Their entire discography" and you only mention two of their albums without touching them when they were at their best
Listen as a fake type fan I'll be the first to admit that every single one of their songs sound the same. It's to the point where I actively listen to their music and STILL can't keep any of the songs straight.
I was listening to this on a dirt cheap Android phone speaker, and the "music" was so overpowering my phone made a collective buzzing noise
CALM DOWN WOODY, WERE YOUR FRIENDS
One good song that sort of fits the bill of “faster-paced elecrobeat type japanese music” way better than this is One Off Mind by VAN DE SHOP. Miyashita Yuu and Isubokuro have done good vocal covers of it. Which is interesting, because their vocals give the song entirely opposite vibes, where miyashita’s vocals give the lyrics a bitter and theactrical tone and isubokuro’s makes the lyrics sound more dizzying and emotional (at least to my ears).
YUU MIYASHITA MENTION 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️
God yeah I love that song. I haven't kept up with Van de Shop's recent music, but I love both Happy Shape and One Off Mind for the same reason. I wouldn't call them narrative as in story-telling, but the themes are strong, and the "vibe"/genre matches it well. So I think that's why the electroswing-ish doesn't feel tacky in One Off Mind.
I wish I knew a good word for it, but I always find comments (in jp) talking about how those songs have a strong "world sense/impression." I hate what's lost in translation because what they mean is exactly true. It's then cool to see how covers can slightly change the perspective of such sense depending on how they sing...
Hachiya Nanashi my beloved
VAN DE SHOP FAN SPOTTED LETS FUCKING GOOOO LETS MAKE BRAD LISTEN TO MORE VOCALOID
@@Uhhhhhhhhhm that's a name i haven't heard in a long ass time, damn.
I feel like some Japanese dude just wrote the few English words he knew as lyrics then shoved as many instruments as he could in a song then turned it into this album. This is prob a big hit in Asia maybe idk
i still listen to Nightmare Parade (from their album Fake Box.) sometimes, but this is goofy asf 💀
Nightmare parade works because it's not constantly blaring on your ears, it takes breaks, it allows you to breathe, same with most of their early songs.
Like, they even almost went back to their roots with at atelier, which i really enjoyed, but then they went back to their recent sound.
I think the problem is that it's so absolutely maximillist and overblown that there's no bounce to it, which is what swing is all about. There needs to be more space for a rhythm to take charge. It doesn't help that the vocalist raps so fast that there's no flow or rhythm to his performance either. It's just a fucking barrage.
Toon Bangers sounds like if Alkatraz had a stroke
Man I like electroswing and even I think this sounds awful
Need to see paruko’s wrapped
This is the music I hear when I look at Hazbin Hotel.
Nah, their songs may sound the same, but I would not put it as low as Hazbin Hotel.
@@aegislash6060HH is more DDEP than this.
Is this what people think oingo boingo is like
BRO IS COOKING 🔥🔥🔥🔥🔥🔥 BUT WE HAVE ANOREXIA🔥🔥🔥🔥🔥🔥
BROTHER IS ABSOLUTELY GRILLING🔥🔥🔥🔥🔥
THANK ALLAH WERE FASTING🗣🗣🗣🗣
...I don't know what it says about me that I unironically like this music for the most part. Thanks for introducing me to this, Brad lol.
It says actually nothing about you, I used to be such a music elitist. And realized literally all of it is garbage. Don’t let what people like effect you
Wow... this is something else. This gives me a new appreciation for minimalist hip hop and ambient music. As someone also on the spectrum, just listening to this for a few minutes is too much for my ears to handle. This can't be music
i had to listen to a louie zong album within the first 8 minutes of this to calm down and not be anxious while doing work btw. this is genuinely chinese water torture for overstimulated easily autistics
those headphone look like you’re about to direct a helicopter strike for the US army
calm down woody were your friends
i genuinely dont think brad wouldve made it through this without paruko
Coming from someone who's been a Fake Type fan for years, I really don't like their newer stuff and this isn't a good place to start. Their early albums are amazing, they mix a lot of different genres together and it's all experimental and you don't get bored listening to it. They're already a pretty niche band and it's really sad seeing how they're getting attention for their worst material, if you're gonna react to Fake Type please listen to their album Fake Box, it's my favorite.
Their stuff even after is fine though this admittedly isn't great.
You know when humans feed carnivores in natural reserves by attaching a big piece of meat to a jeep and driving it around? This music is how I imagine being that antelope leg feels like.
"Calm down Brad we're your friends"
I would call this subsect of theatercore improv troupe-core. This is the music a high school improv troupe opens their set with
Who watched WAYYYYY too much Hamilton, and whos understanding of "rapping" is so shallow they need it explained to them via PowerPoint.
idk if you know this but fake type is pretty well recieved in japan. Eiichiro Oda, the creator of one piece, mentioned fake type as being his top artist a few times. He also credits demondice's design of the character Princress to be the inspiration for Uta, the main character in the movie. This is also why fake type has a song in the movie, sung by Ado, a huge popstar who just became the first female solo act to ever preform at Japan's national stadium. Tophamhat-kyo, the vocalist for fake type, actually wrote her new song, Show, which she sung at said concert
Yet again japan has shitty music taste
Jesus, i mean music is subjective but damn i feel sorry for Eiichiro Oda then
@@lonk0420 listen to their other albums before saying this. They're still my #1 of all time
ive only ever heard Volstead Bar because it was remixed by katagiri (STRONG 280)
man, [?] and [?] really stepped up their game since satanic cypher
I haven’t had music give me motion sickness before, that was weird
Reminds me of when I was obsessed with tophamhat-kyo my freshman year of high school, now most of his music just sounds like this to me and it makes me a little sad
i used to listen to a lot of vocaloid music back in the early 2010s and there's no way this producer wasn't a part of that scene. i'm almost positive the rapper was, unless there are somehow two japanese rappers named after topham hatt out there. the beats just scream "i made this for hatsune miku" though. the overproduction, the somewhat repetitive nature, the goddamn key changes in every song that annoyed the hell out of me even back when i was really into this stuff... it just feels like my past is coming back to haunt me, and it brought a friend, and that friend is demondice.
I mean... Who are the members of FAKE TYPE again? If Dyes Iwasaki is there then he's made a vocaloid song or two if I remember correctly.
Not vocaloid but KAFU is even used in one of these tracks so... Same crowd maybe?
Part of me wonders if this is a NND thing specifically. I haven't heard many, but the few NND rappers I've heard sound similar to TopHatHam Kyo... In the sense of yelling their lyrics.
Im not too sure about Dyes but THHK is part of RainBlueBell which was a group that started by covering vocaloid songs
fake type is the equivalent to chinese water torture for easily overstimulated by loud noises but likes breakcore autistics
Going through this album really helped me understand why I never was able to get into Fake Type ever since i heard them in my pre teens.
It's just too much going and all the sounds are so sharp and jumbled. I listened to some songs only because I'd hear them so much i needed to tire it out of my brain.
Also I forget nqrse works with them sometimes. nqrse has made some pleasant music and I wonder why he works with them because of it...
For a moment i thought this was probably an intriguing album by the cover and brad was probably being too harsh but then i clicked in and saw demondice and realised any cool cover for an album loses value if demondice is associated
No correlation.
Fake type and demon dice were my childhood. Watching Brad Talk about it is humbeling
Ikr, I don’t think I can finish this video it’s so difficult to watch .
You can't call it Clowncore, because unlike this, Clowncore is a good band.
not really lol
The empyreans are beautiful headphones, but man do they look goofy when wearing them. At least it wasn't the abyss headphone. 😅
first time I see Brad actually agrees with Paruko on something
Jesus, this album sounds hella cluttered. I used to be a heavy Fake Type Fan. Im kind of surprised how much of a mess this sounds. Why is the nqrse track so weird and jumbled? Nqrse has fucking amazing vocals and he couldn't even save that
19:56 this music all feels like they're soundtracks from an indie game convinced of it's own quirkiness
i'm actually in the top 0.005% of fake type listeners on spotify (unironically)
Advice: I was in the same situation as you, and I have a solution. Listen to TPAB, it will change your life.
@@kindadeadchannelngl8565I have their stuff usually ain't that bad.
It’s aesthetically revolting. It’s like they have no concept of what this actually feels like to listen to
When you sped up Honky Tonky Night I felt like I was getting crushed. One of the worst listening experiences of my life. Ty for the video and stream though love you appreciate you
This is so overstimulating i feel like a baby tweaking off cocomelon
i really really think you should listen to their albums before fake swing. With Fake Swing 1 and 2 they fell from their roots after having Princess take off like it did and got pretty repetitive. Fake Type was originally way different. Some songs to hear this that I'd recommend are ツキ (tsuki), urban caravan, la primavera, and tokyo hedo roman. There's honestly even some good ones on Fake Swing 1 like No Proof.
Squeeze Me Macaroni suddenly blasting made me lose it
You know it's bad when Paruko says it's bad
This is like if a meth addicted cuphead made music after figuring out he is also a furry
This is essentially Cosplay TikTok/Theatre (but never really been in theatre) Kid type of music. I can close my eyes & I can clearly see the make-up transition into Freddy Fazbear while lipsyncing. 😭
This sounds like you’re changing radio stations constantly in Hell
Tfw you finally make it up the stairs to heaven and you see Jesus Jesus Japanesus, causing you to fall down the stairs straight to Hell out of fear, and in Hell they play FAKE SWING 2 on every station
This album is like a form of torture for a adhds person brain, this album left me mentally drained.
Minus the torture music, why does the character on the album cover look like a fucking PowerPuff girl???
Like it's not just me, right?
we HAVE to gatekeep hypnosis mic from brad i fear that someone will pay hypmic music for him to listen
Yeah he’d probably rightfully call it corporate ass (like it is)
@@gokuharagonta we also cant show him enstars project sekai or any other stuff like it. i would love to see him roast it but i would recieve serious heartburn
@@gokuharagontahypnosis mic fucks and I will not stand for this well grounded slander
Instead let's show him paradox live lmao
@@k4t161 oh maybe love live? (or did he already review it…)
As a verified Fake Type Fan I can understand why not everyone can like them. Most of the songs are the same energetic rhythm that I personally love but other songs are actually much more novel.
Still, I love Fake Type but it's maybe cuz I love listen music like Metal or with a Lot of things going loudly or something, Idk
now if you want some good electro swing take a listen to a caravan palace album
He gave one of their albums a 90 on Album of the Year!
@@erihtea0719hell YES! which one was it?
@@pearvoz !
@@pearvoz Can’t find one he gave a 90 to, but he gave an 85 to Robot Face
Y’all leave Mr. Bungle’s masterpiece about having sex with food ALONE 😤😤
This album feels like being spun really fast in a microwave that runs on nuclear power
Also, i personally really enjoy Ado's music, to me it feels like there's actual effort being put into their songs. But this album is just unbelievably annoying
Ado is a great singer, that's for sure, her voice range is absolutely impressive, i love how when she goes low she becomes very raspy and aggressive, really gives impact to her "angrier" songs like tot musica or useewa
@zeke_arts3125 NAHH THIS. one of my favorite things that she did in terms of vocal range was the april fools day joke where she made a 4 member idol group all voiced by her. it's absolutely insane
@@Hopper_Artsyea I agree, I think her main problems either come from a lack of experience, or the direction of the song
@@kordeliiius9821 still, can't deny her immense talent and potential, she's not the worst vocalist ever like paruko said imo, but she's also not the best vocalist ever, she's really good.
I feel like she needs vocal direction more than anything. But otherwise she’s obviously very skilled
imagine this but only on kanye beats and the albums called clown college dropout
This music genuinely hurts for me to listen to. It makes my head hurts worse because of it. It feels so insecure. Like artistic scribbling anything they can think of in fear the viewers will be bored
When the world needed demondice the least, she returns 🔥🔥🔥🗣️🗣️🗣️
Bro this is seizurecore
I respect your openness in declaring [insert popular album here] the worst album of 2023
Edit: thanks for 2 likes
I’m sorry man this is straight dogshit. I usually go into to stuff pretty open minded but this is awful.
@@Pieguy3OOThey said popular, not good. It does suck ass though
Fake type x Demondice is probably the most horrifying mix of artists I have ever seen. Im going to cry that sounds HORRENDOUS so far what even was that?!?!?!?
fun fact: demondice actually made a lot of animated videos for fake type
it was pretty much a collab that was gonna happen eventually since she has a history with fake type iirc
demondice: "i am inevitable".
What's scary was that the song was so horrendous it made Demondice not sound completely horrendous. The bar was in hell