Lol. I'm sure beginners hate you. But, as a bass teacher, I really appreciated this. No BS. No rambling. No dumbing it down. No taking it slow. Just facts.
I must say as a converted bassist it’s so much easier to fretboard without having to worry about that pesky high B String on the guitar. The think I love is patterns are the same on bass you don’t have to worry because it’s all tuned in fourths 🤩
Ultimately for me, you’ve confirmed the conclusion that I had already come to about the fretboard. My biggest challenge has been making a way to practice regularly, because I work on the road for 2 months at a stretch. Fret not (sorry, couldn’t resist the pun)! I now have a cheap, under $200 Harley Benton “travel” base that goes wherever I go! Now I can master that fretboard, even if it’s only 15 minutes every day! And I’m also much happier having access to a bass I can grab every day (don’t tell my wife and make her jealous of Harley) ;-) 😊
As an ex bass player who started again 3 months ago, after 15 years, this video is precisely scratching that itch like no other video did. Ive watched hundreds of video in the last months. This is great stuff.
Playing keyboard helps me to appreciate the ease of ‘patterns’ on a fretboard compared to having remember intervals on a keyboard. That said, knowing musical intervals does help to work out fretboard shapes and learn the notes at the same time. Great tutorial 👍
Just bought the book. This is exactly what I needed. It gives me something to focus on which is difficult with all of the material out there. Keep up the great work Mark. You're an excellent teacher!
Two things I like to practice along these lines are.... - playing scales/arpeggios on only 2 strings - learning the positions for the major scales starting with my first finger on increasing notes on the scales ( so c major notes starting on D, E, F etc, effectively learning the modes but you don't need their names). Has the benefit of showing the connection between major and the couple of minor scales.
Man you're become my go to as I'm starting to get my basics down. Always great at explaining how and why you would want to do certain things and bringing that to what kind of things you'll be able to do once you learn them. Thanks for making this stuff
I've been playing guitar for 15 years and bass for about 4 years, and I completely agree about "learning to play horizontally." In my first year of playing guitar ( so 2008), I learnt the notes of the scale and ent the next 3 years working different positions together to play horizontally. It definitely takes work, but it's worth it. There's definitely no "secret pattern" these advert teachers are trying to sell online. Great video as always, Mark!
I agree, I'm doing the same, playing the bass 1.5 years now and I can say that I can play scales all over the fretboard, major, minor and their pentatonics in all 12 keys. Now, putting it into use situationally is a whole different thing :D But even now, some fills and slides come out of nowhere, so it's working!
@@AlexandarShmex Etudes are a great way of bringing all those mechanics together musically. Mark's Cyborg book of etudes sounds like it might be useful to you. Also, just playing songs is helpful. You'll see how all those scales and arpeggios fit in real-life music...
@@Nikosi9 Thanks for the tip! I have learned or played through more than 100 songs :) I try to do everything, "boring" technical stuff, songs, ear training, musical theory. I tried to find the book, but I can't, can you link it?
Thanks for this video! Now that I'm (finally) taking the time to learn theory (beyond a few scales), this kind of things makes so much more sense to me. I can almost feel it all coming into clarity. Really appreciate all you do to add joy to my, and so many others', playing!
OMG! This is GOLD! Invaluable! You should be charging, Mark!!! Thanks so much! I think one of the great things about this exercise is taking the already well known Gmaj pattern and understanding how the phrase and spacing of the notes are the same. It gets my mind out of that old pattern and thinking about other places on the neck. I've always tried playing the same thing in other areas on the neck, but you really put together something solid and easy to practice here!! Thank you so much!!!!
I also rely on the dots, bridging the whole fretboard with octaves, having only 4 strings all tuned in 4ths, and enjoying the awesome effect of chromatic runs, drones, and sheer grunty bass power 😁 Thanks man🙏
While I’m relatively new to playing bass I olay guitar for 3 decades and no one ever explained horizontal playing as good as you. Correct me if I missed someone on UA-cam but I’m pretty sure no one is as clear and making it a simple thing. Thanks!
I enjoy watching this channel because it focuses on one thing- bass lessons. Unlike that other channel that has lesson in its page name but has transitioned from less lessons and more talking. The dude that plays using a glove.
I find it helpful to think of the V as a half-way point. So to get to V I either take a major or minor route, and again from the V to the VIII. Then with modes I think of them as major or minor with certain quirky notes, but mentally dividing the scales into halves seems less daunting.
Thank you for another excellent lesson. You hsve a wonderful relaxed teaching style---packed with information yet very easy to understand. Your own skill is also a great asset; It is very motivating to see where the techniques lead to when mastered and come easily.
What’s sweet about learning both bass and guitar is that if you unlock the fretboard on either one you basically already unlocked the fretboard on the other minus the two highest strings on the guitar (unless you have a thundercat six string bass)
Another great video. You seem to instinctively know that teaching any information needs to be done in a way that 'unlocks' the next step. Even though you move through you message quickly (thanks for eliminating the friendly stuff. I have friends, I come here for information) there are lots of baby steps. Thanks. Keep the great stuff coming.
Mark, Thank you so much for this. I love these lessons! I'm an old bass player and I should have made time to learn this stuff when I was younger. Keep on rockin'.
nice work man, youre a very good teacher. i shall try it in the morn, lets hope it works. this unlocking the fretboard thing is a major concern of mine at the mo EDIT - im trying this now and loving it. fairly mobile bassplayer me, like to wander over the fretboard a bit, typically my songs will use two hand positions so this exercise looks to be really letting me dance across the frets like a butterfly thru the tulips
Took. Me all day but finally learned the first part in G. Trying not cheat for the C because I have a 6 string and can do the same pattern. Very helpful but now have to learn to apply it. Thanks
Lol! I keep coming back to this fella for obvious reasons. Lol. I'm going to buy material right now just because this video. Seriously. Talk about clearing it up. This video really did just that.
You have just "yeeted" , at least, one third of Scott's bass lessons. Seriously though, Thanks for consolidating your information, and offering it free to the viewer, instead of trying to sell information that can be had for just a little time/work so you can make monies...
Thank you for your tutorial . I never acknowledge the horizontal way on the fret . With this new learning , l am gonna be more efficient . THANKS a lot .
I've been learning bass for a couple of months now. It seems way more natural to play horizontally and bass lines with a more horizontal style seem to be more interesting to me. Couldn't tell why until your video.
Wow, this was fantastic Mark! I have to confess, I am one of those players who likes the box and gets scared straying. This was well explained and not that scary. I was able to follow along and it made sense. Thank you so much! Now to apply this to other scales! You're the best and congrats on the upcoming book!
Thanks for all you do brother. Scales are good. But arpeggios are what build bass lines. It’s a lot easier to make arpegios sound musical, than to do the same with scales.
Thank you. This is such a grt lesson. Learn notes. Isolate probs. No stataco(sic) notes. Smoothness. This one vid will b a couple of months for me of really clear direction. And is it ok if i download this video? Thanks again.
Hi Mark, this is nice and I would have liked to see a video like this earlier. BUT: There are zillion ways to move horizontal up the fretboard: Would you recommend to stick to one fingering and put it to speed or find the way on runtime? And what is "the better" shift, I mean, what is the best choice to shift and when?
TRUTH THe only other thing i know of that rival the world of guitar/bass gadgetry and guru-ology is golf. So much baloney to get through! This channel and a couple others just tell you straight whats up. If I may, I'd like to shout out Rich Brown, Bass Buzz, Scott's Bass Lessons, and Rick Beato. Talking Bass of course, youre here! All EXCELLENT, just slightly different.
Nice lesson, what broke the box for me was a simple 4 notes per string scale over 2 octaves repeating the octave note in the middle with an octave jump between strings, good for stretching ;) and VERY interesting patterns happen when using modes (everything after the octave jump is the same as before ;), Hope this helps someone,
@@orenji7266 Start on say G play the major scale first 4 notes on the E string, the next 4 on the A (thats your octave) then play the same G note you finished with on the A string on the D string (same note string jump) and repeat the pattern for the next octave , hope this makes sense, remember to go up and down the scale, using the same idea (4 notes per string) over modes opened up the neck nicely for me ;) Hope this helps.
About three years ago, I finally became more focused on learning music, and when you said, "Notes are going to come into play at some point," I had to allow a laugh for the obvious nature of that statement.
Hi Mark, I have a question. Should a person be practicing bass standing up, or sitting down? I see some very talented and experienced bass players on UA-cam that ALWAYS sit, but I notice that you never sit. Do you have any specific opinions about this? Also: this video was great. I’m going to grab my bass and start practising right now!
Thank you for these ideas to “play” with, also nice warming-up exercises too! 👍 Just wondering : do you use those higher positions on the lower strings ( so 18th fret and up on the E -string and A-string) also?
I have been thinking about your comment. I have been thinking that I wanted to tell you that the CAGED system is looking at the neck more like a guitar player. If you look at the bass neck notes as three at a time fingering, where you stay in a box and play three notes per string, using a combination of "spread" and "close" fingering, there are 7 positions instead of the 5 CAGED positions. Spread fingering is where three notes are spread across 5 frets, close fingering is where three notes are spread across 4 frets. So. Then. Inside those 7 positions are spread fingerings and close fingerings. And there are three smaller boxes inside those positions that repeat. One box is across two strings, using six notes, close fingering, using the middle finger. One box is across two strings, using six notes, close fingering, using the ring finger. And then one box is across three strings, using 9 bites spread fingering.
Noob here, waiting for my first bass to be delivered and I'm thinking, why wouldn't the major notes be inscribed onto a beginner's practice bass? Maybe it's not needed after a few weeks of practice?
Its a great idea. Im 3 weeks into the journey. I write patterns/ideas on the heads of my drums. No looking up and down at sheets of paper helps heaps. I was thinking of liquid paper dots on edge of t fret board when the note falls off the dots already there. Did you think of a way to do something on t bass?
Hey, I like this new, relaxed, (more ad lib?) version of Mark J. Smith! Did you take a new approach or just not feel like editing all the *fun bits* out for the sake of "Professionalism" (yawn)? I like this new style, I hope you keep it! You really hit the bullseye with this lesson, by addressing the ubiquitous urge - mostly among those who refuse to learn note names, or any music theory whatsoever - to play up and down the fretboard with _obvious_ ease. Why is it bedroom bassists all seem to dream about breaking our their "AXE" in a music store (where the fantasy usually takes place) and _thrilling_ onlookers with their fretboard-kindling licks, fills & solos, plus a few arcane jazz scales (played over your average maj/min7b5#13add9 chord, to be sure) *leaving no fret untouched from 0 right up to number 24 (baby!).*
Nothing’s changed. You’ve probably been looking at vids from 9 years ago. There’s been a gradually evolution (obviously) as I’ve become more experienced with UA-cam.
It’s one of the exercises I wrote for the Cyborg Bassist volume 1. There are many more. That said, there is nothing special about this particular exercise. It’s just a scale.
@@talkingbasslessons thanks, I am learning it and just wanted to know what I am learning. I started playing bass back in 2010, now I am learning how to play. Lol
@@jamiecoxe7327 hi there. The book is an ebook. But beyond that, creating an account in Talkingbass is not just about buying courses or ebooks, there is a massive amount of content and free downloads once you login. It’s not just a payment portal.
I don't understand players (and aren't you just a player and not a musician?) who don't want to know the theory/notes. Theory frees you, patterns, while initially are freeing, eventually constrain.
Absolutely. Bad habits beget bad evolution. When I learned “how” to skateboard. I didn’t learn the fundamentals. I ended up learning and landing all sorts of flip tricks. ….That I couldn’t perform (and certainly not land) while riding. ..Only while stationary. I then had to go back to riding and cruising then incorporating basic beginner tricks. I stopped skating and can never truly say “I used to skate”. ~ I used to win games of horse. and that’s it. Same thing goes with flashy basketball shots before consistently dribbling down the court at or above half speed. Start over.
Sorry to say but you move WAY too fast. I find myself constantly rewinding over and over again. That’s okay, I’m sure that’s expected. The problem is you put the music and tab in the lower right hand part of the screen. If I pause your lesson to practice I cannot see the music. It is blocked by the progress bar and ad’s for other videos. Is there any chance you can place the music/tab in the upper left of right hand side of the screen? That way when I pause it to practice I can see the music. I love your channel and lessons keep up the good work. Thanks
PS. Found a solution!! I just grabbed my manuscript book and wrote it down!! I I don’t find your face distracting 😂. You’re quite handsome and I’m willing to bet your partner thinks so too. 😊
Modes are great to learn....eventually. Don't get caught in the trap of thinking modes have anything to do with moving around the fretboard. That's not what they are.
This is the difference between a bass player and a song player. If all you do is learn songs, they can almost always be played in a box pattern - and then keep you there.
The Cyborg Bassist Book: members.talkingbass.net/product/the-cyborg-bassist-volume-1-scale-mastery-for-electric-bass/
Lol. I'm sure beginners hate you. But, as a bass teacher, I really appreciated this. No BS. No rambling. No dumbing it down. No taking it slow. Just facts.
I must say as a converted bassist it’s so much easier to fretboard without having to worry about that pesky high B String on the guitar. The think I love is patterns are the same on bass you don’t have to worry because it’s all tuned in fourths 🤩
Amen to this! I have a five string and that B on the bottom doesn’t change a thing
Man do I agree brother. A lot more freedom as well. Wish I took to the bass a lot earlier in life. Love the freedom and the simplicity of it all
Haha I’ve been a bassist for 30 plus years and started playing guitar to improve my song writing and that B string kills me ugh
Ultimately for me, you’ve confirmed the conclusion that I had already come to about the fretboard. My biggest challenge has been making a way to practice regularly, because I work on the road for 2 months at a stretch. Fret not (sorry, couldn’t resist the pun)! I now have a cheap, under $200 Harley Benton “travel” base that goes wherever I go! Now I can master that fretboard, even if it’s only 15 minutes every day! And I’m also much happier having access to a bass I can grab every day (don’t tell my wife and make her jealous of Harley) ;-) 😊
What's your wife's email?😂😂😂😂😂
As an ex bass player who started again 3 months ago, after 15 years, this video is precisely scratching that itch like no other video did. Ive watched hundreds of video in the last months.
This is great stuff.
I'm not even a bass player but your tutorials always make me think I should try it. Graet demonstration and informative.
You should. The world needs more musicians.
Get a bass, dude!
@@scottbubb2946 what the world needs is better people.
@@jeffreyyyy3052 Musicians, poets, artists, taco builders, animal shelter volunteers, writers, dreamers... 😀
@@jeffreyyyy3052 So basicly more bass players :P
Playing keyboard helps me to appreciate the ease of ‘patterns’ on a fretboard compared to having remember intervals on a keyboard. That said, knowing musical intervals does help to work out fretboard shapes and learn the notes at the same time. Great tutorial 👍
Thank you Mark for this valuable lesson. This is exactly what I need in order to improve "horizontally" on my playing!
Just bought the book. This is exactly what I needed. It gives me something to focus on which is difficult with all of the material out there. Keep up the great work Mark. You're an excellent teacher!
Two things I like to practice along these lines are....
- playing scales/arpeggios on only 2 strings
- learning the positions for the major scales starting with my first finger on increasing notes on the scales ( so c major notes starting on D, E, F etc, effectively learning the modes but you don't need their names). Has the benefit of showing the connection between major and the couple of minor scales.
You've given me "in unlocking the fretboard" a way I can actually dig in and practice w/o my mind going numb. Thanks
Man you're become my go to as I'm starting to get my basics down. Always great at explaining how and why you would want to do certain things and bringing that to what kind of things you'll be able to do once you learn them. Thanks for making this stuff
I've been playing guitar for 15 years and bass for about 4 years, and I completely agree about "learning to play horizontally." In my first year of playing guitar ( so 2008), I learnt the notes of the scale and ent the next 3 years working different positions together to play horizontally. It definitely takes work, but it's worth it.
There's definitely no "secret pattern" these advert teachers are trying to sell online. Great video as always, Mark!
I agree, I'm doing the same, playing the bass 1.5 years now and I can say that I can play scales all over the fretboard, major, minor and their pentatonics in all 12 keys. Now, putting it into use situationally is a whole different thing :D But even now, some fills and slides come out of nowhere, so it's working!
@@AlexandarShmex Etudes are a great way of bringing all those mechanics together musically.
Mark's Cyborg book of etudes sounds like it might be useful to you. Also, just playing songs is helpful. You'll see how all those scales and arpeggios fit in real-life music...
@@Nikosi9 Thanks for the tip! I have learned or played through more than 100 songs :) I try to do everything, "boring" technical stuff, songs, ear training, musical theory. I tried to find the book, but I can't, can you link it?
@@AlexandarShmex there's a link in the description of this video. I just bought it. So worth it.
Always top notch advice on this channel, thanks Mark for continuing to inspire and help create more great bass players in the world.
Thanks for this video! Now that I'm (finally) taking the time to learn theory (beyond a few scales), this kind of things makes so much more sense to me. I can almost feel it all coming into clarity. Really appreciate all you do to add joy to my, and so many others', playing!
OMG! This is GOLD! Invaluable! You should be charging, Mark!!! Thanks so much! I think one of the great things about this exercise is taking the already well known Gmaj pattern and understanding how the phrase and spacing of the notes are the same. It gets my mind out of that old pattern and thinking about other places on the neck. I've always tried playing the same thing in other areas on the neck, but you really put together something solid and easy to practice here!! Thank you so much!!!!
Thanks. And yes, I pretty much am charging. This exercise is from the new book/course I’ve released on discount until the end of this weekend!
One of the best practice on bass and you teach it AMAZING!
Brilliant lesson Mark, easy to follow and so clearly explained in your trademark (pardon the pun!) way! Thank you so much! ❤
I also rely on the dots, bridging the whole fretboard with octaves, having only 4 strings all tuned in 4ths, and enjoying the awesome effect of chromatic runs, drones, and sheer grunty bass power 😁 Thanks man🙏
This is a very informative lesson, Mark! Thanks for sharing!
Wow!..Excellent lesson...Breaking the stock positions is melodically and tonally liberating..Big Thanks Mark
While I’m relatively new to playing bass I olay guitar for 3 decades and no one ever explained horizontal playing as good as you. Correct me if I missed someone on UA-cam but I’m pretty sure no one is as clear and making it a simple thing. Thanks!
I enjoy watching this channel because it focuses on one thing- bass lessons. Unlike that other channel that has lesson in its page name but has transitioned from less lessons and more talking. The dude that plays using a glove.
Learning the 5 shapes of the a minor pentatonic really helped me. You shift the shapes along the fret board in according to the key.
I find it helpful to think of the V as a half-way point. So to get to V I either take a major or minor route, and again from the V to the VIII. Then with modes I think of them as major or minor with certain quirky notes, but mentally dividing the scales into halves seems less daunting.
Thank you for another excellent lesson. You hsve a wonderful relaxed teaching style---packed with information yet very easy to understand. Your own skill is also a great asset; It is very motivating to see where the techniques lead to when mastered and come easily.
What’s sweet about learning both bass and guitar is that if you unlock the fretboard on either one you basically already unlocked the fretboard on the other minus the two highest strings on the guitar (unless you have a thundercat six string bass)
Another great video. You seem to instinctively know that teaching any information needs to be done in a way that 'unlocks' the next step. Even though you move through you message quickly (thanks for eliminating the friendly stuff. I have friends, I come here for information) there are lots of baby steps. Thanks. Keep the great stuff coming.
Mark, Thank you so much for this. I love these lessons! I'm an old bass player and I should have made time to learn this stuff when I was younger. Keep on rockin'.
This content is very useful, thanx for sharing
Fantastic lesson, Mark. Thank you!!
First time I saw your video, wow impressive, excellent teaching technique, thanks, subscribing now 😊
nice work man, youre a very good teacher. i shall try it in the morn, lets hope it works. this unlocking the fretboard thing is a major concern of mine at the mo
EDIT - im trying this now and loving it. fairly mobile bassplayer me, like to wander over the fretboard a bit, typically my songs will use two hand positions so this exercise looks to be really letting me dance across the frets like a butterfly thru the tulips
Yea Mark! You’re a legend, this vid has helped a lot. Keep up the good work!
Hi Mark, I look forward to your book coming out. Thanks again for this very informative and beneficial video.
Took. Me all day but finally learned the first part in G. Trying not cheat for the C because I have a 6 string and can do the same pattern. Very helpful but now have to learn to apply it. Thanks
Lol! I keep coming back to this fella for obvious reasons. Lol. I'm going to buy material right now just because this video. Seriously. Talk about clearing it up. This video really did just that.
You have just "yeeted" , at least, one third of Scott's bass lessons.
Seriously though, Thanks for consolidating your information, and offering it free to the viewer, instead of trying to sell information that can be had for just a little time/work so you can make monies...
Thank you for your tutorial . I never acknowledge the horizontal way on the fret . With this new learning , l am gonna be more efficient . THANKS a lot .
Well taught, thanks 🙏. Very easy to understand...
great lesson...hopefully you will write a book including 5 strings bass excercizes!
I've been learning bass for a couple of months now. It seems way more natural to play horizontally and bass lines with a more horizontal style seem to be more interesting to me. Couldn't tell why until your video.
Best teacher ever!
Thanks Mark! I've been playing this exercise for years. Now I have to actually call out the notes, not just playing the pattern :)
Great teaching here Mark! I am just exploring this as I so want to free myself to travel over the bass neck like a pro!
Great lesson! Thanks for posting it.
Wow, this was fantastic Mark! I have to confess, I am one of those players who likes the box and gets scared straying. This was well explained and not that scary. I was able to follow along and it made sense. Thank you so much! Now to apply this to other scales! You're the best and congrats on the upcoming book!
Well said, same for me
Great explanation!
excelent video, can you explain sometime how do you srtup your pbass.... i can hear it has low action and excelent intonation!!
Excellent Lesson ! Thank you
Everything yes, I'm in university now but I'm just learning to read. Playing by ear for twenty years now I feel like a sixth grader. Thank you!
Thanks for all you do brother.
Scales are good. But arpeggios are what build bass lines. It’s a lot easier to make arpegios sound musical, than to do the same with scales.
Great player and teacher.
He always has nice basses!
Thank you. This is such a grt lesson. Learn notes. Isolate probs. No stataco(sic) notes. Smoothness. This one vid will b a couple of months for me of really clear direction. And is it ok if i download this video? Thanks again.
very nice video Mark
Simply the best!
Really sweet thanks you
I love to see new uploads of you man
Awesome, I can't wait for the book to come out!
Hi Mark, this is nice and I would have liked to see a video like this earlier. BUT: There are zillion ways to move horizontal up the fretboard: Would you recommend to stick to one fingering and put it to speed or find the way on runtime? And what is "the better" shift, I mean, what is the best choice to shift and when?
TRUTH
THe only other thing i know of that rival the world of guitar/bass gadgetry and guru-ology is golf. So much baloney to get through!
This channel and a couple others just tell you straight whats up.
If I may, I'd like to shout out Rich Brown, Bass Buzz, Scott's Bass Lessons, and Rick Beato.
Talking Bass of course, youre here!
All EXCELLENT, just slightly different.
Nice lesson, what broke the box for me was a simple 4 notes per string scale over 2 octaves repeating the octave note in the middle with an octave jump between strings, good for stretching ;) and VERY interesting patterns happen when using modes (everything after the octave jump is the same as before ;), Hope this helps someone,
could you give an example? :)
@@orenji7266 Start on say G play the major scale first 4 notes on the E string, the next 4 on the A (thats your octave) then play the same G note you finished with on the A string on the D string (same note string jump) and repeat the pattern for the next octave , hope this makes sense, remember to go up and down the scale, using the same idea (4 notes per string) over modes opened up the neck nicely for me ;) Hope this helps.
@@hiphophippy2439 Yes that does help, thank you!
This is the way, thanks :)
Great lesson!
Thank you, great video!
About three years ago, I finally became more focused on learning music, and when you said, "Notes are going to come into play at some point," I had to allow a laugh for the obvious nature of that statement.
Great vid Mark! Thanks, very useful
Great lesson is an understatement. You are the best,Mark. What I’ve been look for
Hi Mark, I have a question. Should a person be practicing bass standing up, or sitting down? I see some very talented and experienced bass players on UA-cam that ALWAYS sit, but I notice that you never sit. Do you have any specific opinions about this?
Also: this video was great. I’m going to grab my bass and start practising right now!
Great video
Thank you for these ideas to “play” with, also nice warming-up exercises too! 👍
Just wondering : do you use those higher positions on the lower strings ( so 18th fret and up on the E -string and A-string) also?
Couldn't you use the caged system, plus any type of scale to achieve the ability to move up and down the neck?
I have been thinking about your comment. I have been thinking that I wanted to tell you that the CAGED system is looking at the neck more like a guitar player. If you look at the bass neck notes as three at a time fingering, where you stay in a box and play three notes per string, using a combination of "spread" and "close" fingering, there are 7 positions instead of the 5 CAGED positions. Spread fingering is where three notes are spread across 5 frets, close fingering is where three notes are spread across 4 frets. So. Then. Inside those 7 positions are spread fingerings and close fingerings. And there are three smaller boxes inside those positions that repeat. One box is across two strings, using six notes, close fingering, using the middle finger. One box is across two strings, using six notes, close fingering, using the ring finger. And then one box is across three strings, using 9 bites spread fingering.
@@Smoothblue90 interesting!
The clarity of your Northern accent allows me to soak your teaching by osmosis. It's only a Northern song. I'm a Yorkshire lad by the way. Si thi.
Thank you so much for this
Noob here, waiting for my first bass to be delivered and I'm thinking, why wouldn't the major notes be inscribed onto a beginner's practice bass? Maybe it's not needed after a few weeks of practice?
Its a great idea. Im 3 weeks into the journey. I write patterns/ideas on the heads of my drums. No looking up and down at sheets of paper helps heaps. I was thinking of liquid paper dots on edge of t fret board when the note falls off the dots already there. Did you think of a way to do something on t bass?
I will make sure l buy your book . Just tell how to get it , Mark .
Clever stuff!
Hey, I like this new, relaxed, (more ad lib?) version of Mark J. Smith! Did you take a new approach or just not feel like editing all the *fun bits* out for the sake of "Professionalism" (yawn)? I like this new style, I hope you keep it! You really hit the bullseye with this lesson, by addressing the ubiquitous urge - mostly among those who refuse to learn note names, or any music theory whatsoever - to play up and down the fretboard with _obvious_ ease.
Why is it bedroom bassists all seem to dream about breaking our their "AXE" in a music store (where the fantasy usually takes place) and _thrilling_ onlookers with their fretboard-kindling licks, fills & solos, plus a few arcane jazz scales (played over your average maj/min7b5#13add9 chord, to be sure) *leaving no fret untouched from 0 right up to number 24 (baby!).*
Nothing’s changed. You’ve probably been looking at vids from 9 years ago. There’s been a gradually evolution (obviously) as I’ve become more experienced with UA-cam.
1:17 sounded weirdly close to the main riff in Tornado of Souls!
3:48 I swear Mark must be watching me practice somehow 🤣
Is the g major exercise something you made up?
It’s one of the exercises I wrote for the Cyborg Bassist volume 1. There are many more. That said, there is nothing special about this particular exercise. It’s just a scale.
@@talkingbasslessons thanks, I am learning it and just wanted to know what I am learning. I started playing bass back in 2010, now I am learning how to play. Lol
Awesome
Patterns with root notes and scale degrees. Know the scale degree your finger is on.
I would like to learn the bass one chord at a time simplify
I wish I could buy the book on Amazon. I really don't want to create an account for just one purchase.
@@jamiecoxe7327 hi there. The book is an ebook. But beyond that, creating an account in Talkingbass is not just about buying courses or ebooks, there is a massive amount of content and free downloads once you login. It’s not just a payment portal.
I don't understand players (and aren't you just a player and not a musician?) who don't want to know the theory/notes. Theory frees you, patterns, while initially are freeing, eventually constrain.
Absolutely. Bad habits beget bad evolution.
When I learned “how” to skateboard. I didn’t learn the fundamentals. I ended up learning and landing all sorts of flip tricks. ….That I couldn’t perform (and certainly not land) while riding. ..Only while stationary. I then had to go back to riding and cruising then incorporating basic beginner tricks. I stopped skating and can never truly say “I used to skate”. ~ I used to win games of horse. and that’s it.
Same thing goes with flashy basketball shots before consistently dribbling down the court at or above half speed. Start over.
So ‘horizontal’ is moving up and down the fretboard, ‘vertical’ is moving across??
Just have to go through the pain of working through Simandl...
👍👍
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Sorry to say but you move WAY too fast. I find myself constantly rewinding over and over again. That’s okay, I’m sure that’s expected. The problem is you put the music and tab in the lower right hand part of the screen. If I pause your lesson to practice I cannot see the music. It is blocked by the progress bar and ad’s for other videos. Is there any chance you can place the music/tab in the upper left of right hand side of the screen? That way when I pause it to practice I can see the music. I love your channel and lessons keep up the good work. Thanks
PS. Found a solution!! I just grabbed my manuscript book and wrote it down!! I I don’t find your face distracting 😂. You’re quite handsome and I’m willing to bet your partner thinks so too. 😊
Learn all the modes?
Modes are great to learn....eventually. Don't get caught in the trap of thinking modes have anything to do with moving around the fretboard. That's not what they are.
J
man i love David Fincher
Learn Nashville numbers
Bro say less
Repent of sin (breaking The Law YAHUAH The Father gave through Moses) & believe on YAHUSHA Messiah!
Did I somehow miss what the secret is?????
LEARN HORIZONTAL BASS LINES!
This is the difference between a bass player and a song player. If all you do is learn songs, they can almost always be played in a box pattern - and then keep you there.
That’s been my Achilles heel. I’m stuck in a box and desperately trying to get out. This lesson is going to help. Very inspiring.
I think you better playing rhythms liked System Of A Down and Limp Bizkit lyrics ' My Generation ' . It's awesome much better than that's .
nice, thanks! PS- your bass looks really greasy lol, eggs and bacon for breakfast?