NEVER Run Out of Soloing Ideas Again!
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- Опубліковано 1 чер 2024
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Duane Allman used Open E tuning to play his licks, if you transfer those open E tuning licks to standard tuning to make a lesson about the Open E tuning is a Hybrid pentatonic BOX. Try to make a lesson about the Duane Allman Hybrid pentatonic box
I think he used open E for slide.
@@simonvanderheijden432 I think it was both. Derek Trucks plays both in E, I believe.
Great tip, thanks 🙏
Simple is good! Just because what you're trying to play might be hard to pull off doesn't make it good!
Amen to that!
Your ability to articulate your knowledge of the guitar is the key to your success! Keep it up!
Thanks, will do!
Thx Mark . You’re moving right along ❤ 5:40
Nailed it with Johnny Winter, greatest blues guitarist of all time. Great video, thanks
Thanks!
Johnny is mind blowing. He never stops playing and plays so many notes and he makes it sound so good, most can’t do that
Great Lesson. 👌
Thank you!
Great! That 's the heart of Blues!!! Call and Recall!!! Important Video!!! Thanks! A.
Good lesson and really very useful to me. I usually try to make my solos flow but I end up running out of road quite quickly. So this technique is a good way to avoid that. Another option to playing call and response in different minor pentatonic positions is to switch between minor and major pentatonics. Play a call in minor and respond in major and vary positions. Can sound super cool and keeps the ideas flowing. Your lesson is perfectly timed, I needed more ideas for the outro of “cheap sunglasses” and thus really helped. Thanks Mark Z.
Thanks so much!
Sometimes, when I'm running out of ideas, I'll play a lick down low and then repeat it an octave higher.
Edit: I found this was a good way to get better at understanding the fretboard if I did this not only an octave higher but in a different position than the call.
Very practical idea, Mark.
Thank you for sharing your knowledge.
Glad it was helpful!
Good lesson. With a vocal music background this is easy to understand. That's a beautiful Gibson, too. Thanks!
Glad you liked it!
digging the on screen tabs....
Okay, we'll see how this video does.
Thank you brother for all your help 🙏. I’ve learned so much from you. I’m so grateful for all the time you spend on teaching me lead guitar 🎸🤘🏽
You are very welcome. I'm glad you like the videos I do and appreciate them. Thanks!
I am so addicted to this instrument
A relatively good addiction.
Thank you Mark. I learn so much from your style of teaching. I watch at work a lot so behind in work, ahead in guitar. 😂
My pleasure! But oh no, I don't want to get you in trouble at work!
Great lesson Mark!!! Thank you!!!
Thanks!
Thank you Mark
My pleasure!
Nice demo Mark. I've never had formal lessons and picked up the idea from the great music I jammed to when young. Later, when I got to understand theory, I realised how to balance licks going up with licks resolving back. The higher the climb, the lower the response phrase in some cases,but keeping a balance and flow of interest as the licks develop. Thanks for the post.
Thanks.
Great lesson. Now I know what to do with all those scale positions - use the famous "call and response" technique! Thanks
Excellent!
So very true Mark, and this is where I feel I need to do more work on…..timing 🤙
Love your feeds man, thank you for your work you do.
Thanks! Yes, timing is the key improvement area for many players who think they mostly need to work on scale patterns. I see (or hear) it over and over again.
I find it interesting (and a little disappointing) that every video I do for people to work on timing, usually in an interesting musical way rather than metronome, goes nowhere. People want scale patterns - over and over and over.
Anyway, clearly I'm on a rant! Thanks for the kind comment and appreciation!
That was very helpful. Thank you. I’m going to start practicing that. 🎸👍
Glad it was helpful!
Great lesson! Cool examples Mark!
Glad you liked it!
Thanks for this lesson Mark.....really useful. My problem is overplaying but using call and response is a great way to stop this as you only have a certain amount of notes to use. Great work my friend
Thanks! Yes, it definitely helps with overplaying.
Thanks!
You're welcome. Thanks so much for the appreciation!
Always super interesting.
Glad you enjoyed it
Thanks Mark great tip!
You're welcome. Thanks for watching!
Great video. Thanx brother.
You're welcome. Thanks for watching!
Wonderful video ❤
Thanks Mark always clever with positive confidence! Glad to see you playing your 335!! Cheers 👋🖤🦋🖤💥🐉💥
My pleasure Kris! I had a real scare with the 335 ... kind of why I don't use it much. It's so cramped for space in my recording room that it took a nasty fall. It's really the only guitar I care about (sentimental reasons), so I keep it in the case mostly.
@MarkZabel Just make sure you have it stored properly ,no water condensation , ect....if the elements got to it it would crush your spirit. ♥️
@@krisstieghorst7415 Will do.
@MarkZabel I've seen people wrap up guitars in plastic then put them in the case to store them ... then end up with a warped & rusty instrument. I know ...not the brightest star in the sky! I Compare it to leaving your records in the sun to melt!! Cheers Mark!!
Listening to what the other players are doing and using that for inspiration, not necessarily in the form of a response…groove, feel, syncopation…and playing melodically are to other ways to ensure you can play long solos without people complaining about your long solos
Yes, those are good ways to come up with motifs as well.
Thank you so much.
It looks like my guitar will get more conversation than me😂 Again kudos ❤
Thanks!
Thanks
Sure thing.
Great Video!!!
Thanks!
Great vid
Thanks!
I have watched at least 500 how to guitar videos. I have never heard this idea. It is brilliant. I thought call and response was between two musicians only. What a great idea. Mark has a unique way of deciphering techniques for us players trying to improve. Thanks very much.
Glad it was helpful! Thanks!
@@MarkZabel I’m even doing it in my head!!
Absolutely fantastic have a wonderful day Mark also i have a stomach ache ❤❤❤❤❤❤😢😢😢😢😢😢
Thanks ... and feel better soon!
Joe Banamassa says to play the whole fret board if you play in A fined all the A positions and it works it took me out of playing in the same place and moving all over I found a lot of soloing possibilities try it
Thanks Mark👏💜🤍💙❤️
My pleasure. Thanks for watching!
132 I think
Soloing isn't a "conversation", it's a "monologue".
It's clearly neither. Thinking about it as a conversation has advantages. Thinking about it as a monologue could have advantages too.
...and a conversation with your band and/or audience. Even playing alone in my room, its a conversation with my guitar, feeding off mistakes, happy accidents and the nuance and feel of my instrument. And if it's loud enough, the neighbors will certainly converse with you 🎸
Good point, and by keeping the timing in call/ response you don't "break the chain". And to bring it home, you have to know that destination, I guess.
Thanks!
Sure thing. Thanks for watching!