The sensor itself deliver is 12 bit Dynamic range only in BRAW if you shooting in Prores 10 bit with those BMPCC 4K/6K camera it's complet nonsens , you loose the Dynamic range your camera delivered for the need of Color grading and also being able to export true HDR or P3 DCI format , that also make better HD h264 export with almost no color banding.
The thing I'm trying to figure out is if the 6K Pro can film ProRes HQ with a flat gamma curve, giving it some of the benefits of the raw, like how Arri can film to ProRes but leave it flat. Thanks!
yep useless video. i don't understand why there are so many videos like this of guys spending all of these money on cameras and then they upload in potato quality
@@petrub27 It doesn't because UA-cam's bitrate for 1080 is bad making a test like this useless because it requires a high bitrate. UA-cam's 1080p is 8 mbps and the 4k is 35 mbps.
Im really supprised you are seeing banding that easily in ProRes 422. I work with that all the time and only see that problem when I REALLY stretch and torture the B-Jesus out of it.
Greetings!!! I appreciate your great time and efforts put towards enlightening us about this career. Thank you for that I sincerely appreciate it. Please I have a request. What’s the possibilities of importing the custom luts from Blackmagic pocket cinema 4k to adobe premiere pro? Like the Gen 5 Film to rec 2020 hybrid log gamma. I love the way it handles a dark skin here in Africa. Or better still if you will be kind enough to share me your conversion luts for film to reasonable color to start with. I’m not a colorist but own a Blackmagic pocket cinema 4k. Please help.
Thanks to a new FCP plugin, you can now import BRAW into FCP...and manage metadata and LUTs, in a pretty slick workflow. Chris Hocking, the developer, was recently on Office Hours. Here he is giving a demo of the plugin. ua-cam.com/video/cubE8VwZRh4/v-deo.html
BRAW is in 12 bit color, while ProRes is in 10 bit. That's why there's a difference with banding.
The sensor itself deliver is 12 bit Dynamic range only in BRAW if you shooting in Prores 10 bit with those BMPCC 4K/6K camera it's complet nonsens , you loose the Dynamic range your camera delivered for the need of Color grading and also being able to export true HDR or P3 DCI format , that also make better HD h264 export with almost no color banding.
The thing I'm trying to figure out is if the 6K Pro can film ProRes HQ with a flat gamma curve, giving it some of the benefits of the raw, like how Arri can film to ProRes but leave it flat. Thanks!
everything looks the same on your 1080p video
yep useless video. i don't understand why there are so many videos like this of guys spending all of these money on cameras and then they upload in potato quality
@@vlcheish i don't want to defend him, but he downscalled form 4k to 1080 which should yield a good result
@@petrub27 It doesn't because UA-cam's bitrate for 1080 is bad making a test like this useless because it requires a high bitrate.
UA-cam's 1080p is 8 mbps and the 4k is 35 mbps.
Train your eye. You can definitely see it.
Im really supprised you are seeing banding that easily in ProRes 422. I work with that all the time and only see that problem when I REALLY stretch and torture the B-Jesus out of it.
Greetings!!! I appreciate your great time and efforts put towards enlightening us about this career. Thank you for that I sincerely appreciate it. Please I have a request. What’s the possibilities of importing the custom luts from Blackmagic pocket cinema 4k to adobe premiere pro? Like the Gen 5 Film to rec 2020 hybrid log gamma. I love the way it handles a dark skin here in Africa. Or better still if you will be kind enough to share me your conversion luts for film to reasonable color to start with. I’m not a colorist but own a Blackmagic pocket cinema 4k. Please help.
I work in Final Cut Pro and will need to convert the Raw to ProRes to edit. Do you think that will introduce banding during transcode to prores?
Thanks to a new FCP plugin, you can now import BRAW into FCP...and manage metadata and LUTs, in a pretty slick workflow. Chris Hocking, the developer, was recently on Office Hours. Here he is giving a demo of the plugin. ua-cam.com/video/cubE8VwZRh4/v-deo.html
Thank you
Thanks for watching 🙂
BRaw is a dream
What luts?
Why is this 1080p?
Thanks
No problem🙂
God bless man
wassap Broooooo'h
FOR THE LOVE OF GOD SAY "B RAW"! If I hear you say Brahhhhhhh one more time I might end it....
It’s B raw not braw lol
B ro with stupid comment 🤷🏻♂️
😀😀😀😀
No its B error