I can't believe that more people are not checking out tutorials like this one. The quality of the sound design presented here is miles above most of the stuff out here. Great work mate, I really appreciate your videos.
Thanks man! I was always on the hunt for Rival Consoles tutorials when I was learning but videos were pretty scarce. Definitely a tricky sound to get in the box, so glad you like it : )
I've been in a real slump musically for about 3 months but this was the inspirational kick up the arse I've needed. Spent all day today in Ableton and didn't hate everything I created! Thank you so much.
Always happy to help man! Glad to hear you getting over that hump A lot of what I make ends in the bin or becomes dry or unexciting. Just got to keep pushing on and keep it fun (I find learning new techniques or trying different genres helps a lot)
OK, Very honest feedback: This is incredible, high quality stuff! I don't know if you realize it, but you have serious skills and talent! Keep up the good work
Not really man, I've not very good at bashing tracks out in a short period of time. Most of these example track take me around 20 hours to complete, the result of a two hour session probably wouldn't be worth watching. I also tend to do a lot of experimentation so half the stuff I create ends up in the bin cause it sounds awful. I think most people would tune out after a few minute's haha
sounds great, but putting all of these sounds through amplifiers and other types of real speakers/cabinets/pedals would help give it a more expensive full length LP sound.
The basis of my mixing knowledge (learning how to use EQ, Compression, Effects) was mainly from my time in college studying sound production as well as various other UA-cam channels. Most of the skill just comes from analytically listening to music and working on your own stuff, slowly over time you just get better. So much of it is also up to your own taste. I do a little mastering just to bring the final track up to 0dB and keep everything level. I don't bother too much with this as I would never master a track myself if I was going to release it, as per the industry standard for good reason.
What about releasing "Connect" on streaming platforms? The track is so well produced, sometimes I come here just to listen to it. I would easily put it in a playlist along with tracks from Jon Hopkins, Max Cooper, Holographic Field...
Hey man, the main reason I don't release these tracks is that they are my attempt at emulating (to the best of my ability) the sound of another artist. It's one thing to be influenced and inspired by other artists but another to release music which was originally created to sound as close to someone else's music as possible. Basically I feel detached from these songs personally, they're not what I would choose to release to the world as 'mine'. Though I do draw strong inspiration from all the artists I cover on this channel you can hear their influences in my own music (which I will be sending out within the next couple of years in the form of an album). I'm not too familiar with Holographic Field and I'm always on the hunt for new music so thanks for the accidental recommendation ; )
@@BrendanPark07 I understand what you're saying, I often copy other artists not to release any of the results yet to incorporate what I learned in my own music later on. I'm glad you're aiming to release an album (I'm doing that too), I'll wait for it! Also glad to make you discover Holographic Filed, "Illuminate" is such an ambient techno masterpiece for me. Maybe you could make a tutorial on that in the future if you like it as much as I do.
Hi Brendan, great content as always. The only thing uncovered in this tutorial are the glitchy/stereo percs underneath the synth line in the intro, would you explain how you managed to create that texture? (Also the Example Track sounds fucking great here, it felt a bit empty in the previous video... I'm glad you kept working on it)
Hey man, just to clarify do you mean the bit from 00:00 - 00:33? If so, I cover the sound in the video from 06:48 - 08:42. It's just the same effected loops that appear in the verse only with a Low Pass Filter on it to take off all the high end.
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I can't believe that more people are not checking out tutorials like this one. The quality of the sound design presented here is miles above most of the stuff out here. Great work mate, I really appreciate your videos.
Thanks mate, I really appreciate your kind words : )
This is a very underrated channel. Very high quality sounds and well explained. Not many channels have the cojones to take on Rival Consoles. Respect.
Thanks man! I was always on the hunt for Rival Consoles tutorials when I was learning but videos were pretty scarce.
Definitely a tricky sound to get in the box, so glad you like it : )
I've been in a real slump musically for about 3 months but this was the inspirational kick up the arse I've needed. Spent all day today in Ableton and didn't hate everything I created! Thank you so much.
Always happy to help man! Glad to hear you getting over that hump
A lot of what I make ends in the bin or becomes dry or unexciting. Just got to keep pushing on and keep it fun (I find learning new techniques or trying different genres helps a lot)
Brendan is back !!
been out of action now back to listen always great work!!!
hello ! you should also show the setting of the delay and reverb, quiet important in the process of each sound ! thanks for the video !
OK, Very honest feedback: This is incredible, high quality stuff! I don't know if you realize it, but you have serious skills and talent! Keep up the good work
Thank you : )
Great video man, really well explained and quality writing, thanks!
You’re welcome
Brilliant as always!
That's an awesome one, mate! Well done!!
Thanks : )
I love this video
genius way of teaching, thank you so much :)
You’re very welcome
Would love to see you make a track in real time, ever do any livestreams?
Not really man, I've not very good at bashing tracks out in a short period of time. Most of these example track take me around 20 hours to complete, the result of a two hour session probably wouldn't be worth watching.
I also tend to do a lot of experimentation so half the stuff I create ends up in the bin cause it sounds awful. I think most people would tune out after a few minute's haha
@@BrendanPark07 sometimes thats the best way for some producers to really gain some insight! Seeing someones process is always my favorite.
sounds great, but putting all of these sounds through amplifiers and other types of real speakers/cabinets/pedals would help give it a more expensive full length LP sound.
More expensive is definitely right haha
Sounds awesome! Do you mix & master your tracks yourself? Where did you learn it?
The basis of my mixing knowledge (learning how to use EQ, Compression, Effects) was mainly from my time in college studying sound production as well as various other UA-cam channels. Most of the skill just comes from analytically listening to music and working on your own stuff, slowly over time you just get better. So much of it is also up to your own taste.
I do a little mastering just to bring the final track up to 0dB and keep everything level. I don't bother too much with this as I would never master a track myself if I was going to release it, as per the industry standard for good reason.
Great stuff mate
What about releasing "Connect" on streaming platforms? The track is so well produced, sometimes I come here just to listen to it. I would easily put it in a playlist along with tracks from Jon Hopkins, Max Cooper, Holographic Field...
Hey man, the main reason I don't release these tracks is that they are my attempt at emulating (to the best of my ability) the sound of another artist. It's one thing to be influenced and inspired by other artists but another to release music which was originally created to sound as close to someone else's music as possible.
Basically I feel detached from these songs personally, they're not what I would choose to release to the world as 'mine'. Though I do draw strong inspiration from all the artists I cover on this channel you can hear their influences in my own music (which I will be sending out within the next couple of years in the form of an album).
I'm not too familiar with Holographic Field and I'm always on the hunt for new music so thanks for the accidental recommendation ; )
@@BrendanPark07
I understand what you're saying, I often copy other artists not to release any of the results yet to incorporate what I learned in my own music later on.
I'm glad you're aiming to release an album (I'm doing that too), I'll wait for it! Also glad to make you discover Holographic Filed, "Illuminate" is such an ambient techno masterpiece for me. Maybe you could make a tutorial on that in the future if you like it as much as I do.
Hi Brendan,
great content as always.
The only thing uncovered in this tutorial are the glitchy/stereo percs underneath the synth line in the intro, would you explain how you managed to create that texture?
(Also the Example Track sounds fucking great here, it felt a bit empty in the previous video... I'm glad you kept working on it)
Hey man, just to clarify do you mean the bit from 00:00 - 00:33?
If so, I cover the sound in the video from 06:48 - 08:42. It's just the same effected loops that appear in the verse only with a Low Pass Filter on it to take off all the high end.
this is fucking crazy dude
Thanks ; )