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Celil Refik Kaya - Gismonti 'Agua e Vinho' (1969 Ramirez ex. Segovia)
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- Опубліковано 14 кві 2016
- Download a FREE pdf of Capricho Árabe arranged by Agustín Barrios here! tinyurl.com/y5cm7byv
Guitar: 1969 Jose Ramirez, ex. Segovia (www.guitarsalon.com/product-1...)
Here's Celil Refik Kaya playing Daniel Wolf's arrangement of Egberto Gismonti's Agua e Vinho on the 1969 Jose Ramirez guitar from the Russell Cleveland that Andres Segovia owned and performed on from 1969 to 1980. Recorded at the Guitar Salon International showroom in Santa Monica, CA.
Huge thanks to the folks at Apogee Electronics (ApogeeDigital.com) for the use of their Ensemble interface in these recordings.
www.guitarsalon.com/
All proceeds from monetization of this video goes to the GSI Foundation, a non-profit organization that raises money to support music education in public schools. Visit our site for more information: bit.ly/2nIJMxR #gsi #friendsofgsi #classicalguitar
This piece has everything.... feel, drama, suspense, variety, mood variation, melody, uniqueness... composition wise it's as good as it gets. Excellently played also 10/10
for sure. Sounds much better on Classical guitar imo
Celil Refik Kaya‘s performance of Gismonti’s 'Agua e Vinho' is exquisite. And, the tone of this 1969 Ramirez is magnificient. I hope we may continue to hear recordings of its incredible beauty.
Gismondi is highly underrated composer and performer. So, many interesting harmonies. He's also a proficient pianist, too.
@Smartly Wealthy Yes, but Hermeto can play the pig.
ua-cam.com/video/-75nlrqEjWA/v-deo.html
@@saudade2100 water too
ua-cam.com/video/jiTzfTbz4Yo/v-deo.html
@@saudade2100 Hermeto can play everything, mugs, pots, kettles ... He can hear any musical note coming from anything
Celil is one of the best. Very thoughtful expression in this piece from him.
Uma das mais belas canções do brasileiríssimo Gismonti. 🇧🇷
There are no words to describe this performance, brought me to tears.
Lyrics:
Todos os dias passeava secamente na soleira do
quintal
A hora morta, pedra morta, agonia e as laranjas do
quintal
A vida ia entre o muro e as paredes de silêncio
E os cães que vigiavam o seu sono não dormiam
Viam sombras no ar, viam sombras no jardim
A lua morta, noite morta, ventania e um rosário sobre
o chão
E um incêndio amarelo e provisório consumia o coração
E começou a procurar pelas fogueiras lentamente
E o seu coração já não temia as chamas do inferno
E das trevas sem fim. Haveria de chegar o amor.
Horrível letra. Geraldo Carneiro é um grande poeta. Mas essa letra é um erro colosasal. Numa música que exigia a perfeição.
This is absolutely a mind-blowing performance, I am looking forward to listening to Celil's new records
Beautiful performance of my arrangement on a magnificent instrument. Too bad the folks at Guitar Saloon didn’t inform who the arranger in the video description (though viewers were kind enough to clarify that in the comments). I hope Guitar Saloon will have it fixed.
Just to update you that they have since done so. Beautiful arrangement btw
@@weefeatures Thank you very much. There's still the second 'f' missing from my last name, but that's easily fixable. Thanks for the correction, Guitar Salon International :-)
I am trying to learn this song, but i cant find any tab for it. I would just get your score from the site but, the sad thing is i cant read music, but im at the skill level of learning this. Is the download purely sheet music or is there tab for it?
@@normant5056 There is only sheet music. Great opportunity for you to learn how to read music :-)
Beautiful work you did here.
I don't know how you did it (I know it's hard)Arranging for solo guitar is very dificult. I think is more hard than piano because of the nature of the instrument. Piano you can write something on paper and know it's possible to play. Guitar in other hand It depends of the chord voicings you use and diferent tunings when needed. I'm not telling it's easy to arrange for piano(arranging is hard work). I'm just naming a few problems we may find when we try to do that on guitar. Anyway. Great job man! 👏
Just saw him play live this weekend. He is amazing. This is a fine example.
I absolutely love your playing. Every video of you is fantastic!
What a tone!! Superb! 👍👍👍👍⭐⭐⭐⭐⭐
Ah, ...how beautiful. There is really no other instrument than the guitar that can bring out this richness in color and immediate intimacy.
This Ramirez has a dark and warm sound, with a very sweet treble and deep bass notes ,lovely.
Sweet and sensitive playing and the guitar sounds wonderful .
So incredeably beatiful!
Beautiful playing and lovely guitar - gorgeous arrangement of this piece.
Celil is so inspiring... one of the best top players around!
Holy shit this is very breath taking for me, literally brought tears to my eyes, I never thought I would ever hear one of Maestro Segovias guitar just wow and kaya beautiful piece to play really love it first time hearing of him.
Not everyone likes the Ramirez...I have a 1971 1a made by the same luthier, MT, as Segovia's. It is a beast and requires some courage to play it fully...Like stepping into a Formula 1. This guitarist is qualified, and takes it further and deserves this guitar.
oh my God this is the most beautiful of Gismonti...Kaya is a great talent as well..
The tonality really suits the guitar tone, well done!
música espetacular com interpretação belíssima. aplauso!!!
Belíssima interpretação! Parabéns! Grata por compartilhar
Hermosa compenetración con el sentimiento que emite la melodía. Una guitarra que llora.
Can't think of a word strong enough to describe how good this piece is.
What a wonderful interpretation!
celil is the best!
BRAVO ENJOYED VERY MUCH THANK YOU PLEASANTLY HEARD .
hermosa piesa,mucho sentimiento y buena tecnica
Lindo demais. Belíssimo.
He could make a banjo sound exquisite. Amazing artist.
Beautiful!
Beautiful piece by composer Egberto Gismondi.
Gorgeous.
¡Viva Ramirez!
y ¡Viva Tu!
Celil pours out what he can in honour of the water and the wine. Me? I`m in tears.
Really dig the vibrato, and that guitar has beautiful character!
the guitar amazing sound wise
it makes the treble sound like base and the base shine very much. very good tone !
Never heard such gorgeous haunting music . So beautiful . Thank you for sharing ! 3:46
Congratulations!
Wonderful
Perfeito!
Amazing music.
Perfeito!!!!
Beautifully played. I believe this is the arrangement by Brazilian guitarist Daniel Wolff, available as a download on his website.
Just as it says in the info.
Daniel wolff
Currently learning this piece...it is far more difficult than it appears. So beautiful though, I will persevere
fantastic...
lovely
Todos os dias passeava secamente na soleira do quintal
À hora morta, pedra morta, agonia e as laranjas do quintal
A vida ia entre o muro e as paredes de silêncio
E os cães que vigiavam o seu sono não dormiam
Viam sombras no ar, viam sombras no jardim
A lua morta, noite morta, ventania e um rosário sobre o chão
E um incêndio amarelo e provisório consumia o coração
E começou a procurar pelas fogueiras lentamente
E o seu coração já não temia as chamas do inferno
E das trevas sem fim. Haveria de chegar o amor.
fantastic
Perfect!
THIS IS GOLDEN CLENOT !
Jesus that is a beautiful guitar.
Beautiful playing and that Ramirez guitar has a superlative tone.
The guitar is great, but please, give all the credit to the guitarist for that tone.
That's ridiculous. A good player will extract the best from a good guitar, but there will always be both fine guitars and ordinary ones, surely?
Gabriel Pazos not entirely true. Nail shape and strings and the guitar are the factors that affect tone. This is coming from a classical guitarist.
Nail shape and strings are factors that affect the tone less than the way the nails touch the strings. Not the same playing at the end of the guitar than in the hole, not the same apoyando than mindlessly playing without thinking in the tone, etc. For instance, the sweetest tone is achieved playing without nails, check out Cesar Amaro's channel.
This is coming from a classical guitarist.
Gabriel Pazos The sound of classical guitar without nails is extremely quiet and muffled... Man I play steel string and classical. I am telling you, the only way to achieve a great tone on classical guitar is to shape your nails and buff them to be smooth of imperfection, and use a balance of nail and flesh. Strings are a tremendous factor, by the way. I challenge you to use ball ended martin strings to achieve this tone. Would not happen.
perfect !
Awsome!!!
Very beautiful performance 👌🏼. Nice subtle dynamics; great tone; clear sounding notes (not only the melody, but also the counterpoint lines in the bass part), and above all: showcasing superb feel !
The only thing I miss is the first repeat of the main theme (that is: after bar 17/18 back to bar 3 before continuing from bar 19 on).
Ellerinize sağlık. Muhteşem dinleti için sonsuz şükranlarımla. Adnan Saygun Sanat Merkezinde dinlemiştim sizi ve dilerim yine gelirsiniz. Çok sevgiyle....
BRASIL !! EGBERTO!!!
Olé!
That was intense.
so deep...
Hello, could you explained how it was recorded please ? (microphones, distance etc...). It sounds beautiful. Thanks
sorry i can''t see you play at the Settlement music school today! break a leg
Extraordinary playing, both hands are superb. I wonder if the composer called for the whole piece to be played over the sound hole? A little painful to watch in that I too owed a 1969 concert Ramirez, hand picked by Segovia (my roommate in Spain was his nephew). Looked and sounded identical to this one. Unfortunately it was stolen. As they say, sea lo que sea.
I'm 2 years late, but... This piece was originally played on the piano, with lyrics. It was arranged for the guitar by Daniel Wolff. I believe playing it in the sound hole was a choice by Celil, and i think it suited the softness of the original melodies with the strong and smooth bass notes.
Tek kelimeyle harika!
Anyone has sheets or tabs for this?
beautiful tone and playing...what kind of strings are set on this guitar?
I had d'addario on my Ramirez but they were too metallic/tinny. I use Hannabach Goldin hi tension.
is it a guitar from Paolino Bernabé M5?
Can someone tell me if it was the arranger who wrote the part starting at 1:20? It's not in the original song by Egberto Gismonti, so where did it come from?
It's the arrangement from Daniel Wolff, little late but maybe it helps
Is the a video lesson for this?
how long have you been playing guitar ???
Segovia, are you hearing this?
What brand, type and tension of tension of strings are on this Ramirez?
It appears that they usually use D’addario high tension.
Gorgeous arrangement and wonderful playing. Does anyone know where I can find the score?
musescore.com/user/2780981/scores/935911 to start with.
Thank you.
Thanks.
t o s t a r t w i t h fuck you. And thanks for the link.
The original score is available here:
danielwolff.com/dw/music-scores-articles/
The musescore link from another comment not only has mistakes, but doesn’t provide Mr. Gismonti his due credits.
whats the noise st 2:49??
There is no noise
Anyone else get a Circa Survive vibe from this?
omg i'm simping
What tunes? Guys
Is it me or does the neck look a bit long compared to other guitars?
Does anyone know who arranged this piece??
I would like to know as well please
+Jared Lucus I think he plays the arrangement made by Daniel Wolff
Besides the fact that this piece is just heartbreaking and played so wonderfully, I am surprised how short his right hand nails are. Got to try shorter nails I guess. If one could save hours of filing and worrying of splits and breaks that would be awesome :)
Tarrega played without nails...I find it requires more upward pull on the strings, and creates a different sound...Right hand nails would never survive for me anyway...
O arranjo é do Sérgio Assad
Agua e Vinho sounds more natural and less ' strained ' played on the piano, on the guitar it always comes across as hard work .
LOL dots on every other fret. Common now.....
what's wrong with dots?
breathing is BAAAD
a 21 envidiosos no les gustó
10 times better player than Marcin Dylla
Both are wonderful players. No need to praise either at the expense of the other. De gustibus non est disputandum