Ich höre es immer an den hohen Feiertagen. Der Messias ist wirklich etwas ganz besonderes. Und diese Aufführung ist sehr schön, sehr atmosphärisch. Als Jugendliche habe ich einmal im Alt im Chor mitgesungen. Meine erste und intensivste Chorerfahrung. Eigentlich war es nur, weil meine köeine Schwester (damals 11) im Sopran mitsingen wollte und noch nicht alleine abends in die Chorproben durfte...
Part I 0:01:13 Sinfony 0:04:01 Comfort ye, my people 0:07:11 Ev'ry valley 0:10:19 And the glory of the Lord 0:13:17 Thus saith the Lord 0:14:52 But who may abide 0:19:12 Behold, a virgin shall conceive 0:19:47 O thou that tellest good tidings 0:25:10 For behold, darkness shall cover the earth 0:27:33 The people that walked 0:30:39 For unto us a child is born 0:34:29 Pifa 0:35:27 There were shepherds 0:35:43 And lo, the angel of the Lord 0:36:01 And the angel said 0:36:37 And suddenly 0:36:55 Glory to God in the highest 0:38:52 Rejoice greatly 0:42:59 Then shall the eyes of the blind 0:43:37 He shall feed his flock 0:45:49 Come unto Him 0:48:50 His yoke is easy Part II 0:51:03 He was despised 1:00:23 Thy rebuke hath broken his heart 1:02:37 Behold, and see 1:03:59 He was cut off 1:04:18 But Thou didst not leave his soul 1:06:28 Why do the nations so furiously rage 1:09:19 He that dwelleth 1:09:34 Thou shalt break them 1:11:29 Hallelujah Part III 1:15:02 I know my Redeemer liveth 1:21:21 Behold, I tell you a mystery 1:22:00 The trumpet shall sound 1:25:57 Then shall be brought to pass 1:26:19 O death, where is thy sting 1:27:21 But thanks be to God 1:29:41 If God be for us 1:34:13 Worthy is the Lamb 1:35:30 Blessing and honour 1:37:28 Amen 1:40:42 Applause
I am in awe of Handel so inspired by God to write this wonderful masterpiece from His word truly awesome awesome man. It amazes me that people can listen to this and not be challenged by the message. Praise the Lord! 💖
Yes, his head was filled with the words of God and how to express them, he wrote the entire music in 30 days, so I read. Definitely God inspired music!
Tolle Tempi, so schöne Chorstimmen, danke Maestro für das große Verständnis von Musik UND Gesang! (Ein solches Dirigat würde ich mir oft auch in der Oper wünschen...) Miles, wie immer, Chapeau! Altistin stellenweise mit einem Timbre nah an einem Counter, nur halt viel, viel schöner! Berührend auch die Sopranistin mit ihrer allzu klaren und engelhaften Stimme. Einzig beim Tenor würde ich mir mehr natürlichen Stimmklang wünschen, aber das ist reine Geschmackssache, auch er macht es natürlich toll.
what an extraordinarily moving sequence matched by great signing , 51:38 a man of sorrows, acquainted with grief, --59.55 Thy rebuke has broken his broken his heart-- ------- lovely portrayal of the man of sorrows. The context makes the singing so poignant "John 1: 11-13 "He was the world , and though the world was made through him,the world did not recognize him. He came to that which was his own, but his own did not receive him. Yet, to all who did receive him,--- he gave the right to become children of God."
Unfortunately, this is a shortened version of this glorious work.. There's several parts missing (.."Behold the Lamb of God.." etc.) It's a real pity as, this is a spiritual work and, in my opinion, should be heard in its entirety. That aside, it's an excellent performance by all involved. Thank You! Christmas Blessings to all.
Saiful Rimkeit That may be because this rendition cut a lot of movements. I’m not familiar with the BBC 1965 version, but this rendition is missing a few arias, recitatives, etc...
@@neurodivergentwithwilsons Now it makes sense. Frankly, before I read your answer, I was scratching my intuitive head and wondered how this could have happened. Thank you for your explanation.
For me the opening is way too fast as if they want to get it out of the way! I have a slower intro I play in my car that creates a much more powerful mood!
In some passages it is indeed played too quickly, as if the musicians would be in an hurry... In these passages I miss the chance to think about what the text has to tell us...
Wow!!!! Wunderschön!!! Ich kenne so viele schöne Stücke, aber „Der Messias“ ist das Schönste!!! Wenn man diese Bilder sieht, schmerzt es, dass Konzerte nicht mehr stattfinden und man nicht mehr gemeinsam Gott loben kann!
Der "Konzertchor Münster", dem ich als Tenor angehöre, hat den "Messiah" just am 13-11-2021 aufgeführt. Leider gibt es davon keine Bild- und Tonaufnahme. Wir haben standing ovations bekommen. Die Apostelkirche Münster als Austragungsort war bis auf den letzten Platz besetzt - mit einem 3G-Konzept.
Gran versión alemana con instrumentación moderna y maravillosa interpretación barroca de un puro y perfecto sonido. El coro tiene la estructura tradicional de los coros alemanes que a diferencia de los ingleses carecen de contratenores en su cuerda de altos y los solistas se dividen entre intérpretes alemanes e ingleses. El resultado final si bien no llega a la perfección de las grandes versiones inglesas de los últimos cuarenta años, es magnífico, noble y de alta cultura artística. Lo único que llama la atención es... ¿Por qué no se hizo completo?
Creo que esta obra fue compuesta en su totalidad en Alemán, hay que recordar que el autor, era alemán, aunque luego se nacionalizó inglés, tras su larga permanencia el Reino Unido.
@@eloygonzalezcorro6486 Fue compuesta en inglés porque Handel ya llevaba muchos años viviendo en Inglaterra y antes ya había compuesto otros oratorios ingleses. La primera representación fue en Dublín para un acto de beneficencia. Mozart varios años después efectuó su versión en Alemán con diversos cambios en la orquestación y las arias
I miss some of my favourite choir pieces like "And He shall purify" after the alto arie "But who will abide", then "Surely" after "He Was Despised" etc. It seems that in this shortened version exactly the choir pieces were massively cut. A pity. But overall I like the performance and especially the dirigent. Have you noted, that Ian Bostridge sings everything by heart, without looking into the scores?
I agree. Too many of the choruses are cut. "All we like sheep..." No wonder it's so short. If one is going to do the 'Messiah' - then do it all! Do they think so little of people's attention span?
An manchen Stellen wird das Stück zu schnell gespielt, als ob die Musiker es eilig hätten. In diesen Passagen verpasse ich die Gelegenheit, darüber nachzudenken, was uns der Text zu sagen hat. Dann fehlt mir auch die Andächtigkeit, die angemessen sein sollte. Die Aufnahme von Karl Richter 1965 ist für mich weiterhin die Referenz schlechthin. *** In some passages the performance is played too fast, as if the musicians were in a hurry. In these passages I miss the opportunity to reflect on what the text has to say to us. Then I also lack the devotion that should be appropriate. The recording of Karl Richter in 1965 is still the reference par excellence for me.
Beautiful version with great voices and wonderful moments. But the tempi are in my opinion often too quick and both female soloists have difficulties with coloratura every now and then, which is not surprising
A beautiful, beautiful performance. It is difficult to believe that Handel wrote Messiah in - I think - 24 days. He must have been channelled; a deep and holy spirituality oozes from every note. However, I don’t know what the significance of the red/black background is, but from some angles it looks utterly demonic.
I cannot stand the Bahrenreiter edition because it turns the bass solo of "But Who May Abide" into an alto solo. Dozens of times, I have been bass soloist in "Messiah" from the G. Schirmer edition. It's definitely preferable to the Bahrenreiter!
Well, the Baerenreiter edition contains the Alto version because that's what Handel wrote. The Bass version was never performed by him but is a later tradition, and one that should be dispensed with altogether.
![Handel: Messiah | Voces8 and Academy of Ancient Music [Full Concert]](http://i.ytimg.com/vi/lFjQ77ol2DI/mqdefault.jpg)
![Handel: Messiah | Voces8 and Academy of Ancient Music [Full Concert]](/img/tr.png)
Ich höre es immer an den hohen Feiertagen. Der Messias ist wirklich etwas ganz besonderes. Und diese Aufführung ist sehr schön, sehr atmosphärisch.
Als Jugendliche habe ich einmal im Alt im Chor mitgesungen. Meine erste und intensivste Chorerfahrung. Eigentlich war es nur, weil meine köeine Schwester (damals 11) im Sopran mitsingen wollte und noch nicht alleine abends in die Chorproben durfte...
Habe es als 4jähriger oft gehört und vor allem von meinen Eltern danach erklärt bekommen... Mein Lieblingsoriatorium seit über 60 Jahren!!!
A
Part I
0:01:13 Sinfony
0:04:01 Comfort ye, my people
0:07:11 Ev'ry valley
0:10:19 And the glory of the Lord
0:13:17 Thus saith the Lord
0:14:52 But who may abide
0:19:12 Behold, a virgin shall conceive
0:19:47 O thou that tellest good tidings
0:25:10 For behold, darkness shall cover the earth
0:27:33 The people that walked
0:30:39 For unto us a child is born
0:34:29 Pifa
0:35:27 There were shepherds
0:35:43 And lo, the angel of the Lord
0:36:01 And the angel said
0:36:37 And suddenly
0:36:55 Glory to God in the highest
0:38:52 Rejoice greatly
0:42:59 Then shall the eyes of the blind
0:43:37 He shall feed his flock
0:45:49 Come unto Him
0:48:50 His yoke is easy
Part II
0:51:03 He was despised
1:00:23 Thy rebuke hath broken his heart
1:02:37 Behold, and see
1:03:59 He was cut off
1:04:18 But Thou didst not leave his soul
1:06:28 Why do the nations so furiously rage
1:09:19 He that dwelleth
1:09:34 Thou shalt break them
1:11:29 Hallelujah
Part III
1:15:02 I know my Redeemer liveth
1:21:21 Behold, I tell you a mystery
1:22:00 The trumpet shall sound
1:25:57 Then shall be brought to pass
1:26:19 O death, where is thy sting
1:27:21 But thanks be to God
1:29:41 If God be for us
1:34:13 Worthy is the Lamb
1:35:30 Blessing and honour
1:37:28 Amen
1:40:42 Applause
Thank you very much for information
Hervorragende Aufführung!
Magnificent performance with excelent tempo and excelent sound. Thank you.
I am in awe of Handel so inspired by God to write this wonderful masterpiece from His word truly awesome awesome man. It amazes me that people can listen to this and not be challenged by the message. Praise the Lord! 💖
Yes, his head was filled with the words of God and how to express them, he wrote the entire music in 30 days, so I read. Definitely God inspired music!
TO GOD ALONE BE ALL THE GLORY. Handel Proved that Jesus is The Messiah. Hallelujah.
Thanks for this wonderful interpretation - danke für diese wunderschöne musikalische Darbietung,!
*1+ und sehr schöner Begleittext*
Ziemlich magere Applaus für diese tolle Performance.
One of the best articulations of "Every Valley" 7:11 - This is incredibly challenging to do to this level. Well done!
¡Impresionante!¡Bellísimo Mesías de Haendel!¡Sea por siempre Bendito, Alabado y Glorificado El Señor, a Él todo el honor y la gloria!
Ian Bostridge, amazing as always! Brings, and gives life to whatever he sings.
Yes, so true!!!
This is beautiful. So aesthetically pleasing and musically as well. Not used to this glamour anymore when Early Music is performed.
Tolle Tempi, so schöne Chorstimmen, danke Maestro für das große Verständnis von Musik UND Gesang! (Ein solches Dirigat würde ich mir oft auch in der Oper wünschen...)
Miles, wie immer, Chapeau! Altistin stellenweise mit einem Timbre nah an einem Counter, nur halt viel, viel schöner! Berührend auch die Sopranistin mit ihrer allzu klaren und engelhaften Stimme. Einzig beim Tenor würde ich mir mehr natürlichen Stimmklang wünschen, aber das ist reine Geschmackssache, auch er macht es natürlich toll.
This is heaven like.thank you so much!
I love this song. I hope my friend who's the pilot of a giant robot doesn't mind it if i play it out loud.
Very good and powerful interpretation
what an extraordinarily moving sequence matched by great signing , 51:38 a man of sorrows, acquainted with grief, --59.55 Thy rebuke has broken his broken his heart-- ------- lovely portrayal of the man of sorrows. The context makes the singing so poignant "John 1: 11-13 "He was the world , and though the world was made through him,the world did not recognize him. He came to that which was his own, but his own did not receive him. Yet, to all who did receive him,--- he gave the right to become children of God."
This is by far the most beautiful version of the Messiah!
It is very well performed, but unfortunately incomplete with numbers from Parts 1 and 3 cut out, and the majority of Part 2 gone entirely.
@@therealtornadosam thank you for the information. I have Mozart's arrangement, but in vinyl... I love it!
Unfortunately, this is a shortened version of this glorious work.. There's several parts missing (.."Behold the Lamb of God.." etc.)
It's a real pity as, this is a spiritual work and, in my opinion, should be heard in its entirety.
That aside, it's an excellent performance by all involved. Thank You!
Christmas Blessings to all.
Christmas Blessings to you.
1:11:29 Dies ist der Moment in der Arbeit, der mir die Macht Gottes und Seine Majestät bewusster macht.
Amazing. The comfort for the souls.
muchísimas gracias, por su explicación y aclaración, lo tendré en cuenta.
Zur Ehre Gottes komponiert wunderbar
This splendid rendition is somewhat unusual in that they managed to perform it 25 minutes faster than the BBC did in a 1965 version.
Saiful Rimkeit That may be because this rendition cut a lot of movements. I’m not familiar with the BBC 1965 version, but this rendition is missing a few arias, recitatives, etc...
@@neurodivergentwithwilsons
Now it makes sense. Frankly, before I read your answer, I was scratching my intuitive head and wondered how this could have happened. Thank you for your explanation.
For me the opening is way too fast as if they want to get it out of the way! I have a slower intro I play in my car that creates a much more powerful mood!
In some passages it is indeed played too quickly, as if the musicians would be in an hurry... In these passages I miss the chance to think about what the text has to tell us...
The Best versio ever!
Dramatic ! Bravo !
Exquisite, hi from New Zealand
Wow!!!! Wunderschön!!! Ich kenne so viele schöne Stücke, aber „Der Messias“ ist das Schönste!!!
Wenn man diese Bilder sieht, schmerzt es, dass Konzerte nicht mehr stattfinden und man nicht mehr gemeinsam Gott loben kann!
Der "Konzertchor Münster", dem ich als Tenor angehöre, hat den "Messiah" just am 13-11-2021 aufgeführt. Leider gibt es davon keine Bild- und Tonaufnahme. Wir haben standing ovations bekommen. Die Apostelkirche Münster als Austragungsort war bis auf den letzten Platz besetzt - mit einem 3G-Konzept.
PHENOMENALLY SPECTACULAR !!!!!!!!!!
So inspiring, very excellent
Muito bom... não consigo ouvir, apenas sentir... essa incrível melodia!!!😊
Wonderful, good job
We profoundly know 「 how awesome Handel is」❗
Messiha is an inspirational poem
Lovely, a great Interpretation ❤️🙏❤️🙏
Este clasico e totalmente maravilhoso,divino.
Miles ist stets mein Lieblingsbaß für die Arien von diesem Oratorium.
Gran versión alemana con instrumentación moderna y maravillosa interpretación barroca de un puro y perfecto sonido. El coro tiene la estructura tradicional de los coros alemanes que a diferencia de los ingleses carecen de contratenores en su cuerda de altos y los solistas se dividen entre intérpretes alemanes e ingleses. El resultado final si bien no llega a la perfección de las grandes versiones inglesas de los últimos cuarenta años, es magnífico, noble y de alta cultura artística. Lo único que llama la atención es... ¿Por qué no se hizo completo?
Creo que esta obra fue compuesta en su totalidad en Alemán, hay que recordar que el autor, era alemán, aunque luego se nacionalizó inglés, tras su larga permanencia el Reino Unido.
@@eloygonzalezcorro6486 Fue compuesta en inglés porque Handel ya llevaba muchos años viviendo en Inglaterra y antes ya había compuesto otros oratorios ingleses. La primera representación fue en Dublín para un acto de beneficencia.
Mozart varios años después efectuó su versión en Alemán con diversos cambios en la orquestación y las arias
I miss some of my favourite choir pieces like "And He shall purify" after the alto arie "But who will abide", then "Surely" after "He Was Despised" etc. It seems that in this shortened version exactly the choir pieces were massively cut. A pity. But overall I like the performance and especially the dirigent. Have you noted, that Ian Bostridge sings everything by heart, without looking into the scores?
I agree. Too many of the choruses are cut. "All we like sheep..." No wonder it's so short. If one is going to do the 'Messiah' - then do it all! Do they think so little of people's attention span?
@@williamknapper2996 I agree completely. They really cut down on part two. It's really sad.
Agree. No matter how good musically the performance, editing and chopping the work into incongruent sound bites is the death of Handel's Messiah.
The Soprano Johanna W. Is outstanding
No la conocia. Gracias por esta bellísima interpretación.
In the Sir Colin Davis Messiah on UA-cam also Sir Alastair does the same improv at the end of "The Trumpet Shall Sound"!
Hervorragend!
Bless them Lord
An manchen Stellen wird das Stück zu schnell gespielt, als ob die Musiker es eilig hätten. In diesen Passagen verpasse ich die Gelegenheit, darüber nachzudenken, was uns der Text zu sagen hat. Dann fehlt mir auch die Andächtigkeit, die angemessen sein sollte. Die Aufnahme von Karl Richter 1965 ist für mich weiterhin die Referenz schlechthin.
***
In some passages the performance is played too fast, as if the musicians were in a hurry. In these passages I miss the opportunity to reflect on what the text has to say to us. Then I also lack the devotion that should be appropriate. The recording of Karl Richter in 1965 is still the reference par excellence for me.
Very. Beautiful.
Los alemanes son unos de los creadores de la música moderna? Handel, Bach, Pachelbel. O existen otros previos a ellos? Gracias
J'adore
Leider eine gekürzte Aufführung.
Stupenda sinfonia
Beautiful version with great voices and wonderful moments. But the tempi are in my opinion often
too quick and both female soloists have difficulties with coloratura every now and then, which is not surprising
If it’s HANDEL must be good. Blessings all.
THANKS !❤
Was I asleep and missed it, was even the hallelujah chorus eliminated?
1:11:29
Einfach nur Hammer.
A beautiful, beautiful performance. It is difficult to believe that Handel wrote Messiah in - I think - 24 days. He must have been channelled; a deep and holy spirituality oozes from every note.
However, I don’t know what the significance of the red/black background is, but from some angles it looks utterly demonic.
No leíste esto por casualidad Dios te ama👍 el sabe por lo que estás pasando y no te dejará sola confía
I hear some part of soloist, choir are sung in English.
Warum muß das alles auf Englisch sein, verstehe das nicht
how do you admonish a humanity that prefers to adapt so quickly to adversity
So true
🤩
El Cielo y la Tierra pasarán, pero mi cantata no pasará dijo el autor y yo ELOI Ratifico.
Interesting to me! Germans singing in English!
German composer ;-)
It is the same thing as with Gardiner - even after Brexit he will belong to Europe and the whole wolrd
I would like some explanation...
I cannot stand the Bahrenreiter edition because it turns the bass solo of "But Who May Abide" into an alto solo. Dozens of times, I have been bass soloist in "Messiah" from the G. Schirmer edition. It's definitely preferable to the Bahrenreiter!
Well, a bass opinion :-D I like most the contralto version, preferrably Hilary Summers.
@@LadyKristo She's great definitely, but yeah, we don't hear the bass version enough.
Well, the Baerenreiter edition contains the Alto version because that's what Handel wrote. The Bass version was never performed by him but is a later tradition, and one that should be dispensed with altogether.
podobno Zenek miał śpiewać?
2:15 - 4:00 for myself
Lord of Host!!!!
What is the matter with you one Lord Three Persons ONE Host.
Give "But Who May Abide" back to basses and baritones!
2:16
7:10
10:20
13:20
Intro too fast!
Smukt og sandt.
so schlecht
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Comfort ye was sloppy at best.