Normally I would dismiss this video as all too obvious but the thorough and experienced nature and calm authority of Mr R shines. He really covers it all. Clearly here is someone who has struggled with the practicalities of humping a case full of incredibly expensive lenses and the reset times that can kill the flow on set. That said there’s a lot to be said for shooting everything on a 40mm master prime or a 35mm K35 and having a frosty ac can make lensing fun. For sure I would recommend a directors viewfinder if you’re thinking of getting organised with primes on set. It really speeds up the whole process of choosing the right lens and shot without bothering the camera rig. Thanks again to Mr R. What a genuinely nice and knowledgeable guy. Thanks.
Depends on zooms. Some can outperform 99% of primes all depends on how much you willing to spend. Beyond a certain level the differences in sharpness is not noticeable. Zooms have weird bokeh though especially some of the super sharp ones.
Have you had the opportunity to shoot on high end cine zooms like the Premistas? Wonder how much better they would be compared to zooms at a lower price point.
Thank you for this video. Very practical and to the point. I fit primes as the obvious choice for many reasons. My ego wants a big zoom on my rig. Thanks for checking my ego at the door.
cine prime is better, cine zoom add weight / length and usually you end up using a single focal length anyway, also slower lens compared to prime. cine zoom only for specific shots
Normally I would dismiss this video as all too obvious but the thorough and experienced nature and calm authority of Mr R shines. He really covers it all. Clearly here is someone who has struggled with the practicalities of humping a case full of incredibly expensive lenses and the reset times that can kill the flow on set. That said there’s a lot to be said for shooting everything on a 40mm master prime or a 35mm K35 and having a frosty ac can make lensing fun. For sure I would recommend a directors viewfinder if you’re thinking of getting organised with primes on set. It really speeds up the whole process of choosing the right lens and shot without bothering the camera rig. Thanks again to Mr R. What a genuinely nice and knowledgeable guy. Thanks.
Cheers Ken! I appreciate you taking the time to share your experience.
Depends on zooms. Some can outperform 99% of primes all depends on how much you willing to spend. Beyond a certain level the differences in sharpness is not noticeable. Zooms have weird bokeh though especially some of the super sharp ones.
Have you had the opportunity to shoot on high end cine zooms like the Premistas? Wonder how much better they would be compared to zooms at a lower price point.
Haven't tried them but I'm interested.
I learn so much in your vids tx
Do you own these lenses? I'd love to watch some comparison actually.. for example how the 18-35 looks at 35mm @ T2.2 vs prime 35mm @ T2.2
The look pretty much the same, with the Zoom being oh-so-slightly softer. I did a couple of tests but couldn't find any difference at the same stop.
If you shoot live events and you don’t have a lot of control about where you place your camera a zoom lens is a better choice.
So many useful thoughts!
Thank you for this video. Very practical and to the point. I fit primes as the obvious choice for many reasons. My ego wants a big zoom on my rig. Thanks for checking my ego at the door.
cine prime is better, cine zoom add weight / length and usually you end up using a single focal length anyway, also slower lens compared to prime.
cine zoom only for specific shots
Just buy Carl Zeiss Planar 50mm f/0.7. Boom all problems solved.
Yes! For when you want your actor's eye in focus, but their eye lashes blurred😂
I can't stand the jump cuts